Jan Allen Joyce Wieland: Twilit Record of Romantic Love The Agnes Etherington Art Centre, Queen’s …
Jan Allen Joyce Wieland: Twilit Record of Romantic Love The Agnes Etherington Art Centre, Queen’s University December 18, 1994 – March 26 1995 from the catalogue [ 4,018 words ] FOREWORD This exhibition is another link in a chain of recent events concerning Joyce Wieland and the Agnes Etherington Art Centre. Although the Art Centre […]
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Read MoreJoyce Wieland’s catalogue 2 Although many of the drawings are undated, the chronology used here …
Joyce Wieland’s catalogue 2 Although many of the drawings are undated, the chronology used here has been established on the basis of style, medium and condition, augmented by notes and groupings of works within Wieland’s archive. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 3 ‘The Mummification of Mommy: Joyce Wieland as the AGO’s First Living …
Joyce Wieland’s catalogue 3 ‘The Mummification of Mommy: Joyce Wieland as the AGO’s First Living Other,’ SightLines: Reading Contemporary Canadian Art, eds. Jessica Bradley and Lesley Johnstone (Montreal: Artextes editions, 1994), p. 159. fp C Magazine, no. 13, 1987. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 4 Marie Fleming, ‘Joyce Wieland,’ Joyce Wieland (Toronto: Art Gallery …
Joyce Wieland’s catalogue 4 Marie Fleming, ‘Joyce Wieland,’ Joyce Wieland (Toronto: Art Gallery of Ontario, 1987), p. 23. Fleming identifies the publication as Hans Bollinger, Picasso’s Vollard Suite (Stuttgart: Verlag Gerd Hatje, 1956; English transl. London: Thames and Hudson, 1956) and points out that Wieland acquired her own copy in 1959. Text: © Agnes Etherington […]
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Read MoreJoyce Wieland’s catalogue 5 ‘Full Circle: True Patriot Womanhood: The 30-year Passage of Joyce …
Joyce Wieland’s catalogue 5 ‘Full Circle: True Patriot Womanhood: The 30-year Passage of Joyce Wieland,’ Canadian Art (Spring, 1987), p. 56. Picasso uses similar differentiation of figures in the Vollard. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 6 Marie Fleming discusses the red-ink works of the early 1960s, op …
Joyce Wieland’s catalogue 6 Marie Fleming discusses the red-ink works of the early 1960s, op cit, p. 32. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 7 ‘Love Potions, Truth Serums,’ Public 10 (Toronto: Public Access, …
Joyce Wieland’s catalogue 7 ‘Love Potions, Truth Serums,’ Public 10 (Toronto: Public Access, 1994), p. 90. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 8 ibid. p. 88. The birth control pill was not readily accessible in …
Joyce Wieland’s catalogue 8 ibid. p. 88. The birth control pill was not readily accessible in Canada during the 1960s: it could not, by law, be advertised and many physicians were reluctant to prescribe it to unmarried women. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 9 ‘The Protean Vision of Joyce Wieland,’ Maclean’s, 100 (27 April 1987), …
Joyce Wieland’s catalogue 9 ‘The Protean Vision of Joyce Wieland,’ Maclean’s, 100 (27 April 1987), p. 53. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 10 The lobed circular form of Untitled is discussed by Marie Fleming …
Joyce Wieland’s catalogue 10 The lobed circular form of Untitled is discussed by Marie Fleming (in relation to Wieland’s Time Machine series of paintings) as a diagram of the ovulatory cycle, op cit, p. 30. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 11 ‘Joyce Wieland, Feminist Documentary and the Body of Work,’ Canadian …
Joyce Wieland’s catalogue 11 ‘Joyce Wieland, Feminist Documentary and the Body of Work,’ Canadian Journal of Political and Social Theory, 13 (no. 1-2, 1989), p. 98. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 12 The Far Shore was conceived in 1969, shot in 1974-75 and released …
Joyce Wieland’s catalogue 12 The Far Shore was conceived in 1969, shot in 1974-75 and released in 1976; see Fleming, op cit, p. 92. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 13 For analysis and discussion of The Far Shore, see Lauren Rabinovitz, …
Joyce Wieland’s catalogue 13 For analysis and discussion of The Far Shore, see Lauren Rabinovitz, ‘The Films of Joyce Wieland,’Joyce Wieland, op cit, pp. 171-179. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 14 Interview with Margaret Rodgers, ‘Joyce Wieland: Interview,’Gallerie: …
Joyce Wieland’s catalogue 14 Interview with Margaret Rodgers, ‘Joyce Wieland: Interview,’Gallerie: Women’s Art, 12 (Winter, 1988), p. 4. See also, Margaret Rodgers, ‘The Body / The Country: An Examination of Cross-Disciplinary Connection in the Works of Margaret Atwood and Joyce Wieland,’ honours thesis, Trent University, 1989, p. 60. Text: © Agnes Etherington Art Centre, Queen’s […]
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Read MoreJoyce Wieland’s catalogue 15 Fleming, op cit, p. 93. Also discussed with the artist, 1991. Anthroposophy …
Joyce Wieland’s catalogue 15 Fleming, op cit, p. 93. Also discussed with the artist, 1991. Anthroposophy was founded in Germany by Rudolph Steiner (1861-1925). Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 16 Rabinovitz makes reference to the Peter Rabbit tales in analysis …
Joyce Wieland’s catalogue 16 Rabinovitz makes reference to the Peter Rabbit tales in analysis of Wieland’s work in film, op cit, p. 163. Naturism in the work of Joseph Beuys is related to a strong interest in the teachings of Rudolph Steiner, an intriguing common conceptual ground between Wieland and Beuys. Re: Beuys and Anthroposophy, […]
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Read MoreJoyce Wieland’s catalogue 17 Wieland described the coloured pencil works of this period as part …
Joyce Wieland’s catalogue 17 Wieland described the coloured pencil works of this period as part of a process of self-healing following the collapse of her marriage to Michael Snow. See Susan Cream ‘Notes from the Language of Emotion: A Conversation with Joyce Wieland,’Canadian Art (Spring 1987), p. 65. Text: © Agnes Etherington Art Centre, Queen’s […]
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Read MoreJoyce Wieland’s catalogue 18 The title of the show is derived from the mystical description of …
Joyce Wieland’s catalogue 18 The title of the show is derived from the mystical description of the garment of Christ in Teilhard de Chardin’s Hymn of the Universe. See Fleming, op cit, p. 93. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 19 Wieland’s mother, Rosseta, died when Wieland was nine years old. Text: …
Joyce Wieland’s catalogue 19 Wieland’s mother, Rosseta, died when Wieland was nine years old. Text: © Agnes Etherington Art Centre, Queen’s University. All rights reserved.
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Read MoreJoyce Wieland’s catalogue 20 ‘Joyce Wieland: Isaacs Gallery, Toronto,’Parachute (Summer 1981), …
Joyce Wieland’s catalogue 20 ‘Joyce Wieland: Isaacs Gallery, Toronto,’Parachute (Summer 1981), p. 45. Jay Scott also comments on the extent to which Wieland’s drawings of the early 1980s were out of step with the mood of contemporary art in Toronto in this period, op cit, p. 56. Text: © Agnes Etherington Art Centre, Queen’s University. […]
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Read MoreRoy Arden Vernacular Photography and Realism Canadian Art Vol. 15 No.4 Winter 1998 Kennedy …
Roy Arden Vernacular Photography and Realism Canadian Art Vol. 15 No.4 Winter 1998 Kennedy Bradshaw was a mechanic from Cornwall, England. He moved to Keno City, a silver-mining community in the Yukon, in 1952. Bradshaw was also an amateur photographer who conscientiously depicted the everyday life of his small isolated community. When he died in […]
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Read MoreRoy Arden Tabula Nova: A Personal Account of the Nova Gallery Real Pictures – Photographs from …
Roy Arden Tabula Nova: A Personal Account of the Nova Gallery Real Pictures – Photographs from the Collection of Claudia Beck and Andrew Gruft , Vancouver Art Gallery, 2005. The 70’s Context This is a very personal view of a particular time and place in the history of Vancouver art and the history of photographic […]
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Read MoreRoy Arden Steven Shearer: Swinging Lumpen I am in Steven Shearer’s studio, it’s almost midnight …
Roy Arden Steven Shearer: Swinging Lumpen I am in Steven Shearer’s studio, it’s almost midnight and we’ve dropped by to have a beer and see his latest work. His first completely hand-rendered paintings since art school, they are fluorescent, apocalyptic visions of heavy metal concerts. If they were less expertly executed they could pass for […]
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Read MoreRoy Arden Greg Foreword for Greg Girard Half the Surface of the World catalogue, Clark & Faria …
Roy Arden Greg Foreword for Greg Girard Half the Surface of the World catalogue, Clark & Faria Gallery, Toronto 2009. When Greg Girard asked me if I could write this foreword, I deduced he didn’t want a prosaic description of his new project Half the Surface of the World – that would be well enough […]
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Read MoreRoy Arden Vancouver artist Roy Arden become aware of Al Neil in the late 70s while a resident …
Roy Arden Vancouver artist Roy Arden become aware of Al Neil in the late 70s while a resident at the artist-run gallery, Pumps. His interest in Neil’s presence and influence in the Vancouver scene has maintained itself over the years. Vancouver has not displayed distinct lines of aesthetic “tradition” from one generation to the next […]
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Read MoreRoy Arden Udo Koch: Ectoplasm and the Wirtschaftswunder Notes on work from 1988 – 91 Text for …
Roy Arden Udo Koch: Ectoplasm and the Wirtschaftswunder Notes on work from 1988 – 91 Text for exhibition catalogue Udo Koch, Museum für Moderne Kunst, Frankfurt 1994. In his Mechanization Takes Command, the Swiss art historian Siegfried Giedion traces the effects of mechanization on various aspects of work, everyday life and art. One of the […]
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Read MoreRoy Arden The Dignity of the Photograph Art Press no. 251, November 1999. Jeff Wall and Roy …
Roy Arden The Dignity of the Photograph Art Press no. 251, November 1999. Jeff Wall and Roy Arden JW: We’re going to talk about the photographers we like best – that’s Walker Evans, Wols, Atget, Weegee and Heinrich Zille, and maybe August Sander and Robert Frank. It’s amazing that we almost agree on who the […]
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Read MoreRoy Arden SUPERNATURAL – Neil Campbell & Beau Dick Curator’s text for exhibition catalogue Supernatural, …
Roy Arden SUPERNATURAL – Neil Campbell & Beau Dick Curator’s text for exhibition catalogue Supernatural, Contemporary Art Gallery, Vancouver 2004. Neil Campbell and Beau Dick come from very different cultures. Campbell grew up a third generation Irish-Canadian on a Saskatchewan farm; Dick descended from a line of Kwakwaka’wakw artists. It has become routine to view […]
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Read MoreRoy Arden Photography, Genre and Continuity Curator’s text for the exhibition bonus, Contemporary …
Roy Arden Photography, Genre and Continuity Curator’s text for the exhibition bonus, Contemporary Art Gallery, Vancouver 1997. In his somewhat obscure “The Camera’s Glass Eye: Review of an Exhibition of Edward Weston” of 1937, Clement Greenberg does much more than lambaste Weston for his modern-style pictorialism. Remarkably, Greenberg offers here a concise prescription for both […]
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Read MoreRoy Arden Useless Reportage – Notes on Helen Levitt’s In the Street Afterall, issue 06, London …
Roy Arden Useless Reportage – Notes on Helen Levitt’s In the Street Afterall, issue 06, London / Los Angeles, 2002. Helen Levitt’s In the Street is a non-narrative, short film by a photographer, as such it is a very rare bird. There are few entries in this category and they have largely gone unnoticed as […]
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Read MoreRoy Arden Hans-Peter Feldmann Contemporary Art Gallery, Vancouver 2006. This curator’s text …
Roy Arden Hans-Peter Feldmann Contemporary Art Gallery, Vancouver 2006. This curator’s text was published for the exhibition ‘Hans-Peter Feldmann’ at the Contemporary Art Gallery, Vancouver, June 9 – August 20, 2006. Instead of an exhibition catalogue, the artist’s book “Birgit” by Hans-Peter Feldmann was published by the CAG and is distributed by the CAG and […]
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Read MoreRoy Arden Consolation Prize: Mike Kelley and John Miller Curator’s text for Consolation Prize …
Roy Arden Consolation Prize: Mike Kelley and John Miller Curator’s text for Consolation Prize exhibition catalogue, Morris and Helen Belkin Art Gallery, U.B.C., Vancouver 2001 Introduction Consolation Prize presents multimedia works by the American artists Mike Kelley and John Miller. They have been friends and collaborators since their student days at California Institute of the […]
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Read MoreRoy Arden Sun Pictures to Photoconceptualism Curator’s text for exhibition Vancouver Collects …
Roy Arden Sun Pictures to Photoconceptualism Curator’s text for exhibition Vancouver Collects at the Vancouver Art Gallery 2001. Introduction This exhibition presents over three hundred photographic artworks dating from 1844 to 1981, all graciously lent by thirty different private collectors. While many of these collectors are directly involved in the visual arts, others work in […]
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Read MoreRoy Arden Stephen Waddell’s Depictive Art Curator’s text for exhibition catalogue Stephen Waddell, …
Roy Arden Stephen Waddell’s Depictive Art Curator’s text for exhibition catalogue Stephen Waddell, Contemporary Art Gallery, Vancouver 2008. Stephen Waddell was born and raised in the Vancouver area. His Mother is an opera singer and music teacher and his stepfather was an animator. Waddell drew and painted as a child and his family home was […]
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Read MoreJohn Armstrong Angela Grauerholz Olga Korper Gallery, Toronto (and Oakville Galleries’ reception …
John Armstrong Angela Grauerholz Olga Korper Gallery, Toronto (and Oakville Galleries’ reception foyer) BorderCrossings 16:4, Fall 1997 “There was detachment in his [her] zeal and curiosity in his [her] indifference.” The Ambassadors, (1903) Henry James Feeling a bit like a Henry James protagonist, I try to pin down precise locations for Angela Grauerholz’s remarkably elastic […]
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Read MoreJohn Armstrong Artes Moriendi: Carlo Cesta, Lisa Neighbour, Fastwürms Toronto Sculpture …
John Armstrong Artes Moriendi: Carlo Cesta, Lisa Neighbour, Fastwürms Toronto Sculpture Garden C Magazine 38, Summer 1993 [ 1,003 words ] Although the artists in Artes Moriendi do not appear to have set out to engage any single tradition of burial, their three outdoor installations are framed by St. James Cathedral, across the street from […]
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Read MoreJohn Armstrong Ben Walmsley, Still Garnet Press Gallery, Toronto C International Contemporary …
John Armstrong Ben Walmsley, Still Garnet Press Gallery, Toronto C International Contemporary Art 55, Fall 1997 [ 716 words ] Toronto artist Ben Walmsley has been exhibiting an understated wit and technical precision to art audiences since 1983. In this respect, his most recent show Still is no exception. But the particular range of arcane […]
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Read MoreJohn Armstrong Denyse Thomasos “Mud”, Toronto at the Ottawa Art Gallery and Olga Korper Gallery, …
John Armstrong Denyse Thomasos “Mud”, Toronto at the Ottawa Art Gallery and Olga Korper Gallery, Toronto C Magazine #45, Spring 1995 [ 481 words ] Three Ontario exhibitions this past fall afford an overview of Denyse Thomasos’s recent paintings. These works continue the Philadelphia-based, Trinidad Canadian artist’s longstanding interest in engaging the histories and methodologies […]
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Read MoreJohn Armstrong Fairfield Porter: An American Artist The Albright Knox Art Gallery, Buffalo Artword …
John Armstrong Fairfield Porter: An American Artist The Albright Knox Art Gallery, Buffalo Artword 20, Winter 1994/95 [ 417 words ] At the beginning of May, I visited the Albright Knox to view a retrospective of the paintings of Fairfield Porter (1907-1975). It struck me that it may not be coincidental that both Porter and […]
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Read MoreJohn Armstrong Francesca Vivenza The Art Gallery of Hamilton and The Koffler Gallery, North York QW …
John Armstrong Francesca Vivenza The Art Gallery of Hamilton and The Koffler Gallery, North York QW 3, Summer 1995 [ 523 words ] Two exhibitions this spring present a selection of Italian Canadian artist Francesca Vivenza’s artworks produced since 1988. The Art Gallery of Hamilton exhibition, Prosperity Returns: The Oral Tradition in Painting (curated by […]
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Read MoreJohn Armstrong Julie Voyce, The Solo Show with a Boutique The Art Gallery of Mississauga C International …
John Armstrong Julie Voyce, The Solo Show with a Boutique The Art Gallery of Mississauga C International Contemporary Art 52, Winter 1996/97 [ 597 words ] With her most recent exhibition, Julie Voyce’s longstanding preoccupation with often caustic, warts-and-all renderings of the process of aging has extended into a collaborative realm. In preparation for this […]
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Read MoreJohn Armstrong Laurie Walker, A Material Writing of Things Gairloch Gardens (Oakville Galleries), …
John Armstrong Laurie Walker, A Material Writing of Things Gairloch Gardens (Oakville Galleries), Oakville, Ontario C Magazine #43, Fall 1994 [ 511 words ] There are exhibitions in which the juxtaposition of site and artwork create a surprising and insistent mutuality. The possibility of this was undoubtedly part of independent curator Barbara Fischer’s rationale for […]
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Read MoreJohn Armstrong Lorène Bourgeois: Large-Scale Monotypes Anna Leonowens Gallery, NSCAD, Halifax ArtsAtlantic …
John Armstrong Lorène Bourgeois: Large-Scale Monotypes Anna Leonowens Gallery, NSCAD, Halifax ArtsAtlantic 39, Winter 1990 – 91 [ 759 words ] This exhibit was part of a dizzying series of rapid-fire, one-week shows of the work of NSCAD summer faculty. In April 1989, Bourgeois showed a larger selection of her work at Halifax’s Eye Level […]
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Read MoreJohn Armstrong Lucy Hogg Vancouver Art Gallery C Magazine #42, Summer 1994 [ 646 words ] Lucy …
John Armstrong Lucy Hogg Vancouver Art Gallery C Magazine #42, Summer 1994 [ 646 words ] Lucy Hogg’s installation of her paintings at the VAG is an extravagant refiguration of the spectacle of the early- to mid-19th-century French academy as it may now be seen at the Louvre or The Musée d’Orsay. The exhibition occupies […]
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Read MoreJohn Armstrong Mary Balomenos, Catch(e) Gallery 101, Ottawa, and Galerie Sans Nom, Moncton C …
John Armstrong Mary Balomenos, Catch(e) Gallery 101, Ottawa, and Galerie Sans Nom, Moncton C Magazine #33, Spring 1992 [ 848 words ] Mary Balomenos is an anglophone, second-generation Greek Canadian who has spent the last ten years developing her painting in Paris, France. This complex cultural situation manifests itself not only physically in her crowded […]
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Read MoreJohn Armstrong Misrule at the Apollo 12 Temperance Street, Toronto C Magazine #44, Winter 1994 …
John Armstrong Misrule at the Apollo 12 Temperance Street, Toronto C Magazine #44, Winter 1994 [ 621 words ] Misrule at the Apollo is an exhibition of twelve Toronto and Montreal artists held in a vacant, unrepentant 1950s downtown office space. The exhibition seeks to provide an alternative to the strictures of a perceived orthodoxy […]
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Read MoreJohn Armstrong Oliver Girling, Soft Image The Red Head Gallery, Toronto C International Contemporary …
John Armstrong Oliver Girling, Soft Image The Red Head Gallery, Toronto C International Contemporary Art 54, Fall 1997 [ 495 words ] Soft Image assembles arrestingly chromatic and decidedly gauzy examples from the past half-decade of Oliver Girling’s paintings, several of which span that time period with enough reglazing to give Venetian luminosity a run […]
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Read MoreJohn Armstrong Painting Disorders: Fast 520 King Street West, Toronto “Disorderly Conduit”, …
John Armstrong Painting Disorders: Fast 520 King Street West, Toronto “Disorderly Conduit”, BorderCrossings 16:2, Spring 1997 [ 1,036 words ] We are condemned to melancholically explore either the decade into which we were born or the decades just preceding our birth. This task risks a grim tenor, as one can never really know what it […]
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Read MoreJohn Armstrong Paul Collins Galerie Janos, Paris C International Contemporary Art 48, Winter …
John Armstrong Paul Collins Galerie Janos, Paris C International Contemporary Art 48, Winter 1995/96 [ 510 words ] In this exhibition Paul Collins has translated a variation of the four-colour, dot-matrix printing process into paintings that use bubble wrap packaging material as printing plates. This process creates surprisingly variegated impressions of layered dot screens in […]
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Read MoreJohn Armstrong Peter Bowyer Further Arrangement, The Power Plant, Toronto C Magazine #47, Fall …
John Armstrong Peter Bowyer Further Arrangement, The Power Plant, Toronto C Magazine #47, Fall 1995 [ 507 words ] Further Arrangement proposes quizzical views of contemporary urban life executed in an illustrative deadpan. A happy marriage of Koyaanisquatsi and New Yorker cartoons might best describe these drawings and paintings. The Power Plant’s upstairs gallery opens […]
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Read MoreJohn Armstrong Peter Legris Costin and Klintworth Gallery, Toronto C International Contemporary …
John Armstrong Peter Legris Costin and Klintworth Gallery, Toronto C International Contemporary Art 50, Summer 1996 [ 502 words ] Each of the ten paintings in Peter Legris’s exhibition is based on one of three photographs taken by the artist of parking lots and turn-of-the-century warehouse buildings along Toronto’s King Street. The chiaroscuro daylight and […]
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Read MoreJohn Armstrong Thoughts Arising from an Exhibition: Seeing Jeannie Thib C International Contemporary …
John Armstrong Thoughts Arising from an Exhibition: Seeing Jeannie Thib C International Contemporary Art #67/68, Winter 2000 – 2001. [ 1,722 words ] Seeing Jeannie Thib’s Model / Mimic (1995) brings to mind my Aunt Florence’s white gloves – the gloves she wore in 1930 when she first moved to Toronto at the age of […]
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Read MoreJohn Armstrong on Jeannie Thib 1- ‘Population Info,’ The Canadian Encyclopedia, 2nd ed., 4 vols. …
John Armstrong on Jeannie Thib 1- ‘Population Info,’ The Canadian Encyclopedia, 2nd ed., 4 vols. (Edmonton: Hurtig, 1989), 4: 2235. Text: © John Armstrong. All rights reserved.
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Read MoreJohn Armstrong on Jeannie Thib 2 – Patricia McHugh, Toronto Architecture: A City Guide, 2nd ed., …
John Armstrong on Jeannie Thib 2 – Patricia McHugh, Toronto Architecture: A City Guide, 2nd ed., (Toronto: McClelland, 1989), 20.. Text: © John Armstrong. All rights reserved.
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Read MoreJohn Armstrong on Jeannie Thib 3 – Christopher Breward, The Culture of Fashion (Manchester and …
John Armstrong on Jeannie Thib 3 – Christopher Breward, The Culture of Fashion (Manchester and New York, Manchester University Press, 1995), 126. Text: © John Armstrong. All rights reserved.
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Read MoreJohn Armstrong on Jeannie Thib 4 – The photographer Charles G. Milne immigrated to Canada from …
John Armstrong on Jeannie Thib 4 – The photographer Charles G. Milne immigrated to Canada from Scotland, first establishing a business in Medicine Hat and then opening a photographic studio in Toronto in 1920. In 1932, Milne moved his Yonge Street studio to a new location several doors south. Milne trained his son, Gilbert Milne, […]
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Read MoreJohn Armstrong The Tim Jocelyn Collection The Museum for Textiles, Toronto C International Contemporary …
John Armstrong The Tim Jocelyn Collection The Museum for Textiles, Toronto C International Contemporary Art 49, Spring 1996 [ 521 words ] This exhibition of the late Tim Jocelyn’s work time-travels through the twentieth century. His appliquéd and pieced textiles suggest a post-war euphoria of images from Kandinsky through Déco to Modern-Style, and on to […]
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Read MoreJohn Armstrong Up North: A Northern Ontario Tragedy The Museum for Textiles, Toronto C International …
John Armstrong Up North: A Northern Ontario Tragedy The Museum for Textiles, Toronto C International Contemporary Art 56, November 1997 – January 1998 [ 1,347 words ] In 1993, curator Andrew Hunter placed Tom Thomson’s painting, The Birch Grove, Autumn (1917) along with several Thomson-indebted contemporary artworks, a suspended aluminum boat, and a tasseled and […]
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Read MoreJohn Armstrong Brent Roe: Roe Reversal Catalogue essay published by the Agnes Etherington Art …
John Armstrong Brent Roe: Roe Reversal Catalogue essay published by the Agnes Etherington Art Centre on the occasion of the exhibition Who Means What / Brent Roe / Paintings / 1992-2001, 2002. [ 2,729 words ] Those who have attended one of Toronto artist Brent Roe’s infrequent artist talks may recall the artist’s combination of […]
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Read MoreJohn Armstrong Preserve Art Gallery of Peterborough Catalogue essay by curator John Armstrong …
John Armstrong Preserve Art Gallery of Peterborough Catalogue essay by curator John Armstrong published by the Art Gallery of Peterborough on the occasion of the exhibition Jeannie Thib: Preserve, 2001. [ 1,451 words ] Preserve assembles a selection of Jeannie Thib’s printed and sculptural works from the past five years. These artworks present Thib’s interest […]
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Read MoreJohn Armstrong Milne gets Pantheon treatment David B. Milne: Catalogue Raisonné of the Paintings …
John Armstrong Milne gets Pantheon treatment David B. Milne: Catalogue Raisonné of the Paintings By David Milne Jr. and David P. Silcox University of Toronto Press, 1998 Two Volumes, 1,222 pages, $500 The Globe and Mail, January 30, 1999. [ 1,207 words ] David B. Milne was born in Bruce County, Ontario, in 1882, and […]
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Read MoreJohn Armstrong Eliza Griffiths: Karate Girls and Protégés Mercer Union, Toronto C International …
John Armstrong Eliza Griffiths: Karate Girls and Protégés Mercer Union, Toronto C International Contemporary Art, 57 February 1998 – March 1998. [ 609 words ] In a handwritten statement pinned to the gallery’s entrance wall, Ottawa artist Eliza Griffiths discusses her ‘girls” dilemma: adolescent women know they are trivialized by cosmetic products such as Loves […]
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Read MoreJohn Armstrong Denise Macharacek: Cake & Bread Art Gallery of Peel Brochure essay by curator …
John Armstrong Denise Macharacek: Cake & Bread Art Gallery of Peel Brochure essay by curator John Armstrong published by the Art Gallery of Peel on the occasion of the exhibition : Cake & Bread, 2003. [ 736 words ] Over the past several years, I’ve encountered clusters of Denise Macharacek’s quizzical, small-scale paintings in a […]
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Read MoreJohn Armstrong ‘Painting: dead again?’ The coffin keeps being slammed shut on painting but then …
John Armstrong ‘Painting: dead again?’ The coffin keeps being slammed shut on painting but then the lid springs open The Globe and Mail, Monday, March 12, 2001. [ 7,324 words ] Painting on the Verge of a Nervous Breakdown: It seemed a prankish title for a recent panel held by Toronto’s Power Plant gallery. Until […]
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Read MoreJohn Armstrong Rapprochement – Carmelo Arnoldin and Judith Schwarz: Portal The Koffler Gallery, …
John Armstrong Rapprochement – Carmelo Arnoldin and Judith Schwarz: Portal The Koffler Gallery, North York C International Contemporary Art #66, Summer 2000. [ 2,514 words ] The two-person exhibition is one of the most fraught of curatorial enterprises – linking artists in a teeter-totter relationship. If successful, such exhibitions reveal unexpected interpretive avenues for understanding […]
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Read MoreJohn Armstrong Tom Bendtsen, Project Room; Ross Sinclair, Main Gallery [1998] Mercer Union, …
John Armstrong Tom Bendtsen, Project Room; Ross Sinclair, Main Gallery [1998] Mercer Union, Toronto Parachute 90, April – June 1998. [ 1,017 words ] Two concurrent installations at Mercer Union this fall presented cobbled towers that mischievously entertain autobiography: Tom Bendtsen has built a tightly packed architecture of books, and Ross Sinclair, a tree fort […]
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Read MoreJohn Armstrong Lucy Hogg: Closet Abstracts Anodyne Contemporary Art, Vancouver C International …
John Armstrong Lucy Hogg: Closet Abstracts Anodyne Contemporary Art, Vancouver C International Contemporary Art #67 / 68, Winter 2000-2001. [ 552 words ] For several years, Lucy Hogg has referred to her on-going, non-figural works as ‘closet abstracts’. This term reminds me of ‘Abstracts at Home’, the title of the 1953 exhibition that introduced a […]
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Read MoreJohn Armstrong Vacation in Black and White: The Travels of Dianne Bos C International Contemporary …
John Armstrong Vacation in Black and White: The Travels of Dianne Bos C International Contemporary Art #65, March – June 2000. [ 1,987 words ] Love, do you laugh about love? Do you dream about dreams? Love, can you laugh about love? Do you dream about dreams? Love, I ride your back across the deep […]
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Creator ID: 671
Read MoreJohn Armstrong Faki: No Protest Songs Open Studio Gallery, Toronto C International Contemporary …
John Armstrong Faki: No Protest Songs Open Studio Gallery, Toronto C International Contemporary Art #64, Dec. 1999 – Feb. 2000. [ 445 words ] As in previous Toronto exhibitions, Nigerian-Canadian artist Faki asks us to consider banner-sized printed images depicting forcible detention or torture in his recent show, No Protest Songs. Faki depicts four witness […]
Writing ID: 69
Creator ID: 671
Read MoreJohn Armstrong Portrait of the artist in celluloid: Let’s just say that Hollywood loves high …
John Armstrong Portrait of the artist in celluloid: Let’s just say that Hollywood loves high drama a lot more than the nuances of art history The Globe and Mail, Friday, March 16, 2001. [ 445 words ] In Ed Harris’s film Pollock, the depiction of Jackson Pollock and Lee Krasner’s courtship and marriage is vivid […]
Writing ID: 70
Creator ID: 671
Read MoreJohn Armstrong Sandra Rechico: ‘gulp’ Art Gallery of Mississauga, October 29 – December 4, 1998. …
John Armstrong Sandra Rechico: ‘gulp’ Art Gallery of Mississauga, October 29 – December 4, 1998. Southern Alberta Art Gallery, March 13 – April 27, 1999. C International Contemporary Art #62, May – July 1999. [ 560 words ] ‘gulp’ opens with Sandra Rechico’s 1995 Floor Show, a wall-to-wall installation of pinkish-painted floor tiles sporting cut-outs […]
Writing ID: 71
Creator ID: 671
Read MoreJohn Armstrong Location Location Location: Robert Birch Gallery, Toronto C International Contemporary …
John Armstrong Location Location Location: Robert Birch Gallery, Toronto C International Contemporary Art #63, September – November 1999. [ 2,026 words ] The idea that a gallery – home to artists of some international reputation – might be rooted in the neighbourly discourse of a specific geographic location may seem quaintly anachronistic at the beginning […]
Writing ID: 72
Creator ID: 671
Read MoreJohn Armstrong Jeannie Thib: Preserve Art Gallery of Peterborough, 2001 Catalogue essay published …
John Armstrong Jeannie Thib: Preserve Art Gallery of Peterborough, 2001 Catalogue essay published by the Art Gallery of Peterborough on the occasion of the exhibition. [ 1,455 words ] Preserve assembles a selection of Jeannie Thib’s printed and sculptural works from the past five years. These artworks present Thib’s interest in the history of textiles […]
Writing ID: 73
Creator ID: 671
Read MoreJohn Armstrong Robert Wiens [1998] Susan Hobbs Gallery, Toronto C International Contemporary …
John Armstrong Robert Wiens [1998] Susan Hobbs Gallery, Toronto C International Contemporary Art 59, September 1998 – November 1998. [ 522 words ] Robert Wiens’s six three-metre-high watercolours of wizened pine trunks set Susan Hobbs’s long, thin gallery up as a kind of back-alley Valhalla, a nave of virtual pillars reaching to the whitewashed ceiling’s […]
Writing ID: 74
Creator ID: 671
Read MoreJohn Armstrong Roland Jean: I am the greatest Mercer Union, Toronto, 1997 Published by Mercer …
John Armstrong Roland Jean: I am the greatest Mercer Union, Toronto, 1997 Published by Mercer Union in an exhibition brochure. [ 1,222 words ] ‘Caricature is a double thing; it is both drawing and idea – the drawing violent, the idea caustic and veiled.’ -Charles Baudelaire, ‘On the Essence of Laughter’ (1855). The Painter of […]
Writing ID: 75
Creator ID: 671
Read MoreJohn Armstrong Seeing Jeannie Thib The Oakville Galleries in Gairloch Gardens, Oakville, Ontario. …
John Armstrong Seeing Jeannie Thib The Oakville Galleries in Gairloch Gardens, Oakville, Ontario. C International Contemporary Art #67/68, Winter 2000 – 2001. [ 1,722 words ] Seeing Jeannie Thib’s Model / Mimic (1995) brings to mind my Aunt Florence’s white gloves – the gloves she wore in 1930, when she first moved to Toronto at […]
Writing ID: 76
Creator ID: 671
Read MoreJohn Armstrong on Jeannie Thib 1 ‘Population Info,’ The Canadian Encyclopedia, 2nd ed., 4 vols. …
John Armstrong on Jeannie Thib 1 ‘Population Info,’ The Canadian Encyclopedia, 2nd ed., 4 vols. (Edmonton: Hurtig, 1989), 4: 2235. Text: © John Armstrong. All rights reserved.
Writing ID: 77
Creator ID: 671
Read MoreJohn Armstrong on Jeannie Thib 2 Patricia McHugh, Toronto Architecture: A City Guide, 2nd ed., …
John Armstrong on Jeannie Thib 2 Patricia McHugh, Toronto Architecture: A City Guide, 2nd ed., (Toronto: McClelland & Stewart, 1989), p. 20. Text: © John Armstrong. All rights reserved.
Writing ID: 78
Creator ID: 671
Read MoreJohn Armstrong on Jeannie Thib 3 Christopher Breward, The Culture of Fashion (Manchester and …
John Armstrong on Jeannie Thib 3 Christopher Breward, The Culture of Fashion (Manchester and New York, Manchester University Press, 1995), p. 126. Text: © John Armstrong. All rights reserved.
Writing ID: 79
Creator ID: 671
Read MoreJohn Armstrong on Jeannie Thib 4 The photographer Charles G. Milne immigrated to Canada from …
John Armstrong on Jeannie Thib 4 The photographer Charles G. Milne immigrated to Canada from Scotland, first establishing a business in Medicine Hat and then opening a photographic studio in Toronto in 1920. In 1932, Milne moved his Yonge Street studio to a new location several doors south. Milne trained his son, Gilbert Milne, who […]
Writing ID: 80
Creator ID: 671
Read MoreJohn Armstrong Tableau Vivant: 1995 – 2000 C International Contemporary Art #69, Spring 2001. …
John Armstrong Tableau Vivant: 1995 – 2000 C International Contemporary Art #69, Spring 2001. [ 3,359 words ] During the past few years, Toronto has witnessed a mushrooming of small galleries along a stretch of Queen Street West (west of Niagara) that is now fairly teeming with young commercial exhibition spaces. Wren Jackson’s Tableau Vivant […]
Writing ID: 81
Creator ID: 671
Read MoreJohn Armstrong Eliza Griffiths, Karate Girls and Protégés Mercer Union, Toronto. C International …
John Armstrong Eliza Griffiths, Karate Girls and Protégés Mercer Union, Toronto. C International Contemporary Art #57 February 1998 – March 1998. [ 612 words ] In a handwritten statement pinned to the gallery’s entrance wall, Ottawa artist Eliza Griffiths discusses her “girls’” dilemma: adolescent women know they are trivialized by cosmetic products such as L§ves […]
Writing ID: 82
Creator ID: 671
Read MoreJohn Armstrong Jennifer Angus and John Hitchcock Open Studio, Toronto. [ 817 words ] Diagnosis …
John Armstrong Jennifer Angus and John Hitchcock Open Studio, Toronto. [ 817 words ] Diagnosis of a knot, a lump, an itch and a scratch is an ongoing collaboration in print and installation between two artists who teach print media at the University of Wisconsin-Madison. John Hitchcock teaches print in the university fine arts program […]
Writing ID: 83
Creator ID: 671
Read MoreJohn Armstrong Moyra Clark: Place Settings [ 1,096 words ] Two years ago, Moira Clark gave …
John Armstrong Moyra Clark: Place Settings [ 1,096 words ] Two years ago, Moira Clark gave me a copy of American food critic and author M. F. K. Fisher’s An Alphabet for Gourmets, a book first published in 1949. Clark explained that although the book contained some very fine recipes, most of the book describes […]
Writing ID: 84
Creator ID: 671
Read MoreJohn Armstrong Colette Laliberté, Conundrum 1 September – 8 October 2005 Wynick/Tuck Gallery, …
John Armstrong Colette Laliberté, Conundrum 1 September – 8 October 2005 Wynick/Tuck Gallery, Toronto Canadian Art, Spring 2006 [ 420 words ] In the 1990s, Colette Laliberté made tenebrous, monochromatic paintings based on blurred photographs taken from the windows of moving vehicles. In her exhibition “Conundrum,” she extends her interest in representing movement and speed […]
Writing ID: 85
Creator ID: 671
Read MoreJohn Armstrong David Diviney: Hollow Helen Pitt Gallery 2007 Canadian Art, Spring 2006 [ 1,090 …
John Armstrong David Diviney: Hollow Helen Pitt Gallery 2007 Canadian Art, Spring 2006 [ 1,090 words ] A row of rubber boots and hip waders, large, perhaps size 12, poke out from under a wall of cedar shingles that leans against the gallery wall. Kamloops artist David Diviney could have purchased all of the elements […]
Writing ID: 86
Creator ID: 671
Read MoreJohn Armstrong Atanas Bozdarov and Tomasz Smereka: WADE Charles G. Williams Pool (Wabash and …
John Armstrong Atanas Bozdarov and Tomasz Smereka: WADE Charles G. Williams Pool (Wabash and Sorauren) and Carr Street Pool (Carr and Denison), 2007 [ 580 words ] When I first read a short description of Atanas Bozdarov and Tomasz Smereka’s artwork in the 2006 WADE brochure, I circled it as a must-see. Their piece appeared […]
Writing ID: 87
Creator ID: 671
Read MoreJohn Armstrong Sandor Ajzenstat, Convergence Machine Part of Arraymusic€™s SCRATCH!3 The Case …
John Armstrong Sandor Ajzenstat, Convergence Machine Part of Arraymusic€™s SCRATCH!3 The Case Goods Warehouse, Distillery District, Toronto Canadian Art, Fall 2006 [ 434 words ] Sandor Ajzenstat is one of many artists who studied in the Ontario College of Art and Design’s Photo-Electric Arts Department. His artwork owes something to the ideas of the department’s […]
Writing ID: 88
Creator ID: 671
Read MoreJohn Armstrong Ron Terada From Masquerade: Lucy Hogg, Tulsa Kinney, Ron Terada (exhibition brochure), …
John Armstrong Ron Terada From Masquerade: Lucy Hogg, Tulsa Kinney, Ron Terada (exhibition brochure), Mercer Union, Toronto, 1997 [ 300 words ] From the early 1990s to the present day, Vancouver artist Ron Terada has worked on intimately scaled and fastidiously rendered paintings that incorporate a variety of found texts. His sources have included the […]
Writing ID: 89
Creator ID: 671
Read MoreScott Watson Art in the Fifties: Design, Leisure, and Painting in the Age of Anxiety From Vancouver …
Scott Watson Art in the Fifties: Design, Leisure, and Painting in the Age of Anxiety From Vancouver Art and Artists: 1931-1983 An inaugural exhibition in celebration of the opening of the new Vancouver Art Gallery at Robson Square, October 15-December 31 1983 [ 11,143 words ] Following the Allied victory, reconstruction in Europe and a […]
Writing ID: 90
Creator ID: 671
Read MoreRuth Auersberg Yves Gaucher Galerie Agnes Lefort, Montreal [1963] Canadian Art #88, Nov./Dec. …
Ruth Auersberg Yves Gaucher Galerie Agnes Lefort, Montreal [1963] Canadian Art #88, Nov./Dec. 1963. [ 388 words ] Yves Gaucher’s prints at the Galerie Agnes Lefort showed a private rebellion against the restrictions and taboos of conventional printmaking. Gaucher is not alone in his rebellion, but the existence of other experimentation does not diminish his […]
Writing ID: 91
Creator ID: 672
Read MoreDick Averns (Liberal Studies Faculty, Alberta College of Art and Design, Calgary) Official Acts …
Dick Averns (Liberal Studies Faculty, Alberta College of Art and Design, Calgary) Official Acts and Unofficial Actions: War Art Today, 2006 [Actes officielles et Actions officieuses: L’Art de la Guerre Aujourd’hui] Universities Art Association of Canada Annual Conference Nova Scotia College of Art and Design, Halifax, November 2-4, 2006 Session: War Art Then…War Art Now […]
Writing ID: 92
Creator ID: 34
Read MoreDick Averns Laura Brandon, Art of Memorial? The Forgotten History of Canada’s War Art. …
Dick Averns Laura Brandon, Art of Memorial? The Forgotten History of Canada’s War Art. p.xv. Text: © Dick Averns, All rights reserved.
Writing ID: 93
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Read MoreDick Averns Ibid. p.42. Text: © Dick Averns, All rights reserved.
Dick Averns Ibid. p.42. Text: © Dick Averns, All rights reserved.
Writing ID: 94
Creator ID: 34
Read MoreDick Averns Ibid. p.94 Text: © Dick Averns, All rights reserved.
Dick Averns Ibid. p.94 Text: © Dick Averns, All rights reserved.
Writing ID: 95
Creator ID: 34
Read MoreDick Averns Ibid. p.79-80. Text: © Dick Averns, All rights reserved.
Dick Averns Ibid. p.79-80. Text: © Dick Averns, All rights reserved.
Writing ID: 96
Creator ID: 34
Read MoreDick Averns Telephone Interview with Laura Brandon, September 8, 2005. Text: © Dick Averns, …
Dick Averns Telephone Interview with Laura Brandon, September 8, 2005. Text: © Dick Averns, All rights reserved.
Writing ID: 97
Creator ID: 34
Read MoreDick Averns This is turned on its head when noting that MacDonnell does not feature in Brandon’s …
Dick Averns This is turned on its head when noting that MacDonnell does not feature in Brandon’s book. Text: © Dick Averns, All rights reserved.
Writing ID: 98
Creator ID: 34
Read MoreDick Averns Imperial War Museum document: Art Commissions Committee Information for Researchers Text: …
Dick Averns Imperial War Museum document: Art Commissions Committee Information for Researchers Text: © Dick Averns, All rights reserved.
Writing ID: 99
Creator ID: 34
Read MoreDick Averns Chief Curator was Francesco Bonami Text: © Dick Averns, All rights reserved.
Dick Averns Chief Curator was Francesco Bonami Text: © Dick Averns, All rights reserved.
Writing ID: 100
Creator ID: 34
Read MoreDick Averns Curator for Zone of Urgency was Hou Hanru. Text: © Dick Averns, All rights reserved. …
Dick Averns Curator for Zone of Urgency was Hou Hanru. Text: © Dick Averns, All rights reserved.
Writing ID: 101
Creator ID: 34
Read MoreDick Averns Mona Chollet, Autodafe, The Censored Library, www.autodafe.org/correspondence/cor_art_06.htm. …
Dick Averns Mona Chollet, Autodafe, The Censored Library, www.autodafe.org/correspondence/cor_art_06.htm. Approved at first, the work was later removed from the exhibition after pressure was exerted on the museum by French officials who feared to be dragged into a diplomatic crisis between China and United States. Two other instances of censorship followed: Bat Project II, in the […]
Writing ID: 102
Creator ID: 34
Read MoreDick Averns Boris Groys, Platform 1, Documenta XI, p.21. Text: © Dick Averns, All rights reserved. …
Dick Averns Boris Groys, Platform 1, Documenta XI, p.21. Text: © Dick Averns, All rights reserved.
Writing ID: 103
Creator ID: 34
Read MoreDick Averns Ibid. Text: © Dick Averns, All rights reserved.
Dick Averns Ibid. Text: © Dick Averns, All rights reserved.
Writing ID: 104
Creator ID: 34
Read MoreDick Averns Ehud Sprinzak, “Extreme left terrorism in a democracy,” Origins of Terrorism: …
Dick Averns Ehud Sprinzak, “Extreme left terrorism in a democracy,” Origins of Terrorism: Psychologies, Ideologies, Theologies, States of Mind, p. 79. Text: © Dick Averns, All rights reserved.
Writing ID: 105
Creator ID: 34
Read MoreDick Averns http://www.forces.gc.ca/hr/dhh/cfap/engraph/home_e.asp?cat=2 (Oct 28 2006) Text: …
Dick Averns http://www.forces.gc.ca/hr/dhh/cfap/engraph/home_e.asp?cat=2 (Oct 28 2006) Text: © Dick Averns, All rights reserved.
Writing ID: 106
Creator ID: 34
Read MoreDick Averns Telephone Interview with Allan MacKay, Feb 23, 2006. Text: © Dick Averns, All rights …
Dick Averns Telephone Interview with Allan MacKay, Feb 23, 2006. Text: © Dick Averns, All rights reserved.
Writing ID: 107
Creator ID: 34
Read MoreDick Averns Ehud Sprinzak, “Extreme left terrorism in a democracy,” Origins of Terrorism: …
Dick Averns Ehud Sprinzak, “Extreme left terrorism in a democracy,” Origins of Terrorism: Psychologies, Ideologies, Theologies, States of Mind, p. 79. Text: © Dick Averns, All rights reserved.
Writing ID: 108
Creator ID: 34
Read MoreDick Averns Interview at the studio of William MacDonnell, May 2006. Text: © Dick Averns, All …
Dick Averns Interview at the studio of William MacDonnell, May 2006. Text: © Dick Averns, All rights reserved.
Writing ID: 109
Creator ID: 34
Read MoreRobert Ayre Pellan Versus the Bard [1946] Canadian Art, Vol. III #4, June 1946. [ 1,824 words …
Robert Ayre Pellan Versus the Bard [1946] Canadian Art, Vol. III #4, June 1946. [ 1,824 words ] Ever since he came home to Canada in 1940, after fourteen years in Paris, Alfred Pellan has been causing a stir. Indeed he has been, and still is, a very vortex of excitement. He was only twenty […]
Writing ID: 110
Creator ID: 673
Read MoreRobert Ayre A Note on Criticism Canadian Art, Vol. VII #4, Summer 1950. [ 2,162 words ] ‘A …
Robert Ayre A Note on Criticism Canadian Art, Vol. VII #4, Summer 1950. [ 2,162 words ] ‘A voluble tribe of marmosets,’ that is what Sickert called the critics. He really went to town on them, describing the little beasts, decked out in fancy zouave costumes, riding on the backs of a ‘lumbering inarticulate and […]
Writing ID: 111
Creator ID: 673
Read MoreRobert Ayre A Sheaf of Summer Sketches [1956] on Fritz Brantner, Arthur Lismer, Bruno and Molly …
Robert Ayre A Sheaf of Summer Sketches [1956] on Fritz Brantner, Arthur Lismer, Bruno and Molly Bobak, Will Ogilvie, Louis Muhlstock, and Jack Humphrey Canadian Art, Vol. XIII #2, Winter 1956. [ 1,262 words ] In the following pages we present a selection of sketches made during the past summer by seven Canadian painters, chosen […]
Writing ID: 112
Creator ID: 673
Read MoreIngrid Bachmann Giroux, Henri, ‘Borderline Artists, Cultural Workers and The Crisis of Democracy,’ …
Ingrid Bachmann Giroux, Henri, ‘Borderline Artists, Cultural Workers and The Crisis of Democracy,’ in The Artist in Society , ed. Carol Becker and Anne Wiens, (Chicago: SAIC and The New Art Examiner), 1995 Text: © Ingrid Bachmann. All rights reserved.
Writing ID: 113
Creator ID: 674
Read MoreIngrid Bachmann Paradox, Contradiction, Contingency, Dialogue From So, To Speak, J-P. Gilbert, …
Ingrid Bachmann Paradox, Contradiction, Contingency, Dialogue From So, To Speak, J-P. Gilbert, Sylvie Gilbert and Lesley Johnston eds., Artextes Editions, Montréal, 1999. [ 564 words ] I have been living in the city of Chicago for the past two years, a transplanted Canadian living in a country that has recently abolished all public arts funding, […]
Writing ID: 114
Creator ID: 674
Read MoreIngrid Bachmann New Craft Paradigms from Exploring Contemporary Craft: History, Theory & Critical …
Ingrid Bachmann New Craft Paradigms from Exploring Contemporary Craft: History, Theory & Critical Writing, Coach House Books and The Harbourfront Craft Studio, 2002 [ 1,886 words ] In this paper, I will attempt to map out a framework for the role of material or craft practices and theory in an increasingly immaterial and virtual world […]
Writing ID: 115
Creator ID: 674
Read MoreKafka, Parables and Paradoxes, April 20, 1922, as quoted in Paul Zumthor, Babel ou l’inachévement, …
footnote Kafka, Parables and Paradoxes, April 20, 1922, as quoted in Paul Zumthor, Babel ou l’inachévement, Paris, 1997. Text: © Pat Badani
Writing ID: 116
Creator ID: 38
Read MoreA solo exhibition that toured in Mexico in 1986-87 under the auspicies of Canadian cultural relations. Text: …
footnote A solo exhibition that toured in Mexico in 1986-87 under the auspicies of Canadian cultural relations. Text: © Pat Badani. All rights reserved.
Writing ID: 117
Creator ID: 38
Read MoreA solo exhibition held at the Maison de I’Amérique latine in Paris, 1994. Text: © Pat Badani
footnote A solo exhibition held at the Maison de I’Amérique latine in Paris, 1994. Text: © Pat Badani
Writing ID: 118
Creator ID: 38
Read MoreGilles Deleuze and François Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis, …
footnote Gilles Deleuze and François Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis, University of Minnesota Press, 1987, p. 7. Text: © Pat Badani
Writing ID: 119
Creator ID: 38
Read MorePreface to Babel ou l’inachévement. Text: © Pat Badani
footnote Preface to Babel ou l’inachévement. Text: © Pat Badani
Writing ID: 120
Creator ID: 38
Read MorePaul Zumthor, ibid., p. 138. Text: © Pat Badani
footnote Paul Zumthor, ibid., p. 138. Text: © Pat Badani
Writing ID: 121
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Read MorePaul Zumthor, ibid., p. 156. Text: © Pat Badani
footnote Paul Zumthor, ibid., p. 156. Text: © Pat Badani
Writing ID: 122
Creator ID: 38
Read MoreVerse 11, Genesis, Oxford Annotated Bible, Revised Standard Version, New York, Oxford University …
footnote Verse 11, Genesis, Oxford Annotated Bible, Revised Standard Version, New York, Oxford University Press, 1965, p. 13. Text: © Pat Badani
Writing ID: 123
Creator ID: 38
Read MoreThe Boulangerie Poilâne, a well-known French bakery cooperative, merits special praise. Text: …
footnote The Boulangerie Poilâne, a well-known French bakery cooperative, merits special praise. Text: © Pat Badani
Writing ID: 124
Creator ID: 38
Read MorePat Badani Catalogue Tower-Tour Canadian Cultural Center / Services culturels de l’Ambassade …
Pat Badani Catalogue Tower-Tour Canadian Cultural Center / Services culturels de l’Ambassade du Canada, Paris,May 16-August 29, 1997 (With an essay by Christophe Domino, Lucy McNair, translator) [ 4,295 words ] Presentation It is with special pleasure that I welcome the exhibition of Pat Badani to the Canadian Cultural Center. As a Canadian artist whose […]
Writing ID: 125
Creator ID: 38
Read MoreThese distribution outlets include Video Femmes (Québec City), Women In Focus (Vancouver), Video …
footnote These distribution outlets include Video Femmes (Québec City), Women In Focus (Vancouver), Video Out (Vancouver), Video Pool Inc. (Winnipeg), the Centre For Art Tapes (Halifax), Vidéographe (Montréal), Groupe Intérvention Video (Montréal), Co-op Vidéo de Montréal and the national data-base listing, V/Tape (Toronto). Text: © Renée Baert
Writing ID: 126
Creator ID: 675
Read MoreCo-produced by Dana Atchley and Hank Bull, respectively. Text: © Renée Baert
footnote Co-produced by Dana Atchley and Hank Bull, respectively. Text: © Renée Baert
Writing ID: 127
Creator ID: 675
Read MoreNow published from Toronto as FUSE magazine. Text: © Renée Baert
footnote Now published from Toronto as FUSE magazine. Text: © Renée Baert
Writing ID: 128
Creator ID: 675
Read MoreThe Canada Council, the federal agency responsible for funding of the arts, has been the financial …
footnote The Canada Council, the federal agency responsible for funding of the arts, has been the financial mainstay of the Canadian video community through its funding of organizations, publications, events and individual productions. Text: © Renée Baert
Writing ID: 129
Creator ID: 675
Read MoreRenée Baert Video in Canada: In Search of Authority FROM SEA TO SHINING SEA: Artist-initiated …
Renée Baert Video in Canada: In Search of Authority FROM SEA TO SHINING SEA: Artist-initiated activity in Canada, 1939-1987 edited by AA Bronson with René Blouin, Peggy Gale and Glenn Lewis The Power Plant, Toronto – June 26 – August 19, 1987 [ 5,426 words ] Video is a medium in search of its own […]
Writing ID: 130
Creator ID: 675
Read MoreDaniel Baird An Emergency of Passion On Diane Borsato’s Police, Parliament and Museum SAW Gallery …
Daniel Baird An Emergency of Passion On Diane Borsato’s Police, Parliament and Museum SAW Gallery September, 2006 Imagine walking down the street in a desolate urban neighborhood-it could be in Toronto, or Montreal, or even Brooklyn-with its shabby storefronts and drab concrete high-rise apartment buildings, its peeling billboards and pot-holed streets. Then a pair of […]
Writing ID: 131
Creator ID: 41
Read MoreMichael Barnholden Under the Logos of the Blue Mule self publishing the serial poems of Roy Kiyooka dANDelion, …
Michael Barnholden Under the Logos of the Blue Mule self publishing the serial poems of Roy Kiyooka dANDelion, Spring 2003 [ 2,086 words ] A close reading of Pacific Windows: Collected Poems of Roy Kiyooka (Talonbooks 1997), reveals much about his poetry and poetics. I had the pleasure of doing the production work on this […]
Writing ID: 132
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Read MoreMaxwell Bates Visual Art and Photography [1960] Canadian Art, Vol. XVII #2, March 1960. [ 1,348 …
Maxwell Bates Visual Art and Photography [1960] Canadian Art, Vol. XVII #2, March 1960. [ 1,348 words ] A remarkable number of painters now take photographs. Once before, in the nineteenth century, there was an interest in photography when the painter was freed from his task of recording the visual world. The photograph helped to […]
Writing ID: 133
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Read MoreJon Baturin Catalogue Evidence of Justice Southern Alberta Art Gallery, Lethbridge, December …
Jon Baturin Catalogue Evidence of Justice Southern Alberta Art Gallery, Lethbridge, December 4 1993 – January 16 1994 [from Jon Baturin: Evidence of Justice, Southern Alberta Art Gallery, Lethbridge, December 4, 1993-January 16, 1994] [ 9,056 words ] John Calcutt Jon Baturin: Inadmissible Evidence The themes and issues that animate the works of Jon Baturin […]
Writing ID: 134
Creator ID: 50
Read MoreSee for example, Discipline and Punish. The Birth of the Prison, Peregrine Books, London, 1979, …
See for example, Discipline and Punish. The Birth of the Prison, Peregrine Books, London, 1979, and Power / Knowledge, selected Interviews and other Writings 1972-1977, Harvester Wheatsheaf, London, 1980. Text: © John Baturin. All rights reserved.
Writing ID: 135
Creator ID: 50
Read MoreLouis Althusser, Lenin and Philosophy and other essays, New Left Books, London, 1971. Text: © …
Louis Althusser, Lenin and Philosophy and other essays, New Left Books, London, 1971. Text: © John Baturin. All rights reserved.
Writing ID: 136
Creator ID: 50
Read MoreWalter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, Fontana, …
Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, Fontana, London, 1973. Text: © John Baturin. All rights reserved.
Writing ID: 137
Creator ID: 50
Read MoreSee for example, The Postmodern Condition: A Report on Knowledge, Manchester University Press, …
See for example, The Postmodern Condition: A Report on Knowledge, Manchester University Press, 1986, and The Differend: Phrases in Dispute, Manchester University Press, 1988. Text: © John Baturin. All rights reserved.
Writing ID: 138
Creator ID: 50
Read MoreCarl Beam Ann Beam Anong Migwans Beam It’s All Relative Catalogue text [ 1,841 words ] Canadian …
Carl Beam Ann Beam Anong Migwans Beam It’s All Relative Catalogue text [ 1,841 words ] Canadian Clay & Glass Gallery, Waterloo- October 9th, 2004 to January 3rd, 2005 Art Gallery of Algoma, Sault Ste. Marie- March 10th to April 10th, 2005 Thunder Bay Art Gallery, Thunder Bay- April 15th to May 22nd, 2005 Art […]
Writing ID: 139
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Read MoreLynne Bell Tales of Epistemological Disorder: the Art of Jane Buyers from Jane Buyers: folio …
Lynne Bell Tales of Epistemological Disorder: the Art of Jane Buyers from Jane Buyers: folio – Kitchener-Waterloo Art Gallery June 8 – August 11, 1996 [ 2,936 words ] It is the summer of 1995, when all of eastern Canada is in the midst of a heat-wave and I’m sitting at Jane Buyers’s kitchen table […]
Writing ID: 140
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Read MoreLynne Bell on Jane Buyers 1 See Jean Hess ‘Domestic Interiors in Northern New Mexico’, Heresies …
Lynne Bell on Jane Buyers 1 See Jean Hess ‘Domestic Interiors in Northern New Mexico’, Heresies 11, vol. 3 #3 (1981), pp. 30-34. Text: © Lynne Bell. All rights reserved.
Writing ID: 141
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Read MoreLynne Bell on Jane Buyers 2 See Leonore Davidoff and Catherine Hall, Family Fortunes: Men and …
Lynne Bell on Jane Buyers 2 See Leonore Davidoff and Catherine Hall, Family Fortunes: Men and Women of the English Middle Class 1780-1850 (London: Century Hutchinson Ltd., 1987). Text: © Lynne Bell. All rights reserved.
Writing ID: 142
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Read MoreLynne Bell on Jane Buyers 3 Janice Andreae, Memory & Subjectivity (Toronto: Garnet Press Gallery, …
Lynne Bell on Jane Buyers 3 Janice Andreae, Memory & Subjectivity (Toronto: Garnet Press Gallery, 1990). Text: © Lynne Bell. All rights reserved.
Writing ID: 143
Creator ID:
Read MoreLynne Bell on Jane Buyers 4 Judith Butler, Gender Trouble: Feminism and the Subversion of Identity …
Lynne Bell on Jane Buyers 4 Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York & London: Routledge, 1990). Text: © Lynne Bell. All rights reserved.
Writing ID: 144
Creator ID:
Read MoreLynne Bell on Jane Buyers 5 See Rosi Braidotti, Nomadic Subjects: Embodiment and Sexual Difference …
Lynne Bell on Jane Buyers 5 See Rosi Braidotti, Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory (New York: Columbia University Press, 1994). Text: © Lynne Bell. All rights reserved.
Writing ID: 145
Creator ID:
Read MoreLynne Bell on Jane Buyers 6 Carol Podedworny, ‘Jane Buyers’, C Magazine (Spring 1995), p. 56. Text: …
Lynne Bell on Jane Buyers 6 Carol Podedworny, ‘Jane Buyers’, C Magazine (Spring 1995), p. 56. Text: © Lynne Bell. All rights reserved.
Writing ID: 146
Creator ID:
Read MoreLynne Bell on Jane Buyers 7 Barbara A. Babcock, The Reversible World: Symbolic Inversion in Art …
Lynne Bell on Jane Buyers 7 Barbara A. Babcock, The Reversible World: Symbolic Inversion in Art and Society (Ithaca and London: Cornell University Press, 1978). Text: © Lynne Bell. All rights reserved.
Writing ID: 147
Creator ID:
Read MoreLynne Bell on Jane Buyers 8 In twelve volumes of engraved plates, the Encyclopédie assembled …
Lynne Bell on Jane Buyers 8 In twelve volumes of engraved plates, the Encyclopédie assembled and ordered the tools and machines of the various crafts, trades, arts and sciences of mid-eighteenth century France, providing a step-by-step illustration of the production process. See Daniel Brewer, The Discourse of Enlightenment in Eighteenth-Century France: Diderot and the Art […]
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Read MoreAndrew Bell Canadian Painters in Water Colour – A Silver Jubilee Exhibition [1951] Canadian …
Andrew Bell Canadian Painters in Water Colour – A Silver Jubilee Exhibition [1951] Canadian Art, Vol. VIII #3, Spring 1951. [ 1,107 words ] What is a water colour? For such a question our fathers would have had a pat answer. Above all a water colour was a ‘pretty’ picture. The subject would be a […]
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Read MoreAndrew Bell An Exhibition of Contemporary Canadian Art Canadian Art, Vol. VII #4, Summer 1950. …
Andrew Bell An Exhibition of Contemporary Canadian Art Canadian Art, Vol. VII #4, Summer 1950. [ 1,542 words ] What is the state of the arts in Canada today? To seek an answer to this question was one of the reasons why the Royal Commission on the Arts, Letters and Sciences was set up. And […]
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Read MoreRon Benner An Answer to a Question From So, To Speak, J-P. Gilbert, Sylvie Gilbert and Lesley …
Ron Benner An Answer to a Question From So, To Speak, J-P. Gilbert, Sylvie Gilbert and Lesley Johnston eds., Artextes Editions, Montréal, 1999. [ 309 words ] My work is initiated from an understanding of what I am as a European-Canadian: how my ancestors were able to settle in southwestern Ontario as a result of […]
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Read MoreRon Benner Catalogue All That Has Value With essays by Pat Roy Mooney and Peter White McIntosh …
Ron Benner Catalogue All That Has Value With essays by Pat Roy Mooney and Peter White McIntosh Gallery, University of Western Ontario, London, February 9-March 19, 1995 Edmonton Art Gallery, January 13-February 25, 1996 Presentation House Gallery, North Vancouver, April 6-May 12, 1996 Dunlop Art Gallery, Regina Public Library, November 9-December 15, 1996. [ 8,107 […]
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Read MoreWilliam E. Fry, et al., ‘Historical and Recent Migrations of Phytophthora Infestans: Chronology, …
William E. Fry, et al., ‘Historical and Recent Migrations of Phytophthora Infestans: Chronology, Pathways, and Implications,’ Plant Diseases, July 1993, p. 653. Text: © Ron Benner
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Read MoreThe fungus now attacks two major crops-potato and tomato-as well as their unrelated undomesticated …
The fungus now attacks two major crops-potato and tomato-as well as their unrelated undomesticated species. It is believed that it affects still other uncultivated species but no list is available. Text: © Ron Benner
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Read MoreAccording to Cultural Survival Canada, among the other indigenous nations in the region are the …
According to Cultural Survival Canada, among the other indigenous nations in the region are the Huichol, Zacatec, Tepehuan, Acaxee, Lacandon and Tarahumara, who-along with the Otomi and Huastec-have been shifting (and shifted) cultivars for many years. Text: © Ron Benner
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Read MoreJ.B. Alcorn, ‘Development policy, forests, and peasant farms: Reflections on Haustec-managed forest …
J.B. Alcorn, ‘Development policy, forests, and peasant farms: Reflections on Haustec-managed forest contribution to commercial and resource conservation,’ Economic Botany 38, no. 4 (1984), pp. 389-406. Text: © Ron Benner
Writing ID: 156
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Read MorePotato blight mystery: DNA traces fungus to Mexican tomato,’ Biotechnology Newswatch, July 3, …
Potato blight mystery: DNA traces fungus to Mexican tomato,’ Biotechnology Newswatch, July 3, 1995, p. 5. Text: © Ron Benner
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Read MorefFry, ‘Historical and Recent Migrations,’ p. 655. Text: © Ron Benner
fFry, ‘Historical and Recent Migrations,’ p. 655. Text: © Ron Benner
Writing ID: 158
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Read MoreRob Tucker, ‘Potato Blight Hits Some Growers, May Affect Store,’ News Tribune (Boise), August …
Rob Tucker, ‘Potato Blight Hits Some Growers, May Affect Store,’ News Tribune (Boise), August 1, 1995, p. E1. Text: © Ron Benner
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Read MoreFor a full-and impressive-account of the famine, please read Cecil Woodham-Smith, The Great Hunger, …
For a full-and impressive-account of the famine, please read Cecil Woodham-Smith, The Great Hunger, New York and Evanston: Harper and Row, 1962. Text: © Ron Benner
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Read MoreFor additional information on the current situation in Poland, see Ludwik S. Sujkowski, Stephen …
For additional information on the current situation in Poland, see Ludwik S. Sujkowski, Stephen B. Goodwin, Alan T. Dyer and William E. Fry, ‘Increased Genotype Diversity via Migration and Possible Occurrence of Sexual Reproduction of Phytophthora infestans in Poland,’ Phytopathology, vol. 84, no. 2 (1994), pp. 201-07. Text: © Ron Benner
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Read MoreStephen B. Goodwin and William E. Fry, ‘The Genetic Composition of PhytophthoraInfestans Population …
Stephen B. Goodwin and William E. Fry, ‘The Genetic Composition of PhytophthoraInfestans Population in the United States During 1994: A Preliminary Report’ (unpublished manuscript), December 19, 1994, p. 1. Text: © Ron Benner
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Read MoreEconomic Impact of High-Yielding Late Blight Resistant Varieties in the East and Central African …
Economic Impact of High-Yielding Late Blight Resistant Varieties in the East and Central African Highlands,’ in CIP, Case Studies of the Economic Impact of CIP-related Technologies (first draft), January, 1995. Text: © Ron Benner
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Read MoreE. R. French, P. Jatala, and J.L. Turkensteen, ‘Potato (Solanum Spp.) Fungi, Bacteria and Nematodes’ …
E. R. French, P. Jatala, and J.L. Turkensteen, ‘Potato (Solanum Spp.) Fungi, Bacteria and Nematodes’ in William B. Gewitt and Luigi Chiarappa, ed., Plant Health and Quarantine in International Transfer of Plant Genetic Resources (Cleveland: CRC Press), p. 226. There is no publication date but it is believed to be circa 1980. Text: © Ron […]
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Read MoreThe First F.A.O. Conference-Quebec, Canada (1945), p. 1 and pp. 46-48 (FAO Archives). Text: © …
The First F.A.O. Conference-Quebec, Canada (1945), p. 1 and pp. 46-48 (FAO Archives). Text: © Ron Benner
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Read MoreThe quote is attributed to Dean Acheson following the Hot Springs Conference of 1943 as cited …
The quote is attributed to Dean Acheson following the Hot Springs Conference of 1943 as cited in John English, Shadow of Heaven-The Life of Lester Pearson, Volume One: 1897-1948, Toronto: Lester & Orpen Dennys, 1989, p. 278. Text: © Ron Benner
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Read MoreWoodham-Smith, The Great Hunger. Text: © Ron Benner
Woodham-Smith, The Great Hunger. Text: © Ron Benner
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Read MoreRon Benner, ?Como se Llama…? / How are you called…? Text: © Ron Benner
Ron Benner, ?Como se Llama…? / How are you called…? Text: © Ron Benner
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Read MoreDavid Tomas, ‘Ron Benner: Selected Work, Galerie Brenda Wallace,’ Parachute, no. 64 (Winter 1991), …
David Tomas, ‘Ron Benner: Selected Work, Galerie Brenda Wallace,’ Parachute, no. 64 (Winter 1991), p. 53. Text: © Ron Benner
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Read MorePlease see Alfred W. Crosby, ‘The Demographic Effect of American Crops in Europe,’ in Crosby, …
Please see Alfred W. Crosby, ‘The Demographic Effect of American Crops in Europe,’ in Crosby, Germs, Seeds and Animals: Studies in Ecological History,Armonk, New York: M.E. Sharpe, 1994, pp. 148-66. Text: © Ron Benner
Writing ID: 170
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Read MoreGary Paul Nabhan, ‘Native Crops of the Americas: Passing Novelties or Lasting Contributions to …
Gary Paul Nabhan, ‘Native Crops of the Americas: Passing Novelties or Lasting Contributions to Diversity?’ in Nelson Foster and Linda S. Cordell, ed., Chilies to Chocolate: Food the Americas Gave the World, Tucson and London: University of Arizona Press, 1992, p. 146. Text: © Ron Benner
Writing ID: 171
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Read MorePat Roy Mooney, quoted in Penny Sanger, ‘Seeds of Change: Pat Roy Mooney,’ Canadian Forum, vol. …
Pat Roy Mooney, quoted in Penny Sanger, ‘Seeds of Change: Pat Roy Mooney,’ Canadian Forum, vol. 71 (809), May, 1992, p. 20. Text: © Ron Benner
Writing ID: 172
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Read MoreQuoted by Ron Benner from MSS Anónimo de Tlatelolco in Mengin, ed., ‘Native Chronicles …
Quoted by Ron Benner from MSS Anónimo de Tlatelolco in Mengin, ed., ‘Native Chronicles of the Conquest,’ Corpus Codicum Americanorum Medii Aevi, 1. fol. 33. Text: © Ron Benner
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Read MoreThe Human Genome Diversity Project is a world-wide effort by scientists to collect samples of …
The Human Genome Diversity Project is a world-wide effort by scientists to collect samples of 722 distinct Indigenous peoples. The project has been named the ‘Vampire Project’ because it wants to collect the blood, hair and tissue samples of Indigenous peoples for genetic research and experimentation. For a First Nations’ perspective on the Human Genome […]
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Read MoreBenner uses the phrase ‘uncontrolled brilliance’ in his discussion of Cuitlacoche-InMemory of …
Benner uses the phrase ‘uncontrolled brilliance’ in his discussion of Cuitlacoche-InMemory of Michel Foucault on the interpretive videotape that accompanies this exhibition. Text: © Ron Benner
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Read MoreFor a more complete reading of this piece, please see Matthew Teitelbaum, Ron Benner:Other Lives, …
For a more complete reading of this piece, please see Matthew Teitelbaum, Ron Benner:Other Lives, Saskatoon: Mendel Art Gallery, 1988, pp. 20. Text: © Ron Benner
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Read MoreFrancis Jennings, The Invasion of America: Indians, Colonialism, and the Cant ofConquest, New …
Francis Jennings, The Invasion of America: Indians, Colonialism, and the Cant ofConquest, New York: W .W. Norton, 1976, p. 66. Text: © Ron Benner
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Read MoreIbid., p. 62. Text: © Ron Benner
Ibid., p. 62. Text: © Ron Benner
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Read MoreJ.C. Th. Uphof, Dictionary of Economic Plants, Lehre, West Germany: J. Cramer Publishers. Text: …
J.C. Th. Uphof, Dictionary of Economic Plants, Lehre, West Germany: J. Cramer Publishers. Text: © Ron Benner
Writing ID: 179
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Read MoreR.C. Lewontin, Biology as Ideology: The Doctrine of DNA, Toronto: House of Anansi Press, 1991, …
R.C. Lewontin, Biology as Ideology: The Doctrine of DNA, Toronto: House of Anansi Press, 1991, p. 45. This book is based on Lewontin’s 1990 Massey Lecture series for Canadian Broadcasting Corporation Radio. Text: © Ron Benner
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Read MoreLewontin, p. 53. Text: © Ron Benner
Lewontin, p. 53. Text: © Ron Benner
Writing ID: 182
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Read MorePat Roy Mooney, Seeds of the Earth: A Private or Public Resource, Inter Pares: Ottawa, 1979. Text: …
footnote Pat Roy Mooney, Seeds of the Earth: A Private or Public Resource, Inter Pares: Ottawa, 1979. Text: © Ron Benner
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Read MoreLewontin, p. 53-57. Text: © Ron Benner
Lewontin, p. 53-57. Text: © Ron Benner
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Read MoreBenner observed a similar experiment at the University of Guelph in 1988. He was a student in …
Benner observed a similar experiment at the University of Guelph in 1988. He was a student in the university’s agricultural program in 1969/70 and describes himself as a survivor of its heavy emphasis on agricultural engineering. Text: © Ron Benner
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Read MoreJeremy Rifkin in Ideas: ‘Biotechnology’s Harvest,’ transcript of a Canadian Broadcasting Corporation …
Jeremy Rifkin in Ideas: ‘Biotechnology’s Harvest,’ transcript of a Canadian Broadcasting Corporation Radio program, March 15 and 22, 1994, p. 22. Text: © Ron Benner
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Read MoreDr. Martha Crouch, ibid., p. 7. Text: © Ron Benner
Dr. Martha Crouch, ibid., p. 7. Text: © Ron Benner
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Read MoreIbid., p. 8. Text: © Ron Benner
Ibid., p. 8. Text: © Ron Benner
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Read MoreTomas, p. 53. Text: © Ron Benner
Tomas, p. 53. Text: © Ron Benner
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Read MoreBrian Burnett at the Isaacs Gallery 1979 – 1989 Margot Berrill May 9, 2003 prepared for The …
Brian Burnett at the Isaacs Gallery 1979 – 1989 Margot Berrill May 9, 2003 prepared for The Isaacs Gallery and the Toronto Art Scene: 1956-1991 Art History Department (5130.03), York University. (north west installation) (south west installation) Brian Burnett “New Paintings”, exhibition installation, The Isaacs Gallery, Toronto, November 1981 Table of Contents Examples of Brian […]
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Writing ID: 192
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Centre for Canadian Contemporary Art website <http://www.ccca.ca>, …
Brian Burnett at the Isaacs Gallery Centre for Canadian Contemporary Art website <http://www.ccca.ca>, and Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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Read MoreBrian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
Brian Burnett at the Isaacs Gallery Personal Interview, March 27, 2003.
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