
Jennifer Angus
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: Canada
Province of Birth: Alberta
Year of Birth: 1961
City: Toronto, Madison
Country: Canada, United States
Type of Creator: Artist
Gender: Female
Mediums: fibre, installation, sculpture, textiles
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Work by Jennifer Angus

The Legs of Uncle Jaiwa & his Friend (detail)
Work ID: 1950
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1991
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

The Legs of Uncle Jaiwa & his Friend
Work ID: 1035
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1991
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

Zebra Lady
Work ID: 1034
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 152.4 x 91.44 cm
Collection:
Date Made: 1991
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

Human Zoo Series: #1 Giraffe-Necked Woman
Work ID: 1071
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 213.36 cm
Collection:
Date Made: 1992
Materials: felt, photo transfer, beads, embroidery, fake fur
Virtual Collection: Original CCCA

Tattooed Lady (detail)
Work ID: 2048
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1992
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

Puppet Dictator
Work ID: 1036
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 152.4 x 91.44 cm
Collection:
Date Made: 1992
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

Tattooed Lady
Work ID: 1070
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1992
Materials: felt, photo transfer, beads, embroidery
Virtual Collection: Original CCCA

Human Zoo Series: #2 Untitled
Work ID: 1072
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 213.36 x 91.44 cm
Collection:
Date Made: 1993
Materials: felt, photo transfer, beads, embroidery, fake fur
Virtual Collection: Original CCCA

Akha Woman Gives Thumbs Up to Honest Ed’s (detail)
Work ID: 2049
Description: From: Visitor to Toronto Series.
Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1994
Materials: felt, photo transfer, beads, sequins, embroidery
Virtual Collection: Original CCCA

Akha Woman Gives Thumbs Up to Honest Ed’s
Work ID: 1073
Description: From Visitor to Toronto series.
Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1994
Materials: felt, photo transfer, beads, sequins, embroidery
Virtual Collection: Original CCCA

Thai Boxer Met Friendly Torontonians
Work ID: 1074
Description: From: Visitor to Toronto Series.
Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1994
Materials: felt, photo transfer, beads, sequins, embroidery
Virtual Collection: bw photos, Original CCCA

Suchart as Naga of Northeast India
Work ID: 1174
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

ARTifact #1
Work ID: 16032
Measurements: 0.9135 m
Collection:
Date Made: 1995
Materials: Cicada skins, metallic thread, sequins
Virtual Collection: Original CCCA

Suchart as Native American of the Southwest
Work ID: 1076
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

Suchart as Tibetian (detail)
Work ID: 2054
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

Human Zoo Series: #3 Thailand, Land of Smiles (detail)
Work ID: 2050
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, sequins, embroidery
Virtual Collection: Original CCCA

Human Zoo Series: #3 Thailand, Land of Smiles
Work ID: 1075
Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern.
The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.
Measurements: 91.44 x 152.4 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, sequins, embroidery
Virtual Collection: Original CCCA

ARTifact #1, detail
Work ID: 16033
Measurements: 0.9135 m
Collection:
Date Made: 1995
Materials: Cicada skins, metallic thread, sequins
Virtual Collection: Original CCCA

Suchart as Tibetian
Work ID: 1078
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1995
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

ARTifact #2
Work ID: 16034
Measurements: 38.1 x 35.56 cm
Collection:
Date Made: 1996
Materials: metallic beetle wings, velvet, beads, embroidery thread
Virtual Collection: Original CCCA

Suchart as North American Indian of the Prairies
Work ID: 1080
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1996
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

Suchart as North American Indian of the Prairies (detail)
Work ID: 2053
Description: From: Transmigration Series.
Measurements: 91.44 x 121.92 cm
Collection:
Date Made: 1996
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

Suchart as Quechua Indian of Peru
Work ID: 1079
Description: From: Transmigration Series.
Measurements: 121.92 x 152.4 cm
Collection:
Date Made: 1996
Materials: felt, photo transfer, beads, embroidery, cotton
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16043
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16040
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16045
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: bed
Work ID: 16037
Measurements: 73.66 x 243.84 x 60.96 cm
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16044
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16041
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16038
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: bed
Work ID: 16039
Measurements: 73.66 x 243.84 x 60.96 cm
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: bed
Work ID: 16036
Measurements: 73.66 x 243.84 x 60.96 cm
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, installation view
Work ID: 16035
Measurements: each bed: 73.66 x 243.84 x 60.96 cm
Collection:
Date Made: 1998-1999
Materials: 8 beds, 8 sheets and pillows: photo transfer, embroidery
Virtual Collection: Original CCCA

The Insect Series, detail: embroidery
Work ID: 16042
Collection:
Date Made: 1998-1999
Materials: photo transfer, embroidery
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16052
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16053
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16055
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16056
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, installation view
Work ID: 16046
Measurements: each bed: 30.48 x 40.64 x 15.24 cm
Collection:
Date Made: 1999
Materials: 8 beds, 8 sheets and pillows: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16049
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16054
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16051
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: bed
Work ID: 16047
Measurements: 30.48 x 40.64 x 15.24 cm
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: quilt
Work ID: 16050
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

SASA Bug, detail: bed
Work ID: 16048
Measurements: 30.48 x 40.64 x 15.24 cm
Collection:
Date Made: 1999
Materials: photo transfer, quilting
Virtual Collection: Original CCCA

Bug Circus, detail: The Jumper
Work ID: 16058
Measurements: variable
Collection: Toronto, Ontario
Date Made: 2000
Materials: various beetles, mixed media
Virtual Collection: Original CCCA

Bug Circus, detail: The Strongman
Work ID: 16060
Measurements: variable
Collection: Toronto, Ontario
Date Made: 2000
Materials: various beetles, mixed media
Virtual Collection: Original CCCA

Surrounded, detail
Work ID: 16063
Measurements: 35.56 x 20.32 x 20.32 cm
Collection:
Date Made: 2000
Materials: Goliath beetles, bell jar, hat pin
Virtual Collection: Original CCCA

Surrounded
Work ID: 16062
Measurements: 35.56 x 20.32 x 20.32 cm
Collection:
Date Made: 2000
Materials: Goliath beetles, bell jar, hat pin
Virtual Collection: Original CCCA

Surrounded, detail
Work ID: 16064
Measurements: 35.56 x 20.32 x 20.32 cm
Collection:
Date Made: 2000
Materials: Goliath beetles, bell jar, hat pin
Virtual Collection: Original CCCA

Bug Circus, detail: The Rhino Tamer
Work ID: 16061
Measurements: variable
Collection: Toronto, Ontario
Date Made: 2000
Materials: various beetles, mixed media
Virtual Collection: Original CCCA

Bug Circus
Work ID: 16057
Measurements: variable
Collection: Toronto, Ontario
Date Made: 2000
Materials: various beetles, mixed media
Virtual Collection: Original CCCA

Bug Circus, detail: The Jumper
Work ID: 16059
Measurements: variable
Collection: Toronto, Ontario
Date Made: 2000
Materials: various beetles, mixed media
Virtual Collection: Original CCCA

Skin Quilts: James’ Chest
Work ID: 16066
Collection:
Date Made: 2000-2001
Materials:
Virtual Collection: Original CCCA

Skin Quilts: Red and White Quilt with Ugly Mole
Work ID: 16065
Collection:
Date Made: 2000-2001
Materials:
Virtual Collection: Original CCCA

Skin Quilts: My Ugly Moles
Work ID: 16067
Collection:
Date Made: 2000-2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Checked Wallpaper
Work ID: 16068
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Diamond Wallpaper, detail
Work ID: 16073
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Striped Wallpaper
Work ID: 16075
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Three Red Chairs, detail
Work ID: 16079
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Diamond Wallpaper
Work ID: 16072
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Checked Wallpaper, detail
Work ID: 16069
Collection:
Date Made: 2001
Materials:
Virtual Collection: animal, Original CCCA

Eupholus Bennetti, Doily
Work ID: 16071
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Tri-circle Wallpaper
Work ID: 16076
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Tri-circle Wallpaper, detail
Work ID: 16077
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Checked Wallpaper, detail
Work ID: 16070
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Eupholus Bennetti, Necklace
Work ID: 16074
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA

Three Red Chairs
Work ID: 16078
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA