CCCA Canadian Art Database

Jennifer Angus

Jennifer Angus is a professor in the Design Studies Department at the University of Wisconsin -Madison where she teaches textile design, specifically, everything to do with the dyeing and printing of cloth, including natural dyes. She is an artist described by Art Daily as “one of the top contemporary installation artists in the country.” Jennifer creates some of the most provocative work most people have ever seen in an art museum setting. She composes patterns using hundreds of insects, placing them in arrangements that suggest wallpaper and textiles. Angus was one of nine leading contemporary artists selected for the landmark exhibition Wonder at the Smithsonian’s Renwick Gallery in 2015. Jennifer has been the recipient of numerous awards including Canada Council, Ontario Arts Council and Wisconsin Arts Board grants. More recently she received the inaugural Forward Art Prize, an unrestricted award for outstanding women artists of Wisconsin. At the University of Wisconsin-Madison she has received annual grants from the Graduate School, as well as the Vilas Associate Award, the Emily Mead Baldwin-Bascom Professorship in the Creative Arts, the Romnes Fellowship, the UW Arts Institute Creative Arts Award, Rothermel Bascom Professorship, the Kellett Mid-Career Faculty Researcher Award and most recently the Edna Wiechers Arts in Wisconsin Award. In 2013, Albert Whitman and Company, Chicago, published her first novel, In Search of Goliathus Hercules. At the University of Wisconsin – Madison she is the faculty leader of the Global Artisans Initiative which launched an interdisciplinary outreach program that connects students with artisans who have requested assistance with microenterprise development. The program leverages the relationships that University of Wisconsin has built over many years at global health field course sites in Ecuador, India, Kenya Mexico, Nepal and Vietnam to create a product design and marketplace system to support the economic wellbeing of local artisans.
Creator Id: 22
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: Canada
Province of Birth: Alberta
Year of Birth: 1961
City: Toronto, Madison
Country: Canada, United States
Type of Creator: Artist
Gender: Female
Mediums: fibre, installation, sculpture, textiles
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Work by Jennifer Angus

The Legs of Uncle Jaiwa & his Friend (detail)

Work ID: 1950

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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The Legs of Uncle Jaiwa & his Friend

Work ID: 1035

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Zebra Lady

Work ID: 1034

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 152.4 x 91.44 cm

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Human Zoo Series: #1 Giraffe-Necked Woman

Work ID: 1071

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 213.36 cm

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Tattooed Lady (detail)

Work ID: 2048

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Puppet Dictator

Work ID: 1036

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 152.4 x 91.44 cm

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Tattooed Lady

Work ID: 1070

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Human Zoo Series: #2 Untitled

Work ID: 1072

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 213.36 x 91.44 cm

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Akha Woman Gives Thumbs Up to Honest Ed’s (detail)

Work ID: 2049

Description: From: Visitor to Toronto Series.
Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Akha Woman Gives Thumbs Up to Honest Ed’s

Work ID: 1073

Description: From Visitor to Toronto series.

Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Thai Boxer Met Friendly Torontonians

Work ID: 1074

Description: From: Visitor to Toronto Series.
Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Suchart as Naga of Northeast India

Work ID: 1174

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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ARTifact #1

Work ID: 16032

Measurements: 0.9135 m

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Suchart as Native American of the Southwest

Work ID: 1076

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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Suchart as Tibetian (detail)

Work ID: 2054

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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Human Zoo Series: #3 Thailand, Land of Smiles (detail)

Work ID: 2050

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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Human Zoo Series: #3 Thailand, Land of Smiles

Work ID: 1075

Description: Artist's Statement
In my work I combine photography with textiles. I have always been drawn toward patterned surfaces, and particularly textiles in which pattern is inherent. Initially, it was simply visual pleasure that entranced me; years later, through study, I am impressed and fascinated by the language of pattern. It can identify a people, a region from which they come, as well as a person's age, profession and social status within a society. Using both patterns occurring in nature and from existing textiles, I create a language that informs the photographed subjects which are juxtaposed with backgrounds of pattern. The photography is my own, with the exception of obvious historical sources. I have traveled extensively in Northern Thailand, the home of my husband's family. He is of the Karen hilltribe who reside along the Thai/Burmese (now Myanmar) border. My work features the people of this tribe and their neighbours primarily. I am interested in the idea of "The Other", whether it is my husband within my culture or myself within his. I try to explore issues of culture clash; including the subjugation of a people, condescending attitudes toward their beliefs and customs, and the appropriation and commercialization of "exotica" for western consumption.

Measurements: 91.44 x 152.4 cm

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ARTifact #1, detail

Work ID: 16033

Measurements: 0.9135 m

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Suchart as Tibetian

Work ID: 1078

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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ARTifact #2

Work ID: 16034

Measurements: 38.1 x 35.56 cm

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Suchart as North American Indian of the Prairies

Work ID: 1080

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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Suchart as North American Indian of the Prairies (detail)

Work ID: 2053

Description: From: Transmigration Series.

Measurements: 91.44 x 121.92 cm

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Suchart as Quechua Indian of Peru

Work ID: 1079

Description: From: Transmigration Series.

Measurements: 121.92 x 152.4 cm

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The Insect Series, detail: embroidery

Work ID: 16043

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The Insect Series, detail: embroidery

Work ID: 16040

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The Insect Series, detail: embroidery

Work ID: 16045

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The Insect Series, detail: bed

Work ID: 16037

Measurements: 73.66 x 243.84 x 60.96 cm

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The Insect Series, detail: embroidery

Work ID: 16044

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The Insect Series, detail: embroidery

Work ID: 16041

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The Insect Series, detail: embroidery

Work ID: 16038

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The Insect Series, detail: bed

Work ID: 16039

Measurements: 73.66 x 243.84 x 60.96 cm

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The Insect Series, detail: bed

Work ID: 16036

Measurements: 73.66 x 243.84 x 60.96 cm

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The Insect Series, installation view

Work ID: 16035

Measurements: each bed: 73.66 x 243.84 x 60.96 cm

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The Insect Series, detail: embroidery

Work ID: 16042

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SASA Bug, detail: quilt

Work ID: 16052

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SASA Bug, detail: quilt

Work ID: 16053

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SASA Bug, detail: quilt

Work ID: 16055

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SASA Bug, detail: quilt

Work ID: 16056

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SASA Bug, installation view

Work ID: 16046

Measurements: each bed: 30.48 x 40.64 x 15.24 cm

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SASA Bug, detail: quilt

Work ID: 16049

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SASA Bug, detail: quilt

Work ID: 16054

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SASA Bug, detail: quilt

Work ID: 16051

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SASA Bug, detail: bed

Work ID: 16047

Measurements: 30.48 x 40.64 x 15.24 cm

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SASA Bug, detail: quilt

Work ID: 16050

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SASA Bug, detail: bed

Work ID: 16048

Measurements: 30.48 x 40.64 x 15.24 cm

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Bug Circus, detail: The Jumper

Work ID: 16058

Measurements: variable

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Bug Circus, detail: The Strongman

Work ID: 16060

Measurements: variable

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Surrounded, detail

Work ID: 16063

Measurements: 35.56 x 20.32 x 20.32 cm

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Surrounded

Work ID: 16062

Measurements: 35.56 x 20.32 x 20.32 cm

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Surrounded, detail

Work ID: 16064

Measurements: 35.56 x 20.32 x 20.32 cm

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Bug Circus, detail: The Rhino Tamer

Work ID: 16061

Measurements: variable

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Bug Circus

Work ID: 16057

Measurements: variable

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Bug Circus, detail: The Jumper

Work ID: 16059

Measurements: variable

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Skin Quilts: James’ Chest

Work ID: 16066

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Skin Quilts: Red and White Quilt with Ugly Mole

Work ID: 16065

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Skin Quilts: My Ugly Moles

Work ID: 16067

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Eupholus Bennetti, Checked Wallpaper

Work ID: 16068

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Eupholus Bennetti, Diamond Wallpaper, detail

Work ID: 16073

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Eupholus Bennetti, Striped Wallpaper

Work ID: 16075

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Three Red Chairs, detail

Work ID: 16079

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Eupholus Bennetti, Diamond Wallpaper

Work ID: 16072

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Eupholus Bennetti, Checked Wallpaper, detail

Work ID: 16069

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Eupholus Bennetti, Doily

Work ID: 16071

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Eupholus Bennetti, Tri-circle Wallpaper

Work ID: 16076

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Eupholus Bennetti, Tri-circle Wallpaper, detail

Work ID: 16077

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Eupholus Bennetti, Checked Wallpaper, detail

Work ID: 16070

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Eupholus Bennetti, Necklace

Work ID: 16074

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Three Red Chairs

Work ID: 16078

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