Jenn Goodwin
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: Canada
Province of Birth: Ontario
City: Toronto
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: curation, dance, performance, video
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Work by Jenn Goodwin
Sneaker
Work ID: 67819
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker, [dance] (clip 1)
Work ID: 67825
Description: 1997 [Dance: excerpt: 2 min. 30 sec.]
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67817
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67816
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67811
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67812
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67818
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker, [dance] (clip 2)
Work ID: 67826
Description: 1997 [Dance: excerpt: 2 min. 30 sec.]
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67815
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67814
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Sneaker
Work ID: 67813
Description:
Sneaker was co- choreographed by Jenn Goodwin and Sarah Doucet (who go under the company name, Stutter Dance).
Sneaker is a story of two women who after a night out decide they are going to hitch hike out of town. It has been performed in various venues in Montreal, Vancouver and Toronto including studio, cabarets, parks, club environments to great success.
The Globe and Mail said: "The humorous Sneaker depicted two foxy ladies in dresses after a night carousing on the town. The two are hitch-hiking, but it is for a metaphoric ride to a better place. What gives this piece depth is the haunting inner turmoil that lies behind their world-weary, sarcastic demeanour".
Choreography and Performance: Sarah Doucet and Jenn Goodwin
Music: Luke Doucet
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Stink
Work ID: 67801
Description:
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Stink, [dance] (clip 1)
Work ID: 67827
Description: 1997 [Dance: excerpt: 2 min. 30 sec.]
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Stink
Work ID: 67800
Description:
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Stink
Work ID: 67803
Description:
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Stink
Work ID: 67802
Description:
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Stink, [dance] (clip 2)
Work ID: 67828
Description: 1997 [Dance: excerpt: 2 min. 30 sec.]
An acrobatic piece investigating the themes of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers.
An offering by Toronto choreographer and dancer Jenn Goodwin stretches the conventions of dance to demonstrate the restrictions that the culture of the city place on the human spirit. Goodwin and dancers Marlee Cargill and Nicola Pantin perform an acrobatic piece in which they investigate the theme of balance, between body and environment, movement and stasis and nature and artifice. Costumed in astro-turf vest and pine scented car deodorizers, the dancers perform while dangling from a tree, attached, and to an extent, confined, by large elastic harnesses. Stink forces the dancers to push physical boundaries and explore the contradictions of balance and movement in an environment that echoes them. The musical accompaniment consists of a ghetto blaster, and percussionist Ed Hanley- all suspended from the tree also".
- The National Post
Conceived and Directed by Jenn Goodwin in collaboration with performers Sylvie Bouchard, Marlee Cargill, Jenn Goodwin, Sarah Doucet, Nicola Pantin, and Tania Whyte
Performed as part of Dusk Dances in Toronto, Ottawa, Quebec City, Vancouver, Kingston, Peterborough, Deep River, Chatham
Musicians have included: Ed Hanley, Blake Howard, and Jeff Wilson
Collection:
Date Made: 1998
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67648
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67792
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67793
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar, [dance] (clip 2)
Work ID: 67830
Description: 1999 [Dance: excerpt: 2 min. 30 sec.]
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67795
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar, [dance] (clip 1)
Work ID: 67829
Description: 1999 [Dance: excerpt: 2 min. 30 sec.]
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67794
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Liar
Work ID: 67796
Description:
Liar is a solo choreographed and performed by Jenn Goodwin that explores issues of truth, confessions and lies. With a backdrop of projection of text and images, Goodwin dances to an original score by media artist Sandra Dametto that includes excerpts of text from soap operas and pornographic films. In this work, she explores through text and movement, various "societal" lies from Santa Clause to sex to taxes and love. While also exploring personal confessions again through movement and text from smoking to self-pleasure to knitting and loneliness. The piece is lyrical and highly physical with breaks of "reality" as Goodwin steps outside the performance to allow the audience to decide what is true, and what is not.
Inspired by work of American concept artist Jenny Holzer and beautifully performed by Goodwin herself. The title is a misnomer, because the droll, stream-of-consciousness text/movement piece contains as many truths as it does lies. Sandra Dametto's minimalist score, infused with fragments of real soap-opera dialogue, is the backdrop against which Goodwin set this dance of true, and not so true, confessions. In fact, all our lives contain soap-opera elements, with fresh disasters lurking around every corner. Goodwin's Liar is a glimpse of an all-too human woman and the defence mechanisms she has put in place in order to cope. - The Globe & Mail.
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Freestyle
Work ID: 67835
Description: 2000 [Film: excerpt: 3 min. 10 sec.]
Toronto dancers and choreographers groove to their own beat against Toronto backdrops. No choreography. No Steps. All freestyle.
Director/ Producer: Jenn Goodwin
Supported by Bravofact!
Dancers include: Serge Bennethan, Julia Sasso, Nicola Pantin, Martine Lamy, Justine Chambers, Ayelen, Maxine Heppner, Yvonne Ng, Bill James and more..
Collection:
Date Made: 2000
Materials: film
Virtual Collection: Original CCCA
Skid
Work ID: 67790
Description:
Skid was co- choreographed by Jenn Goodwin and Sarah Doucet who go under the company name, Stutter Dance).
Two girls, a ghetto blaster and love of guitar rock. Hair bands and hickeys, tight jeans & rock and roll. The movement is guitar influenced- from the actual instrument - it's shape, sound, how it is held and used to the musicians who use them and the audience who gather to adore them and the attitude that often comes hand in hand.
Choreography: Sarah Doucet and Jenn Goodwin
Dancer: Sarah Doucet, Jenn Goodwin
Music: (live Guitar)
Video: Sandra Dametto
Collection:
Date Made: 2000
Materials:
Virtual Collection: Original CCCA
Skid
Work ID: 67791
Description:
Skid was co- choreographed by Jenn Goodwin and Sarah Doucet who go under the company name, Stutter Dance).
Two girls, a ghetto blaster and love of guitar rock. Hair bands and hickeys, tight jeans & rock and roll. The movement is guitar influenced- from the actual instrument - it's shape, sound, how it is held and used to the musicians who use them and the audience who gather to adore them and the attitude that often comes hand in hand.
Choreography: Sarah Doucet and Jenn Goodwin
Dancer: Sarah Doucet, Jenn Goodwin
Music: (live Guitar)
Video: Sandra Dametto
Collection:
Date Made: 2000
Materials:
Virtual Collection: Original CCCA
Skid
Work ID: 67789
Description:
Skid was co- choreographed by Jenn Goodwin and Sarah Doucet who go under the company name, Stutter Dance).
Two girls, a ghetto blaster and love of guitar rock. Hair bands and hickeys, tight jeans & rock and roll. The movement is guitar influenced- from the actual instrument - it's shape, sound, how it is held and used to the musicians who use them and the audience who gather to adore them and the attitude that often comes hand in hand.
Choreography: Sarah Doucet and Jenn Goodwin
Dancer: Sarah Doucet, Jenn Goodwin
Music: (live Guitar)
Video: Sandra Dametto
Collection:
Date Made: 2000
Materials:
Virtual Collection: Original CCCA
Light Years, (clip 1)
Work ID: 67836
Description: 2003 [Film: excerpt: 2 min. 37 sec.]
A portrait of a 70 year old dancer who's zest for life and perspective on death is unique, inspiring and enlightening.
Directed and Produced by Jenn Goodwin with assistance from Bravofact! and The National Film Board of Canada
Dancer: Elizabeth Langley
DOP: Todd Buttenham
Editor: Kevin Krivel
Collection:
Date Made: 2003
Materials: film
Virtual Collection: Original CCCA
Light Years, (clip 2)
Work ID: 67837
Description: 2003 [Film: excerpt: 2 min. 37 sec.]
A portrait of a 70 year old dancer who's zest for life and perspective on death is unique, inspiring and enlightening.
Directed and Produced by Jenn Goodwin with assistance from Bravofact! and The National Film Board of Canada
Dancer: Elizabeth Langley
DOP: Todd Buttenham
Editor: Kevin Krivel
Collection:
Date Made: 2003
Materials: film
Virtual Collection: Original CCCA
The Wet project – Wet
Work ID: 67799
Description:
Wet - a diary of desire [part I of The Wet Project]
An abstract movement diary that touches on lust, shame, frustration, excitement, boredom, pleasure, ecstasy, porn, friction, love and sex.
Conceived and Directed by Jenn Goodwin in collaboration with performer Justine Chambers
Soundscape: Ed Hanley
Lighting Design: Sharon DiGenova
Text: Lisa Gabriele, Malcolm Brown (pixel board)
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Go
Work ID: 67807
Description:
Go [part III of The Wet project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Spit
Work ID: 67652
Description:
Spit [part II of The Wet project]
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, SPIT explores the body fluid- Saliva. With images projected on a dripping wet backdrop SPIT is a look at addiction, lust, desire and saliva.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers, Sarah Doucet, and Darryl Tracey
Soundscape: Ed Hanley/Peaches
Video: Dar Higden and Jenn Goodwin
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet Project, [dance] (clip 1)
Work ID: 67831
Description: 2004 [Dance: excerpt: 2 min. 30 sec.]
Wet - a diary of desire [part I of The Wet Project]
An abstract movement diary that touches on lust, shame, frustration, excitement, boredom, pleasure, ecstasy, porn, friction, love and sex.
Conceived and Directed by Jenn Goodwin in collaboration with performer Justine Chambers
Soundscape: Ed Hanley
Lighting Design: Sharon DiGenova
Text: Lisa Gabriele, Malcolm Brown (pixel board)
Spit [part II of The Wet Project]
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, Spit explores the body fluid- Saliva. With images projected on a dripping wet backdrop Spit is a look at addiction, lust, desire and saliva.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers, Sarah Doucet, and Darryl Tracey
Soundscape: Ed Hanley/Peaches
Video: Dar Higden and Jenn Goodwin
Go [part III of The Wet Project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Go
Work ID: 67806
Description:
Go [part III of The Wet project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet Project, [dance] (clip 2)
Work ID: 67832
Description: 2004 [Dance: excerpt: 2 min. 30 sec.]
Wet - a diary of desire [part I of The Wet Project]
An abstract movement diary that touches on lust, shame, frustration, excitement, boredom, pleasure, ecstasy, porn, friction, love and sex.
Conceived and Directed by Jenn Goodwin in collaboration with performer Justine Chambers
Soundscape: Ed Hanley
Lighting Design: Sharon DiGenova
Text: Lisa Gabriele, Malcolm Brown (pixel board)
Spit [part II of The Wet Project]
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, Spit explores the body fluid- Saliva. With images projected on a dripping wet backdrop Spit is a look at addiction, lust, desire and saliva.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers, Sarah Doucet, and Darryl Tracey
Soundscape: Ed Hanley/Peaches
Video: Dar Higden and Jenn Goodwin
Go [part III of The Wet Project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
Stripped
Work ID: 67649
Description: 2004 [Film: excerpt: 4 min. 10 sec.]
A portrait of a pole dancer. Layers are stripped away by a behind the scenes look at gemma" and the making of the film itself.
Director/ Choreographer: Jenn Goodwin
Dancer: Gemma Whelan
Producer: Videoworks UK
DOP/Editor: Sam Stewart
Collection:
Date Made: 2004
Materials: film
Virtual Collection: Original CCCA
Stripped
Work ID: 67838
Description: 2004 [Film: excerpt: 4 min. 10 sec.]
A portrait of a pole dancer. Layers are stripped away by a behind the scenes look at gemma" and the making of the film itself.
Director/ Choreographer: Jenn Goodwin
Dancer: Gemma Whelan
Producer: Videoworks UK
DOP/Editor: Sam Stewart
Collection:
Date Made: 2004
Materials: film
Virtual Collection: Original CCCA
The Wet project – Spit
Work ID: 67797
Description:
Spit [part II of The Wet project]
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, SPIT explores the body fluid- Saliva. With images projected on a dripping wet backdrop SPIT is a look at addiction, lust, desire and saliva.
Spit [part II of The Wet project]
Smoking solos, gum chewing combos, necking duets and spitting images. Phase II of The Wet Project, SPIT explores the body fluid- Saliva. With images projected on a dripping wet backdrop SPIT is a look at addiction, lust, desire and saliva.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers, Sarah Doucet, and Darryl Tracey
Soundscape: Ed Hanley/Peaches
Video: Dar Higden and Jenn Goodwin
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Go
Work ID: 67808
Description:
Go [part III of The Wet project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Wet
Work ID: 67798
Description:
Wet - a diary of desire [part I of The Wet Project]
An abstract movement diary that touches on lust, shame, frustration, excitement, boredom, pleasure, ecstasy, porn, friction, love and sex.
Conceived and Directed by Jenn Goodwin in collaboration with performer Justine Chambers
Soundscape: Ed Hanley
Lighting Design: Sharon DiGenova
Text: Lisa Gabriele, Malcolm Brown (pixel board)
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Go
Work ID: 67804
Description:
Go [part III of The Wet project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
The Wet project – Go
Work ID: 67805
Description:
Go [part III of The Wet project]
Public, Private. Spoken, unspoken. Exposed and hidden With bathroom door stalls as a projection backdrop, video will be used to expose the private and morph the public. Exposing what is going on behind closed doors while also distorting and magnifying what we see outside the doors. Go blurs the lines between every day culture and performance and dance.
Conceived and Directed by Jenn Goodwin in collaboration with performers Justine Chambers and Sarah Doucet,
Music/Sound: Broken Social Scene, The Bug, Kelly Mark
Video: Jeremy Mimnagh
Collection:
Date Made: 2004
Materials:
Virtual Collection: Original CCCA
Stuck
Work ID: 67839
Description: 2005 [Film: excerpt: 3 min. 25 sec.]
The day after the night before.
A wrong number and right turn, a wrong turn. Boy meets girl
.again.
Directed and choreographed by Jenn Goodwin
Produced by Bravofact / Channel 4 and Moving Pictures
Dancers: Nicola Pantin Mathew Dailey
DOP: Mike Andriga
Editor: Steve Manz / relish
Collection:
Date Made: 2005
Materials: film
Virtual Collection: Original CCCA
Stuck
Work ID: 67653
Description: 2005 [excerpt: 3 min. 25 sec.]
The day after the night before.
A wrong number and right turn, a wrong turn. Boy meets girl
.again
Directed and choreographed by Jenn Goodwin
Produced by Bravofact / Channel 4 and Moving Pictures
Dancers: Nicola Pantin Mathew Dailey
DOP: Mike Andriga
Editor: Steve Manz / relish
Collection:
Date Made: 2005
Materials: film
Virtual Collection: Original CCCA
The Falling, [dance] (clip 1)
Work ID: 67833
Description: 2006 [Dance: excerpt: 2 min. 30 sec.]
The Falling is a theatrical solo that explores living to extremes- and sometimes close to death, in search of a greater sense of life. A search for self by ridiculous, reckless as well as precious means and memories. The risks taken to feel deeper, live fully, work harder, stay strong, get connected, get lost
be found.
Choreographer/Dancer/text: Jenn Goodwin
Original Lighting: Sharon DiGenova
Composer: Ed Hanley
Video: Judy Singh. Jenn Goodwin
Collection:
Date Made: 2006
Materials:
Virtual Collection: Original CCCA
The Falling
Work ID: 67654
Description: The Falling is a theatrical solo that explores living to extremes- and sometimes close to death, in search of a greater sense of life. A search for self by ridiculous, reckless as well as precious means and memories. The risks taken to feel deeper, live fully, work harder, stay strong, get connected, get lost
be found.
Choreographer/Dancer/text: Jenn Goodwin
Original Lighting: Sharon DiGenova
Composer: Ed Hanley
Video: Judy Singh. Jenn Goodwin
Collection:
Date Made: 2006
Materials:
Virtual Collection: Original CCCA
On Fire
Work ID: 67840
Description: 2006 [Film: excerpt: 2 min. 32 sec.]
A Fire man makes use of his down time and trains for what could possibly be a
second career.
Directed and Choreographed by Jenn Goodwin
Produced by: Bravofact!, The National Film Board of Canada, Marble Media, and
The Sundance Channel
Dancer: Matthew Dailey
DOP: Tiko Poulakakis
Editor: Roland Schlimme
Composer: Michael Ella
Created for Shorts in Motion / The Art of Seduction
Collection:
Date Made: 2006
Materials: film
Virtual Collection: Original CCCA
On Fire
Work ID: 67651
Description: 2006 [Film: excerpt: 2 min. 32 sec.]
A Fire man makes use of his down time and trains for what could possibly be a
second career.
Directed and Choreographed by Jenn Goodwin
Produced by: Bravofact!, The National Film Board of Canada, Marble Media, and
The Sundance Channel
Dancer: Matthew Dailey
DOP: Tiko Poulakakis
Editor: Roland Schlimme
Composer: Michael Ella
Created for Shorts in Motion / The Art of Seduction
Collection:
Date Made: 2006
Materials: film
Virtual Collection: Original CCCA
The Falling, [dance] (clip 2)
Work ID: 67834
Description: 2006 [Dance: excerpt: 2 min. 30 sec.]
The Falling is a theatrical solo that explores living to extremes- and sometimes close to death, in search of a greater sense of life. A search for self by ridiculous, reckless as well as precious means and memories. The risks taken to feel deeper, live fully, work harder, stay strong, get connected, get lost
be found.
Choreographer/Dancer/text: Jenn Goodwin
Original Lighting: Sharon DiGenova
Composer: Ed Hanley
Video: Judy Singh. Jenn Goodwin
Collection:
Date Made: 2006
Materials:
Virtual Collection: Original CCCA
Just Forget it
Work ID: 67809
Description:
Scars etch a timeline on the body
If you could start over ..where would you start?
Erase everything. Forget nothing
A solo for Lucy Rupert by Jenn Goodwin based on one hard hit to the head, a broken arm, and a bunch of other smaller contusions to the body.
Choreographed by Jenn Goodwin with Lucy Rupert
Performed by Lucy Rupert
Music: Radiohead
Lighting Design by Robin Dutt
Collection:
Date Made: 2007
Materials:
Virtual Collection: Original CCCA
Just Forget it
Work ID: 67810
Description:
Scars etch a timeline on the body
If you could start over ..where would you start?
Erase everything. Forget nothing
A solo for Lucy Rupert by Jenn Goodwin based on one hard hit to the head, a broken arm, and a bunch of other smaller contusions to the body.
Choreographed by Jenn Goodwin with Lucy Rupert
Performed by Lucy Rupert
Music: Radiohead
Lighting Design by Robin Dutt
Collection:
Date Made: 2007
Materials:
Virtual Collection: Original CCCA
Accidents for Every Occasion
Work ID: 79605
Description: Accidents for Every Occasion
An exploration of mistakes we make that affect our daily lives, to the ones that may cost us our life. From spelling mistakes to near death experiences, taken from real life scenarios.. and mistaken moments.
Accidents is a playful yet poignant look at our attempt to be perfect, avoidance of discomfort, fear of failure and the beauty and challenges learned by the natural occurance of accidents and mistakes. From the banal to the beautiful to the barbaric…
Collection:
Date Made: 2009
Materials: performance
Virtual Collection: Original CCCA
Accidents for Every Occasion
Work ID: 79606
Description: Accidents for Every Occasion
An exploration of mistakes we make that affect our daily lives, to the ones that may cost us our life. From spelling mistakes to near death experiences, taken from real life scenarios.. and mistaken moments.
Accidents is a playful yet poignant look at our attempt to be perfect, avoidance of discomfort, fear of failure and the beauty and challenges learned by the natural occurance of accidents and mistakes. From the banal to the beautiful to the barbaric…
Collection:
Date Made: 2009
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79615
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79614
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79610
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79612
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79607
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79617
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79613
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79616
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79608
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
Your Timing is Perfect and other wall works
Work ID: 79618
Description: Your Timing is Perfect and other wall works
Working across disciplinary institutions, Your Timing is Perfect was developed within the context of a lens-based gallery, traditionally imagined as a space for wall works. Through the conceptual frame of portraiture, the piece explores the possibility of connection across time — with strangers and friends, performers and audiences, between a sense of self and collective and the walls of a room. Performers in the work see themselves and their stories as objects, icons and images, they examine practices of looking, how we see and are asked to see. An intimate, 360 degree, durational performance/movement experience, audiences are welcome to come and go from the work at their leisure. Stay for ten minutes or for four hours.
Collection:
Date Made: 2014
Materials: performance
Virtual Collection: Original CCCA
