Martha Henrickson
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: USA
Province of Birth: New York
Year of Birth: 1942
City: Lafontaine
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: photography
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Work by Martha Henrickson
Bamboo Palm I
Work ID: 70677
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1986
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Umbrella Ficus
Work ID: 70676
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1986
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Bamboo Palm II
Work ID: 70678
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1986
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Fan Palm
Work ID: 70869
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white wallsáI took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadowsá.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1986
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Columnar
Work ID: 70680
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Ocatillo
Work ID: 70675
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Unamed
Work ID: 70679
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Mimosa
Work ID: 70673
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Aloe 4
Work ID: 70674
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Agave I
Work ID: 70672
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white wallsáI took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadowsá.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1987
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
A Turn in the Road
Work ID: 70682
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1990
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
From Malaspina
Work ID: 70692
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Via I
Work ID: 70691
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Way to Prince Rupert II
Work ID: 70685
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Way to Prince Rupert I
Work ID: 70684
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Alaska Bridge
Work ID: 70688
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Prince Rupert Dock
Work ID: 70690
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Mast #11
Work ID: 70693
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Inside Passage
Work ID: 70683
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Between B.C. & Alberta
Work ID: 70689
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Icefields Parkway I
Work ID: 70686
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Icefields Parkway II
Work ID: 70687
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Measurements: 50.8 x 35.56 cm
Collection:
Date Made: 1992
Materials: black & white silver print, painted
Virtual Collection: Original CCCA
Sky Lake
Work ID: 70733
Collection:
Date Made: 1995
Materials: black & white silver print, handpainted
Virtual Collection: Original CCCA
Canyon Revisited
Work ID: 70723
Description: from the View from a Train series
Measurements: triptych: 43.18 x 236.22 cm, mounted on aluminum
Collection:
Date Made: 1996
Materials: black & white silver print
Virtual Collection: Original CCCA
Movement #4
Work ID: 70697
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Mt. Robson
Work ID: 70724
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 68.58 x 160.02 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Black Rocks
Work ID: 70701
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Triad 3
Work ID: 70696
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Morning
Work ID: 70700
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Movement #7
Work ID: 70699
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Triad 1
Work ID: 70694
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Glacier
Work ID: 70722
Description: from the View from a Train series
Measurements: triptych: 68.58 x 236.22 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Ontario Turn
Work ID: 70725
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 68.58 x 160.02 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Movement #6
Work ID: 70698
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Triad 2
Work ID: 70695
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Measurements: 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 1997
Materials: black & white silver print
Virtual Collection: Original CCCA
Morning
Work ID: 70707
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Morning Window I
Work ID: 70710
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Snow Fall
Work ID: 70702
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Low tide II
Work ID: 70706
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Heading East I
Work ID: 70704
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
North Window
Work ID: 70708
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Between B.C. & Alberta
Work ID: 70717
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Skeena River
Work ID: 70715
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
North Ontario Turn
Work ID: 70712
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Morning Window II
Work ID: 70711
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Heading East II
Work ID: 70705
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Snow Trail
Work ID: 70709
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Via II
Work ID: 70720
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Summer
Work ID: 70716
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Shadow
Work ID: 70714
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Winter Trees
Work ID: 70703
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Old Quebec Bridge
Work ID: 70713
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: black & white silver print
Virtual Collection: Original CCCA
Nova Scotia Mist
Work ID: 70719
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Blue Ice
Work ID: 70721
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Alberta Chill
Work ID: 70718
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 1999
Materials: fujicolour print
Virtual Collection: Original CCCA
Winter Reflections
Work ID: 70732
Measurements: diptych: 66.04 x 226.06 cm
Collection:
Date Made: 2000
Materials: fujicolour print
Virtual Collection: Original CCCA
Bay Ice
Work ID: 70729
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 2000-2001
Materials: fujicolour print
Virtual Collection: Original CCCA
Bay 5
Work ID: 70727
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 2000-2001
Materials: fujicolour print
Virtual Collection: Original CCCA
Bay 2
Work ID: 70726
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 2000-2001
Materials: fujicolour print
Virtual Collection: Original CCCA
Winter Bay
Work ID: 70728
Measurements: 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date Made: 2000-2001
Materials: fujicolour print
Virtual Collection: Original CCCA
Bay Spring I
Work ID: 70730
Measurements: 101.6 x 152.4 cm
Collection:
Date Made: 2002
Materials: giclée on watercolour paper
Virtual Collection: Original CCCA
Bay Spring II
Work ID: 70761
Measurements: 101.6 x 152.4 cm
Collection:
Date Made: 2002
Materials: giclée on watercolour paper
Virtual Collection: Original CCCA
Snow #15
Work ID: 70736
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Snow #3
Work ID: 70734
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Snow #16
Work ID: 70737
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Snow #19
Work ID: 70738
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Snow #13
Work ID: 70735
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Snow
Work ID: 70739
Measurements: 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date Made: 2004-2005
Materials: Kodak Endura
Virtual Collection: Original CCCA
Boardwalk
Work ID: 70747
Measurements: approx. 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Interiors Mexico
Work ID: 70744
Measurements: 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Interiors 3
Work ID: 70742
Measurements: 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Thom
Work ID: 70746
Measurements: triad, each image approx. 48.26 x 50.8 cm
Collection:
Date Made: 2007
Materials: digital print on canvas
Virtual Collection: Original CCCA
Interiors 1
Work ID: 70740
Measurements: 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Double Boardwalk
Work ID: 70748
Measurements: approx. 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Interiors Mask
Work ID: 70743
Measurements: 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Interiors 2
Work ID: 70741
Measurements: 76.2 x 76.2 cm
Collection:
Date Made: 2007
Materials: c-print
Virtual Collection: Original CCCA
Thom multiplied #1,2 and 3
Work ID: 70745
Measurements: triad, each image approx. 48.26 x 50.8 cm
Collection:
Date Made: 2007
Materials: digital print on canvas
Virtual Collection: Original CCCA
2 Thoms
Work ID: 70762
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
Thom 2
Work ID: 70765
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
double window
Work ID: 70764
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
Thom Louvre
Work ID: 70767
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
Two at gate
Work ID: 70766
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
Thom at Van Gogh
Work ID: 70763
Measurements: 63.5 x 93.98 cm
Collection:
Date Made: 2008
Materials: digital 'c' print under plexoglass
Virtual Collection: Original CCCA
