
Barbara Astman
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: USA
Province of Birth: New York
Year of Birth: 1950
City: Toronto
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: photography, sculpture
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Work by Barbara Astman

Strawberry Cherry Queen
Work ID: 2474
Collection:
Date Made: 1973
Materials: photo & collage
Virtual Collection: Original CCCA

Bert and George in the living room
Work ID: 2475
Collection: Toronto, Ontario
Date Made: 1973
Materials: mixed media with hand-tinted photo-linen
Virtual Collection: Original CCCA

On Tour with Myra
Work ID: 2478
Measurements: approx. 101.6 x 152.4 cm
Collection: Toronto, Ontario
Date Made: 1975-1976
Materials: colour xerox
Virtual Collection: Original CCCA

On Tour with Myra (detail)
Work ID: 2479
Measurements: approx. 101.6 x 152.4 cm
Collection:
Date Made: 1975-1976
Materials: colour xerox
Virtual Collection: Original CCCA

Untitled
Work ID: 2476
Measurements: 20.32 x 25.4 cm
Collection:
Date Made: 1975-1976
Materials: colour xerox
Virtual Collection: Original CCCA

Connie and the Flowering Annuals
Work ID: 2477
Measurements: approx. 101.6 x 152.4 cm
Collection: Toronto, Ontario
Date Made: 1975-1976
Materials: colour xerox
Virtual Collection: Original CCCA

Untitled (Visual Narrative Series, 1 of 2)
Work ID: 2480
Measurements: approx. 121.92 x 152.4 cm
Collection:
Date Made: 1978-1979
Materials: hand-tinted ektacolour mural
Virtual Collection: Original CCCA

Untitled (Visual Narrative Series 2 of 2)
Work ID: 2481
Measurements: approx. 121.92 x 152.4 cm
Collection:
Date Made: 1978-1979
Materials: hand-tinted ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 1 of 8)
Work ID: 257
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 3 of 8)
Work ID: 2427
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 5 of 8)
Work ID: 2429
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 7 of 8)
Work ID: 2431
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 6 of 8)
Work ID: 2430
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 2 of 8)
Work ID: 2426
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 8 of 8)
Work ID: 2432
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Untitled, I was thinking about you…, 4 of 8)
Work ID: 2428
Measurements: 152.4 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1979-1980
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 8 of 9)
Work ID: 2439
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 6 of 9)
Work ID: 2437
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 2 of 9)
Work ID: 2433
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 4 of 9)
Work ID: 2435
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 3 of 9)
Work ID: 2434
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 1 of 9)
Work ID: 256
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 7 of 9)
Work ID: 2438
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 5 of 9)
Work ID: 2436
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Red Series, 9 of 9)
Work ID: 2440
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1981
Materials: ektacolour mural
Virtual Collection: Original CCCA

teaneck recroom neckroom (Places Series)
Work ID: 2482
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

l’atrio di sicilia (Places Series)
Work ID: 2487
Measurements: 30.48 x 91.44 x 30.48 cm
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

cottage country (Places Series)
Work ID: 2483
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

antwerp by starlight (Places Series)
Work ID: 2488
Measurements: 30.48 x 121.92 x 30.48 cm
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

mother’s kitchen (Places Series)
Work ID: 2486
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

bedroom badroom recroom (Places Series)
Work ID: 2484
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

lower level living (Places Series)
Work ID: 2485
Measurements: 20.32 x 121.92 x 22.86 cm
Collection: Canada Council Art Bank, Ottawa
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

walking the flowered maze (Places Series)
Work ID: 2489
Collection:
Date Made: 1982
Materials: linoleum, wood, plexiglass
Virtual Collection: Original CCCA

untitled (Settings for Situations, 5 of 8)
Work ID: 2494
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 8 of 8)
Work ID: 2497
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 2 of 8)
Work ID: 2491
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 6 of 8)
Work ID: 2495
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

Stepping Past Pleasurable Objects, Waiting for the Cool, Blue You (Settings for Situations, 1 of 8)
Work ID: 2490
Measurements: 89.916 x 340.106 x 184.912 cm
Collection: Canada Council Art Bank, Ottawa
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 3 of 8)
Work ID: 2492
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 7 of 8)
Work ID: 2496
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

untitled (Settings for Situations, 4 of 8)
Work ID: 2493
Collection:
Date Made: 1984
Materials: plastic laminate on plywood
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 7 of 8)
Work ID: 2447
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 8 of 8)
Work ID: 2448
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 1 of 8)
Work ID: 255
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 2 of 8)
Work ID: 2441
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 6 of 8)
Work ID: 2446
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 5 of 8)
Work ID: 2444
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 4 of 8)
Work ID: 2443
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Untitled (Travelogue Series, 3 of 8)
Work ID: 2442
Measurements: 121.92 x 121.92 cm
Collection: Toronto, Ontario
Date Made: 1986
Materials: black and white photo mural
Virtual Collection: Original CCCA

Olympic Speed Skating Floor
Work ID: 54031
Description: Calgary Winter Olympics '88, I designed and installed a 1,300 square ft. inlaid floor created for the Olympic Speed Skating Oval. The material used was Marmoleum which was cut and inlaid as a mosaic. The building had been designed but not yet completed prior to the art competition. The art floor leads into the 4,000 seating area for the spectators during events. The floor had to withstand a heavy traffic flow and all of the technical rigours of a public use floor, while maintaining an aesthetic and conceptual rigour. The design of the floor echos a heroic entrance and plays with perspective. It is contemporary yet maintains a sense of history throughout the design.
Measurements: 1,300 square feet.
Collection:
Date Made: 1987
Materials: Marmoleum
Virtual Collection: Original CCCA

Untitled (Curtain Series, 2 of 6)
Work ID: 2449
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Curtain Series, 5 of 6)
Work ID: 2453
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Curtain Series, 1 of 6)
Work ID: 254
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Curtain Series, 6 of 6)
Work ID: 2454
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Curtain Series, 3 of 6)
Work ID: 2450
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (Curtain Series, 4 of 6)
Work ID: 2451
Measurements: 91.44 x 274.32 cm
Collection: Toronto, Ontario
Date Made: 1988
Materials: ektacolour mural
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 5 of 12)
Work ID: 2459
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 9 of 12)
Work ID: 2463
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 12 of 12)
Work ID: 2467
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 1 of 12)
Work ID: 253
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 8 of 12)
Work ID: 2462
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 2 of 12)
Work ID: 2455
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 4 of 12)
Work ID: 2458
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 3 of 12)
Work ID: 2456
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 6 of 12)
Work ID: 2460
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 7 of 12)
Work ID: 2461
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 11 of 12)
Work ID: 2465
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Fruit Series, 10 of 12)
Work ID: 2464
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1990
Materials: ektacolour mural, encaustic, oil stick, earth
Virtual Collection: Original CCCA

Untitled (The Rock Series, 10 of 12)
Work ID: 2507
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 8 of 12)
Work ID: 2505
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 12 of 12)
Work ID: 2509
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 2 of 12)
Work ID: 2499
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 11 of 12)
Work ID: 2508
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 9 of 12)
Work ID: 2506
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 7 of 12)
Work ID: 2504
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 3 of 12)
Work ID: 2500
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 1 of 12)
Work ID: 2498
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 6 of 12)
Work ID: 2503
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 4 of 12)
Work ID: 2501
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Untitled (The Rock Series, 5 of 12)
Work ID: 2502
Measurements: 121.92 x 121.92 cm
Collection:
Date Made: 1991-1992
Materials: black and white photo mural, oil stick, encaustic, mixed media
Virtual Collection: Original CCCA

Aurorea, Simcoe Place Public Art Project
Work ID: 54033
Description: Aurorea, Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. This is an integrated art and architecture project which is comprised of fourteen glass lites which have been sandblasted to create the feeling of an aura borealis. The glass windows face out onto a shopping concourse. Six of the fourteen windows are 3 x 8 ft. and the rest are 6 x 8 ft.
Measurements: 6, 0.1044 x 0.2784 m; 8, 0.2088 x 0.2784 m
Collection:
Date Made: 1994
Materials: sandblasted glass
Virtual Collection: Original CCCA

Aurorea, Simcoe Place Public Art Project
Work ID: 54032
Description: Aurorea, Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. This is an integrated art and architecture project which is comprised of fourteen glass lites which have been sandblasted to create the feeling of an aura borealis. The glass windows face out onto a shopping concourse. Six of the fourteen windows are 3 x 8 ft. and the rest are 6 x 8 ft.
Measurements: 6, 0.1044 x 0.2784 m; 8, 0.2088 x 0.2784 m
Collection:
Date Made: 1994
Materials: sandblasted glass
Virtual Collection: Original CCCA

Ground Cover, Bay/Hayter Public Art Project
Work ID: 54030
Description: Ground Cover, Bay/Hayter Public Art Project, Hayter Developments, Toronto, Ontario. In this integrated art/architecture project, I designed the sidewalks that surround the developers building on the front (east) and south sides of the building. Each of the five, 20 x 20 in. concrete pavers has a different leaf pattern image on it that was based on the landscape designers planting proposal. The actual leaves were utilized to make the plugs which were used too make the molds. I had the concrete custom designed in terms of colour and texture and then the pavers were hand poured. The surface of the concrete was then acid etched to reveal the colour, texture and sparkle. The resulting pavers appear as though they were fossils. Both entrances to the building have a sandblasted leaf pattern on the glass to continue the image up the walls.
Measurements: 5, 50.8 x 50.8 cm concrete pavers
Collection:
Date Made: 1994
Materials: concrete
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 3 of 7)
Work ID: 2512
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 4 of 7)
Work ID: 2513
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 6 of 7)
Work ID: 2515
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 2 of 7)
Work ID: 2511
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 9 of 10)
Work ID: 2471
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 1 of 7)
Work ID: 2510
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 3 of 10)
Work ID: 250
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 10 of 10)
Work ID: 2472
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 7 of 7)
Work ID: 2516
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 4 of 10)
Work ID: 251
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 8 of 10)
Work ID: 2470
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 7 of 10)
Work ID: 2469
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 6 of 10)
Work ID: 2468
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 2 of 10)
Work ID: 249
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 5 of 10)
Work ID: 252
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Seeing and Being Seen Series, 1 of 10)
Work ID: 248
Measurements: 106.68 x 243.84 cm
Collection:
Date Made: 1994-1995
Materials: computer generated laser print on frosted mylar
Virtual Collection: Original CCCA

Untitled (Tuscan Landscape Series, 5 of 7)
Work ID: 2514
Measurements: 109.22 x 67.31 cm
Collection:
Date Made: 1994-1995
Materials: graphite on vellum, masonite
Virtual Collection: Original CCCA

Untitled (Sidewalk Landscape Series, 4 of 4)
Work ID: 2520
Measurements: 76.2 x 50.8 cm
Collection:
Date Made: 1995
Materials: graphite on arches paper
Virtual Collection: Original CCCA

Tribute
Work ID: 54027
Description: Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. I have completed a freestanding sandblasted glass sculpture that recognizes those who contributed towards the excellence of Simcoe Place. The piece incorporates five freestanding, 1 x 36 x 96 in. glass panels which have text sandblasted on one side and abstracted photographic images sandblasted on the opposite side. The photographic images depict the actual construction process of Simcoe Place.
Measurements: 5, 2.54 x 91.44 x 243.84 cm glass panels
Collection:
Date Made: 1995
Materials: sandblasted glass sculpture
Virtual Collection: Original CCCA

Untitled (Sidewalk Landscape Series, 2 of 4)
Work ID: 2518
Measurements: 76.2 x 50.8 cm
Collection:
Date Made: 1995
Materials: graphite on arches paper
Virtual Collection: Original CCCA

Untitled (Sidewalk Landscape Series, 3 of 4)
Work ID: 2519
Measurements: 76.2 x 50.8 cm
Collection:
Date Made: 1995
Materials: graphite on arches paper
Virtual Collection: Original CCCA

Untitled (Sidewalk Landscape Series, 1 of 4)
Work ID: 2517
Measurements: 76.2 x 50.8 cm
Collection:
Date Made: 1995
Materials: graphite on arches paper
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 4 of 8)
Work ID: 2524
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

untitled (from: thirty-two frames from scenes for a movie for one, 3 of 3)
Work ID: 2535
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

thirty-two frames from scenes for a movie for one, #1
Work ID: 2529
Measurements: 34.29 x 77.47 cm
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

thirty-two frames from scenes for a movie for one, #4
Work ID: 2532
Measurements: 34.29 x 77.47 cm
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 2 of 8)
Work ID: 2522
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

thirty-two frames from scenes for a movie for one, #3c
Work ID: 2531
Measurements: 34.29 x 77.47 cm
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 7 of 8)
Work ID: 2527
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 6 of 8)
Work ID: 2526
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 1 of 8)
Work ID: 2521
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 5 of 8)
Work ID: 2525
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

untitled (from: thirty-two frames from scenes for a movie for one, 1 of 3)
Work ID: 2533
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

thirty-two frames from scenes for a movie for one, #2c
Work ID: 2530
Measurements: 34.29 x 77.47 cm
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 3 of 8)
Work ID: 2523
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

Untitled (‘Scenes for a movie for one’ Series, 8 of 8)
Work ID: 2528
Measurements: 50.8 x 60.96 cm
Collection:
Date Made: 1997
Materials: Ektacolour print
Virtual Collection: Original CCCA

untitled (from: thirty-two frames from scenes for a movie for one, 2 of 3)
Work ID: 2534
Collection:
Date Made: 1997
Materials: transfer print on stonehenge paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 12 of 15
Work ID: 2547
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 6 of 15
Work ID: 2541
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 1 of 15
Work ID: 2536
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: faces, Original CCCA

study for Dreaming Impressionism, 3 of 15
Work ID: 2538
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 4 of 15
Work ID: 2539
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 11 of 15
Work ID: 2546
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 2 of 15
Work ID: 2537
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 10 of 15
Work ID: 2545
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 13 of 15
Work ID: 2548
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 15 of 15
Work ID: 2550
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 14 of 15
Work ID: 2549
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 7 of 15
Work ID: 2542
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 9 of 15
Work ID: 2544
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 8 of 15
Work ID: 2543
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

study for Dreaming Impressionism, 5 of 15
Work ID: 2540
Collection:
Date Made: 1998
Materials: mixed media on paper
Virtual Collection: Original CCCA

Baycrest Portal Project
Work ID: 54028
Description: The Portal Project, Baycrest Centre for Geriatric Care, Toronto, Ontario. This integrated art and architecture project involves designing entrances to the home units. The objective of the project is to give each home unit its own identity, a distinguishable marker to help the client know that they are home. I was awarded two of the portals and have designed two distinct images. Each image was reproduced twelve times and then installed at the appropriate portal on each of the six floors of the building. The image covers both sides of the portal and the ceiling area directly between them will be painted with a specific colour. The photo-murals were digitally produced on a wallpaper type material which was adhered directly to the given walls. The scale of each portal wall image is four feet by eight feet. Installation was completed in January, 2000.
Collection:
Date Made: 1999
Materials: photomurals digitally produced on wallpaper
Virtual Collection: Original CCCA

Paris Postcards: #11, Vichy
Work ID: 23414
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #1, San Sebastian
Work ID: 23404
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #4, Cubaz-les-Ponts
Work ID: 23407
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #2, Avachon
Work ID: 23405
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #13, Krainshade
Work ID: 23416
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #16, Heinsberg
Work ID: 23419
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #7, San Sebastian
Work ID: 23410
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #10, Chateau de Juzet
Work ID: 23413
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #6, Cambridge
Work ID: 23409
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #8, Vichy-le-sport
Work ID: 23411
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #12, Bruxelles
Work ID: 23415
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #17, Hardenburg mit Ruine
Work ID: 23420
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #15, South Bridge
Work ID: 23418
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #14, Hohensyburg
Work ID: 23417
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #5, Ile Saint-Honorat
Work ID: 23408
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #9, Gdynia
Work ID: 23412
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Paris Postcards: #3, Saint-Jean-de-Luz
Work ID: 23406
Collection:
Date Made: 2000-2001
Materials: archival digital output on matte paper
Virtual Collection: Original CCCA

Wolfond Windows, University of Toronto
Work ID: 54034
Description: Centre For Jewish Campus Life, University of Toronto, Toronto, Ontario. In collaboration with Susan Friedrich Architect Inc., this integrated art and architecture project involves the designing of a building for the Jewish Campus Services. My main role has been to design the etched glass windows which encompass the spiritual room and act as a signifier for the identity of the building situated in this neighbourhood. Completion date: Spring 2004.
Collection:
Date Made: 2001-04
Materials: etched glass windows
Virtual Collection: Original CCCA

Wolfond Windows, University of Toronto
Work ID: 54035
Description: Centre For Jewish Campus Life, University of Toronto, Toronto, Ontario. In collaboration with Susan Friedrich Architect Inc., this integrated art and architecture project involves the designing of a building for the Jewish Campus Services. My main role has been to design the etched glass windows which encompass the spiritual room and act as a signifier for the identity of the building situated in this neighbourhood. Completion date: Spring 2004.
Collection:
Date Made: 2001-04
Materials: etched glass windows
Virtual Collection: bw photos, Original CCCA

dancing with che #26
Work ID: 54019
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #12
Work ID: 54007
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #15
Work ID: 54010
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #13
Work ID: 54008
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #23
Work ID: 54018
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #20
Work ID: 54015
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #17
Work ID: 54012
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #27
Work ID: 54020
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #6
Work ID: 54001
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #2
Work ID: 53997
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #9
Work ID: 54004
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #16
Work ID: 54011
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

Dancing With Che, installation view
Work ID: 53995
Description: From the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #19
Work ID: 54014
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #4
Work ID: 53999
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #1
Work ID: 53996
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #14
Work ID: 54009
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #8
Work ID: 54003
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #21
Work ID: 54016
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #18
Work ID: 54013
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #29
Work ID: 54022
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #22
Work ID: 54017
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #11
Work ID: 54006
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #10
Work ID: 54005
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #7
Work ID: 54002
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #5
Work ID: 54000
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #3
Work ID: 53998
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #33
Work ID: 54026
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #32
Work ID: 54025
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #31
Work ID: 54024
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #30
Work ID: 54023
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

dancing with che #28
Work ID: 54021
Description: from the series, Dancing with Che.
The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.
Measurements: 91.44 x 91.44 cm
Collection:
Date Made: 2002
Materials: digital output on fine art paper
Virtual Collection: Original CCCA

Berlin Weather Windows
Work ID: 54029
Description: Canadian Embassy in Berlin, Government of Canada. I have recently been selected for a public art project at the new Canadian Embassy in Berlin, Germany. My ideas are based on weather as a national identity factor. I have designed an image, which will be applied with a frit on clear glass panels, forming a curved wall surrounding the Great Timber Hall. Completion date: Winter 2004-2005.
Collection:
Date Made: 2002-2004
Materials:
Virtual Collection: Original CCCA

Clementine, Part I[detail]
Work ID: 53988
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part I[installation view]
Work ID: 53991
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part I[detail]
Work ID: 53990
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part I[detail]
Work ID: 53989
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part I[detail]
Work ID: 53987
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part I[detail]
Work ID: 53992
Description: installation: Art Gallery of Windsor, Windsor, Ontario
Measurements: aprox. 0.8352 x 0.2784 m
Collection:
Date Made: 2003-04
Materials: installation element: seasonal lights, black and white digital images on acetate
Virtual Collection: Original CCCA

Clementine, Part II[detail – light]
Work ID: 53993
Measurements: variable
Collection:
Date Made: 2003-04
Materials: installation element: disco lights, black and white digital images on acetate, frosted mylar
Virtual Collection: Original CCCA

Clementine, Part II[detail]
Work ID: 53994
Measurements: variable
Collection:
Date Made: 2003-04
Materials: installation element: disco lights, black and white digital images on acetate, frosted mylar
Virtual Collection: Original CCCA

The Newspaper Series: bluecomic
Work ID: 72543
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: esperanza
Work ID: 72544
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: furworks
Work ID: 72545
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: bestmusical
Work ID: 72548
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: wicked
Work ID: 72553
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: installation view, right wall
Work ID: 72539
Description: Corkin Gallery, Toronto, March 31-April 26, 2007.
The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Collection:
Date Made: 2006
Materials: digital prints
Virtual Collection: Original CCCA

The Newspaper Series: yakuzathugs
Work ID: 72541
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: highstyle
Work ID: 72546
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: blackabby
Work ID: 72542
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: rollover
Work ID: 72552
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: pinkhand
Work ID: 72550
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: monster
Work ID: 72547
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 66.04 x 114.3 cm unique
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: yakuzathugs
Work ID: 72554
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: red
Work ID: 72551
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

The Newspaper Series: installation view, left wall
Work ID: 72540
Description: Corkin Gallery, Toronto, March 31-April 26, 2007.
The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Collection:
Date Made: 2006
Materials: digital prints
Virtual Collection: Original CCCA

The Newspaper Series: pinkdot
Work ID: 72549
Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.
Measurements: 43.18 x 289.56 cm
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Wonderland 08
Work ID: 72560
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 13
Work ID: 72563
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 10
Work ID: 72561
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 18
Work ID: 72567
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 21
Work ID: 72569
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 22
Work ID: 72570
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 19
Work ID: 72568
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 23
Work ID: 72571
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 04
Work ID: 72556
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 15
Work ID: 72564
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital photograph
Virtual Collection: Original CCCA

Wonderland 12
Work ID: 72562
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 16
Work ID: 72565
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital photograph
Virtual Collection: Original CCCA

Wonderland 07
Work ID: 72559
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 17
Work ID: 72566
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 06
Work ID: 72558
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 05
Work ID: 72557
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 26
Work ID: 72574
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 24
Work ID: 72572
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 25
Work ID: 72573
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

Wonderland 03
Work ID: 72555
Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.
Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.
The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.
Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.
Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)
Collection:
Date Made: 2008
Materials: digital print on fine art paper
Virtual Collection: Original CCCA

I as artifact [20]
Work ID: 80359
Description: View the complete series of 20 works: I as artifact
Measurements: 88.9 x 88.9 cm
Collection:
Date Made: 2008-2011
Materials: digital print on Epson Ultrasmooth Fine Art Paper
Virtual Collection: Original CCCA

I as artifact [1]
Work ID: 80357
Description: View the complete series of 20 works: I as artifact
Measurements: 88.9 x 88.9 cm
Collection:
Date Made: 2008-2011
Materials: digital print on Epson Ultrasmooth Fine Art Paper
Virtual Collection: Original CCCA

I as artifact [5]
Work ID: 80399
Description: View the complete series of 20 works: I as artifact
Measurements: 88.9 x 88.9 cm
Collection:
Date Made: 2008-2011
Materials: digital print on Epson Ultrasmooth Fine Art Paper
Virtual Collection: Original CCCA

I as artifact [10]
Work ID: 80398
Description: View the complete series of 20 works: I as artifact
Measurements: 88.9 x 88.9 cm
Collection:
Date Made: 2008-2011
Materials: digital print on Epson Ultrasmooth Fine Art Paper
Virtual Collection: Original CCCA

I as artifact , installation view of one wall]
Work ID: 80360
Description: Exhibition installation at the McIntosh Gallery, Western University, London, Ontario
April 17 – June 7, 2014.
View the complete series of 20 works: I as artifact
Measurements: each: 88.9 x 88.9 cm
Collection:
Date Made: 2008-2011
Materials: digital print on Epson Ultrasmooth Fine Art Paper
Virtual Collection: Original CCCA

Daily Collage: Collage 41
Work ID: 75694
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 07
Work ID: 75660
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 59
Work ID: 75712
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 60
Work ID: 75713
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 35
Work ID: 75688
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 15
Work ID: 75668
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 25
Work ID: 75678
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 09
Work ID: 75662
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 55
Work ID: 75708
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 51
Work ID: 75704
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 04
Work ID: 75657
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 03
Work ID: 75656
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 02
Work ID: 75655
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 33
Work ID: 75686
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 13
Work ID: 75666
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 44
Work ID: 75697
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 57
Work ID: 75710
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 26
Work ID: 75679
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 23
Work ID: 75676
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 36
Work ID: 75689
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 22
Work ID: 75675
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 05
Work ID: 75658
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 48
Work ID: 75701
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 01
Work ID: 75654
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 20
Work ID: 75673
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 27
Work ID: 75680
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 16
Work ID: 75669
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 45
Work ID: 75698
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 28
Work ID: 75681
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 18
Work ID: 75671
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 11
Work ID: 75664
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 31
Work ID: 75684
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 29
Work ID: 75682
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 53
Work ID: 75706
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 30
Work ID: 75683
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 50
Work ID: 75703
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 54
Work ID: 75707
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 21
Work ID: 75674
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 40
Work ID: 75693
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 47
Work ID: 75700
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 10
Work ID: 75663
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 14
Work ID: 75667
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 06
Work ID: 75659
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 08
Work ID: 75661
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 19
Work ID: 75672
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 12
Work ID: 75665
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 24
Work ID: 75677
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 52
Work ID: 75705
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 32
Work ID: 75685
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 49
Work ID: 75702
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 17
Work ID: 75670
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 58
Work ID: 75711
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 37
Work ID: 75690
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 46
Work ID: 75699
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 56
Work ID: 75709
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 43
Work ID: 75696
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 42
Work ID: 75695
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 38
Work ID: 75691
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 39
Work ID: 75692
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Daily Collage: Collage 34
Work ID: 75687
Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.
Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.
Measurements: 109.22 x 86.36 cm
Collection:
Date Made: 2009-2011
Materials: Digital print on archival fine art paper
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80364
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80362
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80361
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80365
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80368
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80366
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]
Work ID: 80367
Description: Kelowna Art Gallery, Kelowna, BC.
Measurements: variable
Collection:
Date Made: 2011
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]
Work ID: 80370
Description: McMaster Museum of Art, McMaster University, Hamilton, ON.
Measurements: variable
Collection:
Date Made: 2012
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]
Work ID: 80371
Description: McMaster Museum of Art, McMaster University, Hamilton, ON.
Measurements: variable
Collection:
Date Made: 2012
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]
Work ID: 80369
Measurements: variable
Collection:
Date Made: 2012
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]
Work ID: 80372
Description: McMaster Museum of Art, McMaster University, Hamilton, ON.
Measurements: variable
Collection:
Date Made: 2012
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

It’s all about style [40]
Work ID: 80393
Description: View the complete series of 76 works: It's all about Style
Measurements: 55.88 x 76.2 cm
Collection:
Date Made: 2013
Materials: tape transfer collage on Stonehenge paper
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]
Work ID: 80379
Description: Museum of Contemporary Canadian Art, Toronto.
Measurements: variable
Collection:
Date Made: 2013
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]
Work ID: 80382
Description: Museum of Contemporary Canadian Art, Toronto.
Measurements: variable
Collection:
Date Made: 2013
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

It’s all about style [50]
Work ID: 80394
Description: View the complete series of 76 works: It's all about Style
Measurements: 55.88 x 76.2 cm
Collection:
Date Made: 2013
Materials: tape transfer collage on Stonehenge paper
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]
Work ID: 80378
Description: Museum of Contemporary Canadian Art, Toronto.
Measurements: variable
Collection:
Date Made: 2013
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]
Work ID: 80381
Description: Museum of Contemporary Canadian Art, Toronto.
Measurements: variable
Collection:
Date Made: 2013
Materials: 1,500 objects installed in variable spaces
Virtual Collection: Original CCCA

Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]
Work ID: 80384
Description: Museum of Contemporary Canadian Art, Toronto.
Measurements: variable
Collection:
Date Made: 2013
Materials: 1,500 objects installed in variable spaces