CCCA Canadian Art Database

Barbara Astman

Barbara Astman RCA is one of Canada’s most highly acclaimed artists. Her work has received national and international recognition. Since the 1970s she has explored a wide range of photographic and mixed media. Her work is represented in many museum, corporate, and private collections, in Canada, United States, and Europe. Astman has degrees from the Rochester Institute of Technology, School for American Craftsmen, and Ontario College of Art. Active in the Toronto arts community, Astman has sat on numerous boards and advisory committees. Currently, she is a member of the Board of Trustees at the Art Gallery of Ontario and works as a Professor in the Faculty of Art at the Ontario College of Art & Design. In 2011 she was appointed to the Canadian Curatorial Committee at the AGO. In 1995 the Art Gallery of Hamilton organized a major touring retrospective exhibition, Barbara Astman - Personal/Persona - A 20 Year Survey, curated by Liz Wylie. She is represented by the Corkin Gallery, Toronto. Astman has been commissioned for public art projects beginning in the mid eighties. In 1987 she completed a floor installation for the Calgary Winter Olympics. In 2005 she completed a public art installation for the new Canadian Embassy in Berlin, Germany. Most recently she completed a public art project in Toronto, the Murano on Bay, comprised of 217 windows with photo-based imagery. In 2008 Astman and AGO Assistant Curator Georgiana Uhlyarik collaborated on a curatorial project for the Transformation AGO Exhibition, dealing with Joyce Wieland and early feminist practice. Astman’s photo-based work was included in the AGO exhibition titled: Beautiful Fiction, fall 2009. In May 2011, her recent installation, dancing with che: enter through the gift shop, opened at the Kelowna Art Galley. Her most recent solo exhibition, Daily Collage, opened at the Corkin Gallery in the fall of 2011. © Art Gallery of Hamilton, 1995 Curator: Liz Wylie.
Creator Id: 31
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: USA
Province of Birth: New York
Year of Birth: 1950
City: Toronto
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: photography, sculpture
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Work by Barbara Astman

Strawberry Cherry Queen

Work ID: 2474

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On Tour with Myra

Work ID: 2478

Measurements: approx. 101.6 x 152.4 cm

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On Tour with Myra (detail)

Work ID: 2479

Measurements: approx. 101.6 x 152.4 cm

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Untitled

Work ID: 2476

Measurements: 20.32 x 25.4 cm

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Connie and the Flowering Annuals

Work ID: 2477

Measurements: approx. 101.6 x 152.4 cm

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Untitled (Visual Narrative Series, 1 of 2)

Work ID: 2480

Measurements: approx. 121.92 x 152.4 cm

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Untitled (Visual Narrative Series 2 of 2)

Work ID: 2481

Measurements: approx. 121.92 x 152.4 cm

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Untitled (Untitled, I was thinking about you…, 1 of 8)

Work ID: 257

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 3 of 8)

Work ID: 2427

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 5 of 8)

Work ID: 2429

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 7 of 8)

Work ID: 2431

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 6 of 8)

Work ID: 2430

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 2 of 8)

Work ID: 2426

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 8 of 8)

Work ID: 2432

Measurements: 152.4 x 121.92 cm

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Untitled (Untitled, I was thinking about you…, 4 of 8)

Work ID: 2428

Measurements: 152.4 x 121.92 cm

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Untitled (The Red Series, 8 of 9)

Work ID: 2439

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 6 of 9)

Work ID: 2437

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 2 of 9)

Work ID: 2433

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 4 of 9)

Work ID: 2435

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 3 of 9)

Work ID: 2434

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 1 of 9)

Work ID: 256

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 7 of 9)

Work ID: 2438

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 5 of 9)

Work ID: 2436

Measurements: 121.92 x 121.92 cm

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Untitled (The Red Series, 9 of 9)

Work ID: 2440

Measurements: 121.92 x 121.92 cm

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teaneck recroom neckroom (Places Series)

Work ID: 2482

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l’atrio di sicilia (Places Series)

Work ID: 2487

Measurements: 30.48 x 91.44 x 30.48 cm

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cottage country (Places Series)

Work ID: 2483

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antwerp by starlight (Places Series)

Work ID: 2488

Measurements: 30.48 x 121.92 x 30.48 cm

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mother’s kitchen (Places Series)

Work ID: 2486

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bedroom badroom recroom (Places Series)

Work ID: 2484

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lower level living (Places Series)

Work ID: 2485

Measurements: 20.32 x 121.92 x 22.86 cm

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walking the flowered maze (Places Series)

Work ID: 2489

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untitled (Settings for Situations, 5 of 8)

Work ID: 2494

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untitled (Settings for Situations, 8 of 8)

Work ID: 2497

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untitled (Settings for Situations, 2 of 8)

Work ID: 2491

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untitled (Settings for Situations, 6 of 8)

Work ID: 2495

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untitled (Settings for Situations, 3 of 8)

Work ID: 2492

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untitled (Settings for Situations, 7 of 8)

Work ID: 2496

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untitled (Settings for Situations, 4 of 8)

Work ID: 2493

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Untitled (Travelogue Series, 7 of 8)

Work ID: 2447

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 8 of 8)

Work ID: 2448

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 1 of 8)

Work ID: 255

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 2 of 8)

Work ID: 2441

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 6 of 8)

Work ID: 2446

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 5 of 8)

Work ID: 2444

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 4 of 8)

Work ID: 2443

Measurements: 121.92 x 121.92 cm

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Untitled (Travelogue Series, 3 of 8)

Work ID: 2442

Measurements: 121.92 x 121.92 cm

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Olympic Speed Skating Floor

Work ID: 54031

Description: Calgary Winter Olympics '88, I designed and installed a 1,300 square ft. inlaid floor created for the Olympic Speed Skating Oval. The material used was Marmoleum which was cut and inlaid as a mosaic. The building had been designed but not yet completed prior to the art competition. The art floor leads into the 4,000 seating area for the spectators during events. The floor had to withstand a heavy traffic flow and all of the technical rigours of a public use floor, while maintaining an aesthetic and conceptual rigour. The design of the floor echos a heroic entrance and plays with perspective. It is contemporary yet maintains a sense of history throughout the design.

Measurements: 1,300 square feet.

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Untitled (Curtain Series, 2 of 6)

Work ID: 2449

Measurements: 91.44 x 274.32 cm

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Untitled (Curtain Series, 5 of 6)

Work ID: 2453

Measurements: 91.44 x 274.32 cm

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Untitled (Curtain Series, 1 of 6)

Work ID: 254

Measurements: 91.44 x 274.32 cm

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Untitled (Curtain Series, 6 of 6)

Work ID: 2454

Measurements: 91.44 x 274.32 cm

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Untitled (Curtain Series, 3 of 6)

Work ID: 2450

Measurements: 91.44 x 274.32 cm

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Untitled (Curtain Series, 4 of 6)

Work ID: 2451

Measurements: 91.44 x 274.32 cm

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Untitled (The Fruit Series, 5 of 12)

Work ID: 2459

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 9 of 12)

Work ID: 2463

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 12 of 12)

Work ID: 2467

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 1 of 12)

Work ID: 253

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 8 of 12)

Work ID: 2462

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 2 of 12)

Work ID: 2455

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 4 of 12)

Work ID: 2458

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 3 of 12)

Work ID: 2456

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 6 of 12)

Work ID: 2460

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 7 of 12)

Work ID: 2461

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 11 of 12)

Work ID: 2465

Measurements: 121.92 x 121.92 cm

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Untitled (The Fruit Series, 10 of 12)

Work ID: 2464

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 10 of 12)

Work ID: 2507

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 8 of 12)

Work ID: 2505

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 12 of 12)

Work ID: 2509

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 2 of 12)

Work ID: 2499

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 11 of 12)

Work ID: 2508

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 9 of 12)

Work ID: 2506

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 7 of 12)

Work ID: 2504

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 3 of 12)

Work ID: 2500

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 1 of 12)

Work ID: 2498

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 6 of 12)

Work ID: 2503

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 4 of 12)

Work ID: 2501

Measurements: 121.92 x 121.92 cm

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Untitled (The Rock Series, 5 of 12)

Work ID: 2502

Measurements: 121.92 x 121.92 cm

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Aurorea, Simcoe Place Public Art Project

Work ID: 54033

Description: Aurorea, Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. This is an integrated art and architecture project which is comprised of fourteen glass lites which have been sandblasted to create the feeling of an aura borealis. The glass windows face out onto a shopping concourse. Six of the fourteen windows are 3 x 8 ft. and the rest are 6 x 8 ft.

Measurements: 6, 0.1044 x 0.2784 m; 8, 0.2088 x 0.2784 m

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Aurorea, Simcoe Place Public Art Project

Work ID: 54032

Description: Aurorea, Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. This is an integrated art and architecture project which is comprised of fourteen glass lites which have been sandblasted to create the feeling of an aura borealis. The glass windows face out onto a shopping concourse. Six of the fourteen windows are 3 x 8 ft. and the rest are 6 x 8 ft.

Measurements: 6, 0.1044 x 0.2784 m; 8, 0.2088 x 0.2784 m

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Ground Cover, Bay/Hayter Public Art Project

Work ID: 54030

Description: Ground Cover, Bay/Hayter Public Art Project, Hayter Developments, Toronto, Ontario. In this integrated art/architecture project, I designed the sidewalks that surround the developers building on the front (east) and south sides of the building. Each of the five, 20 x 20 in. concrete pavers has a different leaf pattern image on it that was based on the landscape designers planting proposal. The actual leaves were utilized to make the plugs which were used too make the molds. I had the concrete custom designed in terms of colour and texture and then the pavers were hand poured. The surface of the concrete was then acid etched to reveal the colour, texture and sparkle. The resulting pavers appear as though they were fossils. Both entrances to the building have a sandblasted leaf pattern on the glass to continue the image up the walls.

Measurements: 5, 50.8 x 50.8 cm concrete pavers

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Untitled (Tuscan Landscape Series, 3 of 7)

Work ID: 2512

Measurements: 109.22 x 67.31 cm

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Untitled (Tuscan Landscape Series, 4 of 7)

Work ID: 2513

Measurements: 109.22 x 67.31 cm

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Untitled (Tuscan Landscape Series, 6 of 7)

Work ID: 2515

Measurements: 109.22 x 67.31 cm

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Untitled (Tuscan Landscape Series, 2 of 7)

Work ID: 2511

Measurements: 109.22 x 67.31 cm

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Untitled (Seeing and Being Seen Series, 9 of 10)

Work ID: 2471

Measurements: 106.68 x 243.84 cm

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Untitled (Tuscan Landscape Series, 1 of 7)

Work ID: 2510

Measurements: 109.22 x 67.31 cm

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Untitled (Seeing and Being Seen Series, 3 of 10)

Work ID: 250

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 10 of 10)

Work ID: 2472

Measurements: 106.68 x 243.84 cm

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Untitled (Tuscan Landscape Series, 7 of 7)

Work ID: 2516

Measurements: 109.22 x 67.31 cm

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Untitled (Seeing and Being Seen Series, 4 of 10)

Work ID: 251

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 8 of 10)

Work ID: 2470

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 7 of 10)

Work ID: 2469

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 6 of 10)

Work ID: 2468

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 2 of 10)

Work ID: 249

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 5 of 10)

Work ID: 252

Measurements: 106.68 x 243.84 cm

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Untitled (Seeing and Being Seen Series, 1 of 10)

Work ID: 248

Measurements: 106.68 x 243.84 cm

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Untitled (Tuscan Landscape Series, 5 of 7)

Work ID: 2514

Measurements: 109.22 x 67.31 cm

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Untitled (Sidewalk Landscape Series, 4 of 4)

Work ID: 2520

Measurements: 76.2 x 50.8 cm

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Tribute

Work ID: 54027

Description: Simcoe Place Public Art Project, Cadillac Fairview Corporation, Toronto, Ontario. I have completed a freestanding sandblasted glass sculpture that recognizes those who contributed towards the excellence of Simcoe Place. The piece incorporates five freestanding, 1 x 36 x 96 in. glass panels which have text sandblasted on one side and abstracted photographic images sandblasted on the opposite side. The photographic images depict the actual construction process of Simcoe Place.

Measurements: 5, 2.54 x 91.44 x 243.84 cm glass panels

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Untitled (Sidewalk Landscape Series, 2 of 4)

Work ID: 2518

Measurements: 76.2 x 50.8 cm

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Untitled (Sidewalk Landscape Series, 3 of 4)

Work ID: 2519

Measurements: 76.2 x 50.8 cm

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Untitled (Sidewalk Landscape Series, 1 of 4)

Work ID: 2517

Measurements: 76.2 x 50.8 cm

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Untitled (‘Scenes for a movie for one’ Series, 4 of 8)

Work ID: 2524

Measurements: 50.8 x 60.96 cm

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thirty-two frames from scenes for a movie for one, #1

Work ID: 2529

Measurements: 34.29 x 77.47 cm

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thirty-two frames from scenes for a movie for one, #4

Work ID: 2532

Measurements: 34.29 x 77.47 cm

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Untitled (‘Scenes for a movie for one’ Series, 2 of 8)

Work ID: 2522

Measurements: 50.8 x 60.96 cm

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thirty-two frames from scenes for a movie for one, #3c

Work ID: 2531

Measurements: 34.29 x 77.47 cm

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Untitled (‘Scenes for a movie for one’ Series, 7 of 8)

Work ID: 2527

Measurements: 50.8 x 60.96 cm

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Untitled (‘Scenes for a movie for one’ Series, 6 of 8)

Work ID: 2526

Measurements: 50.8 x 60.96 cm

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Untitled (‘Scenes for a movie for one’ Series, 1 of 8)

Work ID: 2521

Measurements: 50.8 x 60.96 cm

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Untitled (‘Scenes for a movie for one’ Series, 5 of 8)

Work ID: 2525

Measurements: 50.8 x 60.96 cm

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thirty-two frames from scenes for a movie for one, #2c

Work ID: 2530

Measurements: 34.29 x 77.47 cm

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Untitled (‘Scenes for a movie for one’ Series, 3 of 8)

Work ID: 2523

Measurements: 50.8 x 60.96 cm

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Untitled (‘Scenes for a movie for one’ Series, 8 of 8)

Work ID: 2528

Measurements: 50.8 x 60.96 cm

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study for Dreaming Impressionism, 12 of 15

Work ID: 2547

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study for Dreaming Impressionism, 6 of 15

Work ID: 2541

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study for Dreaming Impressionism, 1 of 15

Work ID: 2536

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study for Dreaming Impressionism, 3 of 15

Work ID: 2538

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study for Dreaming Impressionism, 4 of 15

Work ID: 2539

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study for Dreaming Impressionism, 11 of 15

Work ID: 2546

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study for Dreaming Impressionism, 2 of 15

Work ID: 2537

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study for Dreaming Impressionism, 10 of 15

Work ID: 2545

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study for Dreaming Impressionism, 13 of 15

Work ID: 2548

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study for Dreaming Impressionism, 15 of 15

Work ID: 2550

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study for Dreaming Impressionism, 14 of 15

Work ID: 2549

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study for Dreaming Impressionism, 7 of 15

Work ID: 2542

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study for Dreaming Impressionism, 9 of 15

Work ID: 2544

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study for Dreaming Impressionism, 8 of 15

Work ID: 2543

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study for Dreaming Impressionism, 5 of 15

Work ID: 2540

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Baycrest Portal Project

Work ID: 54028

Description: The Portal Project, Baycrest Centre for Geriatric Care, Toronto, Ontario. This integrated art and architecture project involves designing entrances to the home units. The objective of the project is to give each home unit its own identity, a distinguishable marker to help the client know that they are home. I was awarded two of the portals and have designed two distinct images. Each image was reproduced twelve times and then installed at the appropriate portal on each of the six floors of the building. The image covers both sides of the portal and the ceiling area directly between them will be painted with a specific colour. The photo-murals were digitally produced on a wallpaper type material which was adhered directly to the given walls. The scale of each portal wall image is four feet by eight feet. Installation was completed in January, 2000.

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Paris Postcards: #11, Vichy

Work ID: 23414

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Paris Postcards: #2, Avachon

Work ID: 23405

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Paris Postcards: #6, Cambridge

Work ID: 23409

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Paris Postcards: #9, Gdynia

Work ID: 23412

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Wolfond Windows, University of Toronto

Work ID: 54034

Description: Centre For Jewish Campus Life, University of Toronto, Toronto, Ontario. In collaboration with Susan Friedrich Architect Inc., this integrated art and architecture project involves the designing of a building for the Jewish Campus Services. My main role has been to design the etched glass windows which encompass the spiritual room and act as a signifier for the identity of the building situated in this neighbourhood. Completion date: Spring 2004.

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Wolfond Windows, University of Toronto

Work ID: 54035

Description: Centre For Jewish Campus Life, University of Toronto, Toronto, Ontario. In collaboration with Susan Friedrich Architect Inc., this integrated art and architecture project involves the designing of a building for the Jewish Campus Services. My main role has been to design the etched glass windows which encompass the spiritual room and act as a signifier for the identity of the building situated in this neighbourhood. Completion date: Spring 2004.

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dancing with che #26

Work ID: 54019

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #12

Work ID: 54007

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #15

Work ID: 54010

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #13

Work ID: 54008

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #23

Work ID: 54018

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #20

Work ID: 54015

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #17

Work ID: 54012

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #27

Work ID: 54020

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #6

Work ID: 54001

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #2

Work ID: 53997

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #9

Work ID: 54004

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #16

Work ID: 54011

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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Dancing With Che, installation view

Work ID: 53995

Description: From the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

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dancing with che #19

Work ID: 54014

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #4

Work ID: 53999

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #1

Work ID: 53996

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #14

Work ID: 54009

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #8

Work ID: 54003

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #21

Work ID: 54016

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #18

Work ID: 54013

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #29

Work ID: 54022

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #22

Work ID: 54017

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #11

Work ID: 54006

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #10

Work ID: 54005

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #7

Work ID: 54002

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #5

Work ID: 54000

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #3

Work ID: 53998

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #33

Work ID: 54026

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #32

Work ID: 54025

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #31

Work ID: 54024

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #30

Work ID: 54023

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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dancing with che #28

Work ID: 54021

Description: from the series, Dancing with Che.

The most recent body of work, Dancing with Che, evolved out of a brief visit to Havana, where images of the revolutionary leader, Che Guevara, appear everywhere, from public art, fridge magnets, coffee mugs to key chains. I became interested in his image and the issues surrounding this historical figure viewed as a pop culture icon. This series also developed out of the complexity of experiencing a foreign culture, while being acutely aware of existing outside of that culture. I was attracted to the rhythms, sounds of the street and sensuousness and spirit of the people. It is in this spirit that I have used my body to animate Che, to re-create what I felt and experienced while there. There are thirty-one murals in the series, which create a rhythm when viewed sequentially. The three-foot square digital images were specifically printed at this scale to present Che as larger than life. It is with humour and affection rather than any political agenda, that I present this private performance for the camera where Che became my dance partner.

Measurements: 91.44 x 91.44 cm

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Berlin Weather Windows

Work ID: 54029

Description: Canadian Embassy in Berlin, Government of Canada. I have recently been selected for a public art project at the new Canadian Embassy in Berlin, Germany. My ideas are based on weather as a national identity factor. I have designed an image, which will be applied with a frit on clear glass panels, forming a curved wall surrounding the Great Timber Hall. Completion date: Winter 2004-2005.

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Clementine, Part I[detail]

Work ID: 53988

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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Clementine, Part I[installation view]

Work ID: 53991

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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Clementine, Part I[detail]

Work ID: 53990

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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Clementine, Part I[detail]

Work ID: 53989

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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Clementine, Part I[detail]

Work ID: 53987

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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Clementine, Part I[detail]

Work ID: 53992

Description: installation: Art Gallery of Windsor, Windsor, Ontario

Measurements: aprox. 0.8352 x 0.2784 m

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The Newspaper Series: bluecomic

Work ID: 72543

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: esperanza

Work ID: 72544

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: furworks

Work ID: 72545

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: bestmusical

Work ID: 72548

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: wicked

Work ID: 72553

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: installation view, right wall

Work ID: 72539

Description: Corkin Gallery, Toronto, March 31-April 26, 2007.

The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


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The Newspaper Series: yakuzathugs

Work ID: 72541

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: highstyle

Work ID: 72546

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: blackabby

Work ID: 72542

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: rollover

Work ID: 72552

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: pinkhand

Work ID: 72550

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: monster

Work ID: 72547

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 66.04 x 114.3 cm unique

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The Newspaper Series: yakuzathugs

Work ID: 72554

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: red

Work ID: 72551

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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The Newspaper Series: installation view, left wall

Work ID: 72540

Description: Corkin Gallery, Toronto, March 31-April 26, 2007.

The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


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The Newspaper Series: pinkdot

Work ID: 72549

Description: The Newspaper Series works present images of many year's worth of daily newspapers which the artist has collected. This body of work deals with a fascination veering towards obsession with mass media communication and its influence on reality, memory and history. Seen from a distance, the individual strips resemble strips of human DNA. On closer examination, Astman has deliberately chosen to highlight, through the folding and marking of certain pages, stories of tragedy, scandal, triumph and everyday life. As the artist notes, her images play on our obsession with media and the contradictory aspects of newspapers as vehicles of compromised communication.


Measurements: 43.18 x 289.56 cm

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Wonderland 08

Work ID: 72560

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 13

Work ID: 72563

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 10

Work ID: 72561

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 18

Work ID: 72567

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 21

Work ID: 72569

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 22

Work ID: 72570

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 19

Work ID: 72568

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 23

Work ID: 72571

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

Collection:

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Wonderland 04

Work ID: 72556

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 15

Work ID: 72564

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 12

Work ID: 72562

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 16

Work ID: 72565

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 07

Work ID: 72559

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 17

Work ID: 72566

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 06

Work ID: 72558

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 05

Work ID: 72557

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 26

Work ID: 72574

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 24

Work ID: 72572

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 25

Work ID: 72573

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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Wonderland 03

Work ID: 72555

Description: There are endless possibilities for narratives within found objects. Astman is fascinated with postcards acting as syntheses between personal memories and a constructed reality. In On Photography, Susan Sontag speaks of motives of collecting images from which stories flourish: "To collect photographs is to collect the world. Movie and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store". Postcards represent a quintessential moment where photography becomes object.

Using digital techniques to position the postcards within negative space, Astman captures the feeling of flipping through stacks; harnessing a tension between motion and stillness. The body of work is about the relationship between the real and the artificial, and how experience can occur through artificial representation of the real.

The idea of collecting is significant, as a collection is a form of record in one's life. As a child, postcards and encyclopedias made Astman realize there was a larger world outside of her neighborhood. She would stare at the postcard long enough to imagine herself being there, preferring the postcard version of reality. Astman is most interested in the postcards that represent a naive world void of worldly problems.

Pre-digital postcards present an intersection of photography, printmaking, drawing and painting with their heavily re-worked and refined imagery. Photographing these postcards re-enforces the multitude of reproductions that make up popular culture, and the complex and involved relationship contemporary culture has with the past.


Measurements: 109.22 x 109.22 cm on 111.76 cm paper (ed. unique + AP)

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I as artifact [20]

Work ID: 80359

Description: View the complete series of 20 works: I as artifact


Measurements: 88.9 x 88.9 cm

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I as artifact [1]

Work ID: 80357

Description: View the complete series of 20 works: I as artifact


Measurements: 88.9 x 88.9 cm

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I as artifact [5]

Work ID: 80399

Description: View the complete series of 20 works: I as artifact


Measurements: 88.9 x 88.9 cm

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I as artifact [10]

Work ID: 80398

Description: View the complete series of 20 works: I as artifact


Measurements: 88.9 x 88.9 cm

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I as artifact , installation view of one wall]

Work ID: 80360

Description: Exhibition installation at the McIntosh Gallery, Western University, London, Ontario
April 17 – June 7, 2014.

View the complete series of 20 works: I as artifact


Measurements: each: 88.9 x 88.9 cm

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Daily Collage: Collage 41

Work ID: 75694

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 07

Work ID: 75660

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 59

Work ID: 75712

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 60

Work ID: 75713

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 35

Work ID: 75688

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 15

Work ID: 75668

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 25

Work ID: 75678

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 09

Work ID: 75662

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 55

Work ID: 75708

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 51

Work ID: 75704

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 04

Work ID: 75657

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 03

Work ID: 75656

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 02

Work ID: 75655

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 33

Work ID: 75686

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 13

Work ID: 75666

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 44

Work ID: 75697

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 57

Work ID: 75710

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 26

Work ID: 75679

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 23

Work ID: 75676

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 36

Work ID: 75689

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 22

Work ID: 75675

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 05

Work ID: 75658

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 48

Work ID: 75701

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 01

Work ID: 75654

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 20

Work ID: 75673

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 27

Work ID: 75680

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 16

Work ID: 75669

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 45

Work ID: 75698

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 28

Work ID: 75681

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 18

Work ID: 75671

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 11

Work ID: 75664

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 31

Work ID: 75684

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 29

Work ID: 75682

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 53

Work ID: 75706

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 30

Work ID: 75683

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 50

Work ID: 75703

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 54

Work ID: 75707

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 21

Work ID: 75674

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 40

Work ID: 75693

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 47

Work ID: 75700

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 10

Work ID: 75663

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 14

Work ID: 75667

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 06

Work ID: 75659

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 08

Work ID: 75661

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 19

Work ID: 75672

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 12

Work ID: 75665

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 24

Work ID: 75677

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 52

Work ID: 75705

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 32

Work ID: 75685

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 49

Work ID: 75702

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 17

Work ID: 75670

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 58

Work ID: 75711

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 37

Work ID: 75690

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 46

Work ID: 75699

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 56

Work ID: 75709

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 43

Work ID: 75696

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 42

Work ID: 75695

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 38

Work ID: 75691

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 39

Work ID: 75692

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Daily Collage: Collage 34

Work ID: 75687

Description: Daily Collage 2009- 2011.
Collage has continually been a part of my art practice in one form or another. This series developed out of my ongoing habit of reading the daily paper, as interested in the visual imagery as the newsworthy articles. There are obvious links between it and the 2006, Newspaper series. I began saving images, which appeared in the daily papers, and would then collage selections onto pages in a small notebook. I was also thinking about Lenny Bruce and how his stand up comedy performances were like oral jazz with nothing censored, translated or mediated. I was not trying to create logical narratives nor was I commenting on the news of the day. I was just responding to the images in a very direct and impulsive way. This work is more about impulse and intuition; I let others create their own narratives from the resulting images. Intuitive thinking.

Collage as an art practice has been a major influence on my work over the years and I have been particularly inspired by the early collage works of Braque and Picasso, the Russian Constructivists and most importantly the German Dada artist Hannah Hoch.


Measurements: 109.22 x 86.36 cm

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80364

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80361

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80365

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80368

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80366

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [Kelowna Art Gallery]

Work ID: 80367

Description: Kelowna Art Gallery, Kelowna, BC.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]

Work ID: 80370

Description: McMaster Museum of Art, McMaster University, Hamilton, ON.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]

Work ID: 80371

Description: McMaster Museum of Art, McMaster University, Hamilton, ON.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [McMaster Museum of Art]

Work ID: 80372

Description: McMaster Museum of Art, McMaster University, Hamilton, ON.

Measurements: variable

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It’s all about style [40]

Work ID: 80393

Description: View the complete series of 76 works: It's all about Style


Measurements: 55.88 x 76.2 cm

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Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]

Work ID: 80379

Description: Museum of Contemporary Canadian Art, Toronto.

Measurements: variable

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Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]

Work ID: 80382

Description: Museum of Contemporary Canadian Art, Toronto.

Measurements: variable

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It’s all about style [50]

Work ID: 80394

Description: View the complete series of 76 works: It's all about Style


Measurements: 55.88 x 76.2 cm

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Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]

Work ID: 80378

Description: Museum of Contemporary Canadian Art, Toronto.

Measurements: variable

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Date Made:

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Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]

Work ID: 80381

Description: Museum of Contemporary Canadian Art, Toronto.

Measurements: variable

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Date Made:

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Dancing with Che: Enter Through the Gift Shop, [MOCCA, Toronto]

Work ID: 80384

Description: Museum of Contemporary Canadian Art, Toronto.

Measurements: variable

Collection:

Date Made:

Materials: