Chloe Lum & Yannick Desranleau
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Beginning Year: 2000
Country of Birth: Canada
Province of Birth: Quebec
Year of Birth: 2000
City: Montreal
Country: Canada
Type of Creator: Artist
Gender: Undeclared
Mediums: audio, performance, photography, sculpture, text-based, video
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Work by Chloe Lum & Yannick Desranleau
Hoarding Skin
Work ID: 84846
Description: Photos by Erik Zajaceskowski and Rebecca Smeyne
Measurements: 10.614 x 25.4736 x 38.1756 cm / 0.8352 x 1.2528 x 0.348 m
Collection:
Date Made: 2010
Materials: screenprinted paper
Virtual Collection: Original CCCA
Hoarding Skin
Work ID: 84847
Description: Photos by Erik Zajaceskowski and Rebecca Smeyne
Measurements: 10.614 x 25.4736 x 38.1756 cm / 0.8352 x 1.2528 x 0.348 m
Collection:
Date Made: 2010
Materials: screenprinted paper
Virtual Collection: Original CCCA
Hoarding Skin
Work ID: 84848
Description: Photos by Erik Zajaceskowski and Rebecca Smeyne
Measurements: 10.614 x 25.4736 x 38.1756 cm / 0.8352 x 1.2528 x 0.348 m
Collection:
Date Made: 2010
Materials: screenprinted paper
Virtual Collection: Original CCCA
Jusqu’au cou
Work ID: 84857
Description: photos by Yannick Grandmont
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Jusqu’au cou
Work ID: 84856
Description: photos by Yannick Grandmont
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84853
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84852
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84850
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84849
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Jusqu’au cou
Work ID: 84855
Description: photos by Yannick Grandmont
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84851
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
Dis-donc à la grosse de se tasser
Work ID: 84854
Description: Photos at MACM by Yannick Grandmont
Photos at Blackwood Gallery by Toni Hafkenscheid
Measurements: variable
Collection:
Date Made: 2011
Materials: screenprinted paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84876
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
What Should Have Been And What Would Not
Work ID: 84891
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada. Photo by Toni Hafkenscheid
Measurements: variable (490 x 915 x 426 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, fishing net, anchors
Virtual Collection: Original CCCA
The Options That Are Offered To Us: The Least Likely / The Most Tolerable
Work ID: 84884
Description: Photos by Yannick Desranleau
Measurements: variable
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
Chandigarh Is One
Work ID: 84868
Description: Installation view at the Communication, Culture & Technology Building, University of Toronto at Mississauga, Canada.
Photo by Toni Hafkenscheid
Measurements: 274 x 244 x 213 cm
Collection:
Date Made: 2012
Materials: screenprinted paper
Virtual Collection: Original CCCA
The Options That Are Offered To Us: The Least Likely / The Most Tolerable
Work ID: 84886
Description: Photos by Yannick Desranleau
Measurements: variable
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
What Should Have Been And What Would Not
Work ID: 84893
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada. Photo by Toni Hafkenscheid
Measurements: variable (490 x 915 x 426 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, fishing net, anchors
Virtual Collection: Original CCCA
More Time than Space
Work ID: 84878
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada
Photo par Toni Hafkenscheid
Measurements: variable (458 x 900 x 400 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, MDF, paint, lumber, rope, hooks
Virtual Collection: Original CCCA
More Time than Space
Work ID: 84879
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada
Photo par Toni Hafkenscheid
Measurements: variable (458 x 900 x 400 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, MDF, paint, lumber, rope, hooks
Virtual Collection: Original CCCA
Uncountable (Not Comparable)
Work ID: 84887
Description: Installation view at L'Écart, Rouyn-Noranda, Canada
December 15 2012 - January 15 2013
Measurements: variable (355 x 1265 x 701 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, found wallpaper, string, wood, fabric, bricks, tempera
Virtual Collection: Original CCCA
Uncountable (Not Comparable)
Work ID: 84888
Description: Installation view at L'Écart, Rouyn-Noranda, Canada
December 15 2012 - January 15 2013
Measurements: variable (355 x 1265 x 701 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, found wallpaper, string, wood, fabric, bricks, tempera
Virtual Collection: Original CCCA
What Should Have Been And What Would Not
Work ID: 84892
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada. Photo by Toni Hafkenscheid
Measurements: variable (490 x 915 x 426 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, fishing net, anchors
Virtual Collection: Original CCCA
The Options That Are Offered To Us: The Least Likely / The Most Tolerable
Work ID: 84882
Description: Photos by Yannick Desranleau
Measurements: variable
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
What Should Have Been And What Would Not
Work ID: 84894
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada. Photo by Toni Hafkenscheid
Measurements: variable (490 x 915 x 426 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, fishing net, anchors
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84874
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84873
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84871
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
More Time than Space
Work ID: 84880
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada
Photo par Toni Hafkenscheid
Measurements: variable (458 x 900 x 400 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, MDF, paint, lumber, rope, hooks
Virtual Collection: Original CCCA
What Should Have Been And What Would Not
Work ID: 84890
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada. Photo by Toni Hafkenscheid
Measurements: variable (490 x 915 x 426 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, fishing net, anchors
Virtual Collection: Original CCCA
More Time than Space
Work ID: 84877
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada
Photo par Toni Hafkenscheid
Measurements: variable (458 x 900 x 400 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, MDF, paint, lumber, rope, hooks
Virtual Collection: Original CCCA
Chandigarh Is One
Work ID: 84867
Description: Photo by Toni Hafkenscheid
Measurements: 17.78 x 22.86 x 20.32 cm
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84875
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84870
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
The Options That Are Offered To Us: The Least Likely / The Most Tolerable
Work ID: 84883
Description: Photos by Yannick Desranleau
Measurements: variable
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84869
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
Uncountable (Not Comparable)
Work ID: 84889
Description: Installation view at L'Écart, Rouyn-Noranda, Canada
December 15 2012 - January 15 2013
Measurements: variable (355 x 1265 x 701 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, found wallpaper, string, wood, fabric, bricks, tempera
Virtual Collection: Original CCCA
The Options That Are Offered To Us: The Least Likely / The Most Tolerable
Work ID: 84885
Description: Photos by Yannick Desranleau
Measurements: variable
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
More Time than Space
Work ID: 84881
Description: Installation view at the Blackwood Gallery, University of Toronto at Mississauga, Canada
Photo par Toni Hafkenscheid
Measurements: variable (458 x 900 x 400 cm)
Collection:
Date Made: 2012
Materials: Screen printed paper, MDF, paint, lumber, rope, hooks
Virtual Collection: Original CCCA
J’m’en suis déjà souvenu
Work ID: 84872
Description: Shown during Art Souterrain 2012 at Complexe Guy-Favreau, Montréal
Photos by Yannick Desranleau and Justine Desrosiers
Measurements: variable [originally 1.914 x 0.5916 m / 18.0264 x 58.3248 cm]
Collection:
Date Made: 2012
Materials: screen printed paper
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84864
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84858
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84862
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84860
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84863
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84865
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84866
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84861
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Avancez en arrière
Work ID: 84859
Description: Photos by Yannick Desranleau
Dimensions of paper covering the building at the September 30, 2012 opening: 1034 x 2347 x 656 cm
Measurements: variable
Collection:
Date Made: 2012-2014
Materials: Screen printed paper, building, weather
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84902
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84900
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Looming
Work ID: 84907
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84906
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84910
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84903
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84899
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84905
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84895
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84925
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84923
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84921
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84918
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84916
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84912
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84919
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84914
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84911
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84896
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84924
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84915
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84922
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84904
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84898
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84926
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84908
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84917
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84897
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Certainty: Two Times Not Really
Work ID: 84901
Measurements: variable (two rooms: 8ft 9in x 11ft 7-1/2in x 26ft 10-1/2in
Collection:
Date Made: 2013
Materials: Screenprinted paper, table, rope, paint can
Virtual Collection: Original CCCA
Looming
Work ID: 84909
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
This Peculiar Bias Will Nonetheless Set Up A Vast Field For The Unforeseen
Work ID: 84920
Description: Photos by Éliane Excoffier
Measurements: variable (5ft 4in x 16ft 10in x 33ft / 163 x 452 x 1005 cm)
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Looming
Work ID: 84913
Description: Photos by Allan Kosmajac
Measurements: 13ft 9in x 25 ft 6 in x 30 ft 3in / 419 x 777 x 922 cm
Collection:
Date Made: 2013
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84938
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84937
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85046
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85040
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84927
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84932
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85037
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84960
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
Vexations
Work ID: 84976
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Vexations
Work ID: 84969
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84950
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84943
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84930
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
Vexations
Work ID: 84977
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85030
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85043
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85033
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84939
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84940
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84962
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85028
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84929
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85027
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Vexations
Work ID: 84967
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84961
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
Vexations
Work ID: 84971
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84948
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85029
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Vexations
Work ID: 84970
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Vexations
Work ID: 84973
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84945
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Vexations
Work ID: 84968
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84965
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85047
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Vexations
Work ID: 84975
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Vexations
Work ID: 84974
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Vexations
Work ID: 84972
Measurements: 12.4584 x 40.9248 x 15.486 cm / 11ft. 9in. x 38ft. 7in. x 14ft. 7in.
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85041
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85049
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84941
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85048
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85045
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84944
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85044
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85042
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85039
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85038
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85034
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84949
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84947
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84964
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84935
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85031
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exponential Directionals Grey and Peach
Work ID: 84936
Description: Photos by Alejandro Linares
Measurements: 2621 x 165 cm approx.
Collection:
Date Made: 2014
Materials: installation: Screenprinted paper
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85035
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84942
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85036
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84928
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84963
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
Riffed an Utterance
Work ID: 84966
Description: Photos by Éliane Excoffier
Measurements: variable (81 x 1973.58 x 574.04 cm / 81.28 x 777.24 x 226.06 cm)
Collection:
Date Made: 2014
Materials: Screenprinted paper, rubber, palettes, MDF, Formica, Tyvek, polyethylene
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84946
Description: Installation view at Confederation Centre Art Gallery, Charlottetown, Canada.
Photos by Yannick Desranleau
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84931
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84933
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85032
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85024
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner. [see full catalogue statement and image details on the artists’ website].
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85025
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider
Work ID: 85026
Description: Series of performances/interventions on 26 public artworks in Victoria, British Columbia, Canada, June 10 - 21, 2014. Project produced in collaboration with Open Space.
Photos by Alexis Hogan, Doug Jarvis, and Yannick Desranleau.
In the work, We’re never gonna get close because it’s hanging, since we took off the horse but kept the rider, we are creating temporary interventions in screenprinted paper and tyvek to place on public sculptures and monuments throughout Victoria. By intervening directly on existing sculptures, we seek to examine the conventions and reception of public art in a playful, irreverent manner.
[see full catalogue statement and image details on the artists’ website]
Measurements: variable
Collection:
Date Made: 2014
Materials: Screenprinted paper, grommets, rope, various public sculptures
Virtual Collection: Original CCCA
Exegi monumentum aere perennius
Work ID: 84934
Description: Photos by Robert McNair and Chérie Fawcett
Measurements: 2324.1 x 2324.1 x 1315.72 cm / 914.4 x 914.4 x 518.16 cm
Collection:
Date Made: 2014
Materials: Scaffolding, vinyl tarps, fishing nets, polyethylene sheeting, mixed media
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84955
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84959
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84956
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84958
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84952
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84954
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84957
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
The Face Stayed East The Mouth Went West
Work ID: 84953
Description: Performance at Galerie Hugues Charbonneau, Montréal, Canada, May 2015.
Choreography by Sarah Wendt. Performed by Katie Ewald, Mary Williamson, and Sarah Wendt.
Photos by Guy L’Heureux
Measurements: Installation: variable dimensions (282 x 1107 x 1219 cm)
Collection:
Date Made: 2014-2015
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85063
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85062
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85070
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85068
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85067
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85065
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85060
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85061
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
Re: The Stiffness That We Could Not Overcome Through Pries and Tries
Work ID: 84984
Measurements: 792.48 x 1701.8 x 645.16 cm / 312.42 x 670.56 x 254 cm
Collection:
Date Made: 2015
Materials: Inkjet on polyester film, wood, paint, rugs, rubber, polyurethane foam, steel, chains
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85080
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85064
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85057
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85069
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
Re: The Stiffness That We Could Not Overcome Through Pries and Tries
Work ID: 84982
Measurements: 792.48 x 1701.8 x 645.16 cm / 312.42 x 670.56 x 254 cm
Collection:
Date Made: 2015
Materials: Inkjet on polyester film, wood, paint, rugs, rubber, polyurethane foam, steel, chains
Virtual Collection: Original CCCA
A Tree, A Hand, A Precarious Contraption, and Two Diagonals in the Background
Work ID: 84978
Description: Photos by Tom Van Eynde
Measurements: 1082.04 x 1625.6 x 1236.98 cm / 426.72 x 640.08 x 487.68 cm
Collection:
Date Made: 2015
Materials: Screenprinted paper, polyurethane foam, wood, upholstery vinyl, rope
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85077
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85074
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
Re: The Stiffness That We Could Not Overcome Through Pries and Tries
Work ID: 84983
Measurements: 792.48 x 1701.8 x 645.16 cm / 312.42 x 670.56 x 254 cm
Collection:
Date Made: 2015
Materials: Inkjet on polyester film, wood, paint, rugs, rubber, polyurethane foam, steel, chains
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85076
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85073
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85058
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85075
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85072
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
Re: The Stiffness That We Could Not Overcome Through Pries and Tries
Work ID: 84981
Measurements: 792.48 x 1701.8 x 645.16 cm / 312.42 x 670.56 x 254 cm
Collection:
Date Made: 2015
Materials: Inkjet on polyester film, wood, paint, rugs, rubber, polyurethane foam, steel, chains
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85059
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85071
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
Re: The Stiffness That We Could Not Overcome Through Pries and Tries
Work ID: 84985
Measurements: 792.48 x 1701.8 x 645.16 cm / 312.42 x 670.56 x 254 cm
Collection:
Date Made: 2015
Materials: Inkjet on polyester film, wood, paint, rugs, rubber, polyurethane foam, steel, chains
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85066
Description: Installation and performance for three performers, Darling Foundry, Montréal, Canada, August 6, 2015.
Choreography by Chloe Lum & Yannick Desranleau
Performed by Deborah Dunn, Karen Fennell, and Mary St-Amand Williamson
Score by Alexander Moskos
Photos by Yannick Grandmont
Collection:
Date Made: 2015
Materials: Tyvek, screen print on paper, fabric, rope, polyurethane foam, papier-mâché, wood, rubber, plaster
Virtual Collection: Original CCCA
A Tree, A Hand, A Precarious Contraption, and Two Diagonals in the Background
Work ID: 84979
Description: Photos by Tom Van Eynde
Measurements: 1082.04 x 1625.6 x 1236.98 cm / 426.72 x 640.08 x 487.68 cm
Collection:
Date Made: 2015
Materials: Screenprinted paper, polyurethane foam, wood, upholstery vinyl, rope
Virtual Collection: Original CCCA
Big Sack I
Work ID: 84987
Description: Photo by Yannick Desranleau
Measurements: 579.12 x 746.76 x 193.04 cm / 228.6 x 294.64 x 76.2 cm
Collection:
Date Made: 2015
Materials: Inkjet on banner vinyl, steel, mixed media
Virtual Collection: Original CCCA
squish to see you never
Work ID: 84980
Description: 5 day performance: jè-st’, performance and intervention art festival, September 23 to 26 2015, Moncton.
Photos by Louis-Philippe Chiasson and Carole Deveau
Measurements: 457 x 731 x 579cm
Collection:
Date Made: 2015
Materials: Screenprinted paper, scaffolding, rope
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85079
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015-2016
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85078
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015-2016
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85082
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015-2016
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85081
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015-2016
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
5 Tableaux (It Bounces Back)
Work ID: 85083
Description: Performers: Performers: Deborah Dunn, Karen Fennell, Mary St-Amand Williamson, and Sarah Wendt.
Measurements: 29 min. 09 sec.
Collection:
Date Made: 2015-2016
Materials: 2-channel HD video / 3-channel HD video
Virtual Collection: Original CCCA
The Rules
Work ID: 85008
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
I really / I want / Time for / A lie: I want
Work ID: 84992
Measurements: 132.08 x 175.26 cm / 335.28 x 444.5 cm
Collection:
Date Made: 2016
Materials: Inkjet on canvas, grommets, powder coated steel
Virtual Collection: Original CCCA
Rome
Work ID: 84996
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 85000
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 84999
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 85001
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 85004
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 85003
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 84995
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
The Rules
Work ID: 85009
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
The Rules
Work ID: 85011
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
I really / I want / Time for / A lie: I really
Work ID: 84991
Measurements: 132.08 x 138.43 cm / 335.28 x 254 cm
Collection:
Date Made: 2016
Materials: Inkjet on canvas, grommets, powder coated steel
Virtual Collection: Original CCCA
Big Sack II
Work ID: 84988
Description: Photo by Yannick Desranleau
Measurements: 213 x 396 x 182 cm
Collection:
Date Made: 2016
Materials: Inkjet on banner vinyl, steel, mixed media
Virtual Collection: Original CCCA
Big Sack III
Work ID: 84989
Description: Photo by Yannick Desranleau
Measurements: 215 x 215 x 215 cm
Collection:
Date Made: 2016
Materials: Inkjet on banner vinyl, steel, mixed media
Virtual Collection: Original CCCA
Rome
Work ID: 84998
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 84997
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Rome
Work ID: 85002
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
The Rules
Work ID: 85007
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
Rome
Work ID: 85005
Description: Installation and performance, in collaboration with BodyCartographyProject.
Performers: Olive Bieringa, Otto Ramstad, Dolo Mc Comb and Anna Marie Shogren.
Performance and exhibition view at Kiehle Gallery, St Cloud State University, January 26, 2016, St. Cloud, MN, USA.
Collection:
Date Made: 2016
Materials: Installation and performance
Virtual Collection: Original CCCA
Big Sack IV
Work ID: 84990
Description: Photo by Yannick Desranleau
Measurements: 190 x 304 x 130 cm
Collection:
Date Made: 2016
Materials: Inkjet on banner vinyl, steel, mixed media
Virtual Collection: Original CCCA
The Rules
Work ID: 85006
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
The Rules
Work ID: 85010
Description:
Performance view at Théâtre La Licorne during OFFTA 2016 Montréal, Canada, June 2 & 3, 2016.
Direction, Writing, Set Design, Video, Costumes and Accessories by Chloe Lum & Yannick Desranleau.
Choreography by Sarah Wendt.
Performed by Sarah Wendt, Karen Fennell, and Anouk Thériault.
Score by Dominique Alexander.
Technical Direction and Lights: Jérémy Busque.
Video Photography and Post-Production: Christian Rivera.
Production Assistant: Edwin Isford.
Photos by Edwin Isford
Collection:
Date Made: 2016
Virtual Collection: Original CCCA
I really / I want / Time for / A lie: Time for
Work ID: 84993
Measurements: 132.08 x 195.58 cm / 335.28 x 497.84 cm
Collection:
Date Made: 2016
Materials: Inkjet on canvas, grommets, powder coated steel
Virtual Collection: Original CCCA
I really / I want / Time for / A lie: A lie
Work ID: 84994
Measurements: 132.08 x 100.33 cm / 335.28 x 254 cm
Collection:
Date Made: 2016
Materials: Inkjet on canvas, grommets, powder coated steel
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black
Work ID: 85050
Description: Dancers: Winnie Ho, Deborah Dunn, Anouk Thériault, Leelee Davis
Voice-over: Tanya Evanson, Alexis O’Hara
Director of photography: Oswaldo Toledano
Score: Julie Matson
Sound engineer: Steve Bates
Light technician: Philippe St-Laurent Lévesque
Production assistant: Edwin Isford
Set assistant: Alexandra Rodírguez
Continuity: Ayam Yaldo
Hair stylist: Jonas Gilbert
Makeup: Drew McComber
Collection:
Date Made: 2016-2017
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black (Stretching Figure)
Work ID: 85054
Collection:
Date Made: 2016-2017
Materials: Powder coated steel, urethane rubber, Formica, MDF, chrome-plated steel
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black (Elements)
Work ID: 85053
Measurements: Paper-mâché, powder coated steel, acrylic paint, urethane rubber, vulcanized rubber, urethane foam, styrofoam, epoxy clay, plaster, mesh vinyl banner, vinyl, grommets, screenprinted paper, Tyvek, nylon rope, polyethylene rope, bungee cord, spandex lycra,
Collection:
Date Made: 2016-2017
Materials:
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black
Work ID: 85125
Collection:
Date Made: 2016-2017
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black
Work ID: 85055
Measurements: 103 minutes
Collection:
Date Made: 2016-2017
Materials: Video still: Two channels 4K digital video, sound
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black
Work ID: 85056
Measurements: 103 minutes
Collection:
Date Made: 2016-2017
Materials: Two channels 4k digital video, sound
Virtual Collection: Original CCCA
Is It The Sun Or The Asphalt All I See Is Bright Black
Work ID: 85051
Description: Dancers: Winnie Ho, Deborah Dunn, Anouk Thériault, Leelee Davis
Voice-over: Tanya Evanson, Alexis O’Hara
Director of photography: Oswaldo Toledano
Score: Julie Matson
Sound engineer: Steve Bates
Light technician: Philippe St-Laurent Lévesque
Production assistant: Edwin Isford
Set assistant: Alexandra Rodírguez
Continuity: Ayam Yaldo
Hair stylist: Jonas Gilbert
Makeup: Drew McComber
Collection:
Date Made: 2016-2017
Virtual Collection: Original CCCA
Laocöon
Work ID: 85013
Description: Installation view at Km3, Montréal, Canada, August 30 - October 15, 2017.
Installation situated on the western wall of the Théâtre du Nouveau Monde.
Commissioned by Partenariat du Quartier des Spectacles, for the exhibit Km3, an event for the 375th anniversary of the foundation of the city of Montréal.
Photos by Maxime Brouillet
Measurements: 2469 x 2133 cm
Collection:
Date Made: 2017
Materials: Lightboxes, polyester, rope, debris safety netting, theatre wall
Virtual Collection: Original CCCA
Laocöon
Work ID: 85014
Description: Installation view at Km3, Montréal, Canada, August 30 - October 15, 2017.
Installation situated on the western wall of the Théâtre du Nouveau Monde.
Commissioned by Partenariat du Quartier des Spectacles, for the exhibit Km3, an event for the 375th anniversary of the foundation of the city of Montréal.
Photos by Maxime Brouillet
Measurements: 2469 x 2133 cm
Collection:
Date Made: 2017
Materials: Lightboxes, polyester, rope, debris safety netting, theatre wall
Virtual Collection: Original CCCA
Laocöon
Work ID: 85012
Description: Installation view at Km3, Montréal, Canada, August 30 - October 15, 2017.
Installation situated on the western wall of the Théâtre du Nouveau Monde.
Commissioned by Partenariat du Quartier des Spectacles, for the exhibit Km3, an event for the 375th anniversary of the foundation of the city of Montréal.
Photos by Maxime Brouillet
Measurements: 2469 x 2133 cm
Collection:
Date Made: 2017
Materials: Lightboxes, polyester, rope, debris safety netting, theatre wall
Virtual Collection: Original CCCA
The Lead Apron
Work ID: 85016
Description: Performed by Sarah Wendt
Lighting design by Karine Gauthier
Assistant Photographer: Edwin Isford
A companion piece to the video installation, What Do Stones Smell Like in the Forest?, The Lead Apron is a duet between the performer and their props. The props serve as body extensions, made to shift what physical engagement looks like. As the performer recounts how chronic illness has changed how she relates to her body and how her body filters her experience of the world, her use of the objects hints at a rich physical world of illness and slowness. Her recitations are punctuated with mournful and repetitive phrases on the French horn, yet there is always comedy and absurdity in the loss of control of the body.
Measurements: Solo performance for horn player, approx. 20 minutes; installation
Collection:
Date Made: 2018
Virtual Collection: Original CCCA
The Lead Apron
Work ID: 85017
Description: Performed by Sarah Wendt
Lighting design by Karine Gauthier
Assistant Photographer: Edwin Isford
A companion piece to the video installation, What Do Stones Smell Like in the Forest?, The Lead Apron is a duet between the performer and their props. The props serve as body extensions, made to shift what physical engagement looks like. As the performer recounts how chronic illness has changed how she relates to her body and how her body filters her experience of the world, her use of the objects hints at a rich physical world of illness and slowness. Her recitations are punctuated with mournful and repetitive phrases on the French horn, yet there is always comedy and absurdity in the loss of control of the body.
Measurements: Solo performance for horn player, approx. 20 minutes; installation
Collection:
Date Made: 2018
Virtual Collection: Original CCCA
What Do Stones Smell Like In The Forest?
Work ID: 85021
Description: The Golem: Marie-Annick Béliveau, mezzo-soprano
Choir and Dancers: Mary St-Amand Williamson, Karen Fennell, Maxine Segalowitz
Director of Photography: Oswaldo Toledano
Orchestration: Dominique Alexander
Chief Choreographer and Dramaturgy Consultant: Mary St-Amand Williamson
Outside Eye: Kim Sanh Châu
Voice Coach and Choir Direction: Louise Campbell
Sound Engineer: Steve Bates
Light Technician: Paolo Malo
Production Assistant and Still Photography: Edwin Isford
Continuity: Lisa Ceccarelli
Hair Stylist: Arahkwénte J Gilbert
Makeup: Drew McComber
Photos by: Guy L'Heureux
A romance of reclaiming the ill body from the jaws of stillness by merging with the universe of things. Via a network of things, the body extends itself, connecting with stuff, reaching spaces and places with greater ease and expanded potentials. Like an ever-growing creature made of unfired clay, new limbs being hastily built-on as others drop off. Possibilities multiply. Stilted with the anxiety of showing its vulnerability to the outside world, the ill body is awkward in public, but comfortable at home. The ill mind/body is never fully relieved; at best, it manages to forget its ill state through distraction and fantasy. The pain of the body slows down the mind, opening it up to near-constant reverie.
Measurements: 18 min. 39 sec.
Collection:
Date Made: 2018
Materials: Installation: Double channel digital video, sound
Virtual Collection: Original CCCA
The Lead Apron
Work ID: 85019
Description: Performed by Sarah Wendt
Lighting design by Karine Gauthier
Assistant Photographer: Edwin Isford
A companion piece to the video installation, What Do Stones Smell Like in the Forest?, The Lead Apron is a duet between the performer and their props. The props serve as body extensions, made to shift what physical engagement looks like. As the performer recounts how chronic illness has changed how she relates to her body and how her body filters her experience of the world, her use of the objects hints at a rich physical world of illness and slowness. Her recitations are punctuated with mournful and repetitive phrases on the French horn, yet there is always comedy and absurdity in the loss of control of the body.
Measurements: Solo performance for horn player, approx. 20 minutes; installation
Collection:
Date Made: 2018
Virtual Collection: Original CCCA
The Lead Apron
Work ID: 85018
Description: Performed by Sarah Wendt
Lighting design by Karine Gauthier
Assistant Photographer: Edwin Isford
A companion piece to the video installation, What Do Stones Smell Like in the Forest?, The Lead Apron is a duet between the performer and their props. The props serve as body extensions, made to shift what physical engagement looks like. As the performer recounts how chronic illness has changed how she relates to her body and how her body filters her experience of the world, her use of the objects hints at a rich physical world of illness and slowness. Her recitations are punctuated with mournful and repetitive phrases on the French horn, yet there is always comedy and absurdity in the loss of control of the body.
Measurements: Solo performance for horn player, approx. 20 minutes; installation
Collection:
Date Made: 2018
Virtual Collection: Original CCCA
Becoming Unreal
Work ID: 85015
Description: Performance for voice and object. Performer: Xuan Ye
Collection:
Date Made: 2018
Materials:
Virtual Collection: Original CCCA
The Lead Apron
Work ID: 85020
Description: Performed by Sarah Wendt
Lighting design by Karine Gauthier
Assistant Photographer: Edwin Isford
A companion piece to the video installation, What Do Stones Smell Like in the Forest?, The Lead Apron is a duet between the performer and their props. The props serve as body extensions, made to shift what physical engagement looks like. As the performer recounts how chronic illness has changed how she relates to her body and how her body filters her experience of the world, her use of the objects hints at a rich physical world of illness and slowness. Her recitations are punctuated with mournful and repetitive phrases on the French horn, yet there is always comedy and absurdity in the loss of control of the body.
Measurements: Solo performance for horn player, approx. 20 minutes; installation
Collection:
Date Made: 2018
Virtual Collection: Original CCCA
What Do Stones Smell Like In The Forest?
Work ID: 84845
Description: The Golem: Marie-Annick Béliveau, mezzo-soprano
Choir and Dancers: Mary St-Amand Williamson, Karen Fennell, Maxine Segalowitz
Director of Photography: Oswaldo Toledano
Orchestration: Dominique Alexander
Chief Choreographer and Dramaturgy Consultant: Mary St-Amand Williamson
Outside Eye: Kim Sanh Châu
Voice Coach and Choir Direction: Louise Campbell
Sound Engineer: Steve Bates
Light Technician: Paolo Malo
Production Assistant and Still Photography: Edwin Isford
Continuity: Lisa Ceccarelli
Hair Stylist: Arahkwénte J Gilbert
Makeup: Drew McComber
Photos by: Guy L'Heureux
A romance of reclaiming the ill body from the jaws of stillness by merging with the universe of things. Via a network of things, the body extends itself, connecting with stuff, reaching spaces and places with greater ease and expanded potentials. Like an ever-growing creature made of unfired clay, new limbs being hastily built-on as others drop off. Possibilities multiply. Stilted with the anxiety of showing its vulnerability to the outside world, the ill body is awkward in public, but comfortable at home. The ill mind/body is never fully relieved; at best, it manages to forget its ill state through distraction and fantasy. The pain of the body slows down the mind, opening it up to near-constant reverie.
Measurements: 18 min. 39 sec.
Collection:
Date Made: 2018
Materials: Installation: Double channel digital video, sound
Virtual Collection: Original CCCA
What Do Stones Smell Like In The Forest?
Work ID: 85023
Description: The Golem: Marie-Annick Béliveau, mezzo-soprano
Choir and Dancers: Mary St-Amand Williamson, Karen Fennell, Maxine Segalowitz
Director of Photography: Oswaldo Toledano
Orchestration: Dominique Alexander
Chief Choreographer and Dramaturgy Consultant: Mary St-Amand Williamson
Outside Eye: Kim Sanh Châu
Voice Coach and Choir Direction: Louise Campbell
Sound Engineer: Steve Bates
Light Technician: Paolo Malo
Production Assistant and Still Photography: Edwin Isford
Continuity: Lisa Ceccarelli
Hair Stylist: Arahkwénte J Gilbert
Makeup: Drew McComber
A romance of reclaiming the ill body from the jaws of stillness by merging with the universe of things. Via a network of things, the body extends itself, connecting with stuff, reaching spaces and places with greater ease and expanded potentials. Like an ever-growing creature made of unfired clay, new limbs being hastily built-on as others drop off. Possibilities multiply. Stilted with the anxiety of showing its vulnerability to the outside world, the ill body is awkward in public, but comfortable at home. The ill mind/body is never fully relieved; at best, it manages to forget its ill state through distraction and fantasy. The pain of the body slows down the mind, opening it up to near-constant reverie.
Collection:
Date Made: 2018
Materials: Video still: Double channel digital video, sound
Virtual Collection: Original CCCA
What Do Stones Smell Like In The Forest?
Work ID: 85022
Description: The Golem: Marie-Annick Béliveau, mezzo-soprano
Choir and Dancers: Mary St-Amand Williamson, Karen Fennell, Maxine Segalowitz
Director of Photography: Oswaldo Toledano
Orchestration: Dominique Alexander
Chief Choreographer and Dramaturgy Consultant: Mary St-Amand Williamson
Outside Eye: Kim Sanh Châu
Voice Coach and Choir Direction: Louise Campbell
Sound Engineer: Steve Bates
Light Technician: Paolo Malo
Production Assistant and Still Photography: Edwin Isford
Continuity: Lisa Ceccarelli
Hair Stylist: Arahkwénte J Gilbert
Makeup: Drew McComber
A romance of reclaiming the ill body from the jaws of stillness by merging with the universe of things. Via a network of things, the body extends itself, connecting with stuff, reaching spaces and places with greater ease and expanded potentials. Like an ever-growing creature made of unfired clay, new limbs being hastily built-on as others drop off. Possibilities multiply. Stilted with the anxiety of showing its vulnerability to the outside world, the ill body is awkward in public, but comfortable at home. The ill mind/body is never fully relieved; at best, it manages to forget its ill state through distraction and fantasy. The pain of the body slows down the mind, opening it up to near-constant reverie.
Measurements: 18 min. 39 sec.
Collection:
Date Made: 2018
Materials: Video still: Double channel digital video, sound
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85090
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85089
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
Its Eyeless Stare Says: We Are All A Bit Damaged
Work ID: 85126
Collection:
Date Made: 2019
Materials: Inkjet print on polyester, painted steel, aluminium,urethane rubber
Virtual Collection: Original CCCA
My Need For Civility Impedes This As I Shot Harsh Looks Towards Those Who Can’t Seem To Follow The Rules
Work ID: 85127
Collection:
Date Made: 2019
Materials: Inkjet print on polyester, painted steel, aluminium,urethane rubber
Virtual Collection: Original CCCA
As Usual, I’m Ehausted
Work ID: 85128
Collection:
Date Made: 2019
Materials: Inkjet print on polyester, painted steel, urethane rubber
Virtual Collection: Original CCCA
A Clicking Sound, A Hissing Sound; Teeth and Tongue
Work ID: 85129
Collection:
Date Made: 2019
Materials: Inkjet print on vinyl
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85086
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85088
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85084
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85091
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85092
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85085
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
An Autobiography of Air
Work ID: 85087
Description: Performance in four characters, for two performers and objects
Presented at the Musée d’art contemporain de Montréal, 2019.
Performers: Sarah Albu, Maya Kuroki, Lara Oundjian, Ellen Slatkin
Dramaturgy and Choreography: Deborah Dunn
Photography: Clara Touchette Lacasse
Collection:
Date Made: 2019
Materials: performance
Virtual Collection: Original CCCA
