
KC Adams
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: Canada
Province of Birth: Saskatchewan
Year of Birth: 1971
City: Winnipeg
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: ceramics, drawing, installation, mixed media, painting, photography, printmaking, sculpture, video
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Work by KC Adams

Resilient growth
Work ID: 81739
Description: Resilient plants growing in Montreal.
Measurements: various
Collection:
Date Made: 1997
Materials: wire, weeds
Virtual Collection: Original CCCA

Resilient growth
Work ID: 81738
Description: Resilient plants growing in Montreal.
Measurements: various
Collection:
Date Made: 1997
Materials: wire, weeds
Virtual Collection: Original CCCA

Resilient growth
Work ID: 81737
Description: Resilient plants growing in Montreal.
Measurements: various
Collection:
Date Made: 1997
Materials: wire, weeds
Virtual Collection: Original CCCA

Confession
Work ID: 81736
Description: Viewers are invited to sit inside the booth and observe the slide show of screen shot websites that were taken off of the internet. The world is opened up to the viewer through content and contacts found on websites, yet the viewer is cut off from the physical world.
Measurements: 7ft. h x 3ft. w x 0.1044 m deep
Collection:
Date Made: 1997
Materials: Personal Computer, mixed media
Virtual Collection: Original CCCA

Embryonic Cyborgs
Work ID: 81740
Measurements: various
Collection:
Date Made: 2002
Materials: porcelain
Virtual Collection: Original CCCA

Cyborg Living Space: Livingroom
Work ID: 81742
Description: From the Bleach Series: this work was inspired by the obsessive and impossible expectations of Martha Stewart. This interactive space becomes a beautiful (impossible to clean) and isolated sanctuary for the cyborg. The Cyborg Living Spaces installations are deceivingly simple in appearance but are multi-layered with content, mimicking the information overload that our senses are bombarded with every day. I entice my audience to engage in the installations by creating aesthetically beautiful objects that are based on the familiar and require them to use most of their senses. The overall impression is subtle to the point that the viewers have a choice to either accept the work on a surface level or investigate the multiple references within the work.
Measurements: 0.4872 x 0.4872 m
Collection:
Date Made: 2003
Virtual Collection: Original CCCA

Cyborg Hybrid Yvonne (Curator) “SPIRITUAL BY DEFAULT
Work ID: 81754
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA


Cyborg Living Space: Bedroom
Work ID: 81743
Description: From the Bleach Series: Constructed Cyborg Bed with massaging units, 4 min. 14 sec Video: Cyborg Sex by KC Adams, sound art by Tim Wityk, surveillance camera viewed on the floating TV screen controlled by a remote control located on the bed.
Measurements: 0.522 x 0.4872 m
Collection:
Date Made: 2005
Materials: Interactive Installation: Video, porcelain, wood constructions, kinetic sculptures, mixed media
Virtual Collection: Original CCCA

Cyborg Hybrid KC (Visual Artist) “INDIAN PRINCESS”
Work ID: 81755
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: faces, Original CCCA

Cyborg Hybrid Carla (Writer) “HALFBREED”
Work ID: 81749
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Candice (Curator) “SCALPING IS IN MY BLOOD”
Work ID: 81747
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Mark (Visual Artist) “IGLOO BUILDER”
Work ID: 81753
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Lori (Visual and Performance artist) “IT’S OK, I’M WHITE TOO”
Work ID: 81751
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Adam (Visual Artist) “FORMER LAND OWNER”
Work ID: 81748
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Nancy (dancer, actor) “McMAC”
Work ID: 81756
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Charlottetown Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrids (Installation view)
Work ID: 81745
Description: Installation at the Art Gallery of Southwestern Manitoba, Brandon, 2006.
Collection:
Date Made: 2005
Materials: digital prints
Virtual Collection: Original CCCA

Cyborg Hybrid Patrick (dancer) “AUTHORITY ON ALL ABORIGINAL ISSUES”
Work ID: 81757
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Charlottetown Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid David (Actor) “SAVAGE”
Work ID: 81750
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2005
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Eggs
Work ID: 81741
Description: Foods and what it is doing to our bodies and environment. The work is warm and inviting but the creepy sound track of cyborg chickens clucking and scratching creates an uneasy experience. This work comments on refined and genetically modified foods.
Measurements: 0.348 x 0.348 m
Collection:
Date Made: 2005
Materials: Porcelain, lights, bleached flour & sugar, feathers & audio component
Virtual Collection: Original CCCA

Cyborg Hybrid Jen (Filmmaker) “ASK ME ABOUT MY SWEETGRASS”
Work ID: 81746
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Banff Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Living Space: Office
Work ID: 81744
Description: Installation and performance piece where I physically isolated myself but was available to communicate to the outside world through, email, social media and chatting. I worked in the space for 5 days while I was working for Urban Shaman Gallery. My every move was open for scrutiny via a live web cam.
Measurements: 0.348 x 0.4872 m
Collection:
Date Made: 2006
Materials: Interactive Installation: Video, porcelain, wood constructions, kinetic sculptures, mixed media
Virtual Collection: Original CCCA

Cyborg Hybrid Niki (visual & performance artist & videographer) “GANG MEMBER”
Work ID: 81760
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Tim (visual artist) “NOBEL SAVAGE”
Work ID: 81759
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Leah (writer, traditional dancer) “WAGON BURNER”
Work ID: 81765
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Jodi (photographer & writer) “F.A.S.”
Work ID: 81758
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Steve (videographer) “MOHAWK GAS”
Work ID: 81766
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid David (videographer, new media artist) “I’M ON INDIAN TIME”
Work ID: 81764
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

iPod Holder
Work ID: 81792
Measurements: size of ipod holder
Collection:
Date Made: 2006
Materials: leather, beads
Virtual Collection: Original CCCA

Cyborg Hybrid Roger (Visual Artist) “SNIFFER”
Work ID: 81763
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA
Cyborg Hybrid Accessories
Work ID: 81801
Collection:
Date Made: 2006
Materials: leather, beads
Virtual Collection: Original CCCA

Cyborg Hybrid Scott (photographer) “TEEPEE CREEPER”
Work ID: 81767
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Cyborg Hybrid Brad (videographer) “IROQUOIS SCOUT”
Work ID: 81761
Description: I photographed artists who fit the Cyborg Hybrid criteria and had them wear white t-shirts with beaded text such as “FORMER LAND OWNER”, “SCALPING IS IN MY BLOOD” and other slogans that would illustrate common Aboriginal racial stereotyping. I also created white chokers for them to wear while I photographed them in stoic poses, mimicking photographs of Aboriginal people from the 19th and early 20th century. Their defiant poses challenge the viewer to try and classify their identity. Cyborg Hybrids aren’t defined by the beaded text on their shirts, they defy them.
Winnipeg Series.
Collection:
Date Made: 2006
Materials: digital print
Virtual Collection: Original CCCA

Circuit City (Winnipeg)
Work ID: 81802
Description: Circuit City (Winnipeg) is an aerial glimpse into the relationship our community has with our landscape. The white snow blankets the ground making the landscape look pure, untouched and beautiful. The dark lines and sharp angles represent the formations that our community has etched onto our landscape. Roads connect our communities much like a circuit board transferring information, keeping the flow of communication going.
Measurements: 38.1 x 50.8 cm (framed)
Collection:
Date Made: 2007
Materials: digital print on Arches paper
Virtual Collection: Original CCCA

Community Art Patrol
Work ID: 81769
Description: This performance was a satirical look at the Exchange Patrol, a walking patrol in Winnipeg. Valery Camarta and I were dressed as Community Art Patrols to remind people that artists and homeless people occupied this area and to respect their presence.
Collection:
Date Made: 2007
Materials: performance
Virtual Collection: Original CCCA

‘Don’t call me Indian’
Work ID: 81772
Description: Plug In Institute of Contemporary Art presents FAX an exhibition that invites a multi-generational group of artists, as well as architects, designers, scientists and filmmakers, to conceive of the fax machine as a tool for thinking and drawing. The result—an ongoing cumulative project—is a show concerned with ideas of reproduction, obsolescence, distribution, and mediation.
Measurements: 21.59 x 27.94 cm
Collection:
Date Made: 2009
Materials: pen and ink drawing
Virtual Collection: Original CCCA

The Gifts That Keep On Giving – ‘Flour
Work ID: 81776
Description: The photograph displays in the middle section Flour, Sugar and Lard. The top and bottom section are close up shots of body parts of Indigenous people who have type II diabetes.
Measurements: 50.8 x 76.2 cm
Collection:
Date Made: 2010
Materials: digital print
Virtual Collection: Original CCCA

Truth, Dare, Double Dare
Work ID: 81770
Description: Exhibited at Paved Arts and for ImagineNative, 'Truth, Dare, Double Dare' is a mobile website based on the childhood game, that attempts to decrease the amount of time the user spends on their mobile device and engages them with their environment.
Mobile: tddd.kcadams.net
Facebook: /kcadams/tddd
Desktop: www.kcadams.net/tddd
Collection:
Date Made: 2010
Materials: new media, mobile website
Virtual Collection: Original CCCA

The Gifts That Keep On Giving – ‘Sugar’
Work ID: 81774
Description: The photograph displays in the middle section Flour, Sugar and Lard. The top and bottom section are close up shots of body parts of Indigenous people who have type II diabetes.
Measurements: 50.8 x 76.2 cm
Collection:
Date Made: 2010
Materials: digital print
Virtual Collection: Original CCCA

The Gifts That Keep On Giving – ‘Lard’
Work ID: 81775
Description: The photograph displays in the middle section Flour, Sugar and Lard. The top and bottom section are close up shots of body parts of Indigenous people who have type II diabetes.
Measurements: 50.8 x 76.2 cm
Collection:
Date Made: 2010
Materials: digital print
Virtual Collection: Original CCCA

The Gifts That Keep On Giving
Work ID: 81773
Description: The three photographs display in the middle section Flour, Sugar and Lard. The top and bottom section are close up shots of body parts of Indigenous people who have type II diabetes.
Measurements: triptych: each 50.8 x 76.2 cm
Collection:
Date Made: 2010
Materials: digital prints
Virtual Collection: Original CCCA

iPad is Cree Floral
Work ID: 81793
Description: iPad Holder inspired by Cree moccasins.
Measurements: iPad size
Collection:
Date Made: 2010
Materials: silicone, beads, felt
Virtual Collection: Original CCCA

The Five Gifts
Work ID: 81778
Description: Un-fired clay pots sitting on rocks holding milk, flour, lard, sugar, salt.
Measurements: 0.2784 x 0.2784 m
Collection:
Date Made: 2010
Materials: mixed media
Virtual Collection: Original CCCA

Power Peyote Stitch
Work ID: 81795
Description: Beads wrapped around a power cord using a peyote stitch to look like a snake.
Measurements: 60.96 cm long
Collection:
Date Made: 2011
Materials: sculpture, beads, Mac power cord
Virtual Collection: Original CCCA

iPhone Communication Bytes
Work ID: 81794
Description: An iPhone holder with white and pearl beads to represent the basic binary code.
Measurements: size of iPhone
Collection:
Date Made: 2011
Materials: sculpture, beads, Mac power cord
Virtual Collection: Original CCCA

F**k
Work ID: 81771
Description: Various images of shoes that are meant to look like ads. The work highlights the ridiculousness of consumerism while shedding a light on social issues.
Collection:
Date Made: 2012
Materials: digital image
Virtual Collection: Original CCCA

Community
Work ID: 81803
Description: Community was inspired by the organic matrix of a light-conducting, deep-sea sponge. This resilient life-form contains a menagerie of organisms that depend on the sponge for light and habitat. Shaped by the relationship with its inhabitants, each organism develops in symbiosis, creating a micro-environment where the whole is greater than the sum of its parts. As a metaphor for United Way, the elegant lines of the artwork reference the interconnections between people and resources within the community, each supporting one another, as the form reaches out and up towards the light.
Measurements: 0.4176 m long x 0.2088 m wide x 0.174 m deep
Collection:
Date Made: 2013
Materials: iron rods, paperclay, paint, glitter
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81788
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81786
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81790
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81789
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81791
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81787
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Birch Bark Ltd.
Work ID: 81785
Description: Birch bark biting design and a corporate logo are incorporated into each tree. Originally, birch bark biting was a form of competition to see who would create the most elaborate design. Later, they were also used for beadwork and silk embroidery patterns.
Measurements: 0.4176 x 0.4872 m
Collection:
Date Made: 2014
Materials: porcelain, paper, clay, LED lights, wood, paintings
Virtual Collection: Original CCCA

Power [Self-portrait]
Work ID: 81804
Measurements: 25.4 x 25.4 cm
Collection:
Date Made: 2014
Materials: digital print
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81829
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81824
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81814
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81813
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81837
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA
Ki-tah-pah-tumak aski ethinewak (keeper of the land) Noah’, Fox Lake Cree Nation
Work ID: 81807
Description: Traveling to northern Manitoba communities the summer of 2015, I was moved by the people who are walking the path of their ancestors. They are Ki-tah-pah-tumak aski ethinewak who are using all their knowledge and power to protect the land and waters in their community. They face resistance from developers, Manitoba Hydro, government and sometimes even their own people. The Ki-tah-pah-tumak aski ethinewak have a strong spiritual connection to Mother Earth, they understand that it is their responsibility to practice humility, reverence and reciprocity towards the land. Otherwise the destruction of the lands and waters will have detrimental effects to their community, but also to people around the world. My intent as a social practice artist is to capture through portraiture their strong spirit, resilient and compassionate nature.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81820
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81828
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81812
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81825
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81815
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81819
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81832
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81827
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81816
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81818
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Ki-tah-pah-tumak aski et-hinewak (keeper of the land) Shirley’, O-Pipon-Na-Piwin Cree Nation
Work ID: 81808
Description: Traveling to northern Manitoba communities the summer of 2015, I was moved by the people who are walking the path of their ancestors. They are Ki-tah-pah-tumak aski ethinewak who are using all their knowledge and power to protect the land and waters in their community. They face resistance from developers, Manitoba Hydro, government and sometimes even their own people. The Ki-tah-pah-tumak aski ethinewak have a strong spiritual connection to Mother Earth, they understand that it is their responsibility to practice humility, reverence and reciprocity towards the land. Otherwise the destruction of the lands and waters will have detrimental effects to their community, but also to people around the world. My intent as a social practice artist is to capture through portraiture their strong spirit, resilient and compassionate nature.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: faces, Original CCCA

Perception’ Series
Work ID: 81830
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81817
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81822
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81823
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81826
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81831
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81833
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81821
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81834
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81835
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

Perception’ Series
Work ID: 81836
Description: Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, local artist KC Adams creates a body of work that documents another perspective. This photo series called “Perception,” is an attempt to combat the stereotypes some of the public have of First Nation, Inuit and Metis people to illustrate, you can’t judge a book by its cover.
In the first photo, the models were asked to think about racist remarks they or their family have experienced such as the text written on the title of their photo. In the second photo, they were asked to think about a family member or a happy moment in their life and write their own self-identifying title.
Collection:
Date Made: 2015
Materials: digital image
Virtual Collection: Original CCCA

nibi [installation view]
Work ID: 81780
Description: Participants were encouraged to read ‘nibi’ (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with ‘nibi’ and place it on the ground.
Collection:
Date Made: 2016
Materials: performance / installation
Virtual Collection: Original CCCA

nibi [water source]
Work ID: 81784
Description: Participants were encouraged to read ‘nibi’ (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with ‘nibi’ and place it on the ground.
Collection:
Date Made: 2016
Materials: porcelain
Virtual Collection: Original CCCA

Ki-tah-pah-tumak aski ethinewak (keeper of the land) Kathleen’, Nisichawayasihk Cree Nation
Work ID: 81810
Description: Traveling to northern Manitoba communities the summer of 2015, I was moved by the people who are walking the path of their ancestors. They are Ki-tah-pah-tumak aski ethinewak who are using all their knowledge and power to protect the land and waters in their community. They face resistance from developers, Manitoba Hydro, government and sometimes even their own people. The Ki-tah-pah-tumak aski ethinewak have a strong spiritual connection to Mother Earth, they understand that it is their responsibility to practice humility, reverence and reciprocity towards the land. Otherwise the destruction of the lands and waters will have detrimental effects to their community, but also to people around the world. My intent as a social practice artist is to capture through portraiture their strong spirit, resilient and compassionate nature.
Collection:
Date Made: 2016
Materials: digital image
Virtual Collection: Original CCCA

nibi
Work ID: 81783
Description: Participants were encouraged to read ‘nibi’ (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with ‘nibi’ and place it on the ground.
Collection:
Date Made: 2016
Materials: digital print
Virtual Collection: Original CCCA

Ki-tah-pah-tumak aski ethinewak (keeper of the land) Leslie’, O-Pipon-Na-Piwin Cree Nation
Work ID: 81809
Description: Traveling to northern Manitoba communities the summer of 2015, I was moved by the people who are walking the path of their ancestors. They are Ki-tah-pah-tumak aski ethinewak who are using all their knowledge and power to protect the land and waters in their community. They face resistance from developers, Manitoba Hydro, government and sometimes even their own people. The Ki-tah-pah-tumak aski ethinewak have a strong spiritual connection to Mother Earth, they understand that it is their responsibility to practice humility, reverence and reciprocity towards the land. Otherwise the destruction of the lands and waters will have detrimental effects to their community, but also to people around the world. My intent as a social practice artist is to capture through portraiture their strong spirit, resilient and compassionate nature.
Collection:
Date Made: 2016
Materials: digital image
Virtual Collection: Original CCCA

Ki-tah-pah-tumak aski ethinewak (keeper of the land) Gord’, Nisichawayasihk Cree Nation
Work ID: 81811
Description: Traveling to northern Manitoba communities the summer of 2015, I was moved by the people who are walking the path of their ancestors. They are Ki-tah-pah-tumak aski ethinewak who are using all their knowledge and power to protect the land and waters in their community. They face resistance from developers, Manitoba Hydro, government and sometimes even their own people. The Ki-tah-pah-tumak aski ethinewak have a strong spiritual connection to Mother Earth, they understand that it is their responsibility to practice humility, reverence and reciprocity towards the land. Otherwise the destruction of the lands and waters will have detrimental effects to their community, but also to people around the world. My intent as a social practice artist is to capture through portraiture their strong spirit, resilient and compassionate nature.
Collection:
Date Made: 2016
Materials: digital image
Virtual Collection: Original CCCA

nibi [final placement of the pots]
Work ID: 81781
Description: Participants were encouraged to read ‘nibi’ (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with ‘nibi’ and place it on the ground.
Collection:
Date Made: 2016
Materials: performance / installation
Virtual Collection: Original CCCA

nibi [porcelain water vessel]
Work ID: 81782
Description: Participants were encouraged to read ‘nibi’ (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with ‘nibi’ and place it on the ground.
Collection:
Date Made: 2016
Materials: performance / installation
Virtual Collection: Original CCCA

nibi
Work ID: 81779
Description: Participants were encouraged to read 'nibi' (water) teachings written on a pieces of paper. Thinking about their own relationship with water, they chose a porcelain water vessel, filled it with 'nibi' and place it on the ground.
Collection:
Date Made: 2016
Materials: performance / installation
Virtual Collection: Original CCCA