Kathleen Sellars
Virtual Collection: Original CCCA
City: Kingston
Country: Canada
Type of Creator: Artist
Gender: Female
Mediums: installation, performance, sculpture
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Work by Kathleen Sellars
Lick
Work ID: 14798
Measurements: 73.66 x 180.34 x 15.24 cm
Collection:
Date Made: 1995
Materials: rubber, soapstone and metal
Virtual Collection: Original CCCA
Dwelling, installation view
Work ID: 14797
Measurements: varied/diverses
Collection:
Date Made: 1995
Materials: 29 mixed media objects arranged on ten steel tables with casters
Virtual Collection: Original CCCA
Feeding Desires and Harbouring Desires, installation view
Work ID: 14799
Collection:
Date Made: 1996
Materials:
Virtual Collection: Original CCCA
Hold It, installation view
Work ID: 14807
Measurements: 20.32 x 190.5 x 11.43 cm
Collection:
Date Made: 1996
Materials: latex, wax, hair, rubber and metal
Virtual Collection: Original CCCA
It’s Stuck in My Throat
Work ID: 14805
Measurements: 10.16 x 180.34 x 10.16 cm
Collection:
Date Made: 1996
Materials: nylon, text on paper, plastic, thread and wax
Virtual Collection: Original CCCA
empty your head, spit it out, detail
Work ID: 14810
Measurements: 20.32 x 149.86 x 20.32 cm
Collection:
Date Made: 1996
Materials: latex, hair, embroidered ribbon and metal
Virtual Collection: Original CCCA
Hold It, detail
Work ID: 14808
Measurements: 20.32 x 190.5 x 11.43 cm
Collection:
Date Made: 1996
Materials: latex, wax, hair, rubber and metal
Virtual Collection: Original CCCA
Feeding Desires
Work ID: 14800
Measurements: 38.1 x 90.17 x 38.1 cm
Collection:
Date Made: 1996
Materials: wax, paper, rubber, liquid and metal
Virtual Collection: Original CCCA
Harbouring Desires
Work ID: 14801
Measurements: 15.24 x 90.17 x 17.78 cm
Collection:
Date Made: 1996
Materials: wood, leather and metal
Virtual Collection: Original CCCA
Just Try Me, front view
Work ID: 14803
Measurements: 30.48 x 39.37 x 80.01 cm
Collection:
Date Made: 1996
Materials: lycra, wax, rubber and plastic
Virtual Collection: Original CCCA
Untitled (stone with rubber strap)
Work ID: 14802
Measurements: 30.48 x 15.24 x 30.48 cm
Collection:
Date Made: 1996
Materials: stone, rubber and metal
Virtual Collection: Original CCCA
It’s Stuck in My Throat, detail
Work ID: 14806
Measurements: 10.16 x 180.34 x 10.16 cm
Collection:
Date Made: 1996
Materials: nylon, text on paper, plastic, thread and wax
Virtual Collection: Original CCCA
empty your head, spit it out, installation view
Work ID: 14809
Measurements: 20.32 x 149.86 x 20.32 cm
Collection:
Date Made: 1996
Materials: latex, hair, embroidered ribbon and metal
Virtual Collection: Original CCCA
Just Try Me, back view
Work ID: 14804
Measurements: 30.48 x 39.37 x 80.01 cm
Collection:
Date Made: 1996
Materials: lycra, wax, rubber and plastic
Virtual Collection: Original CCCA
Ear Hood, detail view
Work ID: 14812
Measurements: 24.13 x 33.02 x 24.13 cm
Collection:
Date Made: 1997
Materials: cast silicone and zipper
Virtual Collection: Original CCCA
Finger Hood, detail view
Work ID: 14811
Measurements: 33.02 x 36.83 x 33.02 cm
Collection:
Date Made: 1997
Materials: cast silicone and zipper
Virtual Collection: Original CCCA
affinities, 1c (torso with hair), detail view
Work ID: 14815
Measurements: 39.37 x 80.01 x 22.86 cm
Collection:
Date Made: 1998
Materials: cast silicone and hair
Virtual Collection: Original CCCA
affinities, 1b (torso with nipples), detail view
Work ID: 14816
Measurements: 48.26 x 49.53 x 63.5 cm
Collection:
Date Made: 1998
Materials: cast silicone
Virtual Collection: Original CCCA
affinities, cloning belonging, installation view
Work ID: 14813
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
affinities, cloning belonging, installation view
Work ID: 14817
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
affinities, 1d (animules), detail view
Work ID: 14818
Measurements: 15.24 éléments, each/chacun : 48.26 x 55.88 x 22.86 cm; 121.92 x 142.24 x 58.42 cm
Collection:
Date Made: 1999
Materials: plaster, silicone and Vaseline
Virtual Collection: Original CCCA
affinities, 1a (hands with tongues), installation view
Work ID: 14820
Measurements: 15.24 x 110.49 x 11.43 cm
Collection:
Date Made: 1999
Materials: cast wax
Virtual Collection: Original CCCA
affinities, 1c (torso with hair) and affinities, 1b (torso with nipples)
Work ID: 14814
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
affinities, 1e (butterflies), detail view
Work ID: 14819
Measurements: 15.24 elements, each/chacun : 10.16 x 2.032 x 10.16 cm; 25.4 x 5.08 x 25.4 cm
Collection:
Date Made: 1999
Materials: fabric, hair, motion sensor and sound
Virtual Collection: Original CCCA
affinities, 1a (hands with tongues), detail view
Work ID: 14821
Measurements: 15.24 x 110.49 x 11.43 cm
Collection:
Date Made: 1999
Materials: cast wax
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14829
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14825
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied/diverses
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14837
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14823
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied/diverses
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch, exhibition invitation
Work ID: 14822
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: 10.16 x 11.43 cm
Collection:
Date Made: 2000
Materials: printed, hand-folded paper
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14832
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14835
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14836
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14830
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14824
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14827
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14839
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14838
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14834
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14833
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14831
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14826
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
faire le lunch – making lunch
Work ID: 14828
Description: Kathleen Sellars' new work continues her interest in genetic technologies and the social construction of gender. faire le lunch - making lunch is a performative installation that traces the evolution of food production, from seed to packaged commodity, within the context of a kitchen/ lab /studio environment. Growing plants, bottled food, toys, cast vegetables and appropriated images from advertising are used to explore the corporate and cultural production of food. Through strategies of exposure; juxtaposing binaries such as rational/emotional, vegetable/animal, corporate/personal, domestic/public and frivolous/useful; this installation questions the ethics of transgenetic manipulation, our relationship to nature and the authority of various food processors as active producers of knowledge.
Measurements: varied
Collection:
Date Made: 2000
Materials: mixed media installation and interactive performance
Virtual Collection: Original CCCA
