CCCA Canadian Art Database

Ron Benner

After a year studying agricultural engineering at the University of Guelph, Ron Benner switched to the visual arts and went on to develop a practice that combines photography, installation and gardening. An internationally known artist and social justice activist, he collaborates regularly with community organizations involved in the defence of the environment.
Creator Id: 62
Web Site Link: Web Site Link
Virtual Collection: Original CCCA
Country of Birth: Canada
Province of Birth: Ontario
Year of Birth: 1949
City: London
Country: Canada
Type of Creator: Artist
Gender: Male
Mediums: commission, earthwork, installation, photography, text-based
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Work by Ron Benner

And the Trees Grew Inwards – for Manuel Scorza

Work ID: 412

Description: Manuel Scorza was a Peruvian politician and author of the novels "Drums for Rancas" and "The Tomb of Lightning". Scorza was killed in a 1983 plane crash near Madrid which also took the lives of several other leading Latin American writers, Jorge Ibarguengoitia, Angel Rama and Marta Traba, all of whom were returning home after attending a writer's conference. The title of this work is from a line in Scorza's "The Tomb of Lightning-"...and the trees grew inwards and all was a desert." (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 213.106 x 210.82 22.86 x 305.054 cm

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And the Trees Grew Inwards – for Manuel Scorza (detail)

Work ID: 1953

Description: Manuel Scorza was a Peruvian politician and author of the novels "Drums for Rancas" and "The Tomb of Lightning". Scorza was killed in a 1983 plane crash near Madrid which also took the lives of several other leading Latin American writers, Jorge Ibarguengoitia, Angel Rama and Marta Traba, all of whom were returning home after attending a writer's conference. The title of this work is from a line in Scorza's "The Tomb of Lightning-"...and the trees grew inwards and all was a desert." (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 213.106 x 210.82 22.86 x 305.054 cm

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Cuitlacoche – In Memory of Michel Foucault

Work ID: 413

Description: Michel Foucault was born in Poitiers, France, in 1926. He was a philosopher-historian, journalist, critic and traveller, and author of the The Order of Things, Madness and Civilization and Discipline and Punish - The Birth of the Prison. He died in Paris, June 25, 1984. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 364.998 x 245.11 x 304.038 cm

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Cuitlacoche – In Memory of Michel Foucault (detail)

Work ID: 1954

Description: Michel Foucault was born in Poitiers, France, in 1926. He was a philosopher-historian, journalist, critic and traveller, and author of the The Order of Things, Madness and Civilization and Discipline and Punish - The Birth of the Prison. He died in Paris, June 25, 1984. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 364.998 x 245.11 x 304.038 cm

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Trans/mission: Drought Simulation (detail)

Work ID: 1955

Description: The larger photographic mural is made from a photographic calender produced in 1980 by the Instituto de Pastoral Andina, Peru. The people in the photograph are from a Quechua farming cooperative near Cuzco. The two side murals were taken in the main supermarket in Saskatoon, Saskatchewan. The "hydroponic experiment" replicates an experiment carried out at the University of Guelph in 1988 where polyethylene glycol (8000)/anti-freeze simulates the effects of drought on potato plants. The collapsed pyramids of gold potatoes under the tables are commonly known as Idaho baking potatoes. Over 2000 different kinds of potatoes have been grown in the Andes of South America for over 5000 years. The woven alforja saddle bag was brought from an andean farmer in 1979. It originally contained potatoes. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 244.094 x 305.054 x 305.054 cm

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Trans/mission: Drought Simulation

Work ID: 414

Description: The larger photographic mural is made from a photographic calender produced in 1980 by the Instituto de Pastoral Andina, Peru. The people in the photograph are from a Quechua farming cooperative near Cuzco. The two side murals were taken in the main supermarket in Saskatoon, Saskatchewan. The "hydroponic experiment" replicates an experiment carried out at the University of Guelph in 1988 where polyethylene glycol (8000)/anti-freeze simulates the effects of drought on potato plants. The collapsed pyramids of gold potatoes under the tables are commonly known as Idaho baking potatoes. Over 2000 different kinds of potatoes have been grown in the Andes of South America for over 5000 years. The woven alforja saddle bag was brought from an andean farmer in 1979. It originally contained potatoes. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 244.094 x 305.054 x 305.054 cm

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Trans/mission: Thanksgiving (detail 1 of 2)

Work ID: 1956

Description: The central image was taken by Robert Frechette during the 'Oka crisis', summer 1990. The Quebec police are being pelted with corn cobs and other vegetables by people from Chateauguay, Quebec, who were protesting against the Mohawk blockades. They had broken into a produce truck which was in the process of fuelling at a Petro-Canada service station. The two adjacent images are from historical paintings of Thanksgiving motifs. The two outside photographic murals are an enlarged detail from the left-hand corner of the painting 'The Death of Wolfe' (1771) by Benjamin West. The detail on the right has been reversed. The Mohawks did not participate in the Battle of Quebec. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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Trans/mission: Thanksgiving (detail 2 of 2)

Work ID: 1957

Description: The central image was taken by Robert Frechette during the 'Oka crisis', summer 1990. The Quebec police are being pelted with corn cobs and other vegetables by people from Chateauguay, Quebec, who were protesting against the Mohawk blockades. They had broken into a produce truck which was in the process of fuelling at a Petro-Canada service station. The two adjacent images are from historical paintings of Thanksgiving motifs. The two outside photographic murals are an enlarged detail from the left-hand corner of the painting 'The Death of Wolfe' (1771) by Benjamin West. The detail on the right has been reversed. The Mohawks did not participate in the Battle of Quebec. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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Trans/mission: Thanksgiving

Work ID: 415

Description: The central image was taken by Robert Frechette during the 'Oka crisis', summer 1990. The Quebec police are being pelted with corn cobs and other vegetables by people from Chateauguay, Quebec, who were protesting against the Mohawk blockades. They had broken into a produce truck which was in the process of fuelling at a Petro-Canada service station. The two adjacent images are from historical paintings of Thanksgiving motifs. The two outside photographic murals are an enlarged detail from the left-hand corner of the painting 'The Death of Wolfe' (1771) by Benjamin West. The detail on the right has been reversed. The Mohawks did not participate in the Battle of Quebec. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 7 of 7)

Work ID: 1964

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 5 of 7)

Work ID: 1962

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 2 of 7)

Work ID: 1959

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 3 of 7)

Work ID: 1960

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 1 of 7)

Work ID: 418

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

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In Digestion (view 6 of 7)

Work ID: 1963

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: dimensions variable

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In Digestion (view 4 of 7)

Work ID: 1961

Description: A backward journey from London, Ontario to Culiacan, Sinaloa, Mexico and Immokalee, Florida, United States - the sources of two cardboard vegetable boxes originally containing bell peppers. The large photographic mural of a Sonoran Pinacate shell trail was taken by Julian D. Hayden of Tucson, Arizona. Hayden has studied the trails leading from mexico to the southwestern United States for decades. He estimates this trail to be 70,000 to 120,000 years old. The sea shell and corn kernel necklaces were made by Jessica Doxtator, Oneida Nation. The unprocessed white corn was a gift of Delaware Nation food Products Inc., Moraviantown, Ontario. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: dimensions variable

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All That Has Value

Work ID: 54512

Description: Harbourfront, Toronto, Ontario. Presently installed at Grosvenor Lodge, London, Ontario.

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All That Has Value

Work ID: 54514

Description: Harbourfront, Toronto, Ontario. Presently installed at Grosvenor Lodge, London, Ontario.

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All That Has Value

Work ID: 54515

Description: Harbourfront, Toronto, Ontario. Presently installed at Grosvenor Lodge, London, Ontario.

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All That Has Value

Work ID: 54513

Description: Harbourfront, Toronto, Ontario. Presently installed at Grosvenor Lodge, London, Ontario.

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Trans/mission: All That Has Value (detail)

Work ID: 1958

Description: The colours indigo and cochineal are both native to the Mexican state of Oaxaca. Previous to the invention of synthetic dyes they were major trade items, the red coats of the British military and the red robes of Cardinal Richelieu being two well-known historical examples. Cochineal has once more regained its value as a non-carcinogenic red for simulated crab and lobster meat. During the 18th and 19th centuries, indigo was one of the main exports if the Carolinas and is now regaining its former title as the king of the dyes. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 244.094 x 366.014 x 60.96 cm

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Trans/mission: All That Has Value

Work ID: 416

Description: The colours indigo and cochineal are both native to the Mexican state of Oaxaca. Previous to the invention of synthetic dyes they were major trade items, the red coats of the British military and the red robes of Cardinal Richelieu being two well-known historical examples. Cochineal has once more regained its value as a non-carcinogenic red for simulated crab and lobster meat. During the 18th and 19th centuries, indigo was one of the main exports if the Carolinas and is now regaining its former title as the king of the dyes. (From exhibition catalogue "All That Has Value", McIntosh Gallery et al, 1995/96.)

Measurements: 244.094 x 366.014 x 60.96 cm

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The Commodification of Life

Work ID: 54520

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54527

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54521

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54522

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54525

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54524

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54523

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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The Commodification of Life

Work ID: 54526

Description: Presently installed at the 401 Richmond Street Building, Toronto, Ontario

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Trans/mission: Corn Vectors (detail 3 of 4)

Work ID: 3451

Description: Photographs: Peru, Ontario, India, Vietnam, China. Plant Material: Open-pollinated corn (Rainbow Inca, Black Aztec, Oaxacan Green, Peruvian Purple, Iroquoian White), Mexican Marigolds, Zinnias, Dahlias, and other native-American economic plants. Vector: L., carrier, from vehere, to carry, p.p., vectus. Da Gama: Portuguese merchant mariner. India landfall 1498 A.D. Cabral: Portuguese merchant mariner. India landfall 1500 A.D. via modern-day Brazil. Corn: Gramineae/Zea/Zea mays L./Maiz/Mà-hoz (Arawak)/Native to Peru, Mexico and Tropical America/Remains in association with cultural deposits - 7000 years before present. Installed at the University of Western Ontario, London, Ontario. An ArtLab/Visual Arts Department Project curated by Barbara Fischer.

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Trans/mission: Corn Vectors (detail 1 of 4)

Work ID: 3449

Description: Photographs: Peru, Ontario, India, Vietnam, China. Plant Material: Open-pollinated corn (Rainbow Inca, Black Aztec, Oaxacan Green, Peruvian Purple, Iroquoian White), Mexican Marigolds, Zinnias, Dahlias, and other native-American economic plants. Vector: L., carrier, from vehere, to carry, p.p., vectus. Da Gama: Portuguese merchant mariner. India landfall 1498 A.D. Cabral: Portuguese merchant mariner. India landfall 1500 A.D. via modern-day Brazil. Corn: Gramineae/Zea/Zea mays L./Maiz/Mà-hoz (Arawak)/Native to Peru, Mexico and Tropical America/Remains in association with cultural deposits - 7000 years before present. Installed at the University of Western Ontario, London, Ontario. An ArtLab/Visual Arts Department Project curated by Barbara Fischer.

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Trans/mission: Corn Vectors (detail 4 of 4)

Work ID: 3452

Description: Photographs: Peru, Ontario, India, Vietnam, China. Plant Material: Open-pollinated corn (Rainbow Inca, Black Aztec, Oaxacan Green, Peruvian Purple, Iroquoian White), Mexican Marigolds, Zinnias, Dahlias, and other native-American economic plants. Vector: L., carrier, from vehere, to carry, p.p., vectus. Da Gama: Portuguese merchant mariner. India landfall 1498 A.D. Cabral: Portuguese merchant mariner. India landfall 1500 A.D. via modern-day Brazil. Corn: Gramineae/Zea/Zea mays L./Maiz/Mà-hoz (Arawak)/Native to Peru, Mexico and Tropical America/Remains in association with cultural deposits - 7000 years before present. Installed at the University of Western Ontario, London, Ontario. An ArtLab/Visual Arts Department Project curated by Barbara Fischer.

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Trans/mission: Corn Vectors (detail 2 of 4)

Work ID: 3450

Description: Photographs: Peru, Ontario, India, Vietnam, China. Plant Material: Open-pollinated corn (Rainbow Inca, Black Aztec, Oaxacan Green, Peruvian Purple, Iroquoian White), Mexican Marigolds, Zinnias, Dahlias, and other native-American economic plants. Vector: L., carrier, from vehere, to carry, p.p., vectus. Da Gama: Portuguese merchant mariner. India landfall 1498 A.D. Cabral: Portuguese merchant mariner. India landfall 1500 A.D. via modern-day Brazil. Corn: Gramineae/Zea/Zea mays L./Maiz/Mà-hoz (Arawak)/Native to Peru, Mexico and Tropical America/Remains in association with cultural deposits - 7000 years before present. Installed at the University of Western Ontario, London, Ontario. An ArtLab/Visual Arts Department Project curated by Barbara Fischer.

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Trans/mission: Corn Vectors

Work ID: 3448

Description: Photographs: Peru, Ontario, India, Vietnam, China. Plant Material: Open-pollinated corn (Rainbow Inca, Black Aztec, Oaxacan Green, Peruvian Purple, Iroquoian White), Mexican Marigolds, Zinnias, Dahlias, and other native-American economic plants. Vector: L., carrier, from vehere, to carry, p.p., vectus. Da Gama: Portuguese merchant mariner. India landfall 1498 A.D. Cabral: Portuguese merchant mariner. India landfall 1500 A.D. via modern-day Brazil. Corn: Gramineae/Zea/Zea mays L./Maiz/Mà-hoz (Arawak)/Native to Peru, Mexico and Tropical America/Remains in association with cultural deposits - 7000 years before present. Installed at the University of Western Ontario, London, Ontario. An ArtLab/Visual Arts Department Project curated by Barbara Fischer.

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Trans/mission: Vectors

Work ID: 54537

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Trans/mission: Vectors

Work ID: 54542

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Trans/mission: Vectors

Work ID: 54540

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Trans/mission: Vectors

Work ID: 54539

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Trans/mission: Vectors

Work ID: 54541

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Trans/mission: Vectors

Work ID: 54536

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Trans/mission: African Vectors

Work ID: 54532

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54533

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54530

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54528

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54534

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54529

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54535

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: African Vectors

Work ID: 54531

Description: Gairloch Gardens, Oakville Galleries, Oakville, Ontario

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Trans/mission: Still Life

Work ID: 54547

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54546

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54552

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54551

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54548

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54554

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54543

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54549

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54545

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54550

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Still Life

Work ID: 54553

Description: Grosvenor Lodge, London, Ontario

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Trans/mission: Blé d’Inde

Work ID: 71338

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71325

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71342

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71339

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71331

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71327

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71326

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Trans/mission: Blé d’Inde

Work ID: 71336

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71334

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

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Trans/mission: Blé d’Inde

Work ID: 71337

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71328

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71330

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71329

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71332

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

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Trans/mission: Blé d’Inde

Work ID: 71335

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

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Date Made:

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Trans/mission: Blé d’Inde

Work ID: 71340

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

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Trans/mission: Blé d’Inde

Work ID: 71341

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

Virtual Collection:

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Trans/mission: Blé d’Inde

Work ID: 71333

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

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Trans/mission: Blé d’Inde

Work ID: 71324

Description: Mixed media photographic/garden installation [17 black & white photographic murals (India & Peru), 61 x 61 cm each, mounted on black Cintra; steel and wood support structure, spruce trellis with an image of the Taj Mahal; oil stains, 2 plastic and steel information markers; soil, manure, garden of native American plants (Purple Peruvian maize, Choclo Serrano, Iroquoian Rainbow maize, Gaspé Flint, Marvel of Peru, Marigold and Morning Glory)].

Location: AXENÉO7, Gatineau, Québec.
Exhibition: Trans/mission: Blé d'Inde. Curator: Hannah Claus.
Photography: David Barbour.


Measurements: overall/ensemble: 11 m x 252 cm x 518 cm

Collection:

Date Made:

Materials:

Virtual Collection:

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