K.J. (Jack) Butler
Web Site Link: Web Site Link
Collection virtuelle : Original CCCA
Country of Birth: USA
Province of Birth: Pennsylvania
Year of Birth: 1937
Ville : Toronto
Pays : Canada
Type of Creator: Artiste
Genre : Male
Médiums : dessin, installation, peinture, sculpture
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Oeuvre d'art par K.J. (Jack) Butler
Cherrie V
ID : 72700
Description: Reproduced in H. W. Janson, History of Art, page 678, 1969-85.
Des mesures : 66.04 x 50.8 cm
Collection:
Date de réalisation : 1968
Matériaux : lithograph
Collection virtuelle : Original CCCA
Art/Science Tables
ID : 72701
Description: Mixed media hybrid objects suspended above and supported upon 2 light tables.
Des mesures : each table: 152.4 x 45.72 x 40.64 cm
Collection:
Date de réalisation : 1983
Matériaux : mixed media light tables
Collection virtuelle : Original CCCA
Heaven’s Husband
ID : 72702
Des mesures : 0.3132 x 0.2784 x 0.174 m
Collection:
Date de réalisation : 1985
Matériaux : Construction - artist made paper, wooden dowels, incised slate, thread
Collection virtuelle : Original CCCA
Paris Haircut
ID : 72703
Des mesures : steel: 205.74 x 170.18 cm
Collection:
Date de réalisation : 1987
Matériaux : Installation: cut steel, light source, silk scrim - shadow
Collection virtuelle : Original CCCA
Art/Sex/Race/Power
ID : 72704
Description: Banff Centre: didactic lecture performance drawing on my skin. (Drawing graphic explanations of sexual differentiation in the human embryo).
Collection:
Date de réalisation : 1992
Matériaux :
Collection virtuelle : Original CCCA
K.J. (Jack) Butler
ID : 72705
Description: Red Drawing from the Art and Cold Cash project series.
Des mesures : 81.28 x 121.92 cm
Collection:
Date de réalisation : 2003
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
My earliest memory of money is selling flower seeds door to door
ID : 72706
Description: Red Drawing from the Art and Cold Cash project series.
Des mesures : 96.52 x 127 cm
Collection:
Date de réalisation : 2006
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
My earliest memory of money is selling flower seeds door to door
ID : 72708
Description: Drawing lying on a drafting table, touching sensitive magnetic tape and audio computer components. When the surface of the drawing is firmly caressed it activates five MP3 players that speak in Inuktitut and English about first experiences using money in the Arctic. The voices may be heard simultaneously, causing an experience of glossolalia - where meaning is lost in the babble of multiple languages, dialects, translations; very like the experience of daily life in the Arctic.
Des mesures : 96.52 x 127 x 76.2 cm
Collection:
Date de réalisation : 2006
Matériaux : installation: gouache on paper on drafting table with audio components
Collection virtuelle : Original CCCA
Qinaujalluaviilu
ID : 72707
Des mesures : 127 x 96.52 cm
Collection:
Date de réalisation : 2006
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
Call me by your name
ID : 72710
Des mesures : 106.68 x 81.28 cm
Collection:
Date de réalisation : 2008
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
The mother and the mouth
ID : 72709
Des mesures : 81.28 x 106.68 cm
Collection:
Date de réalisation : 2008
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
Qamanituaq Diary, detail
ID : 72718
Description: Installation, Owens Art Gallery, Sackville, NB.
Three suspended digital print collages on vinyl, each 96 x 42 in.; collaged (pinned to the wall) pencil drawing on shaped papers (A StoryBones Game), based on my personal experiences of life in Qamanituaq (Baker Lake, Nunavut) 1969 - 2008.
(StoryBones Games: Traditionally, Inuit arrange the head bones of a large lake trout into patterns telling stories of heroes while voicing current domestic conflict. The closer the telling cuts to the "bone of contention", the greater the audience's respect). Here, I play the StoryBones game myself, drawing on the shapes of the bones. The contents of My Qamanituaq Diary derive from my arctic visual diaries, 1969 to the present engagement. A new drama is created with each new installation-configuration. Playing the game extends to the touch sensitive audio-drawing installation My earliest memory of money is selling flower seeds door to door .
Des mesures : 0.3132 x 1.044 m
Collection:
Date de réalisation : 2009
Matériaux : Installation: collage of drawings and suspended giclée prints
Collection virtuelle : Original CCCA
Qamanituaq Diary, detail
ID : 72716
Description: Installation, Owens Art Gallery, Sackville, NB.
Three suspended digital print collages on vinyl, each 96 x 42 in.; collaged (pinned to the wall) pencil drawing on shaped papers (A StoryBones Game), based on my personal experiences of life in Qamanituaq (Baker Lake, Nunavut) 1969 - 2008.
(StoryBones Games: Traditionally, Inuit arrange the head bones of a large lake trout into patterns telling stories of heroes while voicing current domestic conflict. The closer the telling cuts to the "bone of contention", the greater the audience's respect). Here, I play the StoryBones game myself, drawing on the shapes of the bones. The contents of My Qamanituaq Diary derive from my arctic visual diaries, 1969 to the present engagement. A new drama is created with each new installation-configuration. Playing the game extends to the touch sensitive audio-drawing installation My earliest memory of money is selling flower seeds door to door .
Des mesures : 0.3132 x 1.044 m
Collection:
Date de réalisation : 2009
Matériaux : Installation: collage of drawings and suspended giclée prints
Collection virtuelle : Original CCCA
Qamanituaq Diary, detail
ID : 72717
Description: Installation, Owens Art Gallery, Sackville, NB.
Three suspended digital print collages on vinyl, each 96 x 42 in.; collaged (pinned to the wall) pencil drawing on shaped papers (A StoryBones Game), based on my personal experiences of life in Qamanituaq (Baker Lake, Nunavut) 1969 - 2008.
(StoryBones Games: Traditionally, Inuit arrange the head bones of a large lake trout into patterns telling stories of heroes while voicing current domestic conflict. The closer the telling cuts to the "bone of contention", the greater the audience's respect). Here, I play the StoryBones game myself, drawing on the shapes of the bones. The contents of My Qamanituaq Diary derive from my arctic visual diaries, 1969 to the present engagement. A new drama is created with each new installation-configuration. Playing the game extends to the touch sensitive audio-drawing installation My earliest memory of money is selling flower seeds door to door .
Des mesures : 0.3132 x 1.044 m
Collection:
Date de réalisation : 2009
Matériaux : Installation: collage of drawings and suspended giclée prints
Collection virtuelle : Original CCCA
Qamanituaq Diary, detail
ID : 72715
Description: Installation, Owens Art Gallery, Sackville, NB.
Three suspended digital print collages on vinyl, each 96 x 42 in.; collaged (pinned to the wall) pencil drawing on shaped papers (A StoryBones Game), based on my personal experiences of life in Qamanituaq (Baker Lake, Nunavut) 1969 - 2008.
(StoryBones Games: Traditionally, Inuit arrange the head bones of a large lake trout into patterns telling stories of heroes while voicing current domestic conflict. The closer the telling cuts to the "bone of contention", the greater the audience's respect). Here, I play the StoryBones game myself, drawing on the shapes of the bones. The contents of My Qamanituaq Diary derive from my arctic visual diaries, 1969 to the present engagement. A new drama is created with each new installation-configuration. Playing the game extends to the touch sensitive audio-drawing installation My earliest memory of money is selling flower seeds door to door .
Des mesures : 0.3132 x 1.044 m
Collection:
Date de réalisation : 2009
Matériaux : Installation: collage of drawings and suspended giclée prints
Collection virtuelle : Original CCCA
Boys in love
ID : 72713
Description: In collaboration with quilters, Vicki Cal and Bernice Green.
Des mesures : 134.62 x 101.6 cm
Collection:
Date de réalisation : 2009
Matériaux : Quilt: photo dye prints on cotton, silk thread painting etc.
Collection virtuelle : Original CCCA
Catdogwolf
ID : 72719
Des mesures : 71.12 x 127 cm
Collection:
Date de réalisation : 2009
Matériaux : gouache on paper
Collection virtuelle : Original CCCA
Qamanituaq Diary, detail
ID : 72714
Description: Installation, Owens Art Gallery, Sackville, NB.
Three suspended digital print collages on vinyl, each 96 x 42 in.; collaged (pinned to the wall) pencil drawing on shaped papers (A StoryBones Game), based on my personal experiences of life in Qamanituaq (Baker Lake, Nunavut) 1969 - 2008.
(StoryBones Games: Traditionally, Inuit arrange the head bones of a large lake trout into patterns telling stories of heroes while voicing current domestic conflict. The closer the telling cuts to the "bone of contention", the greater the audience's respect). Here, I play the StoryBones game myself, drawing on the shapes of the bones. The contents of My Qamanituaq Diary derive from my arctic visual diaries, 1969 to the present engagement. A new drama is created with each new installation-configuration. Playing the game extends to the touch sensitive audio-drawing installation My earliest memory of money is selling flower seeds door to door .
Des mesures : 0.3132 x 1.044 m
Collection:
Date de réalisation : 2009
Matériaux : Installation: collage of drawings and suspended giclée prints
Collection virtuelle : Original CCCA
Fatemap: Would you like to know what will happen?, detail
ID : 72712
Description: Multi-layered installation (woodcut, photography, paintings on transparent vinyl), incorporating a video compilation of live performances where I draw representations of genital development on the skin - my body and on the bodies of friends.
Des mesures : 0.2088 x 0.1044 m
Collection:
Date de réalisation : 2009
Matériaux : torn-open woodcut with photo collage
Collection virtuelle : Original CCCA
Fatemap: Would you like to know what will happen?
ID : 72711
Description: Multi-layered installation (woodcut, photography, paintings on transparent vinyl), incorporating a video compilation of live performances where I draw representations of genital development on the skin - my body and on the bodies of friends.
Des mesures : 0.2088 x 0.2088 x 0.2088 m
Collection:
Date de réalisation : 2009
Matériaux : video projection installation
Collection virtuelle : Original CCCA
