Martha Henrickson
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Collection virtuelle : Original CCCA
Country of Birth: USA
Province of Birth: New York
Year of Birth: 1942
Ville : Lafontaine
Pays : Canada
Type of Creator: Artiste
Genre : Female
Médiums : la photographie
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Oeuvre d'art par Martha Henrickson
Bamboo Palm I
ID : 70677
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1986
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Umbrella Ficus
ID : 70676
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1986
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Bamboo Palm II
ID : 70678
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1986
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Fan Palm
ID : 70869
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white wallsáI took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadowsá.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1986
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Columnar
ID : 70680
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Ocatillo
ID : 70675
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Unamed
ID : 70679
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Mimosa
ID : 70673
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Aloe 4
ID : 70674
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white walls¿I took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadows¿.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Agave I
ID : 70672
Description: From the Plant Shadows series [1980 to 1991].
This project was an extension of an earlier plant shadows project...
These images were taken in the semi-tropical climate of Florida, the arid climate of Arizona.
Each image is a black and white silver print hand painted with photographic oils.
They are in limited editions of 5, measuring 20" x 24". [approximately 20 images]
These images were first exhibited in 1990 at The Jane Corkin Gallery in Toronto.
As the inspiration to capture light and shadow has been perhaps the first call of many photographic artists, so it was for me.
Fascinated by the shadows of hanging plants in my window and the different focus as they were thrown onto my white wallsáI took a piece of white paper and had one of my children hold it so that I could see both the plant and the shadow in the image. This became `Plant Shadowsá.
Images were shot outdoors in natural light, the paper slipped into the plant or below the plant and photographed capturing both plant and shadow. I hand painted the plant images and left the shadows in black and white.
Shadows fall so near from life giving Sun so far...
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1987
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
A Turn in the Road
ID : 70682
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1990
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
From Malaspina
ID : 70692
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Via I
ID : 70691
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Way to Prince Rupert II
ID : 70685
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Way to Prince Rupert I
ID : 70684
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Alaska Bridge
ID : 70688
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Prince Rupert Dock
ID : 70690
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Mast #11
ID : 70693
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Inside Passage
ID : 70683
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Between B.C. & Alberta
ID : 70689
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Icefields Parkway I
ID : 70686
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Icefields Parkway II
ID : 70687
Description: From The "I" Within Who Sees series.
These images were photographed over a period of several years, and were taken while traveling in Canada and the U.S.A. some taken through train windows, car windows, from ferries and buses.
They are printed twice, on one piece of photographic paper, from the same negative enlarged differently.
Gelatin silver prints and measure 20" x 24", in limited editions of 7. [15 images]
They were first exhibited in 1995 at The Jane Corkin Gallery in Toronto.
Quiet morning standing as the Ferry sways toward Alaska... stillness all around and stillness within.
My eyes looking out through the camera
My eyes looking out through myself....
Seeing myself alive in this living time and place.
I printed these as double images because as I was printing one of them I did not want the image to end but to keep going out beyond the edges of the page.
The intention is to bring the viewer into a similar state I was in while being present to the image before my eyes while I stood behind the lens.
Des mesures : 50.8 x 35.56 cm
Collection:
Date de réalisation : 1992
Matériaux : black & white silver print, painted
Collection virtuelle : Original CCCA
Sky Lake
ID : 70733
Collection:
Date de réalisation : 1995
Matériaux : black & white silver print, handpainted
Collection virtuelle : Original CCCA
Canyon Revisited
ID : 70723
Description: from the View from a Train series
Des mesures : triptych: 43.18 x 236.22 cm, mounted on aluminum
Collection:
Date de réalisation : 1996
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Movement #4
ID : 70697
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Mt. Robson
ID : 70724
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 68.58 x 160.02 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Black Rocks
ID : 70701
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Triad 3
ID : 70696
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Morning
ID : 70700
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Movement #7
ID : 70699
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Triad 1
ID : 70694
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Glacier
ID : 70722
Description: from the View from a Train series
Des mesures : triptych: 68.58 x 236.22 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Ontario Turn
ID : 70725
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 68.58 x 160.02 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Movement #6
ID : 70698
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Triad 2
ID : 70695
Description: From the Movement series [1997].
These images were photographed and printed during a 12 day stay at The Banff Centre for The Arts, in Banff Alberta.
I had gone to Banff leaving open what it would be that I would photograph. I had my camera, some film and a short time.
After spending The first few days LOOKING UP..
Up toward the mountains.
The ever hanging drama brought a true sense of the scale of things,
And the smalless of myself.
These 35 mm images are gelatin silver prints measuring 34" x 47" in editions of 7.
I printed all of these in the fantastic Banff black and white darkroom, where I could sing and dance with the excitement of printing such large prints¿
Each print is mounted on anodized aluminum and stands out approximately 3 inches from the wall.
This work was first exhibited at The Jane Corkin Gallery in Toronto in 1997.
Des mesures : 96.52 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 1997
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Morning
ID : 70707
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Morning Window I
ID : 70710
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Snow Fall
ID : 70702
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Low tide II
ID : 70706
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Heading East I
ID : 70704
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
North Window
ID : 70708
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Between B.C. & Alberta
ID : 70717
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Skeena River
ID : 70715
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
North Ontario Turn
ID : 70712
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Morning Window II
ID : 70711
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Heading East II
ID : 70705
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Snow Trail
ID : 70709
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Via II
ID : 70720
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Summer
ID : 70716
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Shadow
ID : 70714
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Winter Trees
ID : 70703
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Old Quebec Bridge
ID : 70713
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 50.8 x 60.96 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : black & white silver print
Collection virtuelle : Original CCCA
Nova Scotia Mist
ID : 70719
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Blue Ice
ID : 70721
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Alberta Chill
ID : 70718
Description: From the View from a Train series [1995 to 2000].
These images were photographed over several years of train travel between Nova Scotia to Prince Rupert.
The black and white gelatin silver prints are in limited editions of 7, measuring approx. 17" x 24", mounted on black and clear anodized aluminum.
The color images in this series measure 30" x 40" mounted on black anodized aluminum.
There is a 16 mm film with this project (converted to VHS). (soon on DVD)
All of my photographs are shot on 35mm film. This body of work was first exhibited at The Jane Corkin Gallery in Toronto in the year 2000.
I became fascinated with the mystery of time and travel when I was a child on my first train journey to Chicago on the Twentieth Century Limited. It opened the world as magic of witnessing life farther a field than my own Brooklyn neighborhood.
The movement of trains passing through large cities and small communities, farmers fields and family backyards, woods and rock, snow covered mountains and tall white Birch where Eagles fly.
I capture the images through the windows as the train is in motion moving through time. Some shot facing backwards as the images recede into the far distance some facing the trains direction capturing the fast movement of trees vanishing as fast as they appear. Many views capture reflections and movement.
My first diptychs came out of this exhibit, mounting two images from the `dome car¿ on aluminum that I curved in a gentle arch hanging away from the wall.
This project was first exhibited at The Jane Corkin Gallery in Toronto in 2000.
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 1999
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Winter Reflections
ID : 70732
Des mesures : diptych: 66.04 x 226.06 cm
Collection:
Date de réalisation : 2000
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Bay Ice
ID : 70729
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 2000-2001
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Bay 5
ID : 70727
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 2000-2001
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Bay 2
ID : 70726
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 2000-2001
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Winter Bay
ID : 70728
Des mesures : 99.06 x 124.46 cm, mounted on aluminum
Collection:
Date de réalisation : 2000-2001
Matériaux : fujicolour print
Collection virtuelle : Original CCCA
Bay Spring I
ID : 70730
Des mesures : 101.6 x 152.4 cm
Collection:
Date de réalisation : 2002
Matériaux : giclée on watercolour paper
Collection virtuelle : Original CCCA
Bay Spring II
ID : 70761
Des mesures : 101.6 x 152.4 cm
Collection:
Date de réalisation : 2002
Matériaux : giclée on watercolour paper
Collection virtuelle : Original CCCA
Snow #15
ID : 70736
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Snow #3
ID : 70734
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Snow #16
ID : 70737
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Snow #19
ID : 70738
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Snow #13
ID : 70735
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Snow
ID : 70739
Des mesures : 68.58 x 101.6 cm, mounted on aluminum
Collection:
Date de réalisation : 2004-2005
Matériaux : Kodak Endura
Collection virtuelle : Original CCCA
Boardwalk
ID : 70747
Des mesures : approx. 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Interiors Mexico
ID : 70744
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Interiors 3
ID : 70742
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Thom
ID : 70746
Des mesures : triad, each image approx. 48.26 x 50.8 cm
Collection:
Date de réalisation : 2007
Matériaux : digital print on canvas
Collection virtuelle : Original CCCA
Interiors 1
ID : 70740
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Double Boardwalk
ID : 70748
Des mesures : approx. 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Interiors Mask
ID : 70743
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Interiors 2
ID : 70741
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 2007
Matériaux : c-print
Collection virtuelle : Original CCCA
Thom multiplied #1,2 and 3
ID : 70745
Des mesures : triad, each image approx. 48.26 x 50.8 cm
Collection:
Date de réalisation : 2007
Matériaux : digital print on canvas
Collection virtuelle : Original CCCA
2 Thoms
ID : 70762
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
Thom 2
ID : 70765
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
double window
ID : 70764
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
Thom Louvre
ID : 70767
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
Two at gate
ID : 70766
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
Thom at Van Gogh
ID : 70763
Des mesures : 63.5 x 93.98 cm
Collection:
Date de réalisation : 2008
Matériaux : digital 'c' print under plexoglass
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
Martha Henrickson
Collection:
Date de réalisation :
Matériaux :
Collection virtuelle : Original CCCA
