Gordon Lebredt
Collection virtuelle : Original CCCA
Beginning Year: 1948
Country of Birth: Canada
Province of Birth: Manitoba
Year of Birth: 1948
Ville : Toronto
Pays : Canada
Type of Creator: Artiste, Writer
Ending Year: 2011
Genre : Male
Living Status: Deceased
Médiums : conceptuel, installation, basé sur du texte
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Oeuvre d'art par Gordon Lebredt
Stairway to Heaven, detail
ID : 70491
Description: Constructed for the exhibition Rehearsals, Arthur Street Gallery, Winnipeg, August 15 - September 12, 1978.
Collection:
Date de réalisation : 1977
Matériaux : one of 3 assemblages: wood, steel, concrete, motor oil, audio loop
Collection virtuelle : Original CCCA
Force Before Form
ID : 70492
Description: Stairs and wall mock-up (a double-sided or double-scene occasion, McDermot Avenue studio, Winnipeg) for the work titled "Dry Run". One of three components assembled for the exhibition Rehearsals, Arthur Street Gallery, Winnipeg, 1978.
Des mesures : n/a
Collection:
Date de réalisation : 1977
Matériaux : plywood
Collection virtuelle : Original CCCA
Not To Be Reproduced
ID : 70479
Description: Produced in conjunction with the exhibition Artists' Prints and Multiples, The Winnipeg Art Gallery, September 17 - December 4, 1977.
Photography: Ernest Mayer.
Des mesures : 59.69 x 38.1 cm
Collection:
Date de réalisation : 1977
Matériaux : commercial offset, Winnipeg Free Press, Saturday edition, October 15, 1977
Collection virtuelle : Original CCCA
Fence
ID : 70480
Description: Erected for the exhibition The Winnipeg Perspective, The Winnipeg Art Gallery, 1978
Courtesy of The Winnipeg Art Gallery. Photography: Ernest Mayer.
Des mesures : 419.1 x 2133.6 cm
Collection:
Date de réalisation : 1977-1978
Matériaux : continuous wire-link curtain
Collection virtuelle : Original CCCA
Last Words No Exchange (a situation of the flesh) Part 2, detail
ID : 70489
Description: Arthur Street Gallery, 54 Arthur Street, Winnipeg, 1980.
Collection:
Date de réalisation : 1977-1980
Matériaux : enamel and latex paint on wall
Collection virtuelle : Original CCCA
Last Words No Exchange (a situation of the flesh) Part 2, detail
ID : 70490
Description: Arthur Street Gallery, 54 Arthur Street, Winnipeg, 1980.
Collection:
Date de réalisation : 1977-1980
Matériaux : enamel and latex paint on wall
Collection virtuelle : Original CCCA
Last Words No Exchange (a situation of the flesh) Part 1, detail
ID : 70487
Description: Arthur Street Gallery, 54 Arthur Street, Winnipeg, July 15 -26, 1980.
Des mesures : mirrors, each: 121.92 x 213.36 cm
Collection:
Date de réalisation : 1977-1980
Matériaux : 2 plate glass mirrors; sheet metal speaker box; two auxiliary speakers; 4-channel, 30-minute audio programme
Collection virtuelle : Original CCCA
Last Words No Exchange (a situation of the flesh) Part 1, detail
ID : 70488
Description: Arthur Street Gallery, 54 Arthur Street, Winnipeg, July 15 -26, 1980.
Des mesures : mirrors, each: 121.92 x 213.36 cm
Collection:
Date de réalisation : 1977-1980
Matériaux : 2 plate glass mirrors; sheet metal speaker box; two auxiliary speakers; 4-channel, 30-minute audio programme
Collection virtuelle : Original CCCA
Spectre/Spectator (What does it all matter?), detail
ID : 70483
Description: Gallery 111, School of Art, The University of Manitoba, Winnipeg.
Des mesures : n/a
Collection:
Date de réalisation : 1978
Matériaux : steel cable, sheet metal speaker box, commercial radio, 3-channel audio programme
Collection virtuelle : Original CCCA
Spectre/Spectator (What does it all matter?), detail
ID : 70482
Description: Gallery 111, School of Art, The University of Manitoba, Winnipeg
Des mesures : n/a
Collection:
Date de réalisation : 1978
Matériaux : steel cable, sheet metal speaker box, commercial radio, 3-channel audio programme
Collection virtuelle : Original CCCA
M.O.T.I.F.
ID : 70520
Description: Assembled for the exhibition SL Simpson Gallery 1980–1990, SL Simpson Gallery, Toronto, March 31 - May 2, 1990. Photography: Alex Neuman.
Des mesures : each element: 30.48 x 30.48 cm
Collection:
Date de réalisation : 1978-1988
Matériaux : 23 elements: engraved laminate plastic
Collection virtuelle : Original CCCA
White Reflector
ID : 70532
Description: Reconstructed for the exhibition Milieu: of the order of presentation, SL Simpson Gallery, January 5 - 28, 1995. Photography: Peter MacCallum.
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 1978-1994
Matériaux : latex paint on mirror
Collection virtuelle : Original CCCA
Black Reflector
ID : 70531
Description: Reconstructed for the exhibition Milieu: of the order of presentation, SL Simpson Gallery, January 5 - 28, 1995. Photography: Peter MacCallum.
Des mesures : 76.2 x 76.2 cm
Collection:
Date de réalisation : 1978-1994
Matériaux : latex paint on mirror
Collection virtuelle : Original CCCA
Weakness/Support: (and the retreat into form)
ID : 70481
Description: The Winnipeg Art Gallery, Skylight Lounge, October - November 11, 1979
Courtesy of The Winnipeg Art Gallery. Photography: Ernest Mayer.
Des mesures : speaker boxes and 4-channel audio programme
Collection:
Date de réalisation : 1979
Matériaux : 3 sheet metal columns with concrete bases; speaker boxes and 4-channel audio programme
Collection virtuelle : Original CCCA
What’s Behind It All? 1974–1980
ID : 70760
Description: Installed in the foyer of the Arthur Street Gallery, Winnipeg, April 8 - 12, 1980.
Des mesures : photostats
Collection:
Date de réalisation : 1980
Matériaux : photostats
Collection virtuelle : Original CCCA
T.I.T.L.E.
ID : 70512
Description: Constructed for the exhibition From Sea to Shining Sea, The Power Plant, June 26 - August 19, 1987. Courtesy of The Power Plant. Photography: Jeff Nolte.
Des mesures : 270.51 x 243.84 x 1.27 cm
Collection:
Date de réalisation : 1980-1987
Matériaux : vinyl lettering, dry transfer on plate glass, steel framing
Collection virtuelle : Original CCCA
Foyer|…
ID : 70513
Description: Constructed for the exhibition From Sea to Shining Sea, The Power Plant, June 26 - August 19, 1987. Courtesy of The Power Plant. Photography: David Hlynsky.
Des mesures : wallboard
Collection:
Date de réalisation : 1980-1987
Matériaux : wood model with base; wallboard; photostat
Collection virtuelle : Original CCCA
Gloss—(present appearances)
ID : 70494
Description: Gallery 111, School of Art, The University of Manitoba, Winnipeg
Des mesures : 2 backlit texts: silkscreened acrylic
Collection:
Date de réalisation : 1981
Matériaux : 2 backlit texts: silkscreened acrylic; painted wood lattice
Collection virtuelle : Original CCCA
Gloss—(present appearances)
ID : 70495
Description: Gallery 111, School of Art, The University of Manitoba, Winnipeg
Des mesures : 2 backlit texts: silkscreened acrylic
Collection:
Date de réalisation : 1981
Matériaux : 2 backlit texts: silkscreened acrylic; painted wood lattice
Collection virtuelle : Original CCCA
residuals folded
ID : 70486
Description: Folding exhibition announcement card for the Arthur Street Gallery, 54 Arthur Street, Winnipeg.
Des mesures : 14.605 x 30.48 cm
Collection:
Date de réalisation : 1981
Matériaux : commercial offset on card
Collection virtuelle : Original CCCA
Tableau/Support (in the West…), detail: the blank room
ID : 70497
Description: Mercer Union, 333 Adelaide Street West, Toronto, October 12 - 20, 1982
photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981
Matériaux : wallboard and wood construction, paint, 2-channel audio programme
Collection virtuelle : Original CCCA
Tableau/Support (in the West…), detail
ID : 70496
Description: Mercer Union, 333 Adelaide Street West, Toronto, October 12 - 20, 1982
photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981
Matériaux : wallboard and wood construction, paint, 2-channel audio programme
Collection virtuelle : Original CCCA
Gloss—(present appearances)
ID : 70493
Description: Gallery 111, School of Art, The University of Manitoba, Winnipeg
Des mesures : 2 backlit texts: silkscreened acrylic
Collection:
Date de réalisation : 1981
Matériaux : 2 backlit texts: silkscreened acrylic; painted wood lattice
Collection virtuelle : Original CCCA
Tableau/Support (in the West…), detail
ID : 70498
Description: Mercer Union, 333 Adelaide Street West, Toronto, October 12 - 20, 1982
photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981
Matériaux : wallboard and wood construction, paint, 2-channel audio programme
Collection virtuelle : Original CCCA
residuals
ID : 70485
Description: Folding exhibition announcement card for the Arthur Street Gallery, 54 Arthur Street, Winnipeg.
Des mesures : 14.605 x 30.48 cm
Collection:
Date de réalisation : 1981
Matériaux : commercial offset on card
Collection virtuelle : Original CCCA
Momentos
ID : 70504
Description: YYZ Artists' Outlet, 116 Spadina Avenue, Toronto, October 13 - November 1, 1986
Courtesy of YYZ, Toronto. Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1986
Matériaux : wallboard, plate glass, photostats
Collection virtuelle : Original CCCA
Momentos
ID : 70503
Description: YYZ Artists' Outlet, 116 Spadina Avenue, Toronto, October 13 - November 1, 1986
Courtesy of YYZ, Toronto. Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1986
Matériaux : wallboard, plate glass, photostats
Collection virtuelle : Original CCCA
Momentos
ID : 70502
Description: YYZ Artists' Outlet, 116 Spadina Avenue, Toronto, October 13 - November 1, 1986
Courtesy of YYZ, Toronto. Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1986
Matériaux : wallboard, plate glass, photostats
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70539
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70544
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70542
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70543
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70541
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
Cold City Divertissement, detail
ID : 70540
Description: Constructed for the exhibition Deadlines [a "fold-of-two", an entre-deux], in collaboration with Yam Lau, Cold City Gallery, Toronto, November 22 - December 20, 1997.
The divertissement (a brief performance between the acts of a play, a diversion) was arrived at by simulating the rotation of the interior of Cold City six degrees about a point located along one of its display walls. The resulting re-configuration was, in turn, countersigned by the installation of four of Yam Lau's mirror paintings.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1981-1997
Matériaux : wallboard construction and paint
Collection virtuelle : Original CCCA
In addition to one ten-foot, six-inch high non-reflective black band that more or less encompasses the principal space of display: six + n exhibition elements also painted non-reflective black, detail
ID : 70568
Description: Assembled for the exhibition Dowsing for Failure, Open Space, Victoria, November 24, 2006 - January 20, 2007.
Des mesures : n/a
Collection:
Date de réalisation : 1981-2006
Matériaux : non-reflective latex paint
Collection virtuelle : Original CCCA
In addition to one ten-foot, six-inch high non-reflective black band that more or less encompasses the principal space of display: six + n exhibition elements also painted non-reflective black, detail
ID : 70570
Description: Assembled for the exhibition Dowsing for Failure, Open Space, Victoria, November 24, 2006 - January 20, 2007.
Des mesures : n/a
Collection:
Date de réalisation : 1981-2006
Matériaux : non-reflective latex paint
Collection virtuelle : Original CCCA
In addition to one ten-foot, six-inch high non-reflective black band that more or less encompasses the principal space of display: six + n exhibition elements also painted non-reflective black, detail
ID : 70567
Description: Assembled for the exhibition Dowsing for Failure, Open Space, Victoria, November 24, 2006 - January 20, 2007.
Des mesures : n/a
Collection:
Date de réalisation : 1981-2006
Matériaux : non-reflective latex paint
Collection virtuelle : Original CCCA
In addition to one ten-foot, six-inch high non-reflective black band that more or less encompasses the principal space of display: six + n exhibition elements also painted non-reflective black, detail
ID : 70569
Description: Assembled for the exhibition Dowsing for Failure, Open Space, Victoria, November 24, 2006 - January 20, 2007.
Des mesures : n/a
Collection:
Date de réalisation : 1981-2006
Matériaux : non-reflective latex paint
Collection virtuelle : Original CCCA
In addition to one ten-foot, six-inch high non-reflective black band that more or less encompasses the principal space of display: six + n exhibition elements also painted non-reflective black, detail
ID : 70571
Description: Assembled for the exhibition Dowsing for Failure, Open Space, Victoria, November 24, 2006 - January 20, 2007.
Des mesures : n/a
Collection:
Date de réalisation : 1981-2006
Matériaux : non-reflective latex paint
Collection virtuelle : Original CCCA
Outers, video still
ID : 70499
Description: Produced for the exhibition Locations: National, Mercer Union, Toronto, 1983.
Photography: Peter MacCallum.
Des mesures : 25 minutes
Collection:
Date de réalisation : 1983
Matériaux : 3/4 inch video programme
Collection virtuelle : Original CCCA
Outers, video still
ID : 70500
Description: Produced for the exhibition Locations: National, Mercer Union, Toronto, 1983.
Photography: Peter MacCallum.
Des mesures : 25 minutes
Collection:
Date de réalisation : 1983
Matériaux : 3/4 inch video programme
Collection virtuelle : Original CCCA
Outers, video still
ID : 70501
Description: Produced for the exhibition Locations: National, Mercer Union, Toronto, 1983.
Photography: Peter MacCallum.
Des mesures : 25 minutes
Collection:
Date de réalisation : 1983
Matériaux : 3/4 inch video programme
Collection virtuelle : Original CCCA
Colossus: Envelope for an Obelus
ID : 70511
Description: Constructed for the exhibition The Interpretation of Architecture, Room 107, Faculty of Architecture, Landscape and Design, University of Toronto, May 10 - 31, 1986
Courtesy of YYZ Artists' Outlet, Toronto. Photography: Gilbert Prioste.
Des mesures : 548.64 x 121.92 x 121.92 cm
Collection:
Date de réalisation : 1986
Matériaux : wood construction, steel framing, sheet metal, castors, lamp, existing projection screen
Collection virtuelle : Original CCCA
V.E.H.I.C.L.E. [to TS], detail
ID : 70505
Description: Assembled for the exhibition Autoportraits, The Burlington Cultural Centre, Burlington, Ontario.
Des mesures : 259.08 x 487.68 x 121.92 cm
Collection:
Date de réalisation : 1986-1987
Collection virtuelle : Original CCCA
V.E.H.I.C.L.E. [to TS], detail
ID : 70506
Description: Assembled for the exhibition Autoportraits, The Burlington Cultural Centre, Burlington, Ontario.
Des mesures : 259.08 x 487.68 x 121.92 cm
Collection:
Date de réalisation : 1986-1987
Collection virtuelle : Original CCCA
"In a manner of speaking", magazine spread
ID : 70758
Description: Impulse Magazine, vol. 13, no. 2, 1986.87.
Collection:
Date de réalisation : 1986-87
Matériaux :
Collection virtuelle : Original CCCA
"In a manner of speaking", magazine insert
ID : 70756
Description: Impulse Magazine, vol. 13, no. 2, 1986.87.
Collection:
Date de réalisation : 1986-87
Matériaux :
Collection virtuelle : Original CCCA
"In a manner of speaking", magazine spread
ID : 70759
Description: Impulse Magazine, vol. 13, no. 2, 1986.87.
Collection:
Date de réalisation : 1986-87
Matériaux :
Collection virtuelle : Original CCCA
"In a manner of speaking", magazine insert
ID : 70755
Description: Impulse Magazine, vol. 13, no. 1, 1986.87.
Collection:
Date de réalisation : 1987
Matériaux :
Collection virtuelle : Original CCCA
D.E.C.O.R.: Ornamentation to a discourse [To Marcel Broodthaers], detail
ID : 70519
Description: Assembled for the SL Simpson Gallery, Toronto, March 17 - April 12, 1989.
Photography: Peter MacCallum.
Des mesures : each: 70 x 70 x 45 cm
Collection:
Date de réalisation : 1988-1989
Matériaux : 33 commercial coffee tables, vinyl lettering
Collection virtuelle : Original CCCA
D.E.C.O.R.: Ornamentation to a discourse [To Marcel Broodthaers], detail
ID : 70518
Description: Assembled for the SL Simpson Gallery, Toronto, March 17 - April 12, 1989.
Photography: Peter MacCallum.
Des mesures : each: 70 x 70 x 45 cm
Collection:
Date de réalisation : 1988-1989
Matériaux : 33 commercial coffee tables, vinyl lettering
Collection virtuelle : Original CCCA
The Everyday Use of the Word Part 2, detail
ID : 70515
Description: Art Gallery of Ontario, Signy Eaton Gallery.
Des mesures : n/a
Collection:
Date de réalisation : 1989
Matériaux : vinyl on acrylic panels
Collection virtuelle : Original CCCA
Ensemble
ID : 70751
Description: Assembled for the exhibition Gordon Lebredt/Stephen Prina: Comedies of Objecthood, The Power Plant, Toronto, May 10 á June 16, 1991. Photography: Richard Rhodes.
Des mesures : each: 70 x 70 x 45 cm
Collection:
Date de réalisation : 1989
Matériaux : 12 stained wood coffee tables, vinyl lettering
Collection virtuelle : Original CCCA
The Everyday Use of the Word Part 2, detail
ID : 70516
Description: Art Gallery of Ontario, Signy Eaton Gallery.
Des mesures : n/a
Collection:
Date de réalisation : 1989
Matériaux : vinyl on acrylic panels
Collection virtuelle : Original CCCA
The Everyday Use of the Word Part 1
ID : 70514
Description: Art Gallery of Ontario, entrance lobby, April 15 - May 31, 1989.
Courtesy of the Art Gallery of Ontario.
Des mesures : n/a
Collection:
Date de réalisation : 1989
Matériaux : vinyl on acrylic panels
Collection virtuelle : Original CCCA
Tailpiece
ID : 70517
Description: SL Simpson Gallery, Toronto, March 1989.
Photography: Peter MacCallum.
Des mesures : paint on window glazing
Collection:
Date de réalisation : 1989
Matériaux : paint on window glazing
Collection virtuelle : Original CCCA
Ten points for YYZ—now, magazine spread
ID : 70523
Collection:
Date de réalisation : 1989-1990
Matériaux :
Collection virtuelle : Original CCCA
O-C-S|Gordon Lebredt, detail
ID : 70522
Description: SL Simpson Gallery, Toronto, June 1 - 27, 1990.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1990
Matériaux : illuminated signage, transformers, dry transfer, vinyl lettering, paint
Collection virtuelle : Original CCCA
O-C-S|Gordon Lebredt, detail
ID : 70521
Description: SL Simpson Gallery, Toronto, June 1 - 27, 1990.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1990
Matériaux : illuminated signage, transformers, dry transfer, vinyl lettering, paint
Collection virtuelle : Original CCCA
D.E.C.O.R. Number Seven
ID : 70576
Description: Assembled for the exhibition Gordon Lebredt/Stephen Prina: Comedies of Objecthood, The Power Plant, Toronto, May 10 - June 16, 1991. Photography: Richard Rhodes.
Collection:
Date de réalisation : 1991
Matériaux : 12 stained wood coffee tables, vinyl lettering
Collection virtuelle : Original CCCA
L.E.X.I.C.O.N.: Doing it with one’s own thing — between the two
ID : 70524
Description: Produced for the exhibition Reading: Public signs, Private acts, London Regional Art and Historical Museums, London, Ontario, January 25 - April 4, 1992.
Courtesy of the London Regional Art and Historical Museums.
Des mesures : vinyl lettering, dry transfer, picture glass, photostats on rigid foam, magnesium plate
Collection:
Date de réalisation : 1991-1992
Matériaux : vinyl lettering, dry transfer, picture glass, photostats on rigid foam, magnesium plate
Collection virtuelle : Original CCCA
The Future of the Word/the Legacy of Things — a geography
ID : 70527
Description: Works by David Clarkson (Simple Fact of Nature, 1986) and Douglas Walker (Untitled #21, 1989). Photography: Peter MacCallum.
Des mesures : acrylic and vinyl lettering, paint,
Collection:
Date de réalisation : 1992
Matériaux : acrylic and vinyl lettering, paint,
Collection virtuelle : Original CCCA
The Future of the Word/the Legacy of Things — a geography, detail
ID : 70528
Description: Works by David Clarkson (Simple Fact of Nature, 1986) and Douglas Walker (Untitled #21, 1989). Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1992
Matériaux : acrylic and vinyl lettering, paint,
Collection virtuelle : Original CCCA
Fixture Number 1
ID : 70525
Description: Occasioned for the exhibition The Heliotropic Part 2, Mercer Union, Toronto, April 29 - May 22, 1993. Photography: Peter MacCallum.
Des mesures : overall: 256.4892 x 394.2842 x 10.16 cm
Collection:
Date de réalisation : 1992
Matériaux : acrylic panels, vinyl, neon
Collection virtuelle : Original CCCA
The Future of the Word/the Legacy of Things — a geography, detail
ID : 70529
Description: Works by David Clarkson (Simple Fact of Nature, 1986) and Douglas Walker (Untitled #21, 1989). Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1992
Matériaux : acrylic and vinyl lettering, paint,
Collection virtuelle : Original CCCA
The Future of the Word/the Legacy of Things — a geography
ID : 70526
Description: Works by David Clarkson (Simple Fact of Nature, 1986) and Douglas Walker (Untitled #21, 1989). Photography: Peter MacCallum.
Des mesures : acrylic and vinyl lettering, paint,
Collection:
Date de réalisation : 1992
Matériaux : acrylic and vinyl lettering, paint,
Collection virtuelle : Original CCCA
"…Gives Thinking…", magazine spread
ID : 70952
Description: C Magazine, issue 40, Winter 1994.
Collection:
Date de réalisation : 1994
Matériaux :
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70533
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70534
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Of Two Tables
ID : 70553
Description: Assembled for the SL Simpson Gallery, Toronto, November 30, 1995 - January 5, 1996.
The legends are from Karl Marx, Capital, volume 1 (1867) and Francis Ponge, La table (unpublished).
Photography: Peter MacCallum.
Des mesures : overall dimensions: 0.795528 m 0.353568 cm x 4.507992 m 0.618744 cm
Collection:
Date de réalisation : 1995
Matériaux : self-adhesive vinyl lettering, acrylic panels, neon, transformers, ignition wire, 2 commercial coffee tables
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70535
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70537
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Of Two Tables, detail
ID : 70554
Description: Assembled for the SL Simpson Gallery, Toronto, November 30, 1995 - January 5, 1996.
The legends are from Karl Marx, Capital, volume 1 (1867) and Francis Ponge, La table (unpublished).
Photography: Peter MacCallum.
Des mesures : overall dimensions: 0.795528 m 0.353568 cm x 4.507992 m 0.618744 cm
Collection:
Date de réalisation : 1995
Matériaux : self-adhesive vinyl lettering, acrylic panels, neon, transformers, ignition wire, 2 commercial coffee tables
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70538
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Delirium: 10 Ghosts (for Sigmund Freud), detail
ID : 70551
Description: Assembled for ArtLab, John Labatt Visual Arts Centre, University of Western Ontario, London, Ontario, September 21 - October 6, 1995.
The legends are from Karl Marx and Frederick Engels, The German Ideology (1845-6) and Sigmund Freud, The Uncanny (1919).
Des mesures : overall dimensions: 2.474976 m x 16.529304 m 0.88392 cm x 16.529304 m 0.88392 cm
Collection:
Date de réalisation : 1995
Matériaux : self-adhesive vinyl lettering, acrylic sheet, neon, transformers, ignition wire
Collection virtuelle : Original CCCA
Delirium: 10 Ghosts (for Sigmund Freud), detail
ID : 70552
Description: Assembled for ArtLab, John Labatt Visual Arts Centre, University of Western Ontario, London, Ontario, September 21 - October 6, 1995.
The legends are from Karl Marx and Frederick Engels, The German Ideology (1845-6) and Sigmund Freud, The Uncanny (1919).
Des mesures : overall dimensions: 2.474976 m x 16.529304 m 0.88392 cm x 16.529304 m 0.88392 cm
Collection:
Date de réalisation : 1995
Matériaux : self-adhesive vinyl lettering, acrylic sheet, neon, transformers, ignition wire
Collection virtuelle : Original CCCA
Milieu: of the order of presentation, detail
ID : 70536
Description: Assembled for the SL Simpson Gallery, Toronto, January 5 - 31, 1995. The legends are from Plato, "Timaeus", The Collected Dialogues (1961) and Martin Heidegger, What Is a Thing? (1967).
Des mesures : overall dimensions: coextensive with the entire 1st floor spaces
Collection:
Date de réalisation : 1995
Collection virtuelle : Original CCCA
Black Interstice I & II
ID : 70545
Description: Constructed for the exhibition Implicating Possibilities, in collaboration with Yam Lau, Art Gallery of York University, North York, November 27, 1997 - January 25, 1998.
These two auto-constructions are the proxies of what must be understood as the difference- or distance-made-manifest between two repetitions—between the gallery (in this case Cold City) and itself insofar as it maintains its identity, its own openness as it were, only through deferral, that is, through division and repetition. As proxies they are the facsimiles of this deferral, and not the "castings" of some absence or what we might all too hastily refer to as negative space. The two supplementary partitions are Yam Lau's response to what you might call my delegates of spacing.
Photography: Peter MacCallum
Des mesures : overall dimensions: 238.125 x 310.007 x 95.25 and 123.0122 x 310.007 x 38.735 cm respectively
Collection:
Date de réalisation : 1997
Matériaux : plywood construction and paint
Collection virtuelle : Original CCCA
Divergences (on this side of that point…), detail
ID : 70549
Description: Assembled for Forged Documents: Constructed Texts, Khyber: Library Gallery, Halifax, December 2 - 17, 1997.
The legends are from the writings of Edmond Jabés, from The Book of Questions: Yaël, Elya, Aely (1967) and The Book of Questions: El, or the Last Book (1973).
Des mesures : n/a
Collection:
Date de réalisation : 1997
Matériaux : 2 polished brass disks, painted vinyl letters
Collection virtuelle : Original CCCA
Divergences (on this side of that point…), detail
ID : 70550
Description: Assembled for Forged Documents: Constructed Texts, Khyber: Library Gallery, Halifax, December 2 - 17, 1997.
The legends are from the writings of Edmond Jabés, from The Book of Questions: Yaël, Elya, Aely (1967) and The Book of Questions: El, or the Last Book (1973).
Des mesures : n/a
Collection:
Date de réalisation : 1997
Matériaux : 2 polished brass disks, painted vinyl letters
Collection virtuelle : Original CCCA
Typographies: Writings and Multiples 1977–1997, detail
ID : 70548
Description: Assembled for Art Metropole, Toronto, September 18 - November 1, 1997.
The legends are from Sigmund Freud, Beyond the Pleasure Principle (1920) and Civilization and Its Discontents (1930).
Photography: Peter MacCallum.
Collection:
Date de réalisation : 1997
Collection virtuelle : Original CCCA
Typographies: Writings and Multiples 1977–1997, detail
ID : 70547
Description: Assembled for Art Metropole, Toronto, September 18 - November 1, 1997.
The legends are from Sigmund Freud, Beyond the Pleasure Principle (1920) and Civilization and Its Discontents (1930).
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1997
Collection virtuelle : Original CCCA
Black Interstice I & II, detail
ID : 70546
Description: Constructed for the exhibition Implicating Possibilities, in collaboration with Yam Lau, Art Gallery of York University, North York, November 27, 1997 - January 25, 1998.
These two auto-constructions are the proxies of what must be understood as the difference- or distance-made-manifest between two repetitions—between the gallery (in this case Cold City) and itself insofar as it maintains its identity, its own openness as it were, only through deferral, that is, through division and repetition. As proxies they are the facsimiles of this deferral, and not the "castings" of some absence or what we might all too hastily refer to as negative space. The two supplementary partitions are Yam Lau's response to what you might call my delegates of spacing.
Photography: Peter MacCallum.
Des mesures : overall dimensions: 238.125 x 310.007 x 95.25 and 123.0122 x 310.007 x 38.735 cm respectively
Collection:
Date de réalisation : 1997
Matériaux : plywood construction and paint
Collection virtuelle : Original CCCA
Rendezvous: 11.14/28.98…or thanks to Marcel Duchamp for the most part, detail
ID : 70558
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, November 14 - 28, 1998.
The legends are from Clement Greenberg, "Seminar One", Arts Magazine 48 (November 1973) and Marcel Duchamp, note from the Green Box (1934). The "black" works stacked in front of Rendezvous belong to Janice Gurney: a revenant or remainder—ghost, guest—of the already past of an exhibition that had yet to take place.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1998
Matériaux : self-adhesive vinyl lettering, engraved PVC disks, paint
Collection virtuelle : Original CCCA
Rendezvous: 11.14/28.98…or thanks to Marcel Duchamp for the most part, detail
ID : 70557
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, November 14 - 28, 1998.
The legends are from Clement Greenberg, "Seminar One", Arts Magazine 48 (November 1973) and Marcel Duchamp, note from the Green Box (1934). The "black" works stacked in front of Rendezvous belong to Janice Gurney: a revenant or remainder—ghost, guest—of the already past of an exhibition that had yet to take place.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1998
Matériaux : self-adhesive vinyl lettering, engraved PVC disks, paint
Collection virtuelle : Original CCCA
Rendezvous: 11.14/28.98…or thanks to Marcel Duchamp for the most part, detail
ID : 70556
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, November 14 - 28, 1998.
The legends are from Clement Greenberg, "Seminar One", Arts Magazine 48 (November 1973) and Marcel Duchamp, note from the Green Box (1934). The "black" works stacked in front of Rendezvous belong to Janice Gurney: a revenant or remainder—ghost, guest—of the already past of an exhibition that had yet to take place.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1998
Matériaux : self-adhesive vinyl lettering, engraved PVC disks, paint
Collection virtuelle : Original CCCA
Rendezvous: 11.14/28.98…or thanks to Marcel Duchamp for the most part, detail
ID : 70555
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, November 14 - 28, 1998.
The legends are from Clement Greenberg, "Seminar One", Arts Magazine 48 (November 1973) and Marcel Duchamp, note from the Green Box (1934). The "black" works stacked in front of Rendezvous belong to Janice Gurney: a revenant or remainder—ghost, guest—of the already past of an exhibition that had yet to take place.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1998
Matériaux : self-adhesive vinyl lettering, engraved PVC disks, paint
Collection virtuelle : Original CCCA
Rendezvous: 04.22/24.99, detail
ID : 70559
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, April 22 - 24, 1999.
Superposed over the remnants of Rendezvous: 11.14/28.98 are works by Janice Gurney and Yam Lau.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1999
Matériaux : self-adhesive vinyl lettering and paint
Collection virtuelle : Original CCCA
Rendezvous: 04.22/24.99, detail
ID : 70560
Description: Assembled for ALLM at Suite 305, 19 Charlotte Street, Suite 305, 19 Charlotte Street, Toronto, April 22 - 24, 1999.
Superposed over the remnants of Rendezvous: 11.14/28.98 are works by Janice Gurney and Yam Lau.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 1999
Matériaux : self-adhesive vinyl lettering and paint
Collection virtuelle : Original CCCA
The Calling
ID : 70561
Description: Assembled for The Way Up and the Way Down are One and the Same: an exhibition in a home, 2nd floor, 5 Grafton Avenue, Toronto.
The legend is from Franz Kafka, The Blue Octavo Notebooks (1991) which is, of course, is a modified repetition of the Mosaic injunction, Exodus 20.
Des mesures : overall dimensions: variable
Collection:
Date de réalisation : 2001
Matériaux : vinyl letters on standoffs
Collection virtuelle : Original CCCA
What’s Behind It All? 1974–1980
ID : 70752
Description: Reconstructed for the exhibition Back in the Day: 2002–1972, Plug In ICA Annex, 290 McDermot Avenue, Winnipeg, November 14, 2002 - January 25, 2003.
Photography: William Eakin.
Des mesures : colour photograph bonded to acrylic sheet, vinyl lettering, paint on partition wall, framed photographic print
Collection:
Date de réalisation : 2002
Collection virtuelle : Original CCCA
Trait d’Union
ID : 70562
Description: Assembled for The Way Up and the Way Down are One and the Same: an exhibition in a home, 2nd floor, 5 Grafton Avenue, Toronto; 290 McDermot Avenue, Winnipeg, November 14, 2002 - January 25, 2003.
Des mesures : overall dimensions: 1.82626 x 6.35 x 0.47244 cm
Collection:
Date de réalisation : 2002
Matériaux : 3-dimensional brass hyphen
Collection virtuelle : Original CCCA
Tables [After PG] with Electrohome
ID : 70577
Description: Assembled for Simone Interiors, Toronto
Collection:
Date de réalisation : 2002-2008
Matériaux : 2 engraved commercial tabletops, framed reproduction, Electrohome console stereo
Collection virtuelle : Original CCCA
AGO logotype viewed from below and behind [To BMD]
ID : 70578
Description: Installed for the exhibition Art in the Fall at 401 Richmond, 4th floor stairwell, 401 Richmond Street, Toronto, September 11 - October 19, 2008.
Collection:
Date de réalisation : 2002-2008
Matériaux : vinyl on existing wall
Collection virtuelle : Original CCCA
Ten points for YYZ—now 2004–1981, detail
ID : 70564
Description: Assembled for the exhibition Ten points for YYZ—now: 2004–1980, YYZ Artists' Outlet, Toronto, November 26 - December 11, 2004.
An epistolarium that attempts to trace, over a twenty-three year period, the trajectories of several missives: one or more open letters which, by all accounts, have never quite arrived.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 2004
Collection virtuelle : Original CCCA
Ten points for YYZ—now 2004–1981, detail
ID : 70566
Description: Assembled for the exhibition Ten points for YYZ—now: 2004–1980, YYZ Artists' Outlet, Toronto, November 26 - December 11, 2004.
An epistolarium that attempts to trace, over a twenty-three year period, the trajectories of several missives: one or more open letters which, by all accounts, have never quite arrived.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 2004
Collection virtuelle : Original CCCA
Ten points for YYZ—now 2004–1981, detail
ID : 70565
Description: Assembled for the exhibition Ten points for YYZ—now: 2004–1980, YYZ Artists' Outlet, Toronto, November 26 - December 11, 2004.
An epistolarium that attempts to trace, over a twenty-three year period, the trajectories of several missives: one or more open letters which, by all accounts, have never quite arrived.
Photography: Peter MacCallum.
Des mesures : n/a
Collection:
Date de réalisation : 2004
Collection virtuelle : Original CCCA
N.O.T.I.C.E.: not a single sign more…
ID : 70579
Description: Installed at the Convenience Gallery, Toronto, October 28 - November 25, 2008.
Collection:
Date de réalisation : 2004-2008
Matériaux : vinyl lettering on wallboard and window glazing
Collection virtuelle : Original CCCA
By the Numbers: painting)programme(photography, detail
ID : 70572
Description: Gallery One One One, School of Art, The University of Manitoba, Winnipeg, November 10, 2005 - January 27, 2006.
photography: Ernest Mayer
Des mesures : n/a
Collection:
Date de réalisation : 2005
Matériaux : Selected works from 1972á1978 (BFA thesis programme et al)
Collection virtuelle : Original CCCA
By the Numbers: painting)programme(photography, detail
ID : 70574
Description: Gallery One One One, School of Art, The University of Manitoba, Winnipeg, November 10, 2005 - January 27, 2006.
photography: Ernest Mayer
Des mesures : n/a
Collection:
Date de réalisation : 2005
Matériaux : Selected works from 1972á1978 (BFA thesis programme et al)
Collection virtuelle : Original CCCA
By the Numbers: painting)programme(photography, detail
ID : 70575
Description: Gallery One One One, School of Art, The University of Manitoba, Winnipeg, November 10, 2005 - January 27, 2006.
photography: Ernest Mayer
Des mesures : n/a
Collection:
Date de réalisation : 2005
Matériaux : Selected works from 1972á1978 (BFA thesis programme et al)
Collection virtuelle : Original CCCA
By the Numbers: painting)programme(photography, detail
ID : 70573
Description: Gallery One One One, School of Art, The University of Manitoba, Winnipeg, November 10, 2005 - January 27, 2006.
photography: Ernest Mayer
Des mesures : n/a
Collection:
Date de réalisation : 2005
Matériaux : Selected works from 1972á1978 (BFA thesis programme et al)
Collection virtuelle : Original CCCA
