David Barnett
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Collection virtuelle : Original CCCA
Country of Birth: England
Year of Birth: 1933
Ville : Toronto
Pays : Canada
Type of Creator: Artiste
Genre : Male
Médiums : collage, peinture, gravure
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Oeuvre d'art par David Barnett
Dandylions in Belleville
ID : 50618
Des mesures : 185 x 145 cm
Collection:
Date de réalisation : 1970
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
71 Wright Ave.
ID : 50620
Des mesures : 155 x 132 cm
Collection:
Date de réalisation : 1971
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Kim at Greenwood Park
ID : 50621
Des mesures : 137 x 188 cm
Collection:
Date de réalisation : 1971
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Mike
ID : 50622
Des mesures : 137 x 229 cm
Collection:
Date de réalisation : 1971
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Elisa
ID : 50619
Des mesures : 183 x 137 cm
Collection:
Date de réalisation : 1971
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Linda’s Wedding #3
ID : 50625
Des mesures : 140 x 140 cm
Collection:
Date de réalisation : 1972
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Jim Rowing
ID : 50623
Des mesures : 140 x 221 cm
Collection:
Date de réalisation : 1972
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Linda’s Wedding #2
ID : 50624
Des mesures : 137 x 183 cm
Collection:
Date de réalisation : 1972
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Linda’s Wedding #4
ID : 50626
Des mesures : 122 x 87 cm
Collection:
Date de réalisation : 1972
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Triptych. 2: Blow Up
ID : 50632
Des mesures : 163 x 140 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Bill and Jean in the Water
ID : 50627
Des mesures : 213 x 122 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Triptych. 1: Janet Reading
ID : 50631
Des mesures : 163 x 140 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Triptych. 3: Susan
ID : 50633
Des mesures : 163 x 140 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Frank and Cheyenne at Terry’s Wedding
ID : 50630
Des mesures : 79 x 79 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Bill and Jean on the Beach
ID : 50628
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Lloyd at Daytona Beach
ID : 50629
Des mesures : 79 x 79 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Cliff’s Hat
ID : 50634
Des mesures : 163 x 137 cm
Collection:
Date de réalisation : 1973
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Kim #1
ID : 50640
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Lisa #5
ID : 50639
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Lisa #2
ID : 50638
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Lisa #1
ID : 50637
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Jodi #2
ID : 50636
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Jodi #1
ID : 50635
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1974
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Girl with Red Hair
ID : 50642
Des mesures : 203 x 168 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Girl Bouncing Beachball
ID : 50647
Des mesures : 145 x 173 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Girl in Polka Dot Skirt
ID : 50645
Des mesures : 198 x 168 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Two Figures
ID : 50643
Des mesures : 183 x 198 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Jodi #4
ID : 50641
Des mesures : 79 x 79 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Girl Tossing Ball
ID : 50649
Des mesures : 51 x 66 cm
Collection:
Date de réalisation : 1975
Matériaux : serigraph
Collection virtuelle : Original CCCA
Girl Jumping
ID : 50646
Des mesures : 168 x 191 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Skipping Series: Girl in Blue Shorts
ID : 50644
Des mesures : 224 x 290 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Girl Tossing Beachball
ID : 50648
Des mesures : 229 x 132 cm
Collection:
Date de réalisation : 1975
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Bernadette
ID : 50651
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Bill
ID : 50655
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Rick
ID : 50653
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Paul
ID : 50654
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Sylvia
ID : 50652
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Nadia
ID : 50650
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 132 x 122 cm
Collection:
Date de réalisation : 1976
Matériaux : acrylic on canvas
Collection virtuelle : faces, Original CCCA
Dorothy
ID : 50658
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1977
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Gaye
ID : 50657
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1977
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Denise
ID : 50656
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1977
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow II
ID : 50661
Des mesures : 71 x 81 cm
Collection:
Date de réalisation : 1978
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow
ID : 50660
Des mesures : 97 x 177 cm
Collection:
Date de réalisation : 1978
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow V [detail]
ID : 50665
Des mesures : 122 x 422 cm
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow V
ID : 50664
Des mesures : 122 x 422 cm
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Girl on Swing [installation]
ID : 50674
Description: Commissioned by the Toronto Eaton Centre
Des mesures : 488 x 488 cm
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Girl on Swing
ID : 50673
Description: Commissioned by the Toronto Eaton Centre
Des mesures : 488 x 488 cm
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow IV
ID : 50663
Des mesures : size unknown/inconnues
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow III
ID : 50662
Des mesures : 152 x 122 cm
Collection:
Date de réalisation : 1980
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow VI
ID : 50666
Des mesures : 234 x 284 cm
Collection:
Date de réalisation : 1981
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow VII
ID : 50667
Des mesures : size unknown/inconnues
Collection:
Date de réalisation : 1981
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow VIII
ID : 50668
Des mesures : 137 x 156 cm
Collection:
Date de réalisation : 1981
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50682
Des mesures : 71 x 56 cm
Collection:
Date de réalisation : 1982
Matériaux : oil pastel on paper
Collection virtuelle : Original CCCA
Airshow X
ID : 50669
Des mesures : 107 x 203 cm
Collection:
Date de réalisation : 1982
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow XII
ID : 50671
Des mesures : 150 x 168 cm
Collection:
Date de réalisation : 1983
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow XIII
ID : 50672
Des mesures : size unknown/inconnues
Collection:
Date de réalisation : 1983
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Airshow XI
ID : 50670
Des mesures : 231 x 165 cm
Collection:
Date de réalisation : 1983
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Airshow XIV
ID : 50675
Description: Commissioned by the Ontario Government for the St. Catherines Court House
Des mesures : 213 x 427 cm
Collection:
Date de réalisation : 1984
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50683
Des mesures : 71 x 56 cm
Collection:
Date de réalisation : 1984
Matériaux : oil pastel on paper
Collection virtuelle : Original CCCA
Portrait
ID : 50687
Des mesures : 163 x 137 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Hope
ID : 50685
Des mesures : 81 x 71 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Airshow XV [detail]
ID : 50679
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Portrait
ID : 50686
Des mesures : 157 x 137 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Airshow XV [installation]
ID : 50677
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Airshow XV
ID : 50676
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Portrait
ID : 50688
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Jodi
ID : 50684
Des mesures : 86 x 86 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Airshow XV [detail]
ID : 50681
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Airshow XV [detail]
ID : 50680
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Airshow XV [work in progress]
ID : 50678
Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto
Des mesures : 488 x 244 cm
Collection:
Date de réalisation : 1985
Matériaux : oil on shaped aluminum
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50704
Des mesures : 38 x 28 cm
Collection:
Date de réalisation : 1986
Matériaux : ink and wash
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50701
Des mesures : 28 x 38 cm
Collection:
Date de réalisation : 1986
Matériaux : ink and wash
Collection virtuelle : Original CCCA
Untitled
ID : 50700
Des mesures : 122 x 117 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50702
Des mesures : 38 x 28 cm
Collection:
Date de réalisation : 1986
Matériaux : ink and wash
Collection virtuelle : Original CCCA
Untitled
ID : 50691
Des mesures : 81 x 71 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Portrait
ID : 50689
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Portrait
ID : 50692
Des mesures : 157 x 137 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled
ID : 50707
Des mesures : 81 cm high/de haut
Collection:
Date de réalisation : 1986
Matériaux : techniques mixtes
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50703
Des mesures : 38 x 28 cm
Collection:
Date de réalisation : 1986
Matériaux : ink and wash
Collection virtuelle : Original CCCA
Untitled
ID : 50699
Des mesures : 183 x 168 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Portrait
ID : 50690
Des mesures : 122 x 152 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Figure
ID : 50705
Des mesures : 107 x 38 x 33 cm
Collection:
Date de réalisation : 1986
Matériaux : techniques mixtes
Collection virtuelle : Original CCCA
Portrait
ID : 50693
Des mesures : 157 x 137 cm
Collection:
Date de réalisation : 1986
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled
ID : 50706
Des mesures : 28 cm high/de haut
Collection:
Date de réalisation : 1986
Matériaux : plaster
Collection virtuelle : Original CCCA
Man with a Flag
ID : 50709
Des mesures : 229 x 203 cm
Collection:
Date de réalisation : 1987
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Cyclist
ID : 50708
Des mesures : 198 x 190 cm
Collection:
Date de réalisation : 1987
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled
ID : 50698
Des mesures : 86 x 86 cm
Collection:
Date de réalisation : 1987
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50697
Des mesures : 76 x 56 cm
Collection:
Date de réalisation : 1987
Matériaux : ink on paper
Collection virtuelle : Original CCCA
Untitled Drawing
ID : 50696
Des mesures : 76 x 56 cm
Collection:
Date de réalisation : 1987
Matériaux : charcoal on paper
Collection virtuelle : Original CCCA
Peer
ID : 50710
Des mesures : 221 x 130 cm
Collection:
Date de réalisation : 1987
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Woman with a Turban
ID : 50694
Des mesures : 193 x 163 cm
Collection:
Date de réalisation : 1987
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Pole Vaulter
ID : 50716
Des mesures : 262 x 201 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Breast Examination
ID : 50711
Des mesures : 190 x 130 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Figure in Front of Mirror
ID : 50718
Des mesures : 152 x 108 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Circus
ID : 50712
Des mesures : 251 x 203 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Runner
ID : 50713
Des mesures : 224 x 203 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Portrait
ID : 50695
Des mesures : 86 x 188 cm
Collection:
Date de réalisation : 1988
Matériaux : techniques mixtes
Collection virtuelle : Original CCCA
Graffitti Painter
ID : 50714
Des mesures : 254 x 203 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Wizard
ID : 50715
Des mesures : 269 x 201 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Bather
ID : 50717
Des mesures : 193 x 163 cm
Collection:
Date de réalisation : 1988
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Judith and Holofernes
ID : 50720
Des mesures : 208 x 206 cm
Collection:
Date de réalisation : 1989
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Star Gazer
ID : 50719
Description: private commission
Des mesures : 366 x 173 cm
Collection:
Date de réalisation : 1989
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Dream of Flight
ID : 50722
Des mesures : 137 x 203 cm
Collection:
Date de réalisation : 1990
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Dream of Flight #2
ID : 50723
Des mesures : 188 x 168 cm
Collection:
Date de réalisation : 1990
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Dream of Flight #3
ID : 50724
Des mesures : 206 x 168 cm
Collection:
Date de réalisation : 1990
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Walking Woman
ID : 50721
Des mesures : 135 x 206 cm
Collection:
Date de réalisation : 1990
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
The Death of Icarus
ID : 50727
Des mesures : 203 x 152 cm
Collection:
Date de réalisation : 1991
Matériaux : encaustic on canvas
Collection virtuelle : Original CCCA
The Leap
ID : 50725
Des mesures : 168 x 122 cm
Collection:
Date de réalisation : 1991
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Icarus
ID : 50726
Des mesures : 203 x 183 cm
Collection:
Date de réalisation : 1991
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Juanita
ID : 50659
Description: From the Smoking Series.
The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.
It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.
Des mesures : 193 x 198 cm
Collection:
Date de réalisation : 1991-1998
Matériaux : acrylic on canvas
Collection virtuelle : Original CCCA
Dream of Flight #4
ID : 50728
Des mesures : 152 x 108 cm
Collection:
Date de réalisation : 1992
Matériaux : encaustic on canvas
Collection virtuelle : Original CCCA
Twelve 8
ID : 50737
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four 2
ID : 50743
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Four:
"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 1
ID : 50730
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 5
ID : 50734
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Three 1
ID : 50746
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Three:
"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four 1
ID : 50742
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Four:
"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 2
ID : 50731
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 12
ID : 50741
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 10
ID : 50739
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 6
ID : 50735
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four 3
ID : 50744
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Four:
"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 4
ID : 50733
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 9
ID : 50738
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Three 2
ID : 50747
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Three:
"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 3
ID : 50732
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Three 3
ID : 50748
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Three:
"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four 4
ID : 50745
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Four:
"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 7
ID : 50736
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve 11
ID : 50740
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Twelve
ID : 50729
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Twelve:
"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities
Des mesures : 23 x 30 cm
Collection:
Date de réalisation : 1993
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 1
ID : 50749
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Still Life with Urban Rubble
ID : 50756
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 7
ID : 50755
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 2
ID : 50750
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 6
ID : 50754
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 4
ID : 50752
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 5
ID : 50753
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Seven 3
ID : 50751
Description: From the Media Series.
Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.
There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.
The title of each set was borrowed from a literary source.
Seven:
"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1994
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Grey Tweed
ID : 50776
Des mesures : 30 x 24 cm
Collection:
Date de réalisation : 1995
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Two Bricks
ID : 50757
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 24 x 30 cm
Collection:
Date de réalisation : 1995
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled [detail]
ID : 50778
Collection:
Date de réalisation : 1995
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled
ID : 50777
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 1995
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Empty Pot
ID : 50758
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 30 x 30 cm
Collection:
Date de réalisation : 1997
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Jeux d’eau
ID : 50779
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 1998
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Tuscan Cream
ID : 50759
Description: Le Tuscan Cream used in the title of these two works refers not to nostalgia for Italy, but to the brand name on the cartons of a line of milk products in New York City.
Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 33 x 37 cm
Collection:
Date de réalisation : 1998
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Five
ID : 50764
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 27 x 38 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Cup with Jar
ID : 50761
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 30 x 32 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Jardinière
ID : 50762
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 43 x 50 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
2%
ID : 50766
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 39 x 39 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Still Life with Broken Brick
ID : 50763
Des mesures : 30 x 30 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Lait Fermenté Maigre
ID : 50765
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 38 x 39 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Lait
ID : 50767
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 39 x 44 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Tall Jug
ID : 50760
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 25 x 30 cm
Collection:
Date de réalisation : 1999
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Earth Song #1
ID : 50782
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four Milk Cartons
ID : 50772
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 39 x 48 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Tissue Box
ID : 50771
Des mesures : 39 x 46 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Cow’s Face
ID : 50773
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 39 x 46 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Five Milk Cartons
ID : 50770
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 41 x 47 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Earth Song #2
ID : 50783
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 2000
Matériaux : encaustic on canvas
Collection virtuelle : Original CCCA
Invisible Cities
ID : 50781
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 2000
Matériaux : encaustic on canvas
Collection virtuelle : Original CCCA
Four Vessels
ID : 50769
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 49 x 49 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Frais Frais
ID : 50768
Des mesures : 32 x 34 cm
Collection:
Date de réalisation : 2000
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Earth Song #3
ID : 50784
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 2000
Matériaux : encaustic on canvas
Collection virtuelle : Original CCCA
Tuscan Cream
ID : 50774
Description: Le Tuscan Cream used in the title of these two works refers not to nostalgia for Italy, but to the brand name on the cartons of a line of milk products in New York City.
Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 33 x 39 cm
Collection:
Date de réalisation : 2001
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Four Cream Cartons
ID : 50775
Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.
Des mesures : 33 x 39 cm
Collection:
Date de réalisation : 2001
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Untitled
ID : 50780
Des mesures : 122 x 112 cm
Collection:
Date de réalisation : 2001
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with Air Show
ID : 50787
Des mesures : 168 x 114 cm
Collection:
Date de réalisation : 2002
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with copy of Titian’s The Flaying of Marsayas
ID : 50786
Des mesures : 168 x 114 cm
Collection:
Date de réalisation : 2002
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Grey Studio
ID : 50785
Des mesures : 127 x 97 cm
Collection:
Date de réalisation : 2002
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with the Rage of Achilles
ID : 50795
Des mesures : 157 x 137 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – at Midnight
ID : 50789
Des mesures : 112 x 91 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with Copy of Pisanello’s St. George
ID : 50794
Des mesures : 140 x 117 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Yellow Studio
ID : 50788
Des mesures : 168 x 137 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with Giotto’s Angel
ID : 50790
Des mesures : 112 x 91 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with Running Water
ID : 50796
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – in the Country
ID : 50792
Des mesures : 112 x 91 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – ‘Where Are We?’, John Berger
ID : 50793
Description: From the Studio Series.
"Where are we?", used in the identification of this painting is the title of an essay by John Berger, that appeared in the March, 2003 issue of Harper's Magazine, p. 13. It was reprinted from the introduction to Between the Eyes: Essays on Photography and Politics, by David Levi Strauss, published in April, 2003 by Aperture. Among other things, it criticised the misused power of the trinity of the World Bank, the Pentagon and US political administration.
Des mesures : 168 x 137 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – with the Fall of Icarus
ID : 50791
Des mesures : 112 x 91 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Black Studio
ID : 50797
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2003
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – Nineteen Thirty-Three
ID : 61059
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Portrait of Annie – With Copy of Manet’s Boutique de Pivoines
ID : 61058
Des mesures : 61 x 76 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – The End of Time
ID : 61062
Des mesures : 141 x 117 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – Waiting for the Barbarians
ID : 61060
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With the Unfinished Portrait of a Hollow Man
ID : 61064
Des mesures : 101 x 81 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With an Attempt (Abandoned) to Paint the Psyche of a Banker
ID : 61063
Des mesures : 101 x 81 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – The Abyss of the Birds
ID : 61061
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2004
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With Graffito
ID : 61071
Des mesures : 140 x 190 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With an Unfinished Portrait
ID : 61065
Des mesures : 101 x 81 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With a Figure on the Roof
ID : 61068
Des mesures : 141 x 117 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With the Portrait of a Man in Great Confusion
ID : 61066
Des mesures : 101 x 81 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – Figure Wearing a Lion Mask
ID : 61069
Des mesures : 168 x 117 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – After a Summer Storm
ID : 61067
Des mesures : 141 x 117 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With a Red Painting
ID : 61070
Des mesures : 140 x 190 cm
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
Studio – With a Copy of Josh’s Self Portrait with his Mother
ID : 61072
Des mesures : 119 x 94
Collection:
Date de réalisation : 2005
Matériaux : oil on canvas
Collection virtuelle : Original CCCA
