Base de données du CACC sur l'art canadien

Janet Bellotto

Janet Bellotto est diplômée du programme Sculpture/Installation de l'Ontario College of Art & Design de Toronto et a obtenu une maîtrise en beaux-arts de l'Université Concordia de Montréal. Sa pratique englobe la sculpture, l'installation, la photographie, la vidéo et la performance. L'eau coule à travers son œuvre : océans et vagues, submersion et reflets, entre des états fluides et aqueux. Bellotto a lancé divers collectifs d'artistes basés sur la production d'œuvres spécifiques à un site ou sur l'utilisation d'espaces en dehors des murs des galeries et sur la création d'échanges artistiques culturels. Elle a exposé dans diverses villes dont Pékin, Dubaï, New York, Mexico et Venise. Ses récentes expositions individuelles et collectives comprennent : (2010) Drowning Ophelia, Stratford Gallery, Stratford, Canada ; (2009) Point de rencontre, Tashkeel, Dubaï, Émirats arabes unis ; (2008) WAVE, The LAB, New York, États-Unis ; Biennale des caractères chinois, KU Art Center, Pékin, Chine ; (2007) Dehisce, projets, Nouvelle-Orléans, États-Unis. Elle partage son temps entre Toronto, Dubaï et Venise.
Creator Id: 59
Social Media Link: Social Media Link
Web Site Link: Web Site Link
Collection virtuelle : Original CCCA
Country of Birth: Canada
Province of Birth: Ontario
Year of Birth: 1973
Ville : Dubai
Pays : United Arab Emirates
Type of Creator: Artiste
Genre : Female
Médiums : installation, performance, la photographie, sculpture, vidéo
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Oeuvre d'art par Janet Bellotto

Contiguous Contexture #2

ID : 62238

Description: Performance: Toronto, Ontario, July 1998. In this performance, in a 19th century costume, I brushed my hair 300 times, counting out loud, down at the port of both Chicoutimi and Toronto. This work was inspired from the stories /histories of Les filles de Roi.

Des mesures : Duration of performance/durée de la performance: 1 hour/heure

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Contiguous Contexture #2

ID : 62240

Description: Performance: Toronto, Ontario, July 1998. In this performance, in a 19th century costume, I brushed my hair 300 times, counting out loud, down at the port of both Chicoutimi and Toronto. This work was inspired from the stories /histories of Les filles de Roi.

Des mesures : Duration of performance/durée de la performance: 1 hour/heure

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Contiguous Contexture #2

ID : 62241

Description: Performance: Toronto, Ontario, July 1998. In this performance, in a 19th century costume, I brushed my hair 300 times, counting out loud, down at the port of both Chicoutimi and Toronto. This work was inspired from the stories /histories of Les filles de Roi.

Des mesures : Duration of performance/durée de la perfomance: 1 hour/heure

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Contiguous Contexture #2

ID : 62239

Description: Performance: Toronto, Ontario, July 1998. In this performance, in a 19th century costume, I brushed my hair 300 times, counting out loud, down at the port of both Chicoutimi and Toronto. This work was inspired from the stories /histories of Les filles de Roi.

Des mesures : Duration of performance/durée de la performance: 1 hour/heure

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Come Closer: it’s for you

ID : 62249

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

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Come Closer: it’s for you

ID : 62248

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

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Blown Away

ID : 62252

Description: Installation, Cambridge Galleries, Cambridge, Ontario. Blown Away consists of 300-cast porcelain angels adhered to a glass bulb that are suspended from a ceiling. Conformed into a cloud, two earphone speakers dangle beneath where the viewer can listen to a sound a compilation of various water sounds that is disruptive / disturbing.

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Come Closer: it’s for you

ID : 62246

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

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01 – i believe…a lot of things, [video still]

ID : 62256

Description: St. Catherine store lot.

Des mesures : Space/espace: 145 x 60 x 35 cm

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Come Closer: it’s for you

ID : 62247

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

Date de réalisation :

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Collection virtuelle :

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Come Closer: it’s for you

ID : 62242

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

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01 – i believe…a lot of things, [video still]

ID : 62257

Description: St. Catherine store lot.

Des mesures : Space/espace: 145 x 60 x 35 cm

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Blown Away

ID : 62253

Description: Installation, Cambridge Galleries, Cambridge, Ontario. Blown Away consists of 300-cast porcelain angels adhered to a glass bulb that are suspended from a ceiling. Conformed into a cloud, two earphone speakers dangle beneath where the viewer can listen to a sound a compilation of various water sounds that is disruptive / disturbing.

Collection:

Date de réalisation :

Matériaux :

Collection virtuelle :

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Come Closer: it’s for you

ID : 62251

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

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Collection virtuelle :

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01 – i believe…a lot of things, [video still]

ID : 62255

Description: St. Catherine store lot.

Des mesures : Space/espace: 145 x 60 x 35 cm

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Collection virtuelle :

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Come Closer: it’s for you

ID : 62243

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

Date de réalisation :

Matériaux :

Collection virtuelle :

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Come Closer: it’s for you

ID : 62245

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

Date de réalisation :

Matériaux :

Collection virtuelle :

Ajouter à la liste

Come Closer: it’s for you

ID : 62250

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

Collection:

Date de réalisation :

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Collection virtuelle :

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01 – i believe…a lot of things, [installation view]

ID : 62254

Description: St. Catherine store lot. The work was originally installed in a vacant store lot. A three-minute loop video projection, which is a close-up of a hand and mouth blowing glitter into the camera. The projection is approximately 3 meters tall, and plays with the perception of wishes and make believe. Throughout the space is a sound that is a compilation of breathing and wind

Des mesures : Space/espace: 145 x 60 x 35 cm

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Come Closer: it’s for you

ID : 62244

Description: Performance. La Torre de los vientos, Mexico City, Mexico.
This work appropriated the role of Rapunzel - the fairy tale character with very long hair who was locked in a tower because of her beauty. The performance consisted of climbing to the top of the Torre de los Vientos, an artist run centre in Mexico City, and letting down a 40 foot hairpiece that was attached to her own already exceptionally long hair. As she began to count from the top of the Torre she threw little red sachets containing maple syrup filled vials down to the audience below. This work combined elements of display and engagement, offering to visitors "tokens" from Canada.

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Staring-Abandon

ID : 62258

Description: Installation: Musée Rimouski. Staring-Abandon uses glass balls attached to translucent suspended tubes where water is flowing within it. The projected sound uses layered voices reading / whispering French texts, mainly from Luce Irigaray, about water

Des mesures : Installation: 12’ x 12’,

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Wish Station

ID : 62262

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Wish Station

ID : 62264

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Wish Station

ID : 62260

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Wish Station

ID : 62261

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Wish Station

ID : 62259

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Wish Station

ID : 62263

Description: Participants were asked to write a wish and seal it in an envelope. For exchange of their written wish they received a package with a wishbone (made from porcelain). They then chose to break it with a friend or loved one, or with the Wishbone giver herself

Des mesures : 10cm x 5 cm

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Fleeting wanderings

ID : 62265

Description: Fleeting wanderings. A false wall was installed made from plastic acetate called illusion plastic, which appeared to be a thick glass or ice brick wall. As a visitor walked from one end of the space to the other, the colour image flipped from the chandelier to dancing figures — this process is called lenticular. The interior stereo sound combined a song from the movie Cinderella (right speaker) and the famous French song by the singer Dalida (left speaker) called Parole — meaning words.

Des mesures : Installation: 3m x 3m x 3m

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Fleeting wanderings

ID : 62266

Description: Fleeting wanderings. A false wall was installed made from plastic acetate called illusion plastic, which appeared to be a thick glass or ice brick wall. As a visitor walked from one end of the space to the other, the colour image flipped from the chandelier to dancing figures — this process is called lenticular. The interior stereo sound combined a song from the movie Cinderella (right speaker) and the famous French song by the singer Dalida (left speaker) called Parole — meaning words.

Des mesures : detail/détail: 240 x 150 cm

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Overcast

ID : 62269

Description: Installation. Overcast is in a room at Hotel Isabel, Mexico City. Entering the room a blue border was marked with the text “Sumirse” (to sink into). There was a pile in the room where viewers could take one with them Water shaped drops were hung throughout the room. Viewers entered and sat on the beds looking up into the installation. A video on the monitor was showing of waves collapsing upside down.

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Overflow

ID : 62272

Description: Overflow. On the upper balcony entrance of City Hall, drop-shaped lenticular photographs were installed. As one walks by each drop changes colour, imitating the shimmering of light reflection on water.

Des mesures : Duration of Video/durée de la vidéo: 5 min

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Overcast

ID : 62270

Description: Installation. Overcast is in a room at Hotel Isabel, Mexico City. Entering the room a blue border was marked with the text “Sumirse” (to sink into). There was a pile in the room where viewers could take one with them Water shaped drops were hung throughout the room. Viewers entered and sat on the beds looking up into the installation. A video on the monitor was showing of waves collapsing upside down.

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Adieu (an ode)

ID : 62267

Description: Adieu (an ode). The main image is taken from the painting Adieu by Alfred Guillou, while the second image flipping images is of a collapsing wave.

Des mesures : 120 x 78.75 cm

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Overflow

ID : 62273

Description: Overflow. On the upper balcony entrance of City Hall, drop-shaped lenticular photographs were installed. As one walks by each drop changes colour, imitating the shimmering of light reflection on water.

Des mesures : Duration of Video/durée de la vidéo: 5 min

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Adieu (an ode)

ID : 62268

Description: Adieu (an ode). The main image is taken from the painting Adieu by Alfred Guillou, while the second image flipping images is of a collapsing wave.

Des mesures : 121 x 78.75 cm

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Overcast

ID : 62271

Description: Installation. Overcast is in a room at Hotel Isabel, Mexico City. Entering the room a blue border was marked with the text “Sumirse” (to sink into). There was a pile in the room where viewers could take one with them Water shaped drops were hung throughout the room. Viewers entered and sat on the beds looking up into the installation. A video on the monitor was showing of waves collapsing upside down.

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Deluge (Part 1)

ID : 62276

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Diluvian Lure

ID : 62283

Description: Diluvian Lure. Three large lenticular photographs use imagery from Pre-Raphaelite paintings, sea anemone and Italian landscapes, that merge into one another. Using the process of lenticular - where the images shift from one to the other when walking by them - different parts of the image appear and disappear.

Des mesures : Three panels/trois panneaux: 90 x 120 cm

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Deluge (Part 1)

ID : 62277

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Torrential Drift, [installation view]

ID : 62285

Description: Torrential Drift. A five minute video loop taken from a gondola ride in the early morning hours of Venice. Captured are the reflections of the surrounding architecture while passing through the canal, while the sound, heard through wireless headphones, combines the natural sounds of the environment against an overly of voices that are reciting text taken from Luce Irigaray's Marine Lover.

Des mesures : 7’ projection de 7 pieds

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Deluge (Part 1)

ID : 62274

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Deluge (Part 1)

ID : 62275

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Diluvian Lure

ID : 62282

Description: Diluvian Lure. Three large lenticular photographs use imagery from Pre-Raphaelite paintings, sea anemone and Italian landscapes, that merge into one another. Using the process of lenticular - where the images shift from one to the other when walking by them - different parts of the image appear and disappear.

Des mesures : Three panels/trois panneaux: 90 x 120 cm

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Torrential Drift, [video still]

ID : 62286

Description: Torrential Drift. A five minute video loop taken from a gondola ride in the early morning hours of Venice. Captured are the reflections of the surrounding architecture while passing through the canal, while the sound, heard through wireless headphones, combines the natural sounds of the environment against an overly of voices that are reciting text taken from Luce Irigiray's Marine Lover.

Des mesures : 7’ projection de 7 pieds

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Diluvian Lure

ID : 62280

Description: Diluvian Lure. Three large lenticular photographs use imagery from Pre-Raphaelite paintings, sea anemone and Italian landscapes, that merge into one another. Using the process of lenticular - where the images shift from one to the other when walking by them - different parts of the image appear and disappear.

Des mesures : Three panels/trois panneaux: 90 x 120 cm

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Collection virtuelle :

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Deluge (Part 1)

ID : 62279

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Diluvian Lure

ID : 62281

Description: Diluvian Lure. Three large lenticular photographs use imagery from Pre-Raphaelite paintings, sea anemone and Italian landscapes, that merge into one another. Using the process of lenticular - where the images shift from one to the other when walking by them - different parts of the image appear and disappear.

Des mesures : Three panels/trois panneaux: 90 x 120 cm

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Date de réalisation :

Matériaux :

Collection virtuelle :

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Deluge (Part 1)

ID : 62278

Description: Installation. Deluge (Part 1) consists of 100 tiled images. The images are a combination of personally photographed or found imagery of passageways, hallways and bridges. Juxtaposed, which flips horizontally between the image, is a blue-green colour field and the third images is of a waterway - rivers, lakes, waterfalls. This flip fluctuates like reflections on water.

Des mesures : 160xm x 60xm

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Torrential Drift, [video still]

ID : 62284

Description: Torrential Drift. A five minute video loop taken from a gondola ride in the early morning hours of Venice. Captured are the reflections of the surrounding architecture while passing through the canal, while the sound, heard through wireless headphones, combines the natural sounds of the environment against an overly of voices that are reciting text taken from Luce Irigiray's Marine Lover.

Des mesures : 7’ projection de 7 pieds

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Where You Left Me

ID : 62287

Description: Outdoor installation on Ludoteca Santa Maria Ausiliatrice on Via Garibaldi, Venice. This image of a woman standing with a suitcase, looking out over the water, presents the moment of decision-making. We do not know what has just occurred, where she may be going or coming from as she looks out to the water evoking the route already proposed by the castles.

Des mesures : 208.28 x 274.32 cm/pouces

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Where You Left Me

ID : 62288

Description: Outdoor installation on Ludoteca Santa Maria Ausiliatrice on Via Garibaldi, Venice. This image of a woman standing with a suitcase, looking out over the water, presents the moment of decision-making. We do not know what has just occurred, where she may be going or coming from as she looks out to the water evoking the route already proposed by the castles.

Des mesures : 210.82 x 274.32 cm/pouces

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A Deeper Thunder

ID : 68419

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