Seattle Visite (cover)
Artist: Louise Levergneux
Work ID: 22244
Description: Seattle Visite was created as a playful bookwork of postcards. This collection of computer generated imagery and work play is based upon visits in and around Seattle, Washington, over a period of 3 months. The texts are derived from daily activities. The images originated from digital snapshots of ordinary localities. The participation in these places allowed them to become a signifiacant part of my autobiographical experiences for that time period. Photography: Tim Wickens
Des mesures : : 6.5 x 4.1
Collection:
Date de réalisation : 2000
Matériaux : colour ink jet on paper, spiral bound
Collection virtuelle : Original CCCA
Oeuvre d'art par Louise Levergneux
Reference: (19)54-(19)72 (detail)
Artist: Louise Levergneux
ID : 22262
Description: The installation is a photo-based work concerned with domestic photography of the 1950's and explores my childhood memories. In essence this installation captures a multilayered moment in time and focuses on turning the autobiographical form into a visual narrative. Self portraits and snapshots can evoke in all of us a collective nostalgia. Photographs can create an illusion of reality within our memories. Family snapshots captured the memories onpaper. They continued to give birth to snapshots of our fantatsies. Mounting the photos on wood recreated a childhood favourite past time-cut out dolls. Cut out dolls were a world of fantasy, a world without limits. Reliving games like "Snakes & Ladders" , we can perceive the premonitions of life-the unpredictability of day to day living. Photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : B&W family snapshots, enlarged and photocopied, sepia toned, mahagany 1/4
Collection virtuelle : Original CCCA
First Aid (detail)
Artist: Louise Levergneux
ID : 22266
Description: This installation is part of a group show. Each artist was given a small metal medicine chest and this short description"Container containing the private. You are what I contain". The installation was developed from this idea. The installation reflects my own personal morning ego instead of the regular medical supplies found in a medicine chest-like aspirins, bandaids and laxatives. The cabinet contains the necessary beauty and hygiene products-(toothpaste, dental floss, tooth brush, hair brush, facial cream, deodarant,etc)-in short, the spectrum of products that transforms a person after a night's sleep. The installation represents the neccesity for a person to use first aid in the morning to transform themselves from a sleepy state to a totally awake, vibrant being-finally ready for the day. Exhibited at the Art Gallery of Sudbury, Ontario, 1997 Photography: Lisa Fitzgibbons
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : metal medicine chest, plywood, mirror plexi glass, acrylic paint, b&w and colour laser photographs, varnish
Collection virtuelle : Original CCCA
Reference: (19)54-(19)72 (detail)
Artist: Louise Levergneux
ID : 22259
Description: The installation is a photo-based work concerned with domestic photography of the 1950's and explores my childhood memories. In essence this installation captures a multilayered moment in time and focuses on turning the autobiographical form into a visual narrative. Self portraits and snapshots can evoke in all of us a collective nostalgia. Photographs can create an illusion of reality within our memories. Family snapshots captured the memories onpaper. They continued to give birth to snapshots of our fantasies. Mounting the photos on wood recreated a childhood favourite past time-cut out dolls. Cut out dolls were a world of fantasy, a world without limits. Reliving games like "Snakes & Ladders" , we can perceive the premonitions of life-the unpredictability of day to day living. Photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : B&W family snapshots, enlarged and photocopied, sepia toned, mahagany 1/4
Collection virtuelle : Original CCCA
Reference: (19)54-(19)72 (installation)
Artist: Louise Levergneux
ID : 22258
Description: The installation is a photo-based work concerned with domestic photography of the 1950's and explores my childhood memories. In essence this installation captures a multilayered moment in time and focuses on turning the autobiographical form into a visual narrative. Self portraits and snapshots can evoke in all of us a collective nostalgia. Photographs can create an illusion of reality within our memories. Family snapshots captured the memories onpaper. They continued to give birth to snapshots of our fantatsies. Mounting the photos on wood recreated a childhood favourite past time-cut out dolls. Cut out dolls were a world of fantasy, a world without limits. Reliving games like "Snakes & Ladders" , we can perceive the premonitions of life-the unpredictability of day to day living. Photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : B&W family snapshots, enlarged and photocopied, sepia toned, mahagany 1/4
Collection virtuelle : Original CCCA
Reference: (19)54-(19)72 (installation)
Artist: Louise Levergneux
ID : 22261
Description: The installation is a photo-based work concerned with domestic photography of the 1950's and explores my childhood memories. In essence this installation captures a multilayered moment in time and focuses on turning the autobiographical form into a visual narrative. Self portraits and snapshots can evoke in all of us a collective nostalgia. Photographs can create an illusion of reality within our memories. Family snapshots captured the memories onpaper. They continued to give birth to snapshots of our fantatsies. Mounting the photos on wood recreated a childhood favourite past time-cut out dolls. Cut out dolls were a world of fantasy, a world without limits. Reliving games like "Snakes & Ladders" , we can perceive the premonitions of life-the unpredictability of day to day living. Photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : B&W family snapshots, enlarged and photocopied, sepia toned, mahagany 1/4
Collection virtuelle : Original CCCA
First Aid (detail)
Artist: Louise Levergneux
ID : 22265
Description: This installation is part of a group show. Each artist was given a small metal medicine chest and this short description"Container containing the private. You are what I contain". The installation was developed from this idea. The installation reflects my own personal morning ego instead of the regular medical supplies found in a medicine chest-like aspirins, bandaids and laxatives. The cabinet contains the necessary beauty and hygiene products-(toothpaste, dental floss, tooth brush, hair brush, facial cream, deodarant,etc)-in short, the spectrum of products that transforms a person after a night's sleep. The installation represents the neccesity for a person to use first aid in the morning to transform themselves from a sleepy state to a totally awake, vibrant being-finally ready for the day. Exhibited at the Art Gallery of Sudbury, Ontario, 1997 Photography: Lisa Fitzgibbons
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : metal medicine chest, plywood, mirror plexi glass, acrylic paint, b&w and colour laser photographs, varnish
Collection virtuelle : Original CCCA
Reference: (19)54-(19)72 (installation)
Artist: Louise Levergneux
ID : 22260
Description: The installation is a photo-based work concerned with domestic photography of the 1950's and explores my childhood memories. In essence this installation captures a multilayered moment in time and focuses on turning the autobiographical form into a visual narrative. Self portraits and snapshots can evoke in all of us a collective nostalgia. Photographs can create an illusion of reality within our memories. Family snapshots captured the memories onpaper. They continued to give birth to snapshots of our fantatsies. Mounting the photos on wood recreated a childhood favourite past time-cut out dolls. Cut out dolls were a world of fantasy, a world without limits. Reliving games like "Snakes & Ladders" , we can perceive the premonitions of life-the unpredictability of day to day living. Photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : B&W family snapshots, enlarged and photocopied, sepia toned, mahagany 1/4
Collection virtuelle : Original CCCA
First Aid (detail)
Artist: Louise Levergneux
ID : 22263
Description: This installation is part of a group show. Each artist was given a small metal medicine chest and this short description"Container containing the private. You are what I contain". The installation was developed from this idea. The installation reflects my own personal morning ego instead of the regular medical supplies found in a medicine chest-like aspirins, bandaids and laxatives. The cabinet contains the necessary beauty and hygiene products-(toothpaste, dental floss, tooth brush, hair brush, facial cream, deodarant,etc)-in short, the spectrum of products that transforms a person after a night's sleep. The installation represents the neccesity for a person to use first aid in the morning to transform themselves from a sleepy state to a totally awake, vibrant being-finally ready for the day. Exhibited at the Art Gallery of Sudbury, Ontario, 1997 Photography: Lisa Fitzgibbons
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : metal medicine chest, plywood, mirror plexi glass, acrylic paint, b&w and colour laser photographs, varnish
Collection virtuelle : Original CCCA
First Aid (installation)
Artist: Louise Levergneux
ID : 22264
Description: This installation is part of a group show. Each artist was given a small metal medicine chest and this short description"Container containing the private. You are what I contain". The installation was developed from this idea. The installation reflects my own personal morning ego instead of the regular medical supplies found in a medicine chest-like aspirins, bandaids and laxatives. The cabinet contains the necessary beauty and hygiene products-(toothpaste, dental floss, tooth brush, hair brush, facial cream, deodarant,etc)-in short, the spectrum of products that transforms a person after a night's sleep. The installation represents the neccesity for a person to use first aid in the morning to transform themselves from a sleepy state to a totally awake, vibrant being-finally ready for the day. Exhibited at the Art Gallery of Sudbury, Ontario, 1997 Photography: Lisa Fitzgibbons
Des mesures :
Collection:
Date de réalisation : 1995
Matériaux : metal medicine chest, plywood, mirror plexi glass, acrylic paint, b&w and colour laser photographs, varnish
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22256
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22255
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22252
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22257
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22249
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22251
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22248
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22247
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22246
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22250
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22254
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
My Memory of My Memory (detail)
Artist: Louise Levergneux
ID : 22253
Description: The edition portrays a suite of personal family images and childhood memories. Each digital image starts with a selection of snapshots from a family album given to the artist by a well known author. The images are then blended with facsimiles of the pages of a previously published monograph by the same author. The intermixed images stimulate a bizarre feeling of deja vu. A book lauch of the one-of-a-kind was presented at Gallery 101, Ottawa, ON 1997 Exhibition Intervalles with Artengine, Hull, QC, 1996 Photography: Tim Wickens
Des mesures : : 3.1 x 4.5
Collection: City of Ottawa, National Library of Canada, Bibliotheque nationale du Quebec
Date de réalisation : 1997
Matériaux : hard cover case, simulated red leather, colour ink jet on Epson Photo paper, transparent paper
Collection virtuelle : Original CCCA
Equinox 99 (cover)
Artist: Louise Levergneux
ID : 22228
Description: photography: Tim Wickens Each book has the same design but the inside layout changes
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox 98 (detail)
Artist: Louise Levergneux
ID : 22227
Description: photography: Tim Wickens detail view of the inside of Equinox 98, opened to August 26-27, 1998. Showing date, daily picture and list of people.
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox 2000 (cover)
Artist: Louise Levergneux
ID : 22230
Description: photography: Tim Wickens
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox 2000 (detail)
Artist: Louise Levergneux
ID : 22231
Description: photography: Tim Wickens opened to April 25-26, 2000. Showing date, daily picture and daily senses.
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox 99 (detail)
Artist: Louise Levergneux
ID : 22229
Description: photography: Tim Wickens opened to October 18-19, 1999. Showing date, daily picture and daily activities.
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox
Artist: Louise Levergneux
ID : 22232
Description: photography: Tim Wickens Proposed exhibition
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Equinox 98 (detail)
Artist: Louise Levergneux
ID : 22226
Description: Equinox is a five year project that will result in an installation. It is a work-in-progress comprising of 5 books filled with daily memories and activities of the artist. As an installation the project transforms a personal journal into a universal experience of everyday banality. The visual representations of a portrait, a narrative and a date are the ordinary clues to the repetitious experiences of any person's life. Each successive year will demonstrate the continuing use of the autobiographical approach to convey the common place monotony of everyday living. Equinox 1998 is the first book- an actual 365 day diary of an artist's life. This part of the installation illustrates the simple unvarying evidence of the artist existence. Equinox 1999 varies slightly the environmental evidence surrounding the artist's life. Receipts of business transactions and daily weather readings add weight to the viewer's interpretation of a mundane lifestyle. Equinox 2000 shows a very ephemeral side to life. Events are catalogued as instances of childhood fantasies combined with different sensations: smell, touch, sight, earing and taste. The viewer is subjected to a more humorous perspective of the wearisome nature of day-to-day living. Equinox 2001 shows the environment the artist lives in through flowers she either received, picked or visualized during the year. Through the pages of daily experiences for the year 2001, the viewer's perspective of banality is the time of day the artist received an insight of sorts.
Des mesures :
Collection:
Date de réalisation : 1998-2000
Matériaux : book installation
Collection virtuelle : Original CCCA
Memoires (installation)
Artist: Louise Levergneux
ID : 22238
Description: Exhibition of 17 books at Espace Virtuel in Chicoutimi, Quebec, 2001 Memoires was presented at Gallery 101, Ottawa, ON, 1999 Memoires is a work-in-progress, that expands on the relationship between a person, the present and the past. Each book has an original designed jacket created from information and borrowed photos. This project springs from a long standing interest in the celebrity biography genre. It is, in essence, a collaborative effort between me and people I know. Again, using both image and text, Memoires will be a combination of how I see these people and how they see themselves. I want their input, their influence, their vanity, not unlike the relationship between the patron and the portrait artist. I have carefully chosen people that surround me in my life as these authorized biographies continue my research on the personal identity theme.
Des mesures : : 9.3 x 22.4
Collection:
Date de réalisation : 1999
Collection virtuelle : Original CCCA
Memoires (installation detail)
Artist: Louise Levergneux
ID : 22240
Description: Photography: Tim Wickens
Des mesures : : 9.3 x 22.4
Collection:
Date de réalisation : 1999
Collection virtuelle : Original CCCA
Memoires (installation detail)
Artist: Louise Levergneux
ID : 22239
Description: Photography: Tim Wickens
Des mesures : : 9.3 x 22.4
Collection:
Date de réalisation : 1999
Collection virtuelle : Original CCCA
1234567 Violette (detail)
Artist: Louise Levergneux
ID : 22242
Description: edition of 4 1234567 Violette was created as a memory and touch book. Baby knitted sets, wool, samplers, flowers, children, song, sentences from story books and colours are all present to stimulate the mind. The collection of images are taken from different sources and brought together to remind us of the past and present. Photography: Tim Wickens
Des mesures : : 5.7 x 8.1
Date de réalisation : 2000
Matériaux : 7 double pages, colour ink jet on Epson Photo paper, wool
Collection virtuelle : Original CCCA
Seattle Visite (cover)
Artist: Louise Levergneux
ID : 22244
Description: Seattle Visite was created as a playful bookwork of postcards. This collection of computer generated imagery and work play is based upon visits in and around Seattle, Washington, over a period of 3 months. The texts are derived from daily activities. The images originated from digital snapshots of ordinary localities. The participation in these places allowed them to become a signifiacant part of my autobiographical experiences for that time period. Photography: Tim Wickens
Des mesures : : 6.5 x 4.1
Collection:
Date de réalisation : 2000
Matériaux : colour ink jet on paper, spiral bound
Collection virtuelle : Original CCCA
1234567 Violette (detail)
Artist: Louise Levergneux
ID : 22243
Description: edition of 4 1234567 Violette was created as a memory and touch book. Baby knitted sets, wool, samplers, flowers, children, song, sentences from story books and colours are all present to stimulate the mind. The collection of images are taken from different sources and brought together to remind us of the past and present. Photography: Tim Wickens
Des mesures : : 5.7 x 8.1
Date de réalisation : 2000
Matériaux : 7 double pages, colour ink jet on Epson Photo paper, wool
Collection virtuelle : Original CCCA
Seattle Visite (detail)
Artist: Louise Levergneux
ID : 22245
Description: Seattle Visite was created as a playful bookwork of postcards. This collection of computer generated imagery and work play is based upon visits in and around Seattle, Washington, over a period of 3 months. The texts are derived from daily activities. The images originated from digital snapshots of ordinary localities. The participation in these places allowed them to become a significant part of my autobiographical experiences for that time period. Photography: Tim Wickens
Des mesures : : 6.5 x 4.1
Collection:
Date de réalisation : 2000
Matériaux : colour ink jet on paper, spiral bound
Collection virtuelle : Original CCCA
1234567 Violette (detail)
Artist: Louise Levergneux
ID : 22241
Description: edition of 4 1234567 Violette was created as a memory and touch book. Baby knitted sets, wool, samplers, flowers, children, song, sentences from story books and colours are all present to stimulate the mind. The collection of images are taken from different sources and brought together to remind us of the past and present. Photography: Tim Wickens
Des mesures : : 5.7 x 8.1
Date de réalisation : 2000
Matériaux : 7 double pages, colour ink jet on Epson Photo paper, wool
Collection virtuelle : Original CCCA
Reciprocal- 9 August (detail)
Artist: Louise Levergneux
ID : 22237
Description: Photography: David Barbour
Des mesures : :25 x 34.5
Collection:
Date de réalisation : 2001
Matériaux : gyclee prints on cotton paper, dye inks
Collection virtuelle : Original CCCA
Reciprocal- 2 August (detail)
Artist: Louise Levergneux
ID : 22234
Description: Photography: David Barbour
Des mesures : :25 x 34.5
Collection:
Date de réalisation : 2001
Matériaux : gyclee prints on cotton paper, dye inks
Collection virtuelle : Original CCCA
Reciprocal- 3 August (detail)
Artist: Louise Levergneux
ID : 22235
Description: Photography: David Barbour
Des mesures : :25 x 34.5
Collection:
Date de réalisation : 2001
Matériaux : gyclee prints on cotton paper, dye inks
Collection virtuelle : Original CCCA
Reciprocal- 8 August (detail)
Artist: Louise Levergneux
ID : 22236
Description: Photography: David Barbour
Des mesures : :25 x 34.5
Collection:
Date de réalisation : 2001
Matériaux : gyclee prints on cotton paper, dye inks
Collection virtuelle : Original CCCA
Reciprocal- 18 July (detail)
Artist: Louise Levergneux
ID : 22233
Description: Reciprocal demonstrates a continuing fascination by the artist with memory and collecting. The items in Reciprocal consist of letters, cards, envelopes and stamps, mutually exchanged between lovers. Each corresponding letter and paraphernalia fuses into one image. The resulting images become tangible visuals of the lovers lives across the miles. The artistic gesture behind Louise Levergneux's work is the process of storing and collecting her memories, her self identity, and her environments for the viewer.
Des mesures : :25 x 34.5
Collection:
Date de réalisation : 2001
Matériaux : gyclee prints on cotton paper, dye inks
Collection virtuelle : Original CCCA
City Shields
Artist: Louise Levergneux
ID : 22225
Description: Published in multiples and based upon the collection and storage of images of urban infrastructure through miles of walking around Canada, Scotland and the USA. With this project the high-tech and low-tech world beneath the pavement will become alive in the imagination of the viewer. The complete set of manholes has 7 volumes at this point, three of Ottawa, Ontario; two of Hull, Quebec; one of Toronto, Ontario and one of the areas around Scotland. Future volumes expected to be issued of Aylmer, Chicago, Maine, Seattle, Vancouver, Victoria or anywhere my feet will walk
Des mesures : : 4.1 x 4
Collection: National Library of Canada, The Banff Centre, Paul D. Fleck Library and Archives
Date de réalisation : 2001
Matériaux : artist book, jewel case with DC100 digital print insert on Ivolaser
Collection virtuelle : Original CCCA
