Hidden Agenda #3: Analysis
Artist: Jon Baturin
Work ID: 403
Description: From 'Hidden Agenda' series.
Des mesures : 152.4 x 213.36 x 182.88 cm
Collection:
Date de réalisation : 1991
Matériaux : colour murals; maple, painted wood, gold leaf, pewter
Collection virtuelle : Original CCCA
Oeuvre d'art par Jon Baturin
Evidence of Justice #1 (maquette)
Artist: Jon Baturin
ID : 400
Description:
Des mesures : 40.64 x 114.3 cm
Collection:
Date de réalisation : 1989-1990
Matériaux :
Collection virtuelle : Original CCCA
![Hidden Agenda #3: Analysis, [detail]](https://ccca.art/wp-content/uploads/2024/04/bat005.jpg)
Hidden Agenda #3: Analysis, [detail]
Artist: Jon Baturin
ID : 1951
Description: From 'Hidden Agenda' series.
Des mesures : 152.4 x 213.36 x 182.88 cm
Collection:
Date de réalisation : 1991
Matériaux : colour murals; maple, painted wood, gold leaf, pewter
Collection virtuelle : Original CCCA
XY Crisis II
Artist: Jon Baturin
ID : 402
Description: From 'XY Crisis' series.
Des mesures : 152.4 x 304.8 x 25.4 cm
Collection:
Date de réalisation : 1991
Matériaux : colour murals; plexiglas, balsam, mahogany, foam core, MDF board, metal turnbuckles
Collection virtuelle : Original CCCA
Hidden Agenda #3: Analysis
Artist: Jon Baturin
ID : 403
Description: From 'Hidden Agenda' series.
Des mesures : 152.4 x 213.36 x 182.88 cm
Collection:
Date de réalisation : 1991
Matériaux : colour murals; maple, painted wood, gold leaf, pewter
Collection virtuelle : Original CCCA
Enemies Within #1
Artist: Jon Baturin
ID : 405
Description: From 'Enemies Within' series.
Enemies Within intentionally manipulates information by shifting contexts and repositioning scientific imagery in a provocative manner. Working from the Muybridge studies on locomotion-gestures poses are selected for their emotive possibilities. Each gesture is then positioned against medical photo-representation of human anatomy (the essential materiality of humankind). The resulting "synthesis of data" represents the kinds of distortion which effect all truths - whatever the original intent --whatever the information.
Originally commissioned for the Tallinn Art Hall (Tallinn, Estonia) Enemies Within takes the form of twelve large "alter-pieces". Anu Liivak, curator of that exhibition, felt that the notions that informed this work were extremely pertinent to Estonia. Like much of the Western world, the Baltic nations have been undergoing a period of extraordinary transition and have been looking for structures and systems to accommodate their needs. In the process, culture, commerce, and politics are subjected to stresses and strains at all levels. Daily economic, social and psychological chaos are the rule rather than the exception. As a result both the social and the material body suffer and truth becomes a tenuous construct in daily life.
Des mesures : 152.4 x 248.92 x 20.32 cm
Collection: Tallinn Art Hall, Tallinn, Estonia
Date de réalisation : 1992
Matériaux : colour murals; plexiglas, mahogany, security fasteners, springs, hooks, turnbuckles, steel chain
Collection virtuelle : Original CCCA
Enemies Within #12
Artist: Jon Baturin
ID : 409
Description: From 'Enemies Within' series.
Enemies Within intentionally manipulates information by shifting contexts and repositioning scientific imagery in a provocative manner. Working from the Muybridge studies on locomotion-gestures poses are selected for their emotive possibilities. Each gesture is then positioned against medical photo-representation of human anatomy (the essential materiality of humankind). The resulting "synthesis of data" represents the kinds of distortion which effect all truths - whatever the original intent --whatever the information.
Originally commissioned for the Tallinn Art Hall (Tallinn, Estonia) Enemies Within takes the form of twelve large "alter-pieces". Anu Liivak, curator of that exhibition, felt that the notions that informed this work were extremely pertinent to Estonia. Like much of the Western world, the Baltic nations have been undergoing a period of extraordinary transition and have been looking for structures and systems to accommodate their needs. In the process, culture, commerce, and politics are subjected to stresses and strains at all levels. Daily economic, social and psychological chaos are the rule rather than the exception. As a result both the social and the material body suffer and truth becomes a tenuous construct in daily life.
Des mesures : 101.6 x 228.6 cm
Collection: Tallinn Art Hall, Tallinn, Estonia
Date de réalisation : 1993
Matériaux : colour murals; plexiglas, mahogany, security fasteners, springs, hooks, turnbuckles, steel chain
Collection virtuelle : Original CCCA
Enemies Within #3
Artist: Jon Baturin
ID : 406
Description: From 'Enemies Within' series.
Enemies Within intentionally manipulates information by shifting contexts and repositioning scientific imagery in a provocative manner. Working from the Muybridge studies on locomotion-gestures poses are selected for their emotive possibilities. Each gesture is then positioned against medical photo-representation of human anatomy (the essential materiality of humankind). The resulting "synthesis of data" represents the kinds of distortion which effect all truths - whatever the original intent --whatever the information.
Originally commissioned for the Tallinn Art Hall (Tallinn, Estonia) Enemies Within takes the form of twelve large "alter-pieces". Anu Liivak, curator of that exhibition, felt that the notions that informed this work were extremely pertinent to Estonia. Like much of the Western world, the Baltic nations have been undergoing a period of extraordinary transition and have been looking for structures and systems to accommodate their needs. In the process, culture, commerce, and politics are subjected to stresses and strains at all levels. Daily economic, social and psychological chaos are the rule rather than the exception. As a result both the social and the material body suffer and truth becomes a tenuous construct in daily life.
Des mesures : 101.6 x 304.8 cm
Collection: Tallinn Art Hall, Tallinn, Estonia
Date de réalisation : 1993
Matériaux : colour murals; plexiglas, mahogany, security fasteners, springs, hooks, turnbuckles, steel chain
Collection virtuelle : Original CCCA
Evidence of Justice #2 (preliminary assembly)
Artist: Jon Baturin
ID : 401
Description:
Des mesures : 0.522 x 1.566 m; 4,6 x 13,7 m
Collection:
Date de réalisation : 1993
Matériaux : 155 colour photographs on linen; aluminum, acrylic medium, plexiglas, wood
Collection virtuelle : Original CCCA
![Three Reds One Gray, [detail]](https://ccca.art/wp-content/uploads/2024/04/bat007.jpg)
Three Reds One Gray, [detail]
Artist: Jon Baturin
ID : 1952
Description: From: Three Reds / One Gray: Authority Structure & Control No. 1.
Des mesures : variable
Collection: Garnetthill Building, Glasgow, Scotland
Date de réalisation : 1993
Collection virtuelle : Original CCCA
Three Reds One Gray
Artist: Jon Baturin
ID : 404
Description: From: 'Three Reds / One Gray: Authority Structure & Control No. 1'.
Des mesures : variable
Collection: Garnetthill Building, Glasgow, Scotland
Date de réalisation : 1993
Collection virtuelle : Original CCCA
Enemies Within #8
Artist: Jon Baturin
ID : 410
Description: From 'Enemies Within' series.
Enemies Within intentionally manipulates information by shifting contexts and repositioning scientific imagery in a provocative manner. Working from the Muybridge studies on locomotion-gestures poses are selected for their emotive possibilities. Each gesture is then positioned against medical photo-representation of human anatomy (the essential materiality of humankind). The resulting "synthesis of data" represents the kinds of distortion which effect all truths - whatever the original intent --whatever the information.
Originally commissioned for the Tallinn Art Hall (Tallinn, Estonia) Enemies Within takes the form of twelve large "alter-pieces". Anu Liivak, curator of that exhibition, felt that the notions that informed this work were extremely pertinent to Estonia. Like much of the Western world, the Baltic nations have been undergoing a period of extraordinary transition and have been looking for structures and systems to accommodate their needs. In the process, culture, commerce, and politics are subjected to stresses and strains at all levels. Daily economic, social and psychological chaos are the rule rather than the exception. As a result both the social and the material body suffer and truth becomes a tenuous construct in daily life.
Des mesures : 228.6 x 144.78 cm
Collection: Tallinn Art Hall, Tallinn, Estonia
Date de réalisation : 1993
Matériaux : colour murals; plexiglas, mahogany, security fasteners, springs, hooks, turnbuckles, steel chain
Collection virtuelle : Original CCCA
