Interventions III

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

ID : 68673

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

ID : 68670

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

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Désir

Artist: Sarah Nind

ID : 68704

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

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Désir

Artist: Sarah Nind

ID : 68705

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities. , ph

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

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Objets perdus: studies detail

Artist: Sarah Nind

ID : 68676

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68699

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

ID : 68688

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68701

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus: studies detail

Artist: Sarah Nind

ID : 68678

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, installation view

Artist: Sarah Nind

ID : 68671

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

ID : 68689

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, detail

Artist: Sarah Nind

ID : 68683

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, detail

Artist: Sarah Nind

ID : 68687

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68692

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68698

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, detail

Artist: Sarah Nind

ID : 68685

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68703

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus: studies detail

Artist: Sarah Nind

ID : 68681

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus: studies detail

Artist: Sarah Nind

ID : 68680

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, detail

Artist: Sarah Nind

ID : 68684

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68696

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus: studies detail

Artist: Sarah Nind

ID : 68677

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, installation view

Artist: Sarah Nind

ID : 68672

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

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Objets perdus: studies installation view

Artist: Sarah Nind

ID : 68675

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 20.32 x 25.4 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on masonite & digital print on plexiglas

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68702

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, installation view

Artist: Sarah Nind

ID : 68674

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68700

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68697

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Objets perdus, detail

Artist: Sarah Nind

ID : 68686

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Des mesures : 60.96 x 106.68 cm

Collection:

Date de réalisation : 2006

Matériaux : oil paint on ortholith film

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68693

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68694

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68691

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Désir

Artist: Sarah Nind

ID : 68695

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2006

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Trace #3

Artist: Sarah Nind

ID : 68708

Description:

Des mesures : 182.88 x 121.92 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

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Mnemonic Structure 1

Artist: Sarah Nind

ID : 73540

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Trace #1

Artist: Sarah Nind

ID : 68706

Description:

Des mesures : 182.88 x 121.92 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 2

Artist: Sarah Nind

ID : 73541

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Trace #2

Artist: Sarah Nind

ID : 68707

Description:

Des mesures : 182.88 x 121.92 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Trace #4

Artist: Sarah Nind

ID : 68709

Description:

Des mesures : 182.88 x 121.92 cm

Collection:

Date de réalisation : 2007

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 5

Artist: Sarah Nind

ID : 73544

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 12

Artist: Sarah Nind

ID : 73551

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 10

Artist: Sarah Nind

ID : 73549

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 9

Artist: Sarah Nind

ID : 73548

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 6

Artist: Sarah Nind

ID : 73545

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 7

Artist: Sarah Nind

ID : 73546

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73553

Description:

Des mesures : each/chacun: 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 13

Artist: Sarah Nind

ID : 73552

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 4

Artist: Sarah Nind

ID : 73543

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 8

Artist: Sarah Nind

ID : 73547

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 3

Artist: Sarah Nind

ID : 73542

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structure 11

Artist: Sarah Nind

ID : 73550

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73554

Description:

Des mesures : each/chacun: 106.68 x 106.68 cm

Collection:

Date de réalisation : 2008

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73557

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 9

Artist: Sarah Nind

ID : 73569

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 13

Artist: Sarah Nind

ID : 73573

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 4

Artist: Sarah Nind

ID : 73565

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73560

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 1

Artist: Sarah Nind

ID : 73562

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 6

Artist: Sarah Nind

ID : 73566

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73558

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 8

Artist: Sarah Nind

ID : 73568

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 7

Artist: Sarah Nind

ID : 73567

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 11

Artist: Sarah Nind

ID : 73571

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 2

Artist: Sarah Nind

ID : 73563

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73555

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73556

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 10

Artist: Sarah Nind

ID : 73570

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 3

Artist: Sarah Nind

ID : 73564

Description:

Des mesures : 60.96 x 60.96 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

lost dimension 12

Artist: Sarah Nind

ID : 73572

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2009

Matériaux : digital print on plexiglas & oil paint on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73561

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

Mnemonic Structures, installation view

Artist: Sarah Nind

ID : 73559

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Des mesures :

Collection:

Date de réalisation : 2009

Matériaux :

Collection virtuelle : Original CCCA

Ajouter à la liste

Street View 4

Artist: Sarah Nind

ID : 75614

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Beijing View 1

Artist: Sarah Nind

ID : 75603

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Shanghai Scape

Artist: Sarah Nind

ID : 75610

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Night View 1

Artist: Sarah Nind

ID : 75608

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Apartment Façade

Artist: Sarah Nind

ID : 75600

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Street View 6

Artist: Sarah Nind

ID : 75616

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Beijing Façade 1

Artist: Sarah Nind

ID : 75601

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Beijing Façade 2

Artist: Sarah Nind

ID : 75602

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

Ajouter à la liste

Fang’s View 1

Artist: Sarah Nind

ID : 75606

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Brunei Lost

Artist: Sarah Nind

ID : 75605

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Night View 2

Artist: Sarah Nind

ID : 75609

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Fang’s View 2

Artist: Sarah Nind

ID : 75607

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Street View 1

Artist: Sarah Nind

ID : 75611

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Street View 2

Artist: Sarah Nind

ID : 75612

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Street View 3

Artist: Sarah Nind

ID : 75613

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Street View 5

Artist: Sarah Nind

ID : 75615

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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Beijing View 2

Artist: Sarah Nind

ID : 75604

Description:

Des mesures : 106.68 x 106.68 cm

Collection:

Date de réalisation : 2010

Matériaux : Chromogenic print mounted on board

Collection virtuelle : Original CCCA

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re-development 3

Artist: Sarah Nind

ID : 75627

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-toxic 2

Artist: Sarah Nind

ID : 75636

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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re-toxic 1

Artist: Sarah Nind

ID : 75635

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Corten steel, brass, stainless steel and limewood

Collection virtuelle : Original CCCA

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re-new world

Artist: Sarah Nind

ID : 75630

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-lost 3

Artist: Sarah Nind

ID : 75634

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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mirror

Artist: Sarah Nind

ID : 75631

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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re-development 2 night

Artist: Sarah Nind

ID : 75625

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei

Artist: Sarah Nind

ID : 75624

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei toxic

Artist: Sarah Nind

ID : 75623

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei lost 4

Artist: Sarah Nind

ID : 75622

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei lost 3

Artist: Sarah Nind

ID : 75620

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei fire

Artist: Sarah Nind

ID : 75617

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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target variation

Artist: Sarah Nind

ID : 75640

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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stagnant 3

Artist: Sarah Nind

ID : 75639

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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stagnant 2

Artist: Sarah Nind

ID : 75638

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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stagnant 1

Artist: Sarah Nind

ID : 75637

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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re-lost 1

Artist: Sarah Nind

ID : 75632

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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re-development 4

Artist: Sarah Nind

ID : 75628

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-development 2

Artist: Sarah Nind

ID : 75626

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei lost 2

Artist: Sarah Nind

ID : 75641

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-brunei fires 1

Artist: Sarah Nind

ID : 75618

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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re-lost 2

Artist: Sarah Nind

ID : 75633

Description:

Des mesures : 213.36 x 106.68 cm

Collection:

Date de réalisation : 2011

Matériaux : Chromogenic print with oil paint mounted on board

Collection virtuelle : Original CCCA

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re-development

Artist: Sarah Nind

ID : 75629

Description:

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2011

Matériaux : Inkjet print on dibond

Collection virtuelle : Original CCCA

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Interjections: Polka Dot Pool

Artist: Sarah Nind

ID : 79956

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Paul Smith Goes Exotic

Artist: Sarah Nind

ID : 79961

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Red Smoke, Green Plaid

Artist: Sarah Nind

ID : 79962

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 111.76 x 111.76 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Mnemonic Trace

Artist: Sarah Nind

ID : 79955

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 182.88 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Storm Cloud and Stripes

Artist: Sarah Nind

ID : 79960

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Polka Dot Trailride

Artist: Sarah Nind

ID : 79957

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Plaid Sky with Trees

Artist: Sarah Nind

ID : 79964

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 111.76 x 111.76 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Grey Smoke, Purple Plaid

Artist: Sarah Nind

ID : 79963

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 111.76 x 111.76 cm

Collection:

Date de réalisation : 2013

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Red Plaid Sky

Artist: Sarah Nind

ID : 79965

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 111.76 x 111.76 cm

Collection:

Date de réalisation : 2014

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Polka Dot Rodeo

Artist: Sarah Nind

ID : 79966

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2014

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections, installation

Artist: Sarah Nind

ID : 79954

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures :

Collection:

Date de réalisation : 2014

Matériaux :

Collection virtuelle : Original CCCA

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Interjections, installation

Artist: Sarah Nind

ID : 79951

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures :

Collection:

Date de réalisation : 2014

Matériaux :

Collection virtuelle : Original CCCA

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Interjections: Turquoise Pool

Artist: Sarah Nind

ID : 79959

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2014

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections: Polka Dot Sprawl

Artist: Sarah Nind

ID : 79958

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures : 91.44 x 121.92 cm

Collection:

Date de réalisation : 2014

Matériaux : oil paint and archival image mounted on board

Collection virtuelle : Original CCCA

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Interjections, installation

Artist: Sarah Nind

ID : 79953

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures :

Collection:

Date de réalisation : 2014

Matériaux :

Collection virtuelle : Original CCCA

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Interjections, installation

Artist: Sarah Nind

ID : 79952

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Des mesures :

Collection:

Date de réalisation : 2014

Matériaux :

Collection virtuelle : Original CCCA

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Interventions III

Oeuvre d'art par Sarah Nind