Base de données du CACC sur l'art canadien

Dandylions in Belleville

Artist: David Barnett

Work ID: 50618

Des mesures : 185 x 145 cm

Collection:

Date de réalisation :

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Oeuvre d'art par David Barnett

Dandylions in Belleville

Dandylions in Belleville

Artist: David Barnett

ID : 50618

Description:

Des mesures : 185 x 145 cm

Collection:

Date de réalisation : 1970

Matériaux :

Collection virtuelle :

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71 Wright Ave.

71 Wright Ave.

Artist: David Barnett

ID : 50620

Description:

Des mesures : 155 x 132 cm

Collection:

Date de réalisation : 1971

Matériaux :

Collection virtuelle :

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Kim at Greenwood Park

Kim at Greenwood Park

Artist: David Barnett

ID : 50621

Description:

Des mesures : 137 x 188 cm

Collection:

Date de réalisation : 1971

Matériaux :

Collection virtuelle :

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Mike

Mike

Artist: David Barnett

ID : 50622

Description:

Des mesures : 137 x 229 cm

Collection:

Date de réalisation : 1971

Matériaux :

Collection virtuelle :

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Elisa

Elisa

Artist: David Barnett

ID : 50619

Description:

Des mesures : 183 x 137 cm

Collection:

Date de réalisation : 1971

Matériaux :

Collection virtuelle :

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Linda’s Wedding #3

Linda’s Wedding #3

Artist: David Barnett

ID : 50625

Description:

Des mesures : 140 x 140 cm

Collection:

Date de réalisation : 1972

Matériaux :

Collection virtuelle :

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Jim Rowing

Jim Rowing

Artist: David Barnett

ID : 50623

Description:

Des mesures : 140 x 221 cm

Collection:

Date de réalisation : 1972

Matériaux :

Collection virtuelle :

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Linda’s Wedding #2

Linda’s Wedding #2

Artist: David Barnett

ID : 50624

Description:

Des mesures : 137 x 183 cm

Collection:

Date de réalisation : 1972

Matériaux :

Collection virtuelle :

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Linda’s Wedding #4

Linda’s Wedding #4

Artist: David Barnett

ID : 50626

Description:

Des mesures : 122 x 87 cm

Collection:

Date de réalisation : 1972

Matériaux :

Collection virtuelle :

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Triptych. 2: Blow Up

Triptych. 2: Blow Up

Artist: David Barnett

ID : 50632

Description:

Des mesures : 163 x 140 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Bill and Jean in the Water

Bill and Jean in the Water

Artist: David Barnett

ID : 50627

Description:

Des mesures : 213 x 122 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Triptych. 1: Janet Reading

Triptych. 1: Janet Reading

Artist: David Barnett

ID : 50631

Description:

Des mesures : 163 x 140 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Triptych. 3: Susan

Triptych. 3: Susan

Artist: David Barnett

ID : 50633

Description:

Des mesures : 163 x 140 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Frank and Cheyenne at Terry’s Wedding

Frank and Cheyenne at Terry’s Wedding

Artist: David Barnett

ID : 50630

Description:

Des mesures : 79 x 79 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Bill and Jean on the Beach

Bill and Jean on the Beach

Artist: David Barnett

ID : 50628

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Lloyd at Daytona Beach

Lloyd at Daytona Beach

Artist: David Barnett

ID : 50629

Description:

Des mesures : 79 x 79 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Cliff’s Hat

Cliff’s Hat

Artist: David Barnett

ID : 50634

Description:

Des mesures : 163 x 137 cm

Collection:

Date de réalisation : 1973

Matériaux :

Collection virtuelle :

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Skipping Series: Kim #1

Skipping Series: Kim #1

Artist: David Barnett

ID : 50640

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Lisa #5

Skipping Series: Lisa #5

Artist: David Barnett

ID : 50639

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Lisa #2

Skipping Series: Lisa #2

Artist: David Barnett

ID : 50638

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Lisa #1

Skipping Series: Lisa #1

Artist: David Barnett

ID : 50637

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Jodi #2

Skipping Series: Jodi #2

Artist: David Barnett

ID : 50636

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Jodi #1

Skipping Series: Jodi #1

Artist: David Barnett

ID : 50635

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1974

Matériaux :

Collection virtuelle :

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Skipping Series: Girl with Red Hair

Skipping Series: Girl with Red Hair

Artist: David Barnett

ID : 50642

Description:

Des mesures : 203 x 168 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Girl Bouncing Beachball

Girl Bouncing Beachball

Artist: David Barnett

ID : 50647

Description:

Des mesures : 145 x 173 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Skipping Series: Girl in Polka Dot Skirt

Skipping Series: Girl in Polka Dot Skirt

Artist: David Barnett

ID : 50645

Description:

Des mesures : 198 x 168 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Skipping Series: Two Figures

Skipping Series: Two Figures

Artist: David Barnett

ID : 50643

Description:

Des mesures : 183 x 198 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

Ajouter à la liste

Skipping Series: Jodi #4

Skipping Series: Jodi #4

Artist: David Barnett

ID : 50641

Description:

Des mesures : 79 x 79 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

Ajouter à la liste

Girl Tossing Ball

Girl Tossing Ball

Artist: David Barnett

ID : 50649

Description:

Des mesures : 51 x 66 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Girl Jumping

Girl Jumping

Artist: David Barnett

ID : 50646

Description:

Des mesures : 168 x 191 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Skipping Series: Girl in Blue Shorts

Skipping Series: Girl in Blue Shorts

Artist: David Barnett

ID : 50644

Description:

Des mesures : 224 x 290 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

Ajouter à la liste

Girl Tossing Beachball

Girl Tossing Beachball

Artist: David Barnett

ID : 50648

Description:

Des mesures : 229 x 132 cm

Collection:

Date de réalisation : 1975

Matériaux :

Collection virtuelle :

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Bernadette

Bernadette

Artist: David Barnett

ID : 50651

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle :

Ajouter à la liste

Bill

Bill

Artist: David Barnett

ID : 50655

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle :

Ajouter à la liste

Rick

Rick

Artist: David Barnett

ID : 50653

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle :

Ajouter à la liste

Paul

Paul

Artist: David Barnett

ID : 50654

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle :

Ajouter à la liste

Sylvia

Sylvia

Artist: David Barnett

ID : 50652

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle :

Ajouter à la liste

Nadia

Nadia

Artist: David Barnett

ID : 50650

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 132 x 122 cm

Collection:

Date de réalisation : 1976

Matériaux :

Collection virtuelle : ,

Ajouter à la liste

Dorothy

Dorothy

Artist: David Barnett

ID : 50658

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1977

Matériaux :

Collection virtuelle :

Ajouter à la liste

Gaye

Gaye

Artist: David Barnett

ID : 50657

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1977

Matériaux :

Collection virtuelle :

Ajouter à la liste

Denise

Denise

Artist: David Barnett

ID : 50656

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1977

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow II

Airshow II

Artist: David Barnett

ID : 50661

Description:

Des mesures : 71 x 81 cm

Collection:

Date de réalisation : 1978

Matériaux :

Collection virtuelle :

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Airshow

Airshow

Artist: David Barnett

ID : 50660

Description:

Des mesures : 97 x 177 cm

Collection:

Date de réalisation : 1978

Matériaux :

Collection virtuelle :

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Airshow V [detail]

Airshow V [detail]

Artist: David Barnett

ID : 50665

Description:

Des mesures : 122 x 422 cm

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Airshow V

Airshow V

Artist: David Barnett

ID : 50664

Description:

Des mesures : 122 x 422 cm

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Girl on Swing [installation]

Girl on Swing [installation]

Artist: David Barnett

ID : 50674

Description: Commissioned by the Toronto Eaton Centre

Des mesures : 488 x 488 cm

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Girl on Swing

Girl on Swing

Artist: David Barnett

ID : 50673

Description: Commissioned by the Toronto Eaton Centre

Des mesures : 488 x 488 cm

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Airshow IV

Airshow IV

Artist: David Barnett

ID : 50663

Description:

Des mesures : size unknown/inconnues

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Airshow III

Airshow III

Artist: David Barnett

ID : 50662

Description:

Des mesures : 152 x 122 cm

Collection:

Date de réalisation : 1980

Matériaux :

Collection virtuelle :

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Airshow VI

Airshow VI

Artist: David Barnett

ID : 50666

Description:

Des mesures : 234 x 284 cm

Collection:

Date de réalisation : 1981

Matériaux :

Collection virtuelle :

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Airshow VII

Airshow VII

Artist: David Barnett

ID : 50667

Description:

Des mesures : size unknown/inconnues

Collection:

Date de réalisation : 1981

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow VIII

Airshow VIII

Artist: David Barnett

ID : 50668

Description:

Des mesures : 137 x 156 cm

Collection:

Date de réalisation : 1981

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50682

Description:

Des mesures : 71 x 56 cm

Collection:

Date de réalisation : 1982

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow X

Airshow X

Artist: David Barnett

ID : 50669

Description:

Des mesures : 107 x 203 cm

Collection:

Date de réalisation : 1982

Matériaux :

Collection virtuelle :

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Airshow XII

Airshow XII

Artist: David Barnett

ID : 50671

Description:

Des mesures : 150 x 168 cm

Collection:

Date de réalisation : 1983

Matériaux :

Collection virtuelle :

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Airshow XIII

Airshow XIII

Artist: David Barnett

ID : 50672

Description:

Des mesures : size unknown/inconnues

Collection:

Date de réalisation : 1983

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XI

Airshow XI

Artist: David Barnett

ID : 50670

Description:

Des mesures : 231 x 165 cm

Collection:

Date de réalisation : 1983

Matériaux :

Collection virtuelle :

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Airshow XIV

Airshow XIV

Artist: David Barnett

ID : 50675

Description: Commissioned by the Ontario Government for the St. Catherines Court House

Des mesures : 213 x 427 cm

Collection:

Date de réalisation : 1984

Matériaux :

Collection virtuelle :

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Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50683

Description:

Des mesures : 71 x 56 cm

Collection:

Date de réalisation : 1984

Matériaux :

Collection virtuelle :

Ajouter à la liste

Portrait

Portrait

Artist: David Barnett

ID : 50687

Description:

Des mesures : 163 x 137 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Hope

Hope

Artist: David Barnett

ID : 50685

Description:

Des mesures : 81 x 71 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

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Airshow XV [detail]

Airshow XV [detail]

Artist: David Barnett

ID : 50679

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Portrait

Portrait

Artist: David Barnett

ID : 50686

Description:

Des mesures : 157 x 137 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XV [installation]

Airshow XV [installation]

Artist: David Barnett

ID : 50677

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XV

Airshow XV

Artist: David Barnett

ID : 50676

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Portrait

Portrait

Artist: David Barnett

ID : 50688

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Jodi

Jodi

Artist: David Barnett

ID : 50684

Description:

Des mesures : 86 x 86 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XV [detail]

Airshow XV [detail]

Artist: David Barnett

ID : 50681

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XV [detail]

Airshow XV [detail]

Artist: David Barnett

ID : 50680

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Airshow XV [work in progress]

Airshow XV [work in progress]

Artist: David Barnett

ID : 50678

Description: Commissioned by CanLea Ltd. For the lobby of the Maclean-Hunter Building, Toronto

Des mesures : 488 x 244 cm

Collection:

Date de réalisation : 1985

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50704

Description:

Des mesures : 38 x 28 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50701

Description:

Des mesures : 28 x 38 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled

Untitled

Artist: David Barnett

ID : 50700

Description:

Des mesures : 122 x 117 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50702

Description:

Des mesures : 38 x 28 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled

Untitled

Artist: David Barnett

ID : 50691

Description:

Des mesures : 81 x 71 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Portrait

Portrait

Artist: David Barnett

ID : 50689

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Portrait

Portrait

Artist: David Barnett

ID : 50692

Description:

Des mesures : 157 x 137 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled

Untitled

Artist: David Barnett

ID : 50707

Description:

Des mesures : 81 cm high/de haut

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50703

Description:

Des mesures : 38 x 28 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled

Untitled

Artist: David Barnett

ID : 50699

Description:

Des mesures : 183 x 168 cm

Collection:

Date de réalisation : 1986

Matériaux :

Collection virtuelle :

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Portrait

Portrait

Artist: David Barnett

ID : 50690

Description:

Des mesures : 122 x 152 cm

Collection:

Date de réalisation : 1986

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Figure

Figure

Artist: David Barnett

ID : 50705

Description:

Des mesures : 107 x 38 x 33 cm

Collection:

Date de réalisation : 1986

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Portrait

Portrait

Artist: David Barnett

ID : 50693

Description:

Des mesures : 157 x 137 cm

Collection:

Date de réalisation : 1986

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Untitled

Untitled

Artist: David Barnett

ID : 50706

Description:

Des mesures : 28 cm high/de haut

Collection:

Date de réalisation : 1986

Matériaux :

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Man with a Flag

Man with a Flag

Artist: David Barnett

ID : 50709

Description:

Des mesures : 229 x 203 cm

Collection:

Date de réalisation : 1987

Matériaux :

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Cyclist

Cyclist

Artist: David Barnett

ID : 50708

Description:

Des mesures : 198 x 190 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Untitled

Untitled

Artist: David Barnett

ID : 50698

Description:

Des mesures : 86 x 86 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50697

Description:

Des mesures : 76 x 56 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Untitled Drawing

Untitled Drawing

Artist: David Barnett

ID : 50696

Description:

Des mesures : 76 x 56 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Peer

Peer

Artist: David Barnett

ID : 50710

Description:

Des mesures : 221 x 130 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Woman with a Turban

Woman with a Turban

Artist: David Barnett

ID : 50694

Description:

Des mesures : 193 x 163 cm

Collection:

Date de réalisation : 1987

Matériaux :

Collection virtuelle :

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Pole Vaulter

Pole Vaulter

Artist: David Barnett

ID : 50716

Description:

Des mesures : 262 x 201 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Breast Examination

Breast Examination

Artist: David Barnett

ID : 50711

Description:

Des mesures : 190 x 130 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Figure in Front of Mirror

Figure in Front of Mirror

Artist: David Barnett

ID : 50718

Description:

Des mesures : 152 x 108 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Circus

Circus

Artist: David Barnett

ID : 50712

Description:

Des mesures : 251 x 203 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Runner

Runner

Artist: David Barnett

ID : 50713

Description:

Des mesures : 224 x 203 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Portrait

Portrait

Artist: David Barnett

ID : 50695

Description:

Des mesures : 86 x 188 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Graffitti Painter

Graffitti Painter

Artist: David Barnett

ID : 50714

Description:

Des mesures : 254 x 203 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Wizard

Wizard

Artist: David Barnett

ID : 50715

Description:

Des mesures : 269 x 201 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Bather

Bather

Artist: David Barnett

ID : 50717

Description:

Des mesures : 193 x 163 cm

Collection:

Date de réalisation : 1988

Matériaux :

Collection virtuelle :

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Judith and Holofernes

Judith and Holofernes

Artist: David Barnett

ID : 50720

Description:

Des mesures : 208 x 206 cm

Collection:

Date de réalisation : 1989

Matériaux :

Collection virtuelle :

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Star Gazer

Star Gazer

Artist: David Barnett

ID : 50719

Description: private commission

Des mesures : 366 x 173 cm

Collection:

Date de réalisation : 1989

Matériaux :

Collection virtuelle :

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Dream of Flight

Dream of Flight

Artist: David Barnett

ID : 50722

Description:

Des mesures : 137 x 203 cm

Collection:

Date de réalisation : 1990

Matériaux :

Collection virtuelle :

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Dream of Flight #2

Dream of Flight #2

Artist: David Barnett

ID : 50723

Description:

Des mesures : 188 x 168 cm

Collection:

Date de réalisation : 1990

Matériaux :

Collection virtuelle :

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Dream of Flight #3

Dream of Flight #3

Artist: David Barnett

ID : 50724

Description:

Des mesures : 206 x 168 cm

Collection:

Date de réalisation : 1990

Matériaux :

Collection virtuelle :

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Walking Woman

Walking Woman

Artist: David Barnett

ID : 50721

Description:

Des mesures : 135 x 206 cm

Collection:

Date de réalisation : 1990

Matériaux :

Collection virtuelle :

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The Death of Icarus

The Death of Icarus

Artist: David Barnett

ID : 50727

Description:

Des mesures : 203 x 152 cm

Collection:

Date de réalisation : 1991

Matériaux :

Collection virtuelle :

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The Leap

The Leap

Artist: David Barnett

ID : 50725

Description:

Des mesures : 168 x 122 cm

Collection:

Date de réalisation : 1991

Matériaux :

Collection virtuelle :

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Icarus

Icarus

Artist: David Barnett

ID : 50726

Description:

Des mesures : 203 x 183 cm

Collection:

Date de réalisation : 1991

Matériaux :

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Juanita

Juanita

Artist: David Barnett

ID : 50659

Description: From the Smoking Series.

The achromatic form on which these paintings were structured resulted from a question that arose in previous work. I had been working in colour from images that originated in photographic reference, such as family snapshots, almost all of which were in black and white. To assign local colour to areas of the image seemed arbitrary and the results often too "pretty". The alternative of simply using grey paint was too sterile. I wanted to discover a method of painting that would allow the play of colour and avoid the decorative, while preserving the integrity of the original.

It was only when I began to apply adjacent complimentary hues to the canvas in a pointillistic fashion with a course air brush, which from a distance would appear as values of grey approximating those of the original, that I felt I had arrived at an acceptable painterly solution. This produced a personal aesthetic that was to remain with me over many years and subjects.

Des mesures : 193 x 198 cm

Collection:

Date de réalisation : 1991-1998

Matériaux :

Collection virtuelle :

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Dream of Flight #4

Dream of Flight #4

Artist: David Barnett

ID : 50728

Description:

Des mesures : 152 x 108 cm

Collection:

Date de réalisation : 1992

Matériaux :

Collection virtuelle :

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Twelve 8

Twelve 8

Artist: David Barnett

ID : 50737

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

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Four 2

Four 2

Artist: David Barnett

ID : 50743

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Four:

"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 1

Twelve 1

Artist: David Barnett

ID : 50730

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 5

Twelve 5

Artist: David Barnett

ID : 50734

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Three 1

Three 1

Artist: David Barnett

ID : 50746

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Three:

"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Four 1

Four 1

Artist: David Barnett

ID : 50742

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Four:

"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 2

Twelve 2

Artist: David Barnett

ID : 50731

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 12

Twelve 12

Artist: David Barnett

ID : 50741

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 10

Twelve 10

Artist: David Barnett

ID : 50739

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 6

Twelve 6

Artist: David Barnett

ID : 50735

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Four 3

Four 3

Artist: David Barnett

ID : 50744

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Four:

"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 4

Twelve 4

Artist: David Barnett

ID : 50733

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 9

Twelve 9

Artist: David Barnett

ID : 50738

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Three 2

Three 2

Artist: David Barnett

ID : 50747

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Three:

"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 3

Twelve 3

Artist: David Barnett

ID : 50732

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Three 3

Three 3

Artist: David Barnett

ID : 50748

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Three:

"What is the use, then, of all your travelling?" - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Four 4

Four 4

Artist: David Barnett

ID : 50745

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Four:

"Marco Polo, mute informant, spread out... the samples of the wares he had brought back from his journeys to the ends of the empire: a helmet, a seashell, a coconut, a fan." - Italo Calvino, Invisible Cities

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 7

Twelve 7

Artist: David Barnett

ID : 50736

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve 11

Twelve 11

Artist: David Barnett

ID : 50740

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Twelve

Twelve

Artist: David Barnett

ID : 50729

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Twelve:

"You, who go about exploring and who see signs, can tell me toward which of these futures the favouring winds are driving us." - Italo Calvino, Invisible Cities

Des mesures : 23 x 30 cm

Collection:

Date de réalisation : 1993

Matériaux :

Collection virtuelle :

Ajouter à la liste

Seven 1

Seven 1

Artist: David Barnett

ID : 50749

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Still Life with Urban Rubble

Still Life with Urban Rubble

Artist: David Barnett

ID : 50756

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 7

Seven 7

Artist: David Barnett

ID : 50755

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 2

Seven 2

Artist: David Barnett

ID : 50750

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 6

Seven 6

Artist: David Barnett

ID : 50754

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 4

Seven 4

Artist: David Barnett

ID : 50752

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 5

Seven 5

Artist: David Barnett

ID : 50753

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Seven 3

Seven 3

Artist: David Barnett

ID : 50751

Description: From the Media Series.

Twelve was the first of several polytychs. Each of its twelve panels used imagery cropped from the daily newspapers between December 1992 and March 1993. Each echoing its black and white source was painted in strokes of complimentary colours, which from a distance, appeared as values of grey.

There was no pretence of forming patterns of meaning; in fact if there is one, it is of meaninglessness, fragmentation and our inability to grasp any comprehensible notion of a constantly changing world. To emphasise this, their installation, avoiding the unity of a grid, was random and avoided horizontal or vertical alignment. A hanging diagram was provided.

The title of each set was borrowed from a literary source.

Seven:

"...I thought of dew on armour and carrion. What would I meet, blood-boltered, on the road." - Seamus Heaney, Glanmore Sonnets, #VII

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1994

Matériaux :

Collection virtuelle :

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Grey Tweed

Grey Tweed

Artist: David Barnett

ID : 50776

Description:

Des mesures : 30 x 24 cm

Collection:

Date de réalisation : 1995

Matériaux :

Collection virtuelle :

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Two Bricks

Two Bricks

Artist: David Barnett

ID : 50757

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 24 x 30 cm

Collection:

Date de réalisation : 1995

Matériaux :

Collection virtuelle :

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Untitled [detail]

Untitled [detail]

Artist: David Barnett

ID : 50778

Description:

Des mesures :

Collection:

Date de réalisation : 1995

Matériaux :

Collection virtuelle :

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Untitled

Untitled

Artist: David Barnett

ID : 50777

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 1995

Matériaux :

Collection virtuelle :

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Empty Pot

Empty Pot

Artist: David Barnett

ID : 50758

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 30 x 30 cm

Collection:

Date de réalisation : 1997

Matériaux :

Collection virtuelle :

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Jeux d’eau

Jeux d’eau

Artist: David Barnett

ID : 50779

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 1998

Matériaux :

Collection virtuelle :

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Tuscan Cream

Tuscan Cream

Artist: David Barnett

ID : 50759

Description: Le Tuscan Cream used in the title of these two works refers not to nostalgia for Italy, but to the brand name on the cartons of a line of milk products in New York City.

Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 33 x 37 cm

Collection:

Date de réalisation : 1998

Matériaux :

Collection virtuelle :

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Five

Five

Artist: David Barnett

ID : 50764

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 27 x 38 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Cup with Jar

Cup with Jar

Artist: David Barnett

ID : 50761

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 30 x 32 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Jardinière

Jardinière

Artist: David Barnett

ID : 50762

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 43 x 50 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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2%

2%

Artist: David Barnett

ID : 50766

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 39 x 39 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Still Life with Broken Brick

Still Life with Broken Brick

Artist: David Barnett

ID : 50763

Description:

Des mesures : 30 x 30 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Lait Fermenté Maigre

Lait Fermenté Maigre

Artist: David Barnett

ID : 50765

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 38 x 39 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Lait

Lait

Artist: David Barnett

ID : 50767

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 39 x 44 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Tall Jug

Tall Jug

Artist: David Barnett

ID : 50760

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 25 x 30 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Earth Song #1

Earth Song #1

Artist: David Barnett

ID : 50782

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Four Milk Cartons

Four Milk Cartons

Artist: David Barnett

ID : 50772

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 39 x 48 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Tissue Box

Tissue Box

Artist: David Barnett

ID : 50771

Description:

Des mesures : 39 x 46 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Cow’s Face

Cow’s Face

Artist: David Barnett

ID : 50773

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 39 x 46 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Five Milk Cartons

Five Milk Cartons

Artist: David Barnett

ID : 50770

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 41 x 47 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Earth Song #2

Earth Song #2

Artist: David Barnett

ID : 50783

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Invisible Cities

Invisible Cities

Artist: David Barnett

ID : 50781

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Four Vessels

Four Vessels

Artist: David Barnett

ID : 50769

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 49 x 49 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Frais Frais

Frais Frais

Artist: David Barnett

ID : 50768

Description:

Des mesures : 32 x 34 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Earth Song #3

Earth Song #3

Artist: David Barnett

ID : 50784

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 2000

Matériaux :

Collection virtuelle :

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Tuscan Cream

Tuscan Cream

Artist: David Barnett

ID : 50774

Description: Le Tuscan Cream used in the title of these two works refers not to nostalgia for Italy, but to the brand name on the cartons of a line of milk products in New York City.

Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 33 x 39 cm

Collection:

Date de réalisation : 2001

Matériaux :

Collection virtuelle :

Ajouter à la liste

Four Cream Cartons

Four Cream Cartons

Artist: David Barnett

ID : 50775

Description: Continuing to work in an achromatic fashion, I preferred now to bypass the intervention of technology and abandoned photographic sources in favour of direct vision. I continued to probe the music-like complexity of simple grey scales, and like certain verse forms, these still life subjects seemed perfectly contained and limitless.

Des mesures : 33 x 39 cm

Collection:

Date de réalisation : 2001

Matériaux :

Collection virtuelle :

Ajouter à la liste

Untitled

Untitled

Artist: David Barnett

ID : 50780

Description:

Des mesures : 122 x 112 cm

Collection:

Date de réalisation : 2001

Matériaux :

Collection virtuelle :

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Studio – with Air Show

Studio – with Air Show

Artist: David Barnett

ID : 50787

Description:

Des mesures : 168 x 114 cm

Collection:

Date de réalisation : 2002

Matériaux :

Collection virtuelle :

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Studio – with copy of Titian’s The Flaying of Marsayas

Studio – with copy of Titian’s The Flaying of Marsayas

Artist: David Barnett

ID : 50786

Description:

Des mesures : 168 x 114 cm

Collection:

Date de réalisation : 2002

Matériaux :

Collection virtuelle :

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Grey Studio

Grey Studio

Artist: David Barnett

ID : 50785

Description:

Des mesures : 127 x 97 cm

Collection:

Date de réalisation : 2002

Matériaux :

Collection virtuelle :

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Studio – with the Rage of Achilles

Studio – with the Rage of Achilles

Artist: David Barnett

ID : 50795

Description:

Des mesures : 157 x 137 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – at Midnight

Studio – at Midnight

Artist: David Barnett

ID : 50789

Description:

Des mesures : 112 x 91 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – with Copy of Pisanello’s St. George

Studio – with Copy of Pisanello’s St. George

Artist: David Barnett

ID : 50794

Description:

Des mesures : 140 x 117 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Yellow Studio

Yellow Studio

Artist: David Barnett

ID : 50788

Description:

Des mesures : 168 x 137 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – with Giotto’s Angel

Studio – with Giotto’s Angel

Artist: David Barnett

ID : 50790

Description:

Des mesures : 112 x 91 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – with Running Water

Studio – with Running Water

Artist: David Barnett

ID : 50796

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – in the Country

Studio – in the Country

Artist: David Barnett

ID : 50792

Description:

Des mesures : 112 x 91 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – ‘Where Are We?’, John Berger

Studio – ‘Where Are We?’, John Berger

Artist: David Barnett

ID : 50793

Description: From the Studio Series.

"Where are we?", used in the identification of this painting is the title of an essay by John Berger, that appeared in the March, 2003 issue of Harper's Magazine, p. 13. It was reprinted from the introduction to Between the Eyes: Essays on Photography and Politics, by David Levi Strauss, published in April, 2003 by Aperture. Among other things, it criticised the misused power of the trinity of the World Bank, the Pentagon and US political administration.

Des mesures : 168 x 137 cm

Collection:

Date de réalisation : 2003

Matériaux :

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Studio – with the Fall of Icarus

Studio – with the Fall of Icarus

Artist: David Barnett

ID : 50791

Description:

Des mesures : 112 x 91 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Black Studio

Black Studio

Artist: David Barnett

ID : 50797

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Studio – Nineteen Thirty-Three

Studio – Nineteen Thirty-Three

Artist: David Barnett

ID : 61059

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2004

Matériaux :

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Portrait of Annie – With Copy of Manet’s Boutique de Pivoines

Portrait of Annie – With Copy of Manet’s Boutique de Pivoines

Artist: David Barnett

ID : 61058

Description:

Des mesures : 61 x 76 cm

Collection:

Date de réalisation : 2004

Matériaux :

Collection virtuelle :

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Studio – The End of Time

Studio – The End of Time

Artist: David Barnett

ID : 61062

Description:

Des mesures : 141 x 117 cm

Collection:

Date de réalisation : 2004

Matériaux :

Collection virtuelle :

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Studio – Waiting for the Barbarians

Studio – Waiting for the Barbarians

Artist: David Barnett

ID : 61060

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2004

Matériaux :

Collection virtuelle :

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Studio – With the Unfinished Portrait of a Hollow Man

Studio – With the Unfinished Portrait of a Hollow Man

Artist: David Barnett

ID : 61064

Description:

Des mesures : 101 x 81 cm

Collection:

Date de réalisation : 2004

Matériaux :

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Studio – With an Attempt (Abandoned) to Paint the Psyche of a Banker

Studio – With an Attempt (Abandoned) to Paint the Psyche of a Banker

Artist: David Barnett

ID : 61063

Description:

Des mesures : 101 x 81 cm

Collection:

Date de réalisation : 2004

Matériaux :

Collection virtuelle :

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Studio – The Abyss of the Birds

Studio – The Abyss of the Birds

Artist: David Barnett

ID : 61061

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2004

Matériaux :

Collection virtuelle :

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Studio – With Graffito

Studio – With Graffito

Artist: David Barnett

ID : 61071

Description:

Des mesures : 140 x 190 cm

Collection:

Date de réalisation : 2005

Matériaux :

Collection virtuelle :

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Studio – With an Unfinished Portrait

Studio – With an Unfinished Portrait

Artist: David Barnett

ID : 61065

Description:

Des mesures : 101 x 81 cm

Collection:

Date de réalisation : 2005

Matériaux :

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Studio – With a Figure on the Roof

Studio – With a Figure on the Roof

Artist: David Barnett

ID : 61068

Description:

Des mesures : 141 x 117 cm

Collection:

Date de réalisation : 2005

Matériaux :

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Studio – With the Portrait of a Man in Great Confusion

Studio – With the Portrait of a Man in Great Confusion

Artist: David Barnett

ID : 61066

Description:

Des mesures : 101 x 81 cm

Collection:

Date de réalisation : 2005

Matériaux :

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Studio – Figure Wearing a Lion Mask

Studio – Figure Wearing a Lion Mask

Artist: David Barnett

ID : 61069

Description:

Des mesures : 168 x 117 cm

Collection:

Date de réalisation : 2005

Matériaux :

Collection virtuelle :

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Studio – After a Summer Storm

Studio – After a Summer Storm

Artist: David Barnett

ID : 61067

Description:

Des mesures : 141 x 117 cm

Collection:

Date de réalisation : 2005

Matériaux :

Collection virtuelle :

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Studio – With a Red Painting

Studio – With a Red Painting

Artist: David Barnett

ID : 61070

Description:

Des mesures : 140 x 190 cm

Collection:

Date de réalisation : 2005

Matériaux :

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Studio – With a Copy of Josh’s Self Portrait with his Mother

Studio – With a Copy of Josh’s Self Portrait with his Mother

Artist: David Barnett

ID : 61072

Description:

Des mesures : 119 x 94

Collection:

Date de réalisation : 2005

Matériaux :

Collection virtuelle :

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