Base de données du CACC sur l'art canadien

States of Being

Artist: Sally Michener

Work ID: 54058

Description: photo credit: Jim Felter

Des mesures : 162.56 cm h x 38.1 cm w x 30.48 cm d

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Oeuvre d'art par Sally Michener

Signs of Our Times, detail 2 of 2

Signs of Our Times, detail 2 of 2

Artist: Sally Michener

ID : 8433

Description: Photo: Barbara Cohen.
Artist's statement: I make the terra cotta shapes; the white tiles are commercial. The female running figure is one major motif, and the ordinary objects are based on the circle, square and triangle.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : Created as a wall, 15.24 panel sections: 243.84 x 365.76 cm; 619.76 x 927.1 cm

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Date de réalisation : 1990

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Signs of Our Times

Signs of Our Times

Artist: Sally Michener

ID : 8431

Description: Photo: Barbara Cohen.
Artist's statement: I make the terra cotta shapes; the white tiles are commercial. The female running figure is one major motif, and the ordinary objects are based on the circle, square and triangle.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : Created as a wall, 15.24 panel sections: 243.84 x 365.76 cm; 619.76 x 927.1 cm

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Date de réalisation : 1990

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Signs of Our Times, detail 1 of 2

Signs of Our Times, detail 1 of 2

Artist: Sally Michener

ID : 8432

Description: Photo: Barbara Cohen.
Artist's statement: I make the terra cotta shapes; the white tiles are commercial. The female running figure is one major motif, and the ordinary objects are based on the circle, square and triangle.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : Created as a wall, 15.24 panel sections: 243.84 x 365.76 cm; 619.76 x 927.1 cm

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Date de réalisation : 1990

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Touch and Trace

Touch and Trace

Artist: Sally Michener

ID : 8434

Description: Photo: Barbara Cohen.
Artist's statement: I have added shards from other people's work to my mix. The terra cotta shapes in the left panel were made for this piece using symbols such as the spiral, arrow, face, hand, female body, circle, square, triangle, and so on. The right panel is primarily comprised of white commercial tiles and mirror-as a contrast.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 121.92 x 243.84 cm

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Date de réalisation : 1991

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Touch and Trace, detail

Touch and Trace, detail

Artist: Sally Michener

ID : 8435

Description: Photo: Barbara Cohen.
Artist's statement: I have added shards from other people's work to my mix. The terra cotta shapes in the left panel were made for this piece using symbols such as the spiral, arrow, face, hand, female body, circle, square, triangle, and so on. The right panel is primarily comprised of white commercial tiles and mirror-as a contrast.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 121.92 x 243.84 cm

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Date de réalisation : 1991

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Women’s Work

Women’s Work

Artist: Sally Michener

ID : 8436

Description: Photo: Barbara Cohen.
Artist's statement: There are 35 - 24 x 24 in. (61 x 61cm) square panels of ceramic tile compositions. Some are geometric compositions, others are landscapes, old game boards and a few suggest the ephemeral, prayer chalk drawings from India. They remind me of quilt or piecework, hence the Women's Work title.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 304.8 x 426.72 cm

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Date de réalisation : 1991-1992

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Women’s Work, detail

Women’s Work, detail

Artist: Sally Michener

ID : 8437

Description: Photo: Barbara Cohen.
Artist's statement: There are 35 - 24 x 24 in. (61 x 61cm) square panels of ceramic tile compositions. Some are geometric compositions, others are landscapes, old game boards and a few suggest the ephemeral, prayer chalk drawings from India. They remind me of quilt or piecework, hence the Women's Work title.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 304.8 x 426.72 cm

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Date de réalisation : 1991-1992

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Melanie

Melanie

Artist: Sally Michener

ID : 8445

Description: Photo: Sally Michener.
Part of series related to Alice, Donna, Helen, Adam, John, 1993.
Artist's statement: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 167.64 x 58.42 cm

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Date de réalisation : 1993

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Alice, Donna, Helen, Adam, John, view 1 of 2

Alice, Donna, Helen, Adam, John, view 1 of 2

Artist: Sally Michener

ID : 8442

Description: Photo: Ken Mayer. Artist's statement: This mixture constitutes a rich mix of past and present, functional and decorative ceramic. Mirror pieces and found glass shards are also used to reflect the viewer and to add sparkle. The figures are life related-not life like. The focus is on geometry and posture. They have a "stick" or totemic quality. Their names are derived form my use of face casts of individual people for the faces of the bodies. Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 12.7 figures from: 162.56 to 193.04 cm

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Date de réalisation : 1993

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Alice, Donna, Helen, Adam, John, detail: Helen

Alice, Donna, Helen, Adam, John, detail: Helen

Artist: Sally Michener

ID : 8444

Description: Photo: Ken Mayer. Artist's statement: This mixture constitutes a rich mix of past and present, functional and decorative ceramic. Mirror pieces and found glass shards are also used to reflect the viewer and to add sparkle. The figures are life related-not life like. The focus is on geometry and posture. They have a "stick" or totemic quality. Their names are derived form my use of face casts of individual people for the faces of the bodies. Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 12.7 figures from: 162.56 to 193.04 cm

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Date de réalisation : 1993

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Looking Box, view 2 of 2

Looking Box, view 2 of 2

Artist: Sally Michener

ID : 8439

Description: Photo: Sally Michener.
Artist's statement: Two wood doors are totally clad by ceramic tiles. They are joined to create an inner space by a wood floor also covered with ceramic tile. This piece is to be entered and experienced from inside with a sense of a "hot box". On one interior side there is a life size female, the opposite side has a male figure. They are composed of ceramic tiles using words and familiar objects, and enough mirror to reflect the viewer(s). Words such as who, art, play, work, why, self, life; objects: heart, apple, telephone, and bike, flower. (06 glazes) The words and objects are ceramic bits made specifically by me for this piece. Other tiles are largely commercial but the ceramic tile mosaic mixture includes shards found on the tidal banks of the Fraser River "sally ann" finds, and pieces from friends, former students and myself. On the floor and outer surfaces the tiles make reference to pattern and domestic space (e.g. shape of a house). Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 228.6 x 121.92 x 35.56 cm deep

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Date de réalisation : 1993

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Looking Box, detail 2 of 2

Looking Box, detail 2 of 2

Artist: Sally Michener

ID : 8441

Description: Photo: Sally Michener.
Artist's statement: Two wood doors are totally clad by ceramic tiles. They are joined to create an inner space by a wood floor also covered with ceramic tile. This piece is to be entered and experienced from inside with a sense of a "hot box". On one interior side there is a life size female, the opposite side has a male figure. They are composed of ceramic tiles using words and familiar objects, and enough mirror to reflect the viewer(s). Words such as who, art, play, work, why, self, life; objects: heart, apple, telephone, and bike, flower. (06 glazes) The words and objects are ceramic bits made specifically by me for this piece. Other tiles are largely commercial but the ceramic tile mosaic mixture includes shards found on the tidal banks of the Fraser River "sally ann" finds, and pieces from friends, former students and myself. On the floor and outer surfaces the tiles make reference to pattern and domestic space (e.g. shape of a house). Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 228.6 x 121.92 x 35.56 cm deep

Collection:

Date de réalisation : 1993

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Looking Box, detail 1 of 2

Looking Box, detail 1 of 2

Artist: Sally Michener

ID : 8440

Description: Photo: Sally Michener.
Artist's statement: Two wood doors are totally clad by ceramic tiles. They are joined to create an inner space by a wood floor also covered with ceramic tile. This piece is to be entered and experienced from inside with a sense of a "hot box". On one interior side there is a life size female, the opposite side has a male figure. They are composed of ceramic tiles using words and familiar objects, and enough mirror to reflect the viewer(s). Words such as who, art, play, work, why, self, life; objects: heart, apple, telephone, and bike, flower. (06 glazes) The words and objects are ceramic bits made specifically by me for this piece. Other tiles are largely commercial but the ceramic tile mosaic mixture includes shards found on the tidal banks of the Fraser River "sally ann" finds, and pieces from friends, former students and myself. On the floor and outer surfaces the tiles make reference to pattern and domestic space (e.g. shape of a house). Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 228.6 x 121.92 x 35.56 cm deep

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Date de réalisation : 1993

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Alice, Donna, Helen, Adam, John, view 2 of 2

Alice, Donna, Helen, Adam, John, view 2 of 2

Artist: Sally Michener

ID : 8443

Description: Photo: Ken Mayer. Artist's statement: This mixture constitutes a rich mix of past and present, functional and decorative ceramic. Mirror pieces and found glass shards are also used to reflect the viewer and to add sparkle. The figures are life related-not life like. The focus is on geometry and posture. They have a "stick" or totemic quality. Their names are derived form my use of face casts of individual people for the faces of the bodies. Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 12.7 figures from: 162.56 to 193.04 cm

Collection:

Date de réalisation : 1993

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Looking Box, view 1 of 2

Looking Box, view 1 of 2

Artist: Sally Michener

ID : 8438

Description: Photo: Sally Michener.
Artist's statement: Two wood doors are totally clad by ceramic tiles. They are joined to create an inner space by a wood floor also covered with ceramic tile. This piece is to be entered and experienced from inside with a sense of a "hot box". On one interior side there is a life size female, the opposite side has a male figure. They are composed of ceramic tiles using words and familiar objects, and enough mirror to reflect the viewer(s). Words such as who, art, play, work, why, self, life; objects: heart, apple, telephone, and bike, flower. (06 glazes) The words and objects are ceramic bits made specifically by me for this piece. Other tiles are largely commercial but the ceramic tile mosaic mixture includes shards found on the tidal banks of the Fraser River "sally ann" finds, and pieces from friends, former students and myself. On the floor and outer surfaces the tiles make reference to pattern and domestic space (e.g. shape of a house). Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 228.6 x 121.92 x 35.56 cm deep

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Date de réalisation : 1993

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Day Long, detail 1 of 2

Day Long, detail 1 of 2

Artist: Sally Michener

ID : 8448

Description: Photo: Sally Michener.
Artist's statement: I composed this with the primary image of a running female, and ordinary objects (house, dig, plane, car, apple, etc.), as well as geometric shapes and words to suggest activities of daily life. The figure re-occurs through the panels, which are interspersed with 31cm square mirror tiles (20), which "catch" the viewer in the piece.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 50.8 panels, each: 30.48 x 60.96 cm; 78.74 x 154.94 cm / overall: 156.21 x 469.9 cm; 396.24 x 1193.8 cm

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Date de réalisation : 1994

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Day Long, detail 2 of 2

Day Long, detail 2 of 2

Artist: Sally Michener

ID : 8449

Description: Photo: Sally Michener.
Artist's statement: I composed this with the primary image of a running female, and ordinary objects (house, dig, plane, car, apple, etc.), as well as geometric shapes and words to suggest activities of daily life. The figure re-occurs through the panels, which are interspersed with 31cm square mirror tiles (20), which "catch" the viewer in the piece.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 50.8 panels, each: 30.48 x 60.96 cm; 78.74 x 154.94 cm / overall: 156.21 x 469.9 cm; 396.24 x 1193.8 cm

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Date de réalisation : 1994

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Beryl

Beryl

Artist: Sally Michener

ID : 8446

Description: Photo: Sally Michener.
Part of series related to Alice, Donna, Helen, Adam, John, 1993.
Artist's statement: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 198.12 x 90.17 cm

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Date de réalisation : 1995

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Beryl, detail

Beryl, detail

Artist: Sally Michener

ID : 8447

Description: Photo: Sally Michener.
Part of series related to Alice, Donna, Helen, Adam, John, 1993.
Artist's statement: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 198.12 x 90.17 cm

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Date de réalisation : 1995

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English Bay

English Bay

Artist: Sally Michener

ID : 8456

Description: Photo: Sally Michener.
Artist's statement: Two people wave from high rise apartments near the sea.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 54.61 x 41.91 x 25.4 cm

Collection:

Date de réalisation : 1996

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Two Dogs in Waiting

Two Dogs in Waiting

Artist: Sally Michener

ID : 8458

Description: Photo: Sally Michener.
Artist's statement: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 49.53 x 39.37 x 39.37 cm

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Date de réalisation : 1996

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Katy’s House

Katy’s House

Artist: Sally Michener

ID : 8450

Description: Photo: Sally Michener.
Artist's statement: This is part of a series of small dwellings or landscape ceramic pieces dealing with intimate relationships and a sense of place-personal "temples" like home. Katy is my daughter so I used very special tiles, e.g. a necklace tile I wore in college.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 35.56 x 25.4 cm

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Date de réalisation : 1996

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House on Hill

House on Hill

Artist: Sally Michener

ID : 8454

Description: Photo: Sally Michener.
Artist's statement: A figure alone in the world.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 41.91 x 39.37 x 25.4 cm

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Date de réalisation : 1996

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Squared Off, view 2 of 2

Squared Off, view 2 of 2

Artist: Sally Michener

ID : 8452

Description: Photo: Sally Michener.
Artist's statement: A woman in her room who can see a man in his room, but the doors do not allow entry into the other's space.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 31.75 x 35.56 x 35.56 cm

Collection:

Date de réalisation : 1996

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Thinking of You

Thinking of You

Artist: Sally Michener

ID : 8455

Description: Photo: Sally Michener.
Artist's statement: Two houses in differentparts of the world - but connected by two people.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 45.72 x 41.91 x 25.4 cm

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Date de réalisation : 1996

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Moon in the Plaza

Moon in the Plaza

Artist: Sally Michener

ID : 8453

Description: Photo: Sally Michener.
Artist's statement: The moon sends light into an empty city plaza.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 50.8 x 30.48 x 30.48 cm

Collection:

Date de réalisation : 1996

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Squared Off, view 1 of 2

Squared Off, view 1 of 2

Artist: Sally Michener

ID : 8451

Description: Photo: Sally Michener.
Artist's statement: A woman in her room who can see a man in his room, but the doors do not allow entry into the other's space.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 31.75 x 35.56 x 35.56 cm

Collection:

Date de réalisation : 1996

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Woman on Shelf

Woman on Shelf

Artist: Sally Michener

ID : 8457

Description: Photo: Sally Michener.
Artist's statement: A visitor at the front door sees the woman in the window, who is on a shelf.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 49.53 x 25.4 x 25.4 cm

Collection:

Date de réalisation : 1996

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Bare Bones I, detail 1 of 2

Bare Bones I, detail 1 of 2

Artist: Sally Michener

ID : 8461

Description: Photo: Sally Michener.
Artist's statement: This is the beginning of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 177.8 cm

Collection:

Date de réalisation : 1997

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Herstory / History

Herstory / History

Artist: Sally Michener

ID : 8459

Description: Photo: Sally Michener.
Artist's statement: A black and white ceramic tile game board with computer generated ceramic decals (018) for text to encourage a non-verbal conversation between players. Four Ikea cups labelled with either Herstory or History (again computer generated ceramic decals, cone 018) are used as markers or game pieces and allow various assortment of gender for the players. Text includes feeling frisky, mad as hell, sorry, maybe later, yes!, game over, your turn, slightly kinky, just kidding, thank you, trust, pass go, game over, and so on. (36 spaces) Concept developed in collaboration with Alf Bogusky (at that time director of the Vancouver Art Gallery) for an exhibit called Collaborations</i< for the Canadian Craft Museum and made/crafted by me.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 50.8 x 38.1 x 10.16 cm

Collection:

Date de réalisation : 1997

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Bare Bones I, detail 2 of 2

Bare Bones I, detail 2 of 2

Artist: Sally Michener

ID : 8462

Description: Photo: Sally Michener.
Artist's statement: This is the beginning of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 177.8 cm

Collection:

Date de réalisation : 1997

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Bare Bones I

Bare Bones I

Artist: Sally Michener

ID : 8460

Description: Photo: Sally Michener.
Artist's statement: This is the beginning of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 177.8 cm

Collection:

Date de réalisation : 1997

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The Actor II, detail

The Actor II, detail

Artist: Sally Michener

ID : 8478

Description: Photo: Trevor Mills.
Artist's statement: This life height figure is part of a series of 3 based on a Japanese actor, 22cm h, porcelain, in the collection of the Art Gallery of Greater Victoria.

Des mesures : 173.99 x 59.69 x 17.78 cm

Collection:

Date de réalisation : 1998

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The Actor

The Actor

Artist: Sally Michener

ID : 8472

Description: Photo: Trevor Mills.
Artist's statement: This piece was made with soft slabs with low fire white talc body and glazed at 06. The Actor is part of a series of 4 figures inspired by a small porcelain 17th century piece in theArt Gallery of Greater Victoria. The soft quality of the drapery became the primary quality I worked to develop. Also I wanted to portray a certain proud or regal character.

Des mesures : 48.26 x 25.4 x 15.24 cm

Collection:

Date de réalisation : 1998

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The Actor II

The Actor II

Artist: Sally Michener

ID : 8473

Description: Photo: Trevor Mills.
Artist's statement: This life height figure is part of a series of 3 based on a Japanese actor, 22cm h, porcelain, in the collection of the Art Gallery of Greater Victoria.

Des mesures : 173.99 x 59.69 x 17.78 cm

Collection:

Date de réalisation : 1998

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Bare Bones III and IV, detail 1 of 2

Bare Bones III and IV, detail 1 of 2

Artist: Sally Michener

ID : 8466

Description: Photo: Ken Mayer.
Artist's statement: Part of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 181.61 cm

Collection:

Date de réalisation : 1998

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The Actor III

The Actor III

Artist: Sally Michener

ID : 8477

Description: Photo: Trevor Mills.
Artist's statement: A "bust". Part of the Actor series.

Des mesures : 66.04 x 49.53 x 25.4 cm

Collection:

Date de réalisation : 1998

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Bare Bones III and IV, detail 2 of 2

Bare Bones III and IV, detail 2 of 2

Artist: Sally Michener

ID : 8465

Description: Photo: Ken Mayer.
Artist's statement: Part of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 181.61 cm

Collection:

Date de réalisation : 1998

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Self Portrait

Self Portrait

Artist: Sally Michener

ID : 8476

Description: Photo: Trevor Mills.
Artist's statement: White talc clay is used to make slabs. This column is made of body parts, vegetables, fish, Barbie doll and a cup all made with press moulds. They were fired at 04 and assembled in a non-literal manner to create a 'self-portrait'. (My head is the "foot" of the piece and my "hair" is a cabbage leaf. I had been invited by an ECIAD (Emily Carr Institute of Art + Design) student to participate with her in a faculty/student exhibit Beyond the Surface in the Charles Scott Gallery, ECIAD, Vancouver. She brought her moulds to my studio and we each created a Self-Portrait column and the pair were shown together. Both were painted white. We decided to not use colour, as the forms were so complex.

Des mesures : 175.26 cm

Collection:

Date de réalisation : 1998

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Bare Bones III and IV

Bare Bones III and IV

Artist: Sally Michener

ID : 8463

Description: Photo: Ken Mayer.
Artist's statement: Part of a series of columns. A much finer, smaller tile is used than in previous works like Looking Box or Alice, Donna et al. This work is very labour intensive. (Lots more cutting, fitting). I begin with a black tile line drawing of a skeleton, which wraps around the rectangular or triangular columns. I then add interior body parts such as stomach, eyes, hipbones, and heart which are non literal and playful in mood. They are not realist but images refer the viewer to life functions, inside and out. Inspired by early Roman skeletal mosaics and Day of the Dead skeletons in Mexico and Spain. They are hopefully pleasing visually with bright colours, pattern and whimsical use of body imagery. Perhaps: an aging artist thinking more about internal health and spiritual issues.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : 181.61 cm

Collection:

Date de réalisation : 1998

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States of Becoming, detail

States of Becoming, detail

Artist: Sally Michener

ID : 8480

Description: Photo: Bill Koropatnick.
Artist's statement: Slab, coil and press mould construction. Made in pieces and stacked together over a metal base/rod. I used moulds for body parts e.g. hand, face, heart, breast, and fruit/vegetable/decorative motifs. I was thinking about how we are all pieced together from strange, unconnected experiences and events of life. The pieces are organized according to a felt sense of belonging. They are about growth and development in a playful, imagined fashion. They were exhibited together as a formal cluster.

Des mesures :

Collection:

Date de réalisation : 1999

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States of Becoming: Mary Alice

States of Becoming: Mary Alice

Artist: Sally Michener

ID : 8481

Description: Photo: Ken Mayer.
Artist's statement: I used the name 'Mary Alice' as a detail, as it is a composite from moulds of two people: Mary et Alice. Slab, coil and press mould construction. Made in pieces and stacked together over a metal base/rod. I used moulds for body parts e.g. hand, face, heart, breast, and fruit/vegetable/decorative motifs. I was thinking about how we are all pieced together from strange, unconnected experiences and events of life. The pieces are organized according to a felt sense of belonging. They are about growth and development in a playful, imagined fashion.This column was exhibited independently.

Des mesures : 184.15 cm

Collection:

Date de réalisation : 1999

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States of Becoming: Mary Alice, detail 1 of 2

States of Becoming: Mary Alice, detail 1 of 2

Artist: Sally Michener

ID : 8482

Description: Photo: Ken Mayer.
Artist's statement: I used the name 'Mary Alice' as a detail, as it is a composite from moulds of two people: Mary et Alice. Slab, coil and press mould construction. Made in pieces and stacked together over a metal base/rod. I used moulds for body parts e.g. hand, face, heart, breast, and fruit/vegetable/decorative motifs. I was thinking about how we are all pieced together from strange, unconnected experiences and events of life. The pieces are organized according to a felt sense of belonging. They are about growth and development in a playful, imagined fashion.This column was exhibited independently.

Des mesures : 184.15 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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States of Becoming

States of Becoming

Artist: Sally Michener

ID : 8479

Description: Photo: Bill Koropatnick.
Artist's statement: Slab, coil and press mould construction. Made in pieces and stacked together over a metal base/rod. I used moulds for body parts e.g. hand, face, heart, breast, and fruit/vegetable/decorative motifs. I was thinking about how we are all pieced together from strange, unconnected experiences and events of life. The pieces are organized according to a felt sense of belonging. They are about growth and development in a playful, imagined fashion. They were exhibited together as a formal cluster.

Des mesures : 10.16 columns, each approx.: 184.15 cm; 467.36 cm high / 49.53 cm; 127 cm diameter

Collection:

Date de réalisation : 1999

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States of Becoming: Mary Alice, detail 2 of 2

States of Becoming: Mary Alice, detail 2 of 2

Artist: Sally Michener

ID : 8483

Description: Photo: Ken Mayer.
Artist's statement: I used the name 'Mary Alice' as a detail, as it is a composite from moulds of two people: Mary et Alice. Slab, coil and press mould construction. Made in pieces and stacked together over a metal base/rod. I used moulds for body parts e.g. hand, face, heart, breast, and fruit/vegetable/decorative motifs. I was thinking about how we are all pieced together from strange, unconnected experiences and events of life. The pieces are organized according to a felt sense of belonging. They are about growth and development in a playful, imagined fashion.This column was exhibited independently.

Des mesures : 184.15 cm

Collection:

Date de réalisation : 1999

Matériaux :

Collection virtuelle :

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Bare Bones V and VI, detail 3 of 3

Bare Bones V and VI, detail 3 of 3

Artist: Sally Michener

ID : 8471

Description: Photo: Sally Michener. Artist's statement: Part of a series of columns. They are made in the same way as Bare Bones III/IV. In addition I made small tiles with words: e.g. made, craft, why, who, paradigm, concept, mask, face, body, feel, touch which are a new part of the ceramic tile mosaic and other shapes of familiar objects: e.g. light bulb, dog, spiral, house, flower, hand. This assortment added a form of sign language to the expressive voice embodied in the work. These column bodies also have a dog: Sophie in the imaginary. Best friends. I hope the surface "text" includes more suggestions on the questions of life in the here and now, past and future.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures :

Collection:

Date de réalisation : 1999-2000

Matériaux :

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Bare Bones V and VI, detail 2 of 3

Bare Bones V and VI, detail 2 of 3

Artist: Sally Michener

ID : 8470

Description: Photo: Sally Michener. Artist's statement: Part of a series of columns. They are made in the same way as Bare Bones III/IV. In addition I made small tiles with words: e.g. made, craft, why, who, paradigm, concept, mask, face, body, feel, touch which are a new part of the ceramic tile mosaic and other shapes of familiar objects: e.g. light bulb, dog, spiral, house, flower, hand. This assortment added a form of sign language to the expressive voice embodied in the work. These column bodies also have a dog: Sophie in the imaginary. Best friends. I hope the surface "text" includes more suggestions on the questions of life in the here and now, past and future.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures :

Collection:

Date de réalisation : 1999-2000

Matériaux :

Collection virtuelle :

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Bare Bones V and VI

Bare Bones V and VI

Artist: Sally Michener

ID : 8467

Description: Photo: Sally Michener. Artist's statement: Part of a series of columns. They are made in the same way as Bare Bones III/IV. In addition I made small tiles with words: e.g. made, craft, why, who, paradigm, concept, mask, face, body, feel, touch which are a new part of the ceramic tile mosaic and other shapes of familiar objects: e.g. light bulb, dog, spiral, house, flower, hand. This assortment added a form of sign language to the expressive voice embodied in the work. These column bodies also have a dog: Sophie in the imaginary. Best friends. I hope the surface "text" includes more suggestions on the questions of life in the here and now, past and future.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : left: 167.64 cm

Collection:

Date de réalisation : 1999-2000

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Bare Bones V and VI, view 2

Bare Bones V and VI, view 2

Artist: Sally Michener

ID : 8468

Description: Photo: Sally Michener. Artist's statement: Part of a series of columns. They are made in the same way as Bare Bones III/IV. In addition I made small tiles with words: e.g. made, craft, why, who, paradigm, concept, mask, face, body, feel, touch which are a new part of the ceramic tile mosaic and other shapes of familiar objects: e.g. light bulb, dog, spiral, house, flower, hand. This assortment added a form of sign language to the expressive voice embodied in the work. These column bodies also have a dog: Sophie in the imaginary. Best friends. I hope the surface "text" includes more suggestions on the questions of life in the here and now, past and future.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures : left: 167.64 cm

Collection:

Date de réalisation : 1999-2000

Matériaux :

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Bare Bones V and VI, detail 1 of 3

Bare Bones V and VI, detail 1 of 3

Artist: Sally Michener

ID : 8469

Description: Photo: Sally Michener. Artist's statement: Part of a series of columns. They are made in the same way as Bare Bones III/IV. In addition I made small tiles with words: e.g. made, craft, why, who, paradigm, concept, mask, face, body, feel, touch which are a new part of the ceramic tile mosaic and other shapes of familiar objects: e.g. light bulb, dog, spiral, house, flower, hand. This assortment added a form of sign language to the expressive voice embodied in the work. These column bodies also have a dog: Sophie in the imaginary. Best friends. I hope the surface "text" includes more suggestions on the questions of life in the here and now, past and future.
Note: Le ceramic tile used in many of these works is a rich mix of tiles made specifically by me, unglazed terra cotta or glazed, shards from "gifts" from other ceramic artist's works, "found objects" purchased at the Salvation Army, odd pieces from family cupboards, shards found on the banks of the Fraser River and the city dump, commercial tile both purchased and free remnants, and mirror.

Des mesures :

Collection:

Date de réalisation : 1999-2000

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Ruby Red

Ruby Red

Artist: Sally Michener

ID : 54036

Description:

Des mesures : 0.707136 m x 3.53568 cm h x 1.76784 cm d

Collection:

Date de réalisation : 2001

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Ruby Red

Ruby Red

Artist: Sally Michener

ID : 54037

Description:

Des mesures : 0.707136 m x 3.53568 cm h x 1.76784 cm d

Collection:

Date de réalisation : 2001

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Ruby Red

Ruby Red

Artist: Sally Michener

ID : 54038

Description:

Des mesures : 0.707136 m x 3.53568 cm h x 1.76784 cm d

Collection:

Date de réalisation : 2001

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States of Becoming

States of Becoming

Artist: Sally Michener

ID : 54059

Description: photo credit: Jim Felter

Des mesures : 182.88 cm h x 63.5 cm w x 27.94 cm d

Collection:

Date de réalisation : 2003

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Pixilated Steps Bench, [front view]

Pixilated Steps Bench, [front view]

Artist: Sally Michener

ID : 54043

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

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Date de réalisation : 2003

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Pixilated Steps Bench

Pixilated Steps Bench

Artist: Sally Michener

ID : 54044

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

Collection:

Date de réalisation : 2003

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Pixilated Steps Bench

Pixilated Steps Bench

Artist: Sally Michener

ID : 54045

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

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Date de réalisation : 2003

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Pixilated Ring Bench

Pixilated Ring Bench

Artist: Sally Michener

ID : 54048

Description: Grandview N & Lakewood, Vancouver, British Columbia

Des mesures : 1.237488 m d x 0.176784 m w x 1.591056 cm h

Collection:

Date de réalisation : 2003

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Pixilated Ring Bench

Pixilated Ring Bench

Artist: Sally Michener

ID : 54049

Description: Grandview N & Lakewood, Vancouver, British Columbia

Des mesures : 1.237488 m d x 0.176784 m w x 1.591056 cm h

Collection:

Date de réalisation : 2003

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States of Being

States of Being

Artist: Sally Michener

ID : 54052

Description: photo credit: Cameron Heryet

Des mesures : each aprox. 173 cm h x 16 cm w x 12 cm d

Collection:

Date de réalisation : 2003

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States of Being, [detail]

States of Being, [detail]

Artist: Sally Michener

ID : 54057

Description: photo credit: Jim Felter

Des mesures : 187.96 cm h x 60.96 cm w x 30.48 cm d

Collection:

Date de réalisation : 2003

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Encounters

Encounters

Artist: Sally Michener

ID : 54061

Description: photo credit: Jim Felter

Des mesures : 190.5 cm h x 66.04 cm w x 27.94 cm d

Collection:

Date de réalisation : 2003

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Encounters, [detail]

Encounters, [detail]

Artist: Sally Michener

ID : 54065

Description: photo credit: Jim Felter

Des mesures : 190.5 cm h x 66.04 cm w x 27.94 cm d

Collection:

Date de réalisation : 2003

Matériaux :

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States of Being

States of Being

Artist: Sally Michener

ID : 54058

Description: photo credit: Jim Felter

Des mesures : 162.56 cm h x 38.1 cm w x 30.48 cm d

Collection:

Date de réalisation : 2003

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Encounters, [detail]

Encounters, [detail]

Artist: Sally Michener

ID : 54064

Description: photo credit: Jim Felter

Des mesures : 190.5 cm h x 66.04 cm w x 27.94 cm d

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Pixilated Ring Bench

Pixilated Ring Bench

Artist: Sally Michener

ID : 54050

Description: Grandview N & Lakewood, Vancouver, British Columbia

Des mesures : 1.237488 m d x 0.176784 m w x 1.591056 cm h

Collection:

Date de réalisation : 2003

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States of Being, [detail]

States of Being, [detail]

Artist: Sally Michener

ID : 54055

Description: photo credit: Cameron Heryet

Des mesures : each aprox. 173 cm h x 16 cm w x 12 cm d

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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States of Being

States of Being

Artist: Sally Michener

ID : 54053

Description: photo credit: Cameron Heryet

Des mesures : each aprox. 173 cm h x 16 cm w x 12 cm d

Collection:

Date de réalisation : 2003

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Pixilated Steps Bench, [top view]

Pixilated Steps Bench, [top view]

Artist: Sally Michener

ID : 54046

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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States of Being

States of Being

Artist: Sally Michener

ID : 54054

Description: photo credit: Cameron Heryet

Des mesures : each aprox. 173 cm h x 16 cm w x 12 cm d

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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States of Being

States of Being

Artist: Sally Michener

ID : 54051

Description: photo credit: Cameron Heryet

Des mesures : each aprox. 173 cm h x 16 cm w x 12 cm d

Collection:

Date de réalisation : 2003

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Encounters, [detail]

Encounters, [detail]

Artist: Sally Michener

ID : 54062

Description: photo credit: Jim Felter

Des mesures : 190.5 cm h x 66.04 cm w x 27.94 cm d

Collection:

Date de réalisation : 2003

Matériaux :

Collection virtuelle :

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Pixilated Steps Bench

Pixilated Steps Bench

Artist: Sally Michener

ID : 54042

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

Collection:

Date de réalisation : 2003

Matériaux :

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Pixilated Steps Bench, [side view]

Pixilated Steps Bench, [side view]

Artist: Sally Michener

ID : 54041

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

Collection:

Date de réalisation : 2003

Matériaux :

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Encounters, [detail]

Encounters, [detail]

Artist: Sally Michener

ID : 54063

Description: photo credit: Jim Felter

Des mesures : 190.5 cm h x 66.04 cm w x 27.94 cm d

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Date de réalisation : 2003

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States of Being

States of Being

Artist: Sally Michener

ID : 54056

Description: photo credit: Jim Felter

Des mesures : 187.96 cm h x 60.96 cm w x 30.48 cm d

Collection:

Date de réalisation : 2003

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Pixilated Steps Bench, [detail – top]

Pixilated Steps Bench, [detail – top]

Artist: Sally Michener

ID : 54047

Description: Grandview N & Victoria Streets, Vancouver, British Columbia

Des mesures : 0.0696 m h x 0.2088 x 0.2436 m

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Date de réalisation : 2003

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States of Becoming, [detail]

States of Becoming, [detail]

Artist: Sally Michener

ID : 54060

Description: photo credit: Jim Felter

Des mesures : 182.88 cm h x 63.5 cm w x 27.94 cm d

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Date de réalisation : 2003

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Pixilated Sofa Bench

Pixilated Sofa Bench

Artist: Sally Michener

ID : 54039

Description: Public greenway (commission), Grandview N & Nanaimo Streets, Vancouver, British Columbia. Photo credit: artist or Liane Davison, curator SAG.

Des mesures : 0.09744 m h x 0.2088 x 0.1044 m deep

Collection:

Date de réalisation : 2003

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Pixilated Sofa Bench

Pixilated Sofa Bench

Artist: Sally Michener

ID : 54040

Description: Public greenway (commission), Grandview N & Nanaimo Streets, Vancouver, British Columbia. Photo credit: artist or Liane Davison, curator SAG.

Des mesures : 0.09744 m h x 0.2088 x 0.1044 m deep

Collection:

Date de réalisation : 2003

Matériaux :

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