Interventions III

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

Work ID: 68673

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

Work ID: 68670

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68704

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68705

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities. , ph

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus: studies detail

Artist: Sarah Nind

Work ID: 68676

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68699

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68688

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68701

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus: studies detail

Artist: Sarah Nind

Work ID: 68678

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

Work ID: 68671

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68689

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68683

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68687

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68692

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68698

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68685

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68703

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus: studies detail

Artist: Sarah Nind

Work ID: 68681

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Objets perdus: studies detail

Artist: Sarah Nind

Work ID: 68680

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68684

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

Add to List

Désir

Artist: Sarah Nind

Work ID: 68696

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

Add to List

Objets perdus: studies detail

Artist: Sarah Nind

Work ID: 68677

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

Work ID: 68672

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Objets perdus: studies installation view

Artist: Sarah Nind

Work ID: 68675

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 20.32 x 25.4 cm

Collection:

Date Made: 2006

Materials: oil paint on masonite & digital print on plexiglas

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68702

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus, installation view

Artist: Sarah Nind

Work ID: 68674

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 88.9 images, each: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68700

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68697

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Objets perdus, detail

Artist: Sarah Nind

Work ID: 68686

Description: Objets Perdus examines how narratives mediate our understanding of identity and the world we inhabit. The work developed through the readdressing of a found narrative, an original roll of black and white slide film discovered in an antique lecturers' projector purchased from a pawnshop. By using this series of found images in the creation of a new body of work, the artist has laid claim to the images. Through using the photographs and by desiring to paint them, the artist is breathing life back into these images -- giving back to memories of time and place the aura and mystery that had been lost with the loss of the roll of film. In this sense, the position of the original photographer and subsequent viewer has been displaced, the role of ownership of the images shifting through the act of lost and found. While first recorded as a documentary of a personal history, the photographic images can now be understood as a revisited / fictional narrative, open to individual interpretation and speculation.

The series of 35 images is meant to be installed and viewed in the chronological order in which the images were photographed. While they can be seen as a series of separate images, the work, in its entirety, can also be understood as a short film, with each of the images representing an individual still of a time-based work.

Measurements: 60.96 x 106.68 cm

Collection:

Date Made: 2006

Materials: oil paint on ortholith film

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68693

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68694

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68691

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Désir

Artist: Sarah Nind

Work ID: 68695

Description: désir addresses the image(ination)s of landscape and cityspace, the two seen as mirrors of each other, both offering the desire for home as longing rather than fulfillment. Within this theme, the environment is understood through ambiguous viewpoints - the actual vs. the imagined city; the romantic vs. the distressed landscape. The architectural grid, metaphoric of the underlying structure of our urban reality, is seen as being an extension of the patterns of nature. Mnemonic traces of the grid overlay both city and landscape.

On an analytic level désir questions whether the self can be distinguished from the environment it inhabits, the boundary of an individual being an abstraction, inseparable from the boundary of the city / landscape. On an emotional level the work can be understood as addressing the fragility of the desire for place, the longing for home interwoven and inseparable from the search for lost identity.

Formally, the work employs mixed-media processes, photographic documentation being mediated by painted intervention and digital technologies. The resulting images exhibit characteristics of photography as an objective, albeit illusionary, medium -- a recording device of the 'real'. At the same time, imagery is transformed through the integration of paint. The subjectivity of the painted surface, with its ability to transcend the literal description, is addressed as a dimension to express and record emotional states and realities.

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2006

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Trace #3

Artist: Sarah Nind

Work ID: 68708

Description:

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 1

Artist: Sarah Nind

Work ID: 73540

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Trace #1

Artist: Sarah Nind

Work ID: 68706

Description:

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 2

Artist: Sarah Nind

Work ID: 73541

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Trace #2

Artist: Sarah Nind

Work ID: 68707

Description:

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Trace #4

Artist: Sarah Nind

Work ID: 68709

Description:

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 2007

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 5

Artist: Sarah Nind

Work ID: 73544

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 12

Artist: Sarah Nind

Work ID: 73551

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 10

Artist: Sarah Nind

Work ID: 73549

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 9

Artist: Sarah Nind

Work ID: 73548

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 6

Artist: Sarah Nind

Work ID: 73545

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 7

Artist: Sarah Nind

Work ID: 73546

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73553

Description:

Measurements: each/chacun: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 13

Artist: Sarah Nind

Work ID: 73552

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 4

Artist: Sarah Nind

Work ID: 73543

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 8

Artist: Sarah Nind

Work ID: 73547

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 3

Artist: Sarah Nind

Work ID: 73542

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structure 11

Artist: Sarah Nind

Work ID: 73550

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73554

Description:

Measurements: each/chacun: 106.68 x 106.68 cm

Collection:

Date Made: 2008

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73557

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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lost dimension 9

Artist: Sarah Nind

Work ID: 73569

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 13

Artist: Sarah Nind

Work ID: 73573

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 4

Artist: Sarah Nind

Work ID: 73565

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73560

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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lost dimension 1

Artist: Sarah Nind

Work ID: 73562

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 6

Artist: Sarah Nind

Work ID: 73566

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73558

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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lost dimension 8

Artist: Sarah Nind

Work ID: 73568

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 7

Artist: Sarah Nind

Work ID: 73567

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 11

Artist: Sarah Nind

Work ID: 73571

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 2

Artist: Sarah Nind

Work ID: 73563

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73555

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73556

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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lost dimension 10

Artist: Sarah Nind

Work ID: 73570

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 3

Artist: Sarah Nind

Work ID: 73564

Description:

Measurements: 60.96 x 60.96 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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lost dimension 12

Artist: Sarah Nind

Work ID: 73572

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2009

Materials: digital print on plexiglas & oil paint on board

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73561

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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Mnemonic Structures, installation view

Artist: Sarah Nind

Work ID: 73559

Description: Exhibition at Yuanfen New Media Space, Beijing, China, February, 2009.
[Work from "Mnemonic Structures"].

Measurements:

Collection:

Date Made: 2009

Materials:

Virtual Collection: Original CCCA

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Street View 4

Artist: Sarah Nind

Work ID: 75614

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Beijing View 1

Artist: Sarah Nind

Work ID: 75603

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Shanghai Scape

Artist: Sarah Nind

Work ID: 75610

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Night View 1

Artist: Sarah Nind

Work ID: 75608

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Apartment Façade

Artist: Sarah Nind

Work ID: 75600

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Street View 6

Artist: Sarah Nind

Work ID: 75616

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Beijing Façade 1

Artist: Sarah Nind

Work ID: 75601

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Beijing Façade 2

Artist: Sarah Nind

Work ID: 75602

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Fang’s View 1

Artist: Sarah Nind

Work ID: 75606

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Brunei Lost

Artist: Sarah Nind

Work ID: 75605

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Night View 2

Artist: Sarah Nind

Work ID: 75609

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Fang’s View 2

Artist: Sarah Nind

Work ID: 75607

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Street View 1

Artist: Sarah Nind

Work ID: 75611

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Street View 2

Artist: Sarah Nind

Work ID: 75612

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Street View 3

Artist: Sarah Nind

Work ID: 75613

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Street View 5

Artist: Sarah Nind

Work ID: 75615

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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Beijing View 2

Artist: Sarah Nind

Work ID: 75604

Description:

Measurements: 106.68 x 106.68 cm

Collection:

Date Made: 2010

Materials: Chromogenic print mounted on board

Virtual Collection: Original CCCA

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re-development 3

Artist: Sarah Nind

Work ID: 75627

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-toxic 2

Artist: Sarah Nind

Work ID: 75636

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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re-toxic 1

Artist: Sarah Nind

Work ID: 75635

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Corten steel, brass, stainless steel and limewood

Virtual Collection: Original CCCA

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re-new world

Artist: Sarah Nind

Work ID: 75630

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-lost 3

Artist: Sarah Nind

Work ID: 75634

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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mirror

Artist: Sarah Nind

Work ID: 75631

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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re-development 2 night

Artist: Sarah Nind

Work ID: 75625

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei

Artist: Sarah Nind

Work ID: 75624

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei toxic

Artist: Sarah Nind

Work ID: 75623

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei lost 4

Artist: Sarah Nind

Work ID: 75622

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei lost 3

Artist: Sarah Nind

Work ID: 75620

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei fire

Artist: Sarah Nind

Work ID: 75617

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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target variation

Artist: Sarah Nind

Work ID: 75640

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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stagnant 3

Artist: Sarah Nind

Work ID: 75639

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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stagnant 2

Artist: Sarah Nind

Work ID: 75638

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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stagnant 1

Artist: Sarah Nind

Work ID: 75637

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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re-lost 1

Artist: Sarah Nind

Work ID: 75632

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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re-development 4

Artist: Sarah Nind

Work ID: 75628

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-development 2

Artist: Sarah Nind

Work ID: 75626

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei lost 2

Artist: Sarah Nind

Work ID: 75641

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-brunei fires 1

Artist: Sarah Nind

Work ID: 75618

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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re-lost 2

Artist: Sarah Nind

Work ID: 75633

Description:

Measurements: 213.36 x 106.68 cm

Collection:

Date Made: 2011

Materials: Chromogenic print with oil paint mounted on board

Virtual Collection: Original CCCA

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re-development

Artist: Sarah Nind

Work ID: 75629

Description:

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2011

Materials: Inkjet print on dibond

Virtual Collection: Original CCCA

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Interjections: Polka Dot Pool

Artist: Sarah Nind

Work ID: 79956

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Paul Smith Goes Exotic

Artist: Sarah Nind

Work ID: 79961

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Red Smoke, Green Plaid

Artist: Sarah Nind

Work ID: 79962

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 111.76 x 111.76 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Mnemonic Trace

Artist: Sarah Nind

Work ID: 79955

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 182.88 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Storm Cloud and Stripes

Artist: Sarah Nind

Work ID: 79960

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Polka Dot Trailride

Artist: Sarah Nind

Work ID: 79957

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Plaid Sky with Trees

Artist: Sarah Nind

Work ID: 79964

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 111.76 x 111.76 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Grey Smoke, Purple Plaid

Artist: Sarah Nind

Work ID: 79963

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 111.76 x 111.76 cm

Collection:

Date Made: 2013

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Red Plaid Sky

Artist: Sarah Nind

Work ID: 79965

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 111.76 x 111.76 cm

Collection:

Date Made: 2014

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Polka Dot Rodeo

Artist: Sarah Nind

Work ID: 79966

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2014

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections, installation

Artist: Sarah Nind

Work ID: 79954

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements:

Collection:

Date Made: 2014

Materials:

Virtual Collection: Original CCCA

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Interjections, installation

Artist: Sarah Nind

Work ID: 79951

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements:

Collection:

Date Made: 2014

Materials:

Virtual Collection: Original CCCA

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Interjections: Turquoise Pool

Artist: Sarah Nind

Work ID: 79959

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2014

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections: Polka Dot Sprawl

Artist: Sarah Nind

Work ID: 79958

Description: Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements: 91.44 x 121.92 cm

Collection:

Date Made: 2014

Materials: oil paint and archival image mounted on board

Virtual Collection: Original CCCA

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Interjections, installation

Artist: Sarah Nind

Work ID: 79953

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements:

Collection:

Date Made: 2014

Materials:

Virtual Collection: Original CCCA

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Interjections, installation

Artist: Sarah Nind

Work ID: 79952

Description: Newzones Gallery of Contemporary Art, Calgary, 2014.

Interjections addresses ideas of pattern and the decorative arts, and its juxtaposition/collision with the “high” art image, ultimately questioning whether pattern is a visual language with which we structure a world that is chaotic and undefined.

Measurements:

Collection:

Date Made: 2014

Materials:

Virtual Collection: Original CCCA

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Interventions III

Work by Sarah Nind