directional indicator / panneau indicateur

Artist: John Armstrong

Work ID: 52719

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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character / caractère

Artist: John Armstrong

Work ID: 52714

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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cloth / tissu

Artist: John Armstrong

Work ID: 52692

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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newscast / les infos

Artist: John Armstrong

Work ID: 52690

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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hammer / marteau

Artist: John Armstrong

Work ID: 52688

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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chair / chaise

Artist: John Armstrong

Work ID: 52687

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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hand / main

Artist: John Armstrong

Work ID: 52686

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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musical instrument / instrument de musique

Artist: John Armstrong

Work ID: 52709

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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sujet libre

Artist: John Armstrong

Work ID: 52726

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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poet / poète

Artist: John Armstrong

Work ID: 52725

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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Lucy Hogg

Artist: John Armstrong

Work ID: 52724

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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water / eau

Artist: John Armstrong

Work ID: 52723

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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travel advertisement / publicité touristique

Artist: John Armstrong

Work ID: 52721

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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florist / fleuriste

Artist: John Armstrong

Work ID: 52718

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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word / mot

Artist: John Armstrong

Work ID: 52715

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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hat / chapeau

Artist: John Armstrong

Work ID: 52707

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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boss / patron

Artist: John Armstrong

Work ID: 52694

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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garbage can / poubelle

Artist: John Armstrong

Work ID: 52699

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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painted sky / ciel peint

Artist: John Armstrong

Work ID: 52708

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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toilet / w.c.

Artist: John Armstrong

Work ID: 52711

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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car / voiture

Artist: John Armstrong

Work ID: 52685

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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tree / arbre

Artist: John Armstrong

Work ID: 52698

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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critic / critique

Artist: John Armstrong

Work ID: 52727

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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number / numéro

Artist: John Armstrong

Work ID: 52720

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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arts administrator / administrateur d’art

Artist: John Armstrong

Work ID: 52722

Description: From the series, Jim ¡ú. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim ¡ú (pronounced in a bilingual, "Jim, that way, par l¨¤"). This references the graffiti scratched into the gravestones of P¨¨re-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/¨¦preuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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phrase

Artist: John Armstrong

Work ID: 52716

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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draped cloth / tissu drapé

Artist: John Armstrong

Work ID: 52693

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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Jim –>

Artist: John Armstrong

Work ID: 52681

Description: From the series, Jim →. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim →(pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb. Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject. Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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view of Canada / vue du Canada

Artist: John Armstrong

Work ID: 52729

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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mustard pot / pot de moutarde

Artist: John Armstrong

Work ID: 52682

Description: From the series, Jim ¡ú. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim → (pronounced in a bilingual, "Jim, that way, par l¨¤"). This references the graffiti scratched into the gravestones of P¨¨re-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/¨¦preuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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curator / commissaire d’expositions

Artist: John Armstrong

Work ID: 52717

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: bw photos, Original CCCA

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fish / poisson

Artist: John Armstrong

Work ID: 52695

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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view of France / vue de la France

Artist: John Armstrong

Work ID: 52728

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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colleague / collègue

Artist: John Armstrong

Work ID: 52706

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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George Seurat

Artist: John Armstrong

Work ID: 52701

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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air vent / bouche d’aération

Artist: John Armstrong

Work ID: 52713

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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bicycle / vélo

Artist: John Armstrong

Work ID: 52700

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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floor / sol

Artist: John Armstrong

Work ID: 52697

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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phone / téléphone

Artist: John Armstrong

Work ID: 52712

Description: From the series, Jim -->. Through a series of 98 paired photographs, Paul Collins and John Armstrong set out to explore the blurred edges of North American and European culture, of the familiar and the exotic, of our shared and individual experiences. The title of our project is Jim --> (pronounced in a bilingual, "Jim, that way, par là"). This references the graffiti scratched into the gravestones of Père-Lachaise cemetery in Paris, pointing the way to Jim Morrison's tomb.

Armstrong and Collins initially drew up a list of 49 words to serve as the 49 subjects of a series of photographs. Armstrong would shoot in Canada, and Collins in France, where he has been living these past 20 years. The resulting images were brought together, presenting two points of view of the same subject.

Some of the subjects relate to motifs in our individual art practices; some are shared banalities and enthusiasms; others are figures that populate the professional life of an artist. The paired images playfully act as indicators of a specific moment or place. The viewer is naturally drawn into a guessing game, trying to identify the settings or locations pictured: Canada or France? Paris or Toronto? John or Paul?

Measurements: 124.46 prints/épreuves : 27.94 x 35.56 cm

Collection:

Date Made: 2002

Materials: selenium-toned gelatin silver print

Virtual Collection: Original CCCA

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Lakeshore: Niagara Falls STEP

Artist: John Armstrong

Work ID: 52742

Description: Lakeshore consists of an ongoing series of one hundred 50 x 75-cm colour photographs with short texts or images painted on them in oils. The photographs serve as supports for the painting, and depict landscape, architecture and a variety of other subjects. The texts are predominantly in either English or French (as well as in German and Latin), and all the photographs are taken in Canada, France, Germany or Kenya. The painted texts recall the traditional role that captions play in the interpretation of photographs, used traditionally to direct the viewer to a specific message conveyed by the photograph. In this work, we are attempting to upend, extend and imbricate some of the conventions in painting, photography and language.

For us, lakeshore refers to Ontario's myriad lakes in Ontario, and most immediately to Lake Ontario, the lake we both grew up beside. These lakes have served as motifs for important streams in nineteenth- and twentieth-century Canadian art; and, this is a backdrop to our work. Lakeshore also signifies an intermediary state, a space between two bodies, a space that has three possible reference points: a vanishing vista, a point of possible departure, a destination at the end of a voyage.

We have used the idea of lakeshore in a figurative and personal manner. Although some of the photographs do depict lakeshores, most have to do with our routine comings and goings, artistic and quotidian. The photographs are set in both rural and urban locations. We pointedly have not represented any lakes: this reinforces our metaphorical focus (and eases our task, as France has very few lakes). Our painted text passages are idiomatic and common expressions, maxims, and phrases from popular culture. The painted words do not serve as captions for the images, but rather further our exploration of the metaphorical idea of a lakeshore. The images painted on the photographs are of glasses, pails and basins of water, and offer the only explicit bodies of water in the artworks. The addition of the painted elements to the photographs creates a flicker effect between literal and figurative meaning, a semantic instability and indeterminacy.

By blue Ontario's shore,
As I mused of these warlike days and of peace return'd,
and the dead that return no more,
I listened to the Phantom by Ontario's shore,
I heard the voice arising demanding bards.

Underneath the lessons of things, spirits, Nature, governments, ownership,
I swear I perceive other lessons.

Walt Whitman, By Blue Ontario's Shore, 1856

Lakeshore has a second component: one hundred one- or two-paragraph texts on the theme of lakeshore that accompany an exhibition of the actual photographs in the form of a PowerPoint Show set on a continuous loop to be exhibited on a computer screen.

Lakeshore's exhibition schedule is as follows: L'Hôtel Galerie d'Art, Caen, France, March 2003; Truck, Calgary, November 2004; Platform, Winnipeg, January 2005; Robert Birch Gallery, Toronto, May 2005. This project is ongoing.