Exhibition Installation
Artist: Sandra Gregson
Work ID: 7314
Description: Exhibition Installation, 'Loving the Alien', Art Gallery of Mississauga, Ontario, 1997 (showing 4 works from the 'Mind of Flesh' Series). Photo: David McClyment.
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
Work by Sandra Gregson
Salvaged Memory: The Cry
Artist: Sandra Gregson
Work ID: 7306
Description: Photo: Simon Glass.
Measurements: variable
Collection:
Date Made: 1989-1996
Materials: cement, plaster, Winterstone, chicken wire, lime, salvaged pipes
Virtual Collection: Original CCCA
Salvaged Memory: The Cry, (detail)
Artist: Sandra Gregson
Work ID: 7307
Description: Photo: Simon Glass.
Measurements: variable
Collection:
Date Made: 1989-1996
Materials: cement, plaster, Winterstone, chicken wire, lime, salvaged pipes
Virtual Collection: Original CCCA
Indirection
Artist: Sandra Gregson
Work ID: 7296
Description: Photo: Simon Glass.
Measurements: 57.15 x 25.5x 22.86 cm
Collection: private
Date Made: 1990
Materials: lime, cement fondue, fibreglass cloth, wire mesh
Virtual Collection: Original CCCA
Freudian Slippers
Artist: Sandra Gregson
Work ID: 7297
Description: Photo: Simon Glass.
Measurements: 106.68 x 38.1 x 12.7 cm
Collection:
Date Made: 1991
Materials: cable, Portland cement, cement fondue, fibreglass cloth, wire mesh
Virtual Collection: Original CCCA
Slough
Artist: Sandra Gregson
Work ID: 7298
Description: Photo: Simon Glass.
Measurements: 119.38 x 40.64 x 26.67 cm
Collection: Canada Council Art Bank, Ottawa, Ontario
Date Made: 1992
Materials: pigment, cement, burlap, copper wire
Virtual Collection: Original CCCA
Lade
Artist: Sandra Gregson
Work ID: 7299
Description: Photo: Simon Glass.
Measurements: 30.48 x 10.16 x 11.43 cm
Collection: Canada Council Art Bank, Ottawa, Ontario
Date Made: 1992
Materials: bronze
Virtual Collection: Original CCCA
Trophy
Artist: Sandra Gregson
Work ID: 7300
Description: Photo: Simon Glass.
Measurements: 20.32 x 20.32 x 8.89 cm
Collection:
Date Made: 1993
Materials: bronze
Virtual Collection: Original CCCA
welling / wishing, (detail)
Artist: Sandra Gregson
Work ID: 7303
Description: Photo: Simon Glass.
Measurements: 17.78 x 15.24 x 12.7 cm
Collection:
Date Made: 1994
Materials: bronze, cable
Virtual Collection: Original CCCA
welling / wishing
Artist: Sandra Gregson
Work ID: 7302
Description: Photo: Simon Glass.
Measurements: 17.78 x 15.24 x 12.7 cm
Collection:
Date Made: 1994
Materials: bronze, cable
Virtual Collection: Original CCCA
Breath
Artist: Sandra Gregson
Work ID: 7301
Description: Photo: Simon Glass.
Measurements: 59.69 x 10.16 x 7.62 cm
Collection:
Date Made: 1994
Materials: bronze, silk
Virtual Collection: Original CCCA
untitled (divining rod)
Artist: Sandra Gregson
Work ID: 7304
Description: Photo: Simon Glass.
Measurements: 71.12 x 71.12 x 121.92 cm
Collection:
Date Made: 1995
Materials: bronze
Virtual Collection: Original CCCA
Mater
Artist: Sandra Gregson
Work ID: 7305
Description: Photo: Simon Glass.
Measurements: 20.32 x 49.53 x 49.53 cm
Collection:
Date Made: 1995
Materials: bronze, salt
Virtual Collection: Original CCCA
Salvaged Memory: Bearing
Artist: Sandra Gregson
Work ID: 7308
Description: Photo: Simon Glass.
Measurements: variable
Collection:
Date Made: 1995-1996
Materials: cast lead
Virtual Collection: Original CCCA
Mind of Flesh (amass)
Artist: Sandra Gregson
Work ID: 7317
Description: Photo: Cheryl O'Brien.
Measurements: 128.27 x 91.44 cm
Collection:
Date Made: 1996
Materials: silk tissue, tissue paper, rabbit skin glue, pigment
Virtual Collection: Original CCCA
Mind of Flesh (first covering)
Artist: Sandra Gregson
Work ID: 7318
Description: Photo: Cheryl O'Brien.
Measurements: 86.36 x 85.09 cm
Collection:
Date Made: 1996
Materials: Japanese tissue, rabbit skin glue
Virtual Collection: Original CCCA
what is passed on
Artist: Sandra Gregson
Work ID: 7309
Description: Photo: Cheryl O'Brien.
Measurements: 20.32 x 86.36 x 46.99 cm
Collection:
Date Made: 1996
Materials: tissue paper, rabbit skin glue, pigment
Virtual Collection: Original CCCA
offspring, (detail)
Artist: Sandra Gregson
Work ID: 7312
Description: Photo: Cheryl O'Brien.
Measurements: 17.78 x 63.5 x 48.26 cm
Collection:
Date Made: 1996-1997
Materials: tissue paper, rabbit skin glue, lights
Virtual Collection: Original CCCA
hand-me-down, (detail)
Artist: Sandra Gregson
Work ID: 7320
Description: Photo: Simon Glass.
Measurements: varaible
Collection:
Date Made: 1996-1997
Materials: Japanese tissue, tissue paper, silk tissue, rabbit skin glue, pigment
Virtual Collection: Original CCCA
offspring
Artist: Sandra Gregson
Work ID: 7311
Description: Photo: Cheryl O'Brien.
Measurements: 17.78 x 63.5 x 48.26 cm
Collection:
Date Made: 1996-1997
Materials: tissue paper, rabbit skin glue, lights
Virtual Collection: Original CCCA
hand-me-down
Artist: Sandra Gregson
Work ID: 7319
Description: Photo: Cheryl O'Brien.
Measurements: varaible
Collection:
Date Made: 1996-1997
Materials: Japanese tissue, tissue paper, silk tissue, rabbit skin glue, pigment
Virtual Collection: Original CCCA
Mind of Flesh (whisper)
Artist: Sandra Gregson
Work ID: 7315
Description: Photo: Simon Glass.
Measurements: 127 x 67.31 cm
Collection:
Date Made: 1997
Materials: silk tissue, rabbit skin glue, pigment
Virtual Collection: Original CCCA
Exhibition Installation
Artist: Sandra Gregson
Work ID: 7314
Description: Exhibition Installation, 'Loving the Alien', Art Gallery of Mississauga, Ontario, 1997 (showing 4 works from the 'Mind of Flesh' Series). Photo: David McClyment.
Measurements:
Collection:
Date Made: 1997
Materials:
Virtual Collection: Original CCCA
tale
Artist: Sandra Gregson
Work ID: 7310
Description: Photo: Cheryl O'Brien.
Measurements: 24.13 x 44.45 x 35.56 cm
Collection:
Date Made: 1997
Materials: silk tissue, rabbit skin glue
Virtual Collection: Original CCCA
Mind of Flesh (whisper), (detail)
Artist: Sandra Gregson
Work ID: 7316
Description: Photo: Cheryl O'Brien.
Measurements: 127 x 67.31 cm
Collection:
Date Made: 1997
Materials: silk tissue, rabbit skin glue, pigment
Virtual Collection: Original CCCA
untitled
Artist: Sandra Gregson
Work ID: 7313
Description: Photo: Simon Glass.
Measurements: 53.34 x 5.08 x 7.62 cm
Collection:
Date Made: 1998
Materials: tissue paper, photocopied heat transfer, rabbit skin glue, light
Virtual Collection: Original CCCA
merge
Artist: Sandra Gregson
Work ID: 7321
Description: Photo: Annette Kraft van Ermel.
Measurements: 102.87 x 10.16 x 20.32 cm
Collection:
Date Made: 1998
Materials: tissue paper, photocopy heat transfer, rabbit skin glue, cord
Virtual Collection: Original CCCA
Hap
Artist: Sandra Gregson
Work ID: 7322
Description: Photo: Peter Arsenault.
Measurements: variable
Collection:
Date Made: 1998-1999
Materials: silk tissue, Japanese tissue, acrylic medium, tar, rubber stoppers, wire
Virtual Collection: Original CCCA
Relinquish
Artist: Sandra Gregson
Work ID: 7330
Description: Photo: Jonathan Sheinbaum.
Measurements: 26.67 x 81.28 x 83.82 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, thread, buttons
Virtual Collection: Original CCCA
Remnant, (detail)
Artist: Sandra Gregson
Work ID: 7329
Description: Photo: Jonathan Sheinbaum.
Measurements: 109.22 x 85.09 x 105.41 cm
Collection:
Date Made: 1999
Materials: thread, Japanese tissue, tar, found fabric
Virtual Collection: Original CCCA
Relinquish, (detail)
Artist: Sandra Gregson
Work ID: 7331
Description: Photo: Jonathan Sheinbaum.
Measurements: 26.67 x 81.28 x 83.82 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, thread, buttons
Virtual Collection: Original CCCA
lead head
Artist: Sandra Gregson
Work ID: 7332
Description: Photo: Jonathan Sheinbaum.
Measurements: 22.86 x 19.05 x 24.13 cm
Collection:
Date Made: 1999
Materials: cast lead
Virtual Collection: Original CCCA
Exhibition Installation
Artist: Sandra Gregson
Work ID: 7328
Description: Exhibition Installation, V. MacDonnell Gallery, Toronto, 1999 (showing lead head, Relinquish and Remnant,). Photo: Jonathan Sheinbaum.
Measurements:
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Exhibition Installation
Artist: Sandra Gregson
Work ID: 7323
Description: Exhibition Installation, Pari Nadimi Gallery, Toronto, 1999 (showing Consummate, Comfort and Infer). Photo: Peter Arsenault.
Measurements:
Collection:
Date Made: 1999
Materials:
Virtual Collection: Original CCCA
Consummate
Artist: Sandra Gregson
Work ID: 7324
Description: Photo: Peter Arsenault.
Measurements: 17.78 x 109.22 x 107.95 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, art tissue, acrylic medium, cotton batting, thread, buttons
Virtual Collection: Original CCCA
Comfort
Artist: Sandra Gregson
Work ID: 7325
Description: Photo: Peter Arsenault.
Measurements: 13.97 x 76.2 x 82.55 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, acrylic medium, cotton batting, bubble wrap, thread, button, reflectors
Virtual Collection: Original CCCA
Consummate, (detail)
Artist: Sandra Gregson
Work ID: 7326
Description: Photo: Peter Arsenault.
Measurements: 17.78 x 109.22 x 107.95 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, art tissue, acrylic medium, cotton batting, thread, buttons
Virtual Collection: Original CCCA
Infer
Artist: Sandra Gregson
Work ID: 7327
Description: Photo: Peter Arsenault.
Measurements: 12.7 x 81.28 x 93.98 cm
Collection:
Date Made: 1999
Materials: Japanese tissue, art tissue, acrylic medium, cotton batting, metal fastening, thread
Virtual Collection: Original CCCA
Souvenir (metal)
Artist: Sandra Gregson
Work ID: 53081
Description:
Measurements: 31 x 25 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread, wire
Virtual Collection: Original CCCA
by the light of
Artist: Sandra Gregson
Work ID: 53072
Description:
Measurements: variable
Collection:
Date Made: 2001
Virtual Collection: Original CCCA
Souvenir (O,O)
Artist: Sandra Gregson
Work ID: 53080
Description:
Measurements: 28.5 x 28.5 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (smile)
Artist: Sandra Gregson
Work ID: 53076
Description:
Measurements: 24 x 24 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (verity)
Artist: Sandra Gregson
Work ID: 53079
Description:
Measurements: 24 x 29 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Song
Artist: Sandra Gregson
Work ID: 53071
Description:
Measurements: 64 x 39 x 39 cm
Collection:
Date Made: 2001
Virtual Collection: Original CCCA
Souvenir (triste)
Artist: Sandra Gregson
Work ID: 53078
Description:
Measurements: 28.5 x 28.5 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
![Souvenir, [installation view]](https://ccca.art/wp-content/uploads/2024/04/gre041.jpg)
Souvenir, [installation view]
Artist: Sandra Gregson
Work ID: 53074
Description:
Measurements:
Collection:
Date Made: 2001
Materials:
Virtual Collection: Original CCCA
Souvenir (green)
Artist: Sandra Gregson
Work ID: 53077
Description:
Measurements: 28.5 x 28.5 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread, pigment, wire
Virtual Collection: Original CCCA
![by the light of[detail]](https://ccca.art/wp-content/uploads/2024/04/gre040.jpg)
by the light of[detail]
Artist: Sandra Gregson
Work ID: 53073
Description:
Measurements: variable
Collection:
Date Made: 2001
Virtual Collection: Original CCCA
Souvenir (spine)
Artist: Sandra Gregson
Work ID: 53084
Description:
Measurements: 28.5 x 28.5 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (pale)
Artist: Sandra Gregson
Work ID: 53075
Description:
Measurements: 24 x 24 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (II)
Artist: Sandra Gregson
Work ID: 53085
Description:
Measurements: 24 x 29 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (l)
Artist: Sandra Gregson
Work ID: 53082
Description:
Measurements: 24 x 29 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (stare)
Artist: Sandra Gregson
Work ID: 53083
Description:
Measurements: 25 x 31 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
Souvenir (clock)
Artist: Sandra Gregson
Work ID: 53086
Description:
Measurements: 24 x 24 x 4 cm
Collection:
Date Made: 2001
Materials: shadow box with etched glass, Japanese tissue, acrylic medium, buttons, thread
Virtual Collection: Original CCCA
scape
Artist: Sandra Gregson
Work ID: 63493
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 44 x 2.5 cm
Collection:
Date Made: 2003
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
place
Artist: Sandra Gregson
Work ID: 63494
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 44 x 2.5 cm
Collection:
Date Made: 2003
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
perceive
Artist: Sandra Gregson
Work ID: 63496
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 33 x 2 cm
Collection:
Date Made: 2003
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
look
Artist: Sandra Gregson
Work ID: 63492
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 44 x 2.5 cm
Collection:
Date Made: 2003
Materials: fresco: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
stare
Artist: Sandra Gregson
Work ID: 63495
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 33 x 2 cm
Collection:
Date Made: 2003
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
apprehend
Artist: Sandra Gregson
Work ID: 63500
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 44 x 2.5 cm
Collection:
Date Made: 2003
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
assert
Artist: Sandra Gregson
Work ID: 63498
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 36 x 62 x 3 cm
Collection:
Date Made: 2004
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
smile
Artist: Sandra Gregson
Work ID: 63499
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 36 x 62 x 3 cm
Collection:
Date Made: 2004
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
youth
Artist: Sandra Gregson
Work ID: 63497
Description: The frescos are made with a wood frame and with wire mesh to hold the fresco material. They are sized in reference to digital media, using either the same width/height ratio as a computer screen or the same as a television. The pigment, brushed through the openings of the patterned tissue, becomes fixed (and dries) into the surface of the wet fresco. Patterns and shapes are arranged in a configuration which suggests a face but is elusive in its identity.
My main concern for this series of work is how images and meaning are constructed through perceiving patterns of colour and light and dark. The notion of pattern recognition involves identifying a correspondence between a stimulus and information in memory. What interests me is how the perception of pattern, often with little information, triggers memory and allows the viewer to construct meaning. The frescos consider the ways we recognize, perceive and remember.
Measurements: 26 x 44 x 2.5 cm
Collection:
Date Made: 2004
Materials: pigment, lime, silica,plaster,wire mesh, wood
Virtual Collection: Original CCCA
