CCCA Canadian Art Database

Mutilated Venus

Artist: Rae Johnson

Work ID: 925

Measurements: 213.36 x 243.84 cm

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Work by Rae Johnson

Suntan

Suntan

Artist: Rae Johnson

Work ID: 910

Description:

Measurements: 60.96 x 40.64 cm

Collection:

Date Made: 1979

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Anima/Animus

Anima/Animus

Artist: Rae Johnson

Work ID: 911

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 1981

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Night Games at the Paradise

Night Games at the Paradise

Artist: Rae Johnson

Work ID: 914

Description:

Measurements: 213.36 x 335.28 cm

Collection:

Date Made: 1984

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I Can Hear It

I Can Hear It

Artist: Rae Johnson

Work ID: 912

Description:

Measurements: Triptych: 91.44 x 274.32 cm

Collection:

Date Made: 1984

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The Moon Drew Them to the Water

The Moon Drew Them to the Water

Artist: Rae Johnson

Work ID: 915

Description:

Measurements: 149.86 x 180.34 cm

Collection:

Date Made: 1984

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Incident at the Lisbon Plate

Incident at the Lisbon Plate

Artist: Rae Johnson

Work ID: 913

Description:

Measurements: 213.36 x 335.28 cm

Collection:

Date Made: 1984

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Blue Stairway

Blue Stairway

Artist: Rae Johnson

Work ID: 917

Description:

Measurements: 215.9 x 165.1 cm

Collection:

Date Made: 1985

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Red Interior

Red Interior

Artist: Rae Johnson

Work ID: 916

Description:

Measurements: 165.1 x 264.16 cm

Collection:

Date Made: 1985

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Night in Negril

Night in Negril

Artist: Rae Johnson

Work ID: 918

Description:

Measurements: 203.2 x 243.84 cm

Collection:

Date Made: 1986

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Theatre of the Dislocated

Theatre of the Dislocated

Artist: Rae Johnson

Work ID: 919

Description:

Measurements: 165.1 x 264.16 cm

Collection:

Date Made: 1986

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Sunset Lake Winnipeg

Sunset Lake Winnipeg

Artist: Rae Johnson

Work ID: 940

Description:

Measurements: 243.84 x 365.76 cm

Collection:

Date Made: 1988

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Storm Front Breaking

Storm Front Breaking

Artist: Rae Johnson

Work ID: 942

Description:

Measurements: 274.32 x 365.76 cm

Collection:

Date Made: 1989

Materials:

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Green Sky

Green Sky

Artist: Rae Johnson

Work ID: 943

Description:

Measurements: 243.84 x 365.76 cm

Collection:

Date Made: 1989

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Clouds Breaking

Clouds Breaking

Artist: Rae Johnson

Work ID: 941

Description:

Measurements: 243.84 x 243.84 cm

Collection:

Date Made: 1989

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…The Virgin Defiled

…The Virgin Defiled

Artist: Rae Johnson

Work ID: 929

Description:

Measurements: 213.36 x 121.92 cm

Collection:

Date Made: 1991

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…Dragon of Queen W.

…Dragon of Queen W.

Artist: Rae Johnson

Work ID: 928

Description:

Measurements: 213.36 x 121.92 cm

Collection:

Date Made: 1991

Materials:

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Andromeda, Medusa, Star-Baby

Andromeda, Medusa, Star-Baby

Artist: Rae Johnson

Work ID: 930

Description:

Measurements: 213.36 x 121.92 cm

Collection:

Date Made: 1991

Materials:

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Cain’s Seed

Cain’s Seed

Artist: Rae Johnson

Work ID: 926

Description:

Measurements: 213.36 x 243.84 cm

Collection:

Date Made: 1992

Materials:

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Bambino Miracolo (study)

Bambino Miracolo (study)

Artist: Rae Johnson

Work ID: 920

Description:

Measurements: 215.9 x 177.8 cm

Collection:

Date Made: 1992

Materials:

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Mutilated Venus

Mutilated Venus

Artist: Rae Johnson

Work ID: 925

Description:

Measurements: 213.36 x 243.84 cm

Collection:

Date Made: 1992

Materials:

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Via Cardelli Entrance

Via Cardelli Entrance

Artist: Rae Johnson

Work ID: 931

Description:

Measurements: 249.936 x 199.898 cm

Collection:

Date Made: 1992

Materials:

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Bambino Miracolo

Bambino Miracolo

Artist: Rae Johnson

Work ID: 921

Description: Artist's Statement
Bambino Miracolo and Annunciation were site specific paintings for the Canadian Cultural Centre in Rome, 1993. The time frame of the exhibition coincided with the deployment of UN troops to Somalia and Bosnia. The reason for making these paintings was to bear witness to the daily genocide for an international audience in a Canadian diplomatic venue. This painting is predominantly blue, the colour of the spirit and the mind. Central to it is an infant heart transplant; humanity on life support. The angel is the mediary of unknown external forces and our destiny to balance life and death. Disembodied hands of science and god circle the infant in a late 20th century remake of the creation myth.

Measurements: 299.974 x 400.05 cm

Collection:

Date Made: 1993

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Annunciation

Annunciation

Artist: Rae Johnson

Work ID: 923

Description: Artist's Statement
Bambino Miracolo and Annunciation were site specific paintings for the Canadian Cultural Centre in Rome, 1993. The time frame of the exhibition coincided with the deployment of UN troops to Somalia and Bosnia. The reason for making these paintings was to bear witness to the daily genocide for an international audience in a Canadian diplomatic venue. This painting is a visual prayer for Bosnia. It is predominantly red, the colour of blood and fecundity, representing the Earth. The Annunciation is a promise of the new -- a step toward the spiritual evolution of humanity. Central to it is the newborn "Benetton" baby surrounded by angel-soldiers. Above is a night sky containing the hands of the Feminine resting on red clothing/membrane concealing the angel of death.

Measurements: 299.974 x 400.05 cm

Collection:

Date Made: 1993

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Annunciation (study)

Annunciation (study)

Artist: Rae Johnson

Work ID: 922

Description:

Measurements: 249.936 x 150.114 cm

Collection:

Date Made: 1993

Materials:

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Madonna of the Goldfinch/Baby

Madonna of the Goldfinch/Baby

Artist: Rae Johnson

Work ID: 924

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 1994

Materials:

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Death / Baby

Death / Baby

Artist: Rae Johnson

Work ID: 939

Description:

Measurements: 60.96 x 76.2 cm

Collection:

Date Made: 1994

Materials:

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Interior/Red Chair

Interior/Red Chair

Artist: Rae Johnson

Work ID: 933

Description:

Measurements: 213.36 x 243.84 cm

Collection:

Date Made: 1994

Materials:

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Interior with Skull Mask

Interior with Skull Mask

Artist: Rae Johnson

Work ID: 938

Description:

Measurements: 60.96 x 76.2 cm

Collection:

Date Made: 1994

Materials:

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Windy Day, Flesherton Pond

Windy Day, Flesherton Pond

Artist: Rae Johnson

Work ID: 950

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 1995

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Three Fates (detail)

Three Fates (detail)

Artist: Rae Johnson

Work ID: 1177

Description:

Measurements:

Collection:

Date Made: 1995

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Bright Day, Beaver Dam, Algoma

Bright Day, Beaver Dam, Algoma

Artist: Rae Johnson

Work ID: 947

Description: Artist's Statement
The Algoma Paintings These paintings were developed from oil sketches made on site in Algoma in the fall of 1994. Each is a careful study of the day, paintings of drowned land in a primordial northern Ontario forest. Isolated trees call to each other from across a bottomless black swamp.

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 1995

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Dark Day, Beaver Dam, Algoma

Dark Day, Beaver Dam, Algoma

Artist: Rae Johnson

Work ID: 946

Description: Artist's Statement
The Algoma Paintings These paintings were developed from oil sketches made on site in Algoma in the fall of 1994. Each is a careful study of the day, paintings of drowned land in a primordial northern Ontario forest. Isolated trees call to each other from across a bottomless black swamp.

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 1995

Materials:

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Toronto Studio

Toronto Studio

Artist: Rae Johnson

Work ID: 932

Description:

Measurements: 121.92 x 182.88 cm

Collection:

Date Made: 1995

Materials:

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Sun Dog, Beaver Dam, Algoma

Sun Dog, Beaver Dam, Algoma

Artist: Rae Johnson

Work ID: 945

Description: Artist's Statement
The Algoma Paintings These paintings were developed from oil sketches made on site in Algoma in the fall of 1994. Each is a careful study of the day, paintings of drowned land in a primordial northern Ontario forest. Isolated trees call to each other from across a bottomless black swamp.

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 1995

Materials:

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Study for Civil War Chair

Study for Civil War Chair

Artist: Rae Johnson

Work ID: 935

Description:

Measurements: 60.96 x 76.2 cm

Collection:

Date Made: 1995

Materials:

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Swamp Flowers, Flesherton Pond

Swamp Flowers, Flesherton Pond

Artist: Rae Johnson

Work ID: 951

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 1995

Materials:

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Fallen Birch, Algoma

Fallen Birch, Algoma

Artist: Rae Johnson

Work ID: 948

Description: Artist's Statement
The Algoma Paintings These paintings were developed from oil sketches made on site in Algoma in the fall of 1994. Each is a careful study of the day, paintings of drowned land in a primordial northern Ontario forest. Isolated trees call to each other from across a bottomless black swamp.

Measurements: 182.88 x 121.92 cm

Collection:

Date Made: 1995

Materials:

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Three Fates

Three Fates

Artist: Rae Johnson

Work ID: 927

Description:

Measurements: 213.36 x 243.84 cm

Collection:

Date Made: 1995

Materials:

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Reflections / Stumps

Reflections / Stumps

Artist: Rae Johnson

Work ID: 949

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 1995

Materials:

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Interior/Civil War Chair

Interior/Civil War Chair

Artist: Rae Johnson

Work ID: 934

Description:

Measurements: 213.36 x 243.84 cm

Collection:

Date Made: 1995

Materials:

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Cat / Yellow

Cat / Yellow

Artist: Rae Johnson

Work ID: 51378

Description:

Measurements: 45.72 x 30.48 cm/po

Collection:

Date Made: 1997

Materials:

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Cat / Orange

Cat / Orange

Artist: Rae Johnson

Work ID: 51388

Description:

Measurements: 45.72 x 30.48 cm/po

Collection:

Date Made: 1997

Materials:

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Yellow Eyes

Yellow Eyes

Artist: Rae Johnson

Work ID: 51389

Description:

Measurements: 40.64 x 30.48 cm/po

Collection:

Date Made: 1997

Materials:

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Study for Firebird

Study for Firebird

Artist: Rae Johnson

Work ID: 51395

Description:

Measurements: 60.96 x 60.96 cm/po

Collection:

Date Made: 1997

Materials:

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Girl and Her Cat

Girl and Her Cat

Artist: Rae Johnson

Work ID: 51380

Description:

Measurements: 172.72 x 121.92 cm/po

Collection:

Date Made: 1997

Materials:

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Remembering You

Remembering You

Artist: Rae Johnson

Work ID: 51379

Description:

Measurements: 121.92 x 121.92 cm/po

Collection:

Date Made: 1997

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Joslyn II with Cat

Joslyn II with Cat

Artist: Rae Johnson

Work ID: 51382

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements: 170.18 x 124.46 cm/po

Collection:

Date Made: 1998

Materials:

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Installation at Lonsdale Gallery, Toronto

Installation at Lonsdale Gallery, Toronto

Artist: Rae Johnson

Work ID: 51390

Description:

Measurements:

Collection:

Date Made: 1998

Materials:

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Firebird, Lake Winnipeg

Firebird, Lake Winnipeg

Artist: Rae Johnson

Work ID: 51393

Description:

Measurements: 213.36 x 182.88 cm/po

Collection:

Date Made: 1998

Materials:

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Streamers

Streamers

Artist: Rae Johnson

Work ID: 51391

Description:

Measurements: 182.88 x 213.36 cm/po

Collection:

Date Made: 1998

Materials:

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Storm Front, Winnipeg, Manitoba

Storm Front, Winnipeg, Manitoba

Artist: Rae Johnson

Work ID: 51392

Description:

Measurements: 213.36 x 182.88 cm/po

Collection:

Date Made: 1998

Materials:

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Hexagonal table

Hexagonal table

Artist: Rae Johnson

Work ID: 51381

Description:

Measurements: 121.92 x 121.92 cm/po

Collection:

Date Made: 1998

Materials:

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Installation at Lonsdale Gallery, Toronto

Installation at Lonsdale Gallery, Toronto

Artist: Rae Johnson

Work ID: 51394

Description:

Measurements:

Collection:

Date Made: 1998

Materials:

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Joslyn IV Dream Girl

Joslyn IV Dream Girl

Artist: Rae Johnson

Work ID: 51383

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements: 177.8 x 127 cm/po

Collection:

Date Made: 1999

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Joslyn III with Broken Flower

Joslyn III with Broken Flower

Artist: Rae Johnson

Work ID: 51385

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements: 177.8 x 124.46 cm/po

Collection:

Date Made: 1999

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Study for Dream Girl

Study for Dream Girl

Artist: Rae Johnson

Work ID: 51387

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements:

Collection:

Date Made: 1999

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Joslyn IV with Geranium

Joslyn IV with Geranium

Artist: Rae Johnson

Work ID: 51386

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements: 157.48 x 124.46 cm/po

Collection:

Date Made: 1999

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Joslyn I with New Guinea Head

Joslyn I with New Guinea Head

Artist: Rae Johnson

Work ID: 51384

Description: Dream Girl - 1999
The dream girl paintings began with photo sessions using a digital camera to record my daughter Joslyn sitting inside of a "still-life" of objects - curtains, glass tables, flowers, sculpture. As she sat quietly, her face would subtly transform, her inner thoughts floating across her features like shadows. When I saw a "moment" that I recognized I would record it, then draw it and paint it on canvas.

In this group of paintings, the digital photograph served as a preliminary drawing. I used a grid to map the digital image onto canvas. Then I used graphite to block in the image replicating the exact proportions of the digital still. An interesting perceptual tension arose. The surface is explicitly sensual with the stroking and smudging of a soft drawing graphite caught within the rigid outlines of the camera. The eye subliminally recognizes the proportions of a machine-seen "real" image - the digital photograph - yet the rendering is low-tech, tactile, hand-made "unreal".

Measurements: 119.38 x 88.9 cm/po

Collection:

Date Made: 1999

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51400

Description:

Measurements:

Collection:

Date Made: 2000

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51398

Description:

Measurements:

Collection:

Date Made: 2000

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51401

Description:

Measurements:

Collection:

Date Made: 2000

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51396

Description:

Measurements:

Collection:

Date Made: 2000

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51399

Description:

Measurements:

Collection:

Date Made: 2000

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Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Dreamgirl Exhibition, [installation view, Art Gallery of Peterborough]

Artist: Rae Johnson

Work ID: 51397

Description:

Measurements:

Collection:

Date Made: 2000

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Shaking Plane

Shaking Plane

Artist: Rae Johnson

Work ID: 51407

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 93.98 x 121.92 cm/po

Collection:

Date Made: 2001

Materials:

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Disappearing Plane

Disappearing Plane

Artist: Rae Johnson

Work ID: 51405

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 152.4 x 121.92 cm/po

Collection:

Date Made: 2001

Materials:

Virtual Collection:

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Falling Plane

Falling Plane

Artist: Rae Johnson

Work ID: 51404

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 160.02 x 121.92 cm/po

Collection:

Date Made: 2001

Materials:

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Fading Plane

Fading Plane

Artist: Rae Johnson

Work ID: 51406

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 121.92 x 93.98 cm/po

Collection:

Date Made: 2001

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Point / Plane

Point / Plane

Artist: Rae Johnson

Work ID: 51402

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 68.58 x 121.92 cm/po

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Date Made: 2001

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Point / Plane, [horizontal]

Point / Plane, [horizontal]

Artist: Rae Johnson

Work ID: 51403

Description: The Ghost Plane Paintings 2001 - 2002.
In the first weeks after September 11th, I could not continue in the studio, business as usual. The events of 9-11, were of mythic proportions, a horrific expression of the collision of opposing world views. Ethically, I could not ignore the historic impact of the event. At the same time, I did not want to indulge in the jingoistic sensationalist frenzy playing out in the media. Who's Armegeddon is it anyway?

I was compelled to make these paintings after September 11th. I was fascinated by the image of United Airlines Flight 175 caught on video seconds before it vaporized into its target - captured in time - living on in endless spectacular replays in the news. I contemplated how the event continues to exist as a horrific afterimage in the collective memory - replaying over and over again in the media and in the dimension of thought.

The ghost plane is the central image in all of the paintings in this series. These oil and wax paintings, are visceral descriptions of Flight 175 as I conceptualize it, trapped within the space time continuum, like a prehistoric fly suspended in amber. I have painted and over-painted the image of the plane until it started to resonate from the materiality of the black paint itself. Eventually a platonic idea of the plane became embedded in the paint - an accumulation of hundreds of layers of painted planes, emerging visually out of a black nothing, shifting and shaking into discernable forms. These paintings function as mnemonic snap shots. They are slow to see and become clearer the longer they are looked at.

Measurements: 81.28 x 121.92 cm/po

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Date Made: 2001

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Monkey Man

Monkey Man

Artist: Rae Johnson

Work ID: 51410

Description:

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Date Made: 2002

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Monkey Man, [installation view, Fly Gallery, Toronto]

Monkey Man, [installation view, Fly Gallery, Toronto]

Artist: Rae Johnson

Work ID: 51411

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Date Made: 2002

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The moment-9-11/ ghost plane / angel of death

The moment-9-11/ ghost plane / angel of death

Artist: Rae Johnson

Work ID: 51408

Description:

Measurements: 203.2 x 241.3 cm/po

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Date Made: 2002

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The moment-9-11/ ghost plane / angel of death, [detail]

The moment-9-11/ ghost plane / angel of death, [detail]

Artist: Rae Johnson

Work ID: 51409

Description:

Measurements: 203.2 x 241.3 cm/po

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Date Made: 2002

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Gunning for Saddam

Gunning for Saddam

Artist: Rae Johnson

Work ID: 51412

Description: Live from Baghdad, The Cameron, Toronto, Jan. 2003

The paintings in this show are portraits of ideas playing out in the media, focusing on the recent renewed interest in nuclear war. CNN and Newsworld provide the landscape from which the omnipotent force of America and its allies pose and gesticulate, basking in the gaze of history.

I have stolen images from the public domain of broadcasting. Some of the faces will be familiar, however the intent is not to focus on nor criticise the individuals represented. The intent is to see the hierarchy of information bites in the tv media as a visual dance of the rites of war. By enhancing the images with the sensuous quality of oil paint, I want to turn these flickering media images into portraits of this moment, captured and remade into objects of beauty, and displayed on the "cave walls" of the Cameron.

Measurements: 91.44 x 121.92 cm/po

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Date Made: 2003

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George Bush

George Bush

Artist: Rae Johnson

Work ID: 51414

Description: Live from Baghdad, The Cameron, Toronto, Jan. 2003

The paintings in this show are portraits of ideas playing out in the media, focusing on the recent renewed interest in nuclear war. CNN and Newsworld provide the landscape from which the omnipotent force of America and its allies pose and gesticulate, basking in the gaze of history.

I have stolen images from the public domain of broadcasting. Some of the faces will be familiar, however the intent is not to focus on nor criticise the individuals represented. The intent is to see the hierarchy of information bites in the tv media as a visual dance of the rites of war. By enhancing the images with the sensuous quality of oil paint, I want to turn these flickering media images into portraits of this moment, captured and remade into objects of beauty, and displayed on the "cave walls" of the Cameron.

Measurements: 91.44 x 121.92 cm/po

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Date Made: 2003

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Live from Baghdad

Live from Baghdad

Artist: Rae Johnson

Work ID: 51415

Description: Live from Baghdad, The Cameron, Toronto, Jan. 2003

The paintings in this show are portraits of ideas playing out in the media, focusing on the recent renewed interest in nuclear war. CNN and Newsworld provide the landscape from which the omnipotent force of America and its allies pose and gesticulate, basking in the gaze of history.

I have stolen images from the public domain of broadcasting. Some of the faces will be familiar, however the intent is not to focus on nor criticise the individuals represented. The intent is to see the hierarchy of information bites in the tv media as a visual dance of the rites of war. By enhancing the images with the sensuous quality of oil paint, I want to turn these flickering media images into portraits of this moment, captured and remade into objects of beauty, and displayed on the "cave walls" of the Cameron.

Measurements: 121.92 x 91.44 cm/po

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Date Made: 2003

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Axis of Evil

Axis of Evil

Artist: Rae Johnson

Work ID: 51416

Description: Live from Baghdad, The Cameron, Toronto, Jan. 2003

The paintings in this show are portraits of ideas playing out in the media, focusing on the recent renewed interest in nuclear war. CNN and Newsworld provide the landscape from which the omnipotent force of America and its allies pose and gesticulate, basking in the gaze of history.

I have stolen images from the public domain of broadcasting. Some of the faces will be familiar, however the intent is not to focus on nor criticise the individuals represented. The intent is to see the hierarchy of information bites in the tv media as a visual dance of the rites of war. By enhancing the images with the sensuous quality of oil paint, I want to turn these flickering media images into portraits of this moment, captured and remade into objects of beauty, and displayed on the "cave walls" of the Cameron.

Measurements: 91.44 x 121.92 cm/po

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Date Made: 2003

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Nuclear Threats

Nuclear Threats

Artist: Rae Johnson

Work ID: 51413

Description: Live from Baghdad, The Cameron, Toronto, Jan. 2003

The paintings in this show are portraits of ideas playing out in the media, focusing on the recent renewed interest in nuclear war. CNN and Newsworld provide the landscape from which the omnipotent force of America and its allies pose and gesticulate, basking in the gaze of history.

I have stolen images from the public domain of broadcasting. Some of the faces will be familiar, however the intent is not to focus on nor criticise the individuals represented. The intent is to see the hierarchy of information bites in the tv media as a visual dance of the rites of war. By enhancing the images with the sensuous quality of oil paint, I want to turn these flickering media images into portraits of this moment, captured and remade into objects of beauty, and displayed on the "cave walls" of the Cameron.

Measurements: 91.44 x 121.92 cm/po

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Date Made: 2003

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Was she dead…? #2

Was she dead…? #2

Artist: Rae Johnson

Work ID: 71360

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 111.76 x 152.4 cm

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Date Made: 2005

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Head/Clouds

Head/Clouds

Artist: Rae Johnson

Work ID: 71355

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Head/Tornado

Head/Tornado

Artist: Rae Johnson

Work ID: 71363

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 101.6 x 167.64 cm

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Date Made: 2005

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Disinterred Girl

Disinterred Girl

Artist: Rae Johnson

Work ID: 71358

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Sunst/Bullet Hole

Sunst/Bullet Hole

Artist: Rae Johnson

Work ID: 71361

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 101.6 x 167.64 cm

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Date Made: 2005

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Head/Banff Highway

Head/Banff Highway

Artist: Rae Johnson

Work ID: 71362

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty á motionless, mute, and dead á a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 101.6 x 142.24 cm

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Date Made: 2005

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Decomposing Head

Decomposing Head

Artist: Rae Johnson

Work ID: 71356

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Cement Head

Cement Head

Artist: Rae Johnson

Work ID: 71357

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Man Shot

Man Shot

Artist: Rae Johnson

Work ID: 71365

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Was she dead…?

Was she dead…?

Artist: Rae Johnson

Work ID: 71359

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 60.96 x 76.2 cm

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Date Made: 2005

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Bathtub Head

Bathtub Head

Artist: Rae Johnson

Work ID: 71364

Description: "Beautiful Dead Girls", or "Sleeping Beauty"

These paintings are contemplations on current ideals of beauty and desire, taken from the entertainment media, embedded in the timeless theme of Sex and Death.

In this series of work, I have concentrated on capturing television images of the "pretend" female corpse. The centre piece of the wildly popular forensic crime show genre, she belongs in the same category with Sleeping Beauty, Hamlet's Ophelia, Persephone and all mythical figures of feminine passivity in the extreme.

The current version of the ravaged heroine, is a fetishistic creature of contemporary lust and revulsion portraying a particular kind of Beauty œ motionless, mute, and dead œ a mortiferous object on which to project the collective fears and desires of the viewing public. The banal ugliness of brutality is glamourized in scenes of artfully constructed fictions blurring reality with fantasies of fear, repulsion and desire.

Removed from reality and elegantly restaged, the Brutal is somehow made Aesthetic. Images of Horror are made Beautiful. These paintings are intended to be visually beautiful and at the same time, subtly disturbing. They are reflections of artificially constructed images of eroticism and death in popular entertainment culture.

This work was created at the Banff Centre for the Arts. The landscape elements are Albertan mountains and skies interrupted by highways and factories. The figurative elements are taken from broadcast television.


Measurements: 121.92 x 101.6 cm

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Date Made: 2005

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Selkirk – Golden Field

Selkirk – Golden Field

Artist: Rae Johnson

Work ID: 74493

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 2007

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Selkirk – August Clouds

Selkirk – August Clouds

Artist: Rae Johnson

Work ID: 74496

Description:

Measurements: 182.88 x 213.36 cm

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Date Made: 2007

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Selkirk – Side Road

Selkirk – Side Road

Artist: Rae Johnson

Work ID: 74492

Description:

Measurements: 182.88 x 243.84 cm

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Date Made: 2007

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Selkirk – Furrows

Selkirk – Furrows

Artist: Rae Johnson

Work ID: 74494

Description:

Measurements: 182.88 x 243.84 cm

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Date Made: 2007

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Selkirk – Ground Shadows

Selkirk – Ground Shadows

Artist: Rae Johnson

Work ID: 74495

Description:

Measurements: 182.88 x 243.84 cm

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Date Made: 2007

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Selkirk – Tornados

Selkirk – Tornados

Artist: Rae Johnson

Work ID: 74497

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 2008

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Selkirk – Field & Pond

Selkirk – Field & Pond

Artist: Rae Johnson

Work ID: 74498

Description:

Measurements: 182.88 x 213.36 cm

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Date Made: 2008

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Storm – Lake Winnipeg

Storm – Lake Winnipeg

Artist: Rae Johnson

Work ID: 74499

Description:

Measurements: 182.88 x 213.36 cm

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Date Made: 2008

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Green Aurora

Green Aurora

Artist: Rae Johnson

Work ID: 74501

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 2008

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Green Swoop

Green Swoop

Artist: Rae Johnson

Work ID: 74500

Description:

Measurements: 182.88 x 243.84 cm

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Date Made: 2008

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Northern Lights Winter

Northern Lights Winter

Artist: Rae Johnson

Work ID: 74503

Description:

Measurements: 182.88 x 243.84 cm

Collection:

Date Made: 2009

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Funnel Aurora

Funnel Aurora

Artist: Rae Johnson

Work ID: 74504

Description:

Measurements: 182.88 x 243.84 cm

Collection:

Date Made: 2009

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Cosmic Aurora

Cosmic Aurora

Artist: Rae Johnson

Work ID: 74502

Description:

Measurements: 182.88 x 213.36 cm

Collection:

Date Made: 2009

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